Poetry, Media, and the Material Body :: Autopoetics in Nineteenth-Century Britain /
"From the Romantic fascination with hallucinatory poetics to the turn-of-the-century mania for automatic writing, poetry in nineteenth-century Britain appears at crucial times to be oddly involuntary, out of the control of its producers and receivers alike. This elegant study addresses the ques...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY :
Cambridge University Press,
2018.
|
Schriftenreihe: | Cambridge studies in nineteenth-century literature and culture.
|
Schlagworte: | |
Online-Zugang: | DE-862 DE-863 |
Zusammenfassung: | "From the Romantic fascination with hallucinatory poetics to the turn-of-the-century mania for automatic writing, poetry in nineteenth-century Britain appears at crucial times to be oddly involuntary, out of the control of its producers and receivers alike. This elegant study addresses the question of how people understood those forms of written creativity that seem to occur independently of the writer's will. Through the study of the century's media revolution, evolving theories of physiology, and close readings of the works of nineteenth-century poets including Wordsworth, Coleridge and Tennyson, Ashley Miller articulates how poetry was imagined to promote involuntary bodily responses in both authors and readers, and how these responses enlist the body as a medium that does not produce poetry but rather reproduces it. This is a poetics that draws attention to, rather than effaces, the mediacy of the body in the processes of composition and reception."-- |
Beschreibung: | 1 online resource (vii, 197 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781108314480 1108314481 |
Internformat
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520 | |a "From the Romantic fascination with hallucinatory poetics to the turn-of-the-century mania for automatic writing, poetry in nineteenth-century Britain appears at crucial times to be oddly involuntary, out of the control of its producers and receivers alike. This elegant study addresses the question of how people understood those forms of written creativity that seem to occur independently of the writer's will. Through the study of the century's media revolution, evolving theories of physiology, and close readings of the works of nineteenth-century poets including Wordsworth, Coleridge and Tennyson, Ashley Miller articulates how poetry was imagined to promote involuntary bodily responses in both authors and readers, and how these responses enlist the body as a medium that does not produce poetry but rather reproduces it. This is a poetics that draws attention to, rather than effaces, the mediacy of the body in the processes of composition and reception."-- |c Provided by publisher | ||
505 | 0 | |a Cover; Half-title page; Series page; Title page; Copyright page; Contents; Acknowledgments; Introduction: The Material Muse in Nineteenth-Century Poetry; Chapter 1 Striking Passages: Vision, Memory, and the Romantic Imprint; Chapter 2 Internal Impressions: Self-Sympathy and the Poetry of Sensation; Chapter 3 Listening with the Mouth: Tennyson's Deaths of Arthur; Chapter 4 Poetic Afterlives: Automatic Writing and the Mechanics of Quotation; Conclusion The Autonomous Poem: New Criticism and the Stock Response; Notes; Bibliography; Index | |
588 | 0 | |a Print version record. | |
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adam_text | |
any_adam_object | |
author | Miller, Ashley M. |
author_GND | http://id.loc.gov/authorities/names/no2012151631 |
author_facet | Miller, Ashley M. |
author_role | aut |
author_sort | Miller, Ashley M. |
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contents | Cover; Half-title page; Series page; Title page; Copyright page; Contents; Acknowledgments; Introduction: The Material Muse in Nineteenth-Century Poetry; Chapter 1 Striking Passages: Vision, Memory, and the Romantic Imprint; Chapter 2 Internal Impressions: Self-Sympathy and the Poetry of Sensation; Chapter 3 Listening with the Mouth: Tennyson's Deaths of Arthur; Chapter 4 Poetic Afterlives: Automatic Writing and the Mechanics of Quotation; Conclusion The Autonomous Poem: New Criticism and the Stock Response; Notes; Bibliography; Index |
ctrlnum | (OCoLC)1046065698 |
dewey-full | 821.709 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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dewey-search | 821.709 |
dewey-sort | 3821.709 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
era | 1800-1899 fast |
era_facet | 1800-1899 |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-on1046065698 |
illustrated | Not Illustrated |
indexdate | 2025-03-18T14:25:14Z |
institution | BVB |
isbn | 9781108314480 1108314481 |
