Faceless :: re-inventing privacy through subversive media strategies /
Die Beiträge dieses Buchs sind einem Phänomen auf der Spur, das widersprüchlich anmutet: Wir, Computernutzerinnen und User, sind im digitalen Raum in alle Ewigkeit wiederzufinden. Man will einerseits wahrnehmbar, andererseits doch nicht gleich wiedererkennbar sein, sich nicht an eine unüberschaubare...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English German |
| Veröffentlicht: |
Berlin ; Boston :
De Gruyter,
[2018]
|
| Schriftenreihe: | Edition Die Angewandte, University Press.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Die Beiträge dieses Buchs sind einem Phänomen auf der Spur, das widersprüchlich anmutet: Wir, Computernutzerinnen und User, sind im digitalen Raum in alle Ewigkeit wiederzufinden. Man will einerseits wahrnehmbar, andererseits doch nicht gleich wiedererkennbar sein, sich nicht an eine unüberschaubare Öffentlichkeit ausliefern, gar das Gesicht verlieren. Das Buch dokumentiert künstlerische und andere Strategien, die Möglichkeiten aufzeigen, im unendlichen Buch der Gesichter zu erscheinen und sich dabei doch jeglicher Erfassung zu entziehen. Der Wunsch, kein bloßes Objekt des facialen Ausverkaufs zu werden, bleibt dabei nicht bloß ein ästhetisches Unterfangen. Die Beiträge formulieren auch kämpferische wie ironische Ansagen gegen eine digitale Dynamik, die unseren Alltag längst erreicht hat. The contributions to this book explore a phenomenon that appears to be a contradiction in itself - we, the users of computers, can be tracked in digital space for all eternity. Although, on the one hand, one wants to be noticed and noticeable, on the other hand one does not necessarily want to be recognized at the first instance, being prey to an unfathomable public, or - even less so - to lose face. The book documents artistic and other strategies that point out options for appearing in the infinite book of faces whilst nevertheless avoiding being included in any records. The desire not to become a mere object of facial sell-out does not just remain an aesthetic endeavor. The contributions also contain combative and sarcastic statements against a digital dynamic that has already penetrated our everyday lives. |
| Beschreibung: | 1 online resource : Zahlr. farb. Abb |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9783110527704 3110527707 3110525135 9783110525137 |
| ISSN: | 1866-248X |
Internformat
MARC
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| 245 | 0 | 0 | |a Faceless : |b re-inventing privacy through subversive media strategies / |c Bogomir Doringer, Brigitte Felderer. |
| 264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource : |b Zahlr. farb. Abb | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t The Beginning / |r Doringer, Bogomir -- |t Faceless Book / |r Macho, Thomas -- |t Archiving faceless / |r Doringer, Bogomir -- |t Hi! I'm famous new media artist Jeremy Bailey! / |r Bailey, Jeremy -- |t Faceless Praxis in the Age of Zero Trust: Strategies of Disappearance and Distributed Pseudonymity in Art and Research / |r Tarasiewicz, Matthias -- |t THE PRIVACY GIFT SHOP / |r Harvey, Adam -- |t Public Privacy / |r Felderer, Brigitte -- |t The Future is Unknown -- I am the Future / |r Bosma, Josephine -- |t Behind the White Shadows of Image Processing: Shirley, Lena, Jennifer, and the Angel of History / |r Menkman, Rosa -- |t Here Be Faces / |r Niquille, Simone C. -- |t Suppressed Images / |r Dewey-Hagborg, Heather -- |t Permission is a Material: Jill Magid Faces the Information Sublime / |r Muggs, Joe -- |t Selected Excerpts from the WE MARGIELA Inter views -- |t Masking the Body as a Trope of Japanese Reflections on Reality / |r Seidl, Walter -- |t Exhibitionism as the New Normal: From Presenting to Performing / |r Koskela, Hille -- |t The Museum / |r Kneževic, Nikola / Listopad, Bruno -- |t under new moons we stand strong / |r Dillon, Teresa -- |t IMAGE CREDITS -- |t PUBLISHER'S NOTE. |
