Stolen time :: black fad performance and the Calypso craze /
In 1956 Harry Belafonte's Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US--it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new f...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago, IL :
University of Chicago Press,
2018.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In 1956 Harry Belafonte's Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US--it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework--black fad performance--for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it--and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references (pages 213-241) and index. |
| ISBN: | 9780226568584 022656858X |
Internformat
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| 520 | |a In 1956 Harry Belafonte's Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US--it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework--black fad performance--for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it--and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself. | ||
| 588 | 0 | |a Online resource; title from PDF file page (EBSCO, viewed July 20 2018). | |
| 505 | 0 | |a Introduction : This and that, or, Swiped Calypsos -- Stolen Time : The ontology of Black fad performance -- The Calypso program : technology, performance, cinema -- Carnivalizing jazz : Duke Ellington's Calypso Theater and the diasporic instant -- Surfacing the Caribbean : Black Broadway and mock transnational performance -- Conclusion : Don't stop the carnival. | |
| 504 | |a Includes bibliographical references (pages 213-241) and index. | ||
| 650 | 0 | |a Calypso (Music) |x History. | |
| 650 | 0 | |a Popular music |z United States |y 1951-1960 |x History. | |
| 650 | 0 | |a Popular music |z Caribbean, English-speaking. | |
| 650 | 0 | |a Calypso musicians. |0 http://id.loc.gov/authorities/subjects/sh86008000 | |
| 650 | 0 | |a Musicians, Black |z Caribbean, English-speaking. | |
| 650 | 0 | |a African American musicians |x History |y 20th century. | |
| 650 | 6 | |a Calypso (Musique) |x Histoire. | |
| 650 | 6 | |a Musique populaire |z États-Unis |y 1951-1960 |x Histoire. | |
| 650 | 6 | |a Musique populaire |z Antilles anglophones. | |
| 650 | 6 | |a Musiciens de calypso. | |
| 650 | 6 | |a Musiciens noirs |z Antilles anglophones. | |
| 650 | 6 | |a Musiciens noirs américains |x Histoire |y 20e siècle. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a African American musicians |2 fast | |
| 650 | 7 | |a Calypso (Music) |2 fast | |
| 650 | 7 | |a Calypso musicians |2 fast | |
| 650 | 7 | |a Musicians, Black |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a English-speaking Caribbean