Situating global art :: topologies, temporalities, trajectories /
In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications...
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| Weitere Verfasser: | , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld :
Transcript,
[2018]
|
| Schriftenreihe: | Image (Transcript (Firm)) ;
v. 89. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception. |
| Beschreibung: | 1 online resource |
| ISBN: | 3839433975 9783839433973 |
| Zugangseinschränkungen: | Legal Deposit; |
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| 245 | 0 | 0 | |a Situating global art : |b topologies, temporalities, trajectories / |c Sarah Dornhof, Nanne Buurman, Birgit Hopfener, Barbara Lutz (eds.). |
| 264 | 1 | |a Bielefeld : |b Transcript, |c [2018] | |
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Image ; |v volume 89 | |
| 520 | |a In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on March 29, 2019). | |
| 505 | 0 | 0 | |g Machine generated contents note: |t Epistemological Frameworks -- |t Spectres of 1989: On some Misconceptions of the ̀Globality' in and of Contemporary Art / |r Jacob Birken -- |t Scrim, the Pistol, and the Lectern: Dis-Situating the Global Contemporary / |r Andrew Stefan Weiner -- |t Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society," / |r Voon Pow Bartlett -- |t "A Collage of Globalization" in Documentall's Exhibition Catalogue / |r Antigoni Memou -- |t Institutional Politics -- |t Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects / |r Birgit Mersmann -- |t Gulf Labor: The Boycott as Political Activism and Institutional Critique / |r Janna-Mirl Redmann -- |t You Can't Always Curate Your Way Out! Reflections on the Ghetto Biennale / |r Leah Gordon -- |t Generation 00: The Artist as Citizen / |r Abdellah Karroum -- |t Museological Narratives -- |t How Far How Near: A Global Assemblage in the Modern Art Museum / |r Jelle Bouwhuis -- |t Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating / |r Annette Bhagwati -- |t Curating as Transcultural Practice, documenta 12 and the "Migration of Form" / |r Barbara Lutz -- |t Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization / |r Sarah Dornhof -- |t Practices of Self-Cultivation -- |t Art of Globalization/The Globalization of Art: Creating Transnational, In-terethnic and Cross-Gender Identities in the 3D Work of Miao Xiaochun / |r Isabel Seliger -- |t Transculturally Entangled -Qiu Zhijie's Concept of Total Art / |r Birgit Hopfener -- |t Globalization as an Artistic Strategy: The Case of Takashi Murakami / |r Ronit Milano -- |t Blind Spot of Global Art? Hans Ulrich Obrist's Ways of Curating / |r Nanne Buurman. |
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| 650 | 0 | |a Art and globalization |v Congresses. | |
| 650 | 0 | |a Art and society |v Congresses. | |
| 650 | 6 | |a Art et mondialisation |v Congrès. | |
| 650 | 6 | |a Art et société |v Congrès. | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a ART / Criticism & Theory |2 bisacsh | |
| 650 | 7 | |a Art and globalization |2 fast | |
| 650 | 7 | |a Art and society |2 fast | |
| 653 | |a Art. | ||
| 653 | |a Contemporary Art. | ||
| 653 | |a Curating. | ||
| 653 | |a Fine Arts. | ||
| 653 | |a Globalization. | ||
| 653 | |a Interculturalism. | ||
| 653 | |a Postcolonialism. | ||
| 653 | |a Theory of Art. | ||
| 653 | |a Transculturality. | ||
| 655 | 7 | |a Conference papers and proceedings |2 fast | |
| 700 | 1 | |a Dornhof, Sarah, |e editor. | |
| 700 | 1 | |a Buurman, Nanne, |e editor. | |
| 700 | 1 | |a Hopfener, Birgit, |e editor. | |
| 700 | 1 | |a Lutz, Barbara, |e editor. | |
| 710 | 2 | |a Freie Universität Berlin, |e host institution. |0 http://id.loc.gov/authorities/names/n79068431 | |
| 758 | |i has work: |a Situating global art (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFVQ6jkxmRFpc8qMjdWp8C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Situating global art. |d Bielefeld : Transcript, [2018] |z 9783837633979 |z 3837633977 |w (OCoLC)945094758 |
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| _version_ | 1816882466601828352 |
| adam_text | |
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| author2 | Dornhof, Sarah Buurman, Nanne Hopfener, Birgit Lutz, Barbara |
| author2_role | edt edt edt edt |
| author2_variant | s d sd n b nb b h bh b l bl |
| author_additional | Jacob Birken -- Andrew Stefan Weiner -- Voon Pow Bartlett -- Antigoni Memou -- Birgit Mersmann -- Janna-Mirl Redmann -- Leah Gordon -- Abdellah Karroum -- Jelle Bouwhuis -- Annette Bhagwati -- Barbara Lutz -- Sarah Dornhof -- Isabel Seliger -- Birgit Hopfener -- Ronit Milano -- Nanne Buurman. |