| 520 | |a Die Beiträge dieses Buchs sind einem Phänomen auf der Spur, das widersprüchlich anmutet: Wir, Computernutzerinnen und User, sind im digitalen Raum in alle Ewigkeit wiederzufinden. Man will einerseits wahrnehmbar, andererseits doch nicht gleich wiedererkennbar sein, sich nicht an eine unüberschaubare Öffentlichkeit ausliefern, gar das Gesicht verlieren. Das Buch dokumentiert künstlerische und andere Strategien, die Möglichkeiten aufzeigen, im unendlichen Buch der Gesichter zu erscheinen und sich dabei doch jeglicher Erfassung zu entziehen. Der Wunsch, kein bloßes Objekt des facialen Ausverkaufs zu werden, bleibt dabei nicht bloß ein ästhetisches Unterfangen. Die Beiträge formulieren auch kämpferische wie ironische Ansagen gegen eine digitale Dynamik, die unseren Alltag längst erreicht hat. | ||
| 520 | |a The contributions to this book explore a phenomenon that appears to be a contradiction in itself - we, the users of computers, can be tracked in digital space for all eternity. Although, on the one hand, one wants to be noticed and noticeable, on the other hand one does not necessarily want to be recognized at the first instance, being prey to an unfathomable public, or - even less so - to lose face. The book documents artistic and other strategies that point out options for appearing in the infinite book of faces whilst nevertheless avoiding being included in any records. The desire not to become a mere object of facial sell-out does not just remain an aesthetic endeavor. The contributions also contain combative and sarcastic statements against a digital dynamic that has already penetrated our everyday lives. | ||
| 546 | |a In English. | ||
| 504 | |a Includes bibliographical references. | ||
| 650 | 0 | |a Privacy in art. |0 http://id.loc.gov/authorities/subjects/sh96011960 | |
| 650 | 0 | |a Arts, Modern |y 21st century. |0 http://id.loc.gov/authorities/subjects/sh2001009834 | |
| 650 | 6 | |a Vie privée dans l'art. | |
| 650 | 6 | |a Arts |y 21e siècle. | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a Arts, Modern |2 fast | |
| 650 | 7 | |a Privacy in art |2 fast | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 655 | 4 | |a Electronic book. | |
| 700 | 1 | |a Doringer, Bogomir, |e editor. | |
| 700 | 1 | |a Felderer, Brigitte, |e editor. | |
| 758 | |i has work: |a Faceless (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFtPf4q3KQbJQgfrtmqQpX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 830 | 0 | |a Edition Die Angewandte, University Press. |0 http://id.loc.gov/authorities/names/nr2004003035 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1874557 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH35152239 | ||
| 938 | |a De Gruyter |b DEGR |n 9783110527704 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL5158547 | ||
| 938 | |a EBSCOhost |b EBSC |n 1874557 | ||
| 938 | |a YBP Library Services |b YANK |n 13204663 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1046608005 |
|---|---|
| _version_ | 1816882466631188480 |
| adam_text | |
| any_adam_object | |
| author2 | Doringer, Bogomir Felderer, Brigitte |
| author2_role | edt edt |
| author2_variant | b d bd b f bf |
| author_additional | Doringer, Bogomir -- Macho, Thomas -- Bailey, Jeremy -- Tarasiewicz, Matthias -- Harvey, Adam -- Felderer, Brigitte -- Bosma, Josephine -- Menkman, Rosa -- Niquille, Simone C. -- Dewey-Hagborg, Heather -- Muggs, Joe -- Seidl, Walter -- Koskela, Hille -- Kneževic, Nikola / Listopad, Bruno -- Dillon, Teresa -- |
| author_facet | Doringer, Bogomir Felderer, Brigitte |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX650 |
| callnumber-raw | NX650.P64 F33 2018 |
| callnumber-search | NX650.P64 F33 2018 |
| callnumber-sort | NX 3650 P64 F33 42018 |
| callnumber-subject | NX - Arts in General |
| collection | ZDB-4-EBA |
| contents | Frontmatter -- Contents -- The Beginning / Faceless Book / Archiving faceless / Hi! I'm famous new media artist Jeremy Bailey! / Faceless Praxis in the Age of Zero Trust: Strategies of Disappearance and Distributed Pseudonymity in Art and Research / THE PRIVACY GIFT SHOP / Public Privacy / The Future is Unknown -- I am the Future / Behind the White Shadows of Image Processing: Shirley, Lena, Jennifer, and the Angel of History / Here Be Faces / Suppressed Images / Permission is a Material: Jill Magid Faces the Information Sublime / Selected Excerpts from the WE MARGIELA Inter views -- Masking the Body as a Trope of Japanese Reflections on Reality / Exhibitionism as the New Normal: From Presenting to Performing / The Museum / under new moons we stand strong / IMAGE CREDITS -- PUBLISHER'S NOTE. |