language | English |
oclc_num | 1046065698 |
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spelling | Miller, Ashley M., author. http://id.loc.gov/authorities/names/no2012151631 Poetry, Media, and the Material Body : Autopoetics in Nineteenth-Century Britain / Ashley Miller. Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2018. ©2018 1 online resource (vii, 197 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cambridge studies in nineteenth-century literature and culture Includes bibliographical references and index. "From the Romantic fascination with hallucinatory poetics to the turn-of-the-century mania for automatic writing, poetry in nineteenth-century Britain appears at crucial times to be oddly involuntary, out of the control of its producers and receivers alike. This elegant study addresses the question of how people understood those forms of written creativity that seem to occur independently of the writer's will. Through the study of the century's media revolution, evolving theories of physiology, and close readings of the works of nineteenth-century poets including Wordsworth, Coleridge and Tennyson, Ashley Miller articulates how poetry was imagined to promote involuntary bodily responses in both authors and readers, and how these responses enlist the body as a medium that does not produce poetry but rather reproduces it. This is a poetics that draws attention to, rather than effaces, the mediacy of the body in the processes of composition and reception."-- Provided by publisher Cover; Half-title page; Series page; Title page; Copyright page; Contents; Acknowledgments; Introduction: The Material Muse in Nineteenth-Century Poetry; Chapter 1 Striking Passages: Vision, Memory, and the Romantic Imprint; Chapter 2 Internal Impressions: Self-Sympathy and the Poetry of Sensation; Chapter 3 Listening with the Mouth: Tennyson's Deaths of Arthur; Chapter 4 Poetic Afterlives: Automatic Writing and the Mechanics of Quotation; Conclusion The Autonomous Poem: New Criticism and the Stock Response; Notes; Bibliography; Index Print version record. English poetry 19th century History and criticism. Poésie anglaise 19e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM Poetry. bisacsh English poetry fast 1800-1899 fast Criticism, interpretation, etc. fast has work: Poetry, Media, and the Material Body (Text) https://id.oclc.org/worldcat/entity/E39PCFycbG3fTGcpXbytdDgGBP https://id.oclc.org/worldcat/ontology/hasWork Cambridge studies in nineteenth-century literature and culture. http://id.loc.gov/authorities/names/n93035018 |
spellingShingle | Miller, Ashley M. Poetry, Media, and the Material Body : Autopoetics in Nineteenth-Century Britain / Cambridge studies in nineteenth-century literature and culture. Cover; Half-title page; Series page; Title page; Copyright page; Contents; Acknowledgments; Introduction: The Material Muse in Nineteenth-Century Poetry; Chapter 1 Striking Passages: Vision, Memory, and the Romantic Imprint; Chapter 2 Internal Impressions: Self-Sympathy and the Poetry of Sensation; Chapter 3 Listening with the Mouth: Tennyson's Deaths of Arthur; Chapter 4 Poetic Afterlives: Automatic Writing and the Mechanics of Quotation; Conclusion The Autonomous Poem: New Criticism and the Stock Response; Notes; Bibliography; Index English poetry 19th century History and criticism. Poésie anglaise 19e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM Poetry. bisacsh English poetry fast |
title | Poetry, Media, and the Material Body : Autopoetics in Nineteenth-Century Britain / |
title_auth | Poetry, Media, and the Material Body : Autopoetics in Nineteenth-Century Britain / |
title_exact_search | Poetry, Media, and the Material Body : Autopoetics in Nineteenth-Century Britain / |
title_full | Poetry, Media, and the Material Body : Autopoetics in Nineteenth-Century Britain / Ashley Miller. |
title_fullStr | Poetry, Media, and the Material Body : Autopoetics in Nineteenth-Century Britain / Ashley Miller. |
title_full_unstemmed | Poetry, Media, and the Material Body : Autopoetics in Nineteenth-Century Britain / Ashley Miller. |
title_short | Poetry, Media, and the Material Body : |
title_sort | poetry media and the material body autopoetics in nineteenth century britain |
title_sub | Autopoetics in Nineteenth-Century Britain / |
topic | English poetry 19th century History and criticism. Poésie anglaise 19e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM Poetry. bisacsh English poetry fast |
topic_facet | English poetry 19th century History and criticism. Poésie anglaise 19e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. LITERARY CRITICISM Poetry. English poetry Criticism, interpretation, etc. |
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