| author_facet | Dornhof, Sarah Buurman, Nanne Hopfener, Birgit Lutz, Barbara |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N72 |
| callnumber-raw | N72.G55 S588 2018 |
| callnumber-search | N72.G55 S588 2018 |
| callnumber-sort | N 272 G55 S588 42018 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Epistemological Frameworks -- Spectres of 1989: On some Misconceptions of the ̀Globality' in and of Contemporary Art / Scrim, the Pistol, and the Lectern: Dis-Situating the Global Contemporary / Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society," / "A Collage of Globalization" in Documentall's Exhibition Catalogue / Institutional Politics -- Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects / Gulf Labor: The Boycott as Political Activism and Institutional Critique / You Can't Always Curate Your Way Out! Reflections on the Ghetto Biennale / Generation 00: The Artist as Citizen / Museological Narratives -- How Far How Near: A Global Assemblage in the Modern Art Museum / Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating / Curating as Transcultural Practice, documenta 12 and the "Migration of Form" / Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization / Practices of Self-Cultivation -- Art of Globalization/The Globalization of Art: Creating Transnational, In-terethnic and Cross-Gender Identities in the 3D Work of Miao Xiaochun / Transculturally Entangled -Qiu Zhijie's Concept of Total Art / Globalization as an Artistic Strategy: The Case of Takashi Murakami / Blind Spot of Global Art? Hans Ulrich Obrist's Ways of Curating / |
| ctrlnum | (OCoLC)1046606053 |
| dewey-full | 701.03 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701.03 |
| dewey-search | 701.03 |
| dewey-sort | 3701.03 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:29:04Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/n79068431 |
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| spelling | Situating global art : topologies, temporalities, trajectories / Sarah Dornhof, Nanne Buurman, Birgit Hopfener, Barbara Lutz (eds.). Bielefeld : Transcript, [2018] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Image ; volume 89 In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception. In English. Online resource; title from digital title page (viewed on March 29, 2019). Machine generated contents note: Epistemological Frameworks -- Spectres of 1989: On some Misconceptions of the ̀Globality' in and of Contemporary Art / Jacob Birken -- Scrim, the Pistol, and the Lectern: Dis-Situating the Global Contemporary / Andrew Stefan Weiner -- Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society," / Voon Pow Bartlett -- "A Collage of Globalization" in Documentall's Exhibition Catalogue / Antigoni Memou -- Institutional Politics -- Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects / Birgit Mersmann -- Gulf Labor: The Boycott as Political Activism and Institutional Critique / Janna-Mirl Redmann -- You Can't Always Curate Your Way Out! Reflections on the Ghetto Biennale / Leah Gordon -- Generation 00: The Artist as Citizen / Abdellah Karroum -- Museological Narratives -- How Far How Near: A Global Assemblage in the Modern Art Museum / Jelle Bouwhuis -- Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating / Annette Bhagwati -- Curating as Transcultural Practice, documenta 12 and the "Migration of Form" / Barbara Lutz -- Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization / Sarah Dornhof -- Practices of Self-Cultivation -- Art of Globalization/The Globalization of Art: Creating Transnational, In-terethnic and Cross-Gender Identities in the 3D Work of Miao Xiaochun / Isabel Seliger -- Transculturally Entangled -Qiu Zhijie's Concept of Total Art / Birgit Hopfener -- Globalization as an Artistic Strategy: The Case of Takashi Murakami / Ronit Milano -- Blind Spot of Global Art? Hans Ulrich Obrist's Ways of Curating / Nanne Buurman. Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK). WlAbNL Art and globalization Congresses. Art and society Congresses. Art et mondialisation Congrès. Art et société Congrès. ART General. bisacsh ART / Criticism & Theory bisacsh Art and globalization fast Art and society fast Art. Contemporary Art. Curating. Fine Arts. Globalization. Interculturalism. Postcolonialism. Theory of Art. Transculturality. Conference papers and proceedings fast Dornhof, Sarah, editor. Buurman, Nanne, editor. Hopfener, Birgit, editor. Lutz, Barbara, editor. Freie Universität Berlin, host institution. http://id.loc.gov/authorities/names/n79068431 has work: Situating global art (Text) https://id.oclc.org/worldcat/entity/E39PCFVQ6jkxmRFpc8qMjdWp8C https://id.oclc.org/worldcat/ontology/hasWork Print version: Situating global art. Bielefeld : Transcript, [2018] 9783837633979 3837633977 (OCoLC)945094758 Image (Transcript (Firm)) ; v. 89. http://id.loc.gov/authorities/names/no2011077749 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1867185 Volltext |