| ctrlnum | (OCoLC)1046608005 |
| dewey-full | 700.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.1 |
| dewey-search | 700.1 |
| dewey-sort | 3700.1 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 2000-2099 fast |
| era_facet | 2000-2099 |
| format | Electronic eBook |
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| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-on1046608005 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:04Z |
| institution | BVB |
| isbn | 9783110527704 3110527707 3110525135 9783110525137 |
| issn | 1866-248X |
| language | English German |
| oclc_num | 1046608005 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource : Zahlr. farb. Abb |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | De Gruyter, |
| record_format | marc |
| series | Edition Die Angewandte, University Press. |
| series2 | Edition Angewandte, |
| spelling | Faceless : re-inventing privacy through subversive media strategies / Bogomir Doringer, Brigitte Felderer. Berlin ; Boston : De Gruyter, [2018] ©2018 1 online resource : Zahlr. farb. Abb text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Edition Angewandte, 1866-248X Online resource; title from PDF title page (EBSCO, viewed May 2, 2019) Frontmatter -- Contents -- The Beginning / Doringer, Bogomir -- Faceless Book / Macho, Thomas -- Archiving faceless / Doringer, Bogomir -- Hi! I'm famous new media artist Jeremy Bailey! / Bailey, Jeremy -- Faceless Praxis in the Age of Zero Trust: Strategies of Disappearance and Distributed Pseudonymity in Art and Research / Tarasiewicz, Matthias -- THE PRIVACY GIFT SHOP / Harvey, Adam -- Public Privacy / Felderer, Brigitte -- The Future is Unknown -- I am the Future / Bosma, Josephine -- Behind the White Shadows of Image Processing: Shirley, Lena, Jennifer, and the Angel of History / Menkman, Rosa -- Here Be Faces / Niquille, Simone C. -- Suppressed Images / Dewey-Hagborg, Heather -- Permission is a Material: Jill Magid Faces the Information Sublime / Muggs, Joe -- Selected Excerpts from the WE MARGIELA Inter views -- Masking the Body as a Trope of Japanese Reflections on Reality / Seidl, Walter -- Exhibitionism as the New Normal: From Presenting to Performing / Koskela, Hille -- The Museum / Kneževic, Nikola / Listopad, Bruno -- under new moons we stand strong / Dillon, Teresa -- IMAGE CREDITS -- PUBLISHER'S NOTE. Die Beiträge dieses Buchs sind einem Phänomen auf der Spur, das widersprüchlich anmutet: Wir, Computernutzerinnen und User, sind im digitalen Raum in alle Ewigkeit wiederzufinden. Man will einerseits wahrnehmbar, andererseits doch nicht gleich wiedererkennbar sein, sich nicht an eine unüberschaubare Öffentlichkeit ausliefern, gar das Gesicht verlieren. Das Buch dokumentiert künstlerische und andere Strategien, die Möglichkeiten aufzeigen, im unendlichen Buch der Gesichter zu erscheinen und sich dabei doch jeglicher Erfassung zu entziehen. Der Wunsch, kein bloßes Objekt des facialen Ausverkaufs zu werden, bleibt dabei nicht bloß ein ästhetisches Unterfangen. Die Beiträge formulieren auch kämpferische wie ironische Ansagen gegen eine digitale Dynamik, die unseren Alltag längst erreicht hat. The contributions to this book explore a phenomenon that appears to be a contradiction in itself - we, the users of computers, can be tracked in digital space for all eternity. Although, on the one hand, one wants to be noticed and noticeable, on the other hand one does not necessarily want to be recognized at the first instance, being prey to an unfathomable public, or - even less so - to lose face. The book documents artistic and other strategies that point out options for appearing in the infinite book of faces whilst nevertheless avoiding being included in any records. The desire not to become a mere object of facial sell-out does not just remain an aesthetic endeavor. The contributions also contain combative and sarcastic statements against a digital dynamic that has already penetrated our everyday lives. In English. Includes bibliographical references. Privacy in art. http://id.loc.gov/authorities/subjects/sh96011960 Arts, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2001009834 Vie privée dans l'art. Arts 21e siècle. ART Performance. bisacsh ART Reference. bisacsh Arts, Modern fast Privacy in art fast 2000-2099 fast Electronic book. Doringer, Bogomir, editor. Felderer, Brigitte, editor. has work: Faceless (Text) https://id.oclc.org/worldcat/entity/E39PCFtPf4q3KQbJQgfrtmqQpX https://id.oclc.org/worldcat/ontology/hasWork Edition Die Angewandte, University Press. http://id.loc.gov/authorities/names/nr2004003035 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1874557 Volltext |
| spellingShingle | Faceless : re-inventing privacy through subversive media strategies / Edition Die Angewandte, University Press. Frontmatter -- Contents -- The Beginning / Faceless Book / Archiving faceless / Hi! I'm famous new media artist Jeremy Bailey! / Faceless Praxis in the Age of Zero Trust: Strategies of Disappearance and Distributed Pseudonymity in Art and Research / THE PRIVACY GIFT SHOP / Public Privacy / The Future is Unknown -- I am the Future / Behind the White Shadows of Image Processing: Shirley, Lena, Jennifer, and the Angel of History / Here Be Faces / Suppressed Images / Permission is a Material: Jill Magid Faces the Information Sublime / Selected Excerpts from the WE MARGIELA Inter views -- Masking the Body as a Trope of Japanese Reflections on Reality / Exhibitionism as the New Normal: From Presenting to Performing / The Museum / under new moons we stand strong / IMAGE CREDITS -- PUBLISHER'S NOTE. Privacy in art. http://id.loc.gov/authorities/subjects/sh96011960 Arts, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2001009834 Vie privée dans l'art. Arts 21e siècle. ART Performance. bisacsh ART Reference. bisacsh Arts, Modern fast Privacy in art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh96011960 http://id.loc.gov/authorities/subjects/sh2001009834 |
| title | Faceless : re-inventing privacy through subversive media strategies / |
| title_alt | Frontmatter -- Contents -- The Beginning / Faceless Book / Archiving faceless / Hi! I'm famous new media artist Jeremy Bailey! / Faceless Praxis in the Age of Zero Trust: Strategies of Disappearance and Distributed Pseudonymity in Art and Research / THE PRIVACY GIFT SHOP / Public Privacy / The Future is Unknown -- I am the Future / Behind the White Shadows of Image Processing: Shirley, Lena, Jennifer, and the Angel of History / Here Be Faces / Suppressed Images / Permission is a Material: Jill Magid Faces the Information Sublime / Selected Excerpts from the WE MARGIELA Inter views -- Masking the Body as a Trope of Japanese Reflections on Reality / Exhibitionism as the New Normal: From Presenting to Performing / The Museum / under new moons we stand strong / IMAGE CREDITS -- PUBLISHER'S NOTE. |
| title_auth | Faceless : re-inventing privacy through subversive media strategies / |
| title_exact_search | Faceless : re-inventing privacy through subversive media strategies / |
| title_full | Faceless : re-inventing privacy through subversive media strategies / Bogomir Doringer, Brigitte Felderer. |
| title_fullStr | Faceless : re-inventing privacy through subversive media strategies / Bogomir Doringer, Brigitte Felderer. |
| title_full_unstemmed | Faceless : re-inventing privacy through subversive media strategies / Bogomir Doringer, Brigitte Felderer. |
| title_short | Faceless : |
| title_sort | faceless re inventing privacy through subversive media strategies |
| title_sub | re-inventing privacy through subversive media strategies / |
| topic | Privacy in art. http://id.loc.gov/authorities/subjects/sh96011960 Arts, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2001009834 Vie privée dans l'art. Arts 21e siècle. ART Performance. bisacsh ART Reference. bisacsh Arts, Modern fast Privacy in art fast |
| topic_facet | Privacy in art. Arts, Modern 21st century. Vie privée dans l'art. Arts 21e siècle. ART Performance. ART Reference. Arts, Modern Privacy in art Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1874557 |
| work_keys_str_mv | AT doringerbogomir facelessreinventingprivacythroughsubversivemediastrategies AT feldererbrigitte facelessreinventingprivacythroughsubversivemediastrategies |