| spellingShingle | Situating global art : topologies, temporalities, trajectories / Image (Transcript (Firm)) ; Epistemological Frameworks -- Spectres of 1989: On some Misconceptions of the ̀Globality' in and of Contemporary Art / Scrim, the Pistol, and the Lectern: Dis-Situating the Global Contemporary / Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society," / "A Collage of Globalization" in Documentall's Exhibition Catalogue / Institutional Politics -- Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects / Gulf Labor: The Boycott as Political Activism and Institutional Critique / You Can't Always Curate Your Way Out! Reflections on the Ghetto Biennale / Generation 00: The Artist as Citizen / Museological Narratives -- How Far How Near: A Global Assemblage in the Modern Art Museum / Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating / Curating as Transcultural Practice, documenta 12 and the "Migration of Form" / Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization / Practices of Self-Cultivation -- Art of Globalization/The Globalization of Art: Creating Transnational, In-terethnic and Cross-Gender Identities in the 3D Work of Miao Xiaochun / Transculturally Entangled -Qiu Zhijie's Concept of Total Art / Globalization as an Artistic Strategy: The Case of Takashi Murakami / Blind Spot of Global Art? Hans Ulrich Obrist's Ways of Curating / Art and globalization Congresses. Art and society Congresses. Art et mondialisation Congrès. Art et société Congrès. ART General. bisacsh ART / Criticism & Theory bisacsh Art and globalization fast Art and society fast |
| title | Situating global art : topologies, temporalities, trajectories / |
| title_alt | Epistemological Frameworks -- Spectres of 1989: On some Misconceptions of the ̀Globality' in and of Contemporary Art / Scrim, the Pistol, and the Lectern: Dis-Situating the Global Contemporary / Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society," / "A Collage of Globalization" in Documentall's Exhibition Catalogue / Institutional Politics -- Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects / Gulf Labor: The Boycott as Political Activism and Institutional Critique / You Can't Always Curate Your Way Out! Reflections on the Ghetto Biennale / Generation 00: The Artist as Citizen / Museological Narratives -- How Far How Near: A Global Assemblage in the Modern Art Museum / Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating / Curating as Transcultural Practice, documenta 12 and the "Migration of Form" / Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization / Practices of Self-Cultivation -- Art of Globalization/The Globalization of Art: Creating Transnational, In-terethnic and Cross-Gender Identities in the 3D Work of Miao Xiaochun / Transculturally Entangled -Qiu Zhijie's Concept of Total Art / Globalization as an Artistic Strategy: The Case of Takashi Murakami / Blind Spot of Global Art? Hans Ulrich Obrist's Ways of Curating / |
| title_auth | Situating global art : topologies, temporalities, trajectories / |
| title_exact_search | Situating global art : topologies, temporalities, trajectories / |
| title_full | Situating global art : topologies, temporalities, trajectories / Sarah Dornhof, Nanne Buurman, Birgit Hopfener, Barbara Lutz (eds.). |
| title_fullStr | Situating global art : topologies, temporalities, trajectories / Sarah Dornhof, Nanne Buurman, Birgit Hopfener, Barbara Lutz (eds.). |
| title_full_unstemmed | Situating global art : topologies, temporalities, trajectories / Sarah Dornhof, Nanne Buurman, Birgit Hopfener, Barbara Lutz (eds.). |
| title_short | Situating global art : |
| title_sort | situating global art topologies temporalities trajectories |
| title_sub | topologies, temporalities, trajectories / |
| topic | Art and globalization Congresses. Art and society Congresses. Art et mondialisation Congrès. Art et société Congrès. ART General. bisacsh ART / Criticism & Theory bisacsh Art and globalization fast Art and society fast |
| topic_facet | Art and globalization Congresses. Art and society Congresses. Art et mondialisation Congrès. Art et société Congrès. ART General. ART / Criticism & Theory Art and globalization Art and society Conference papers and proceedings |
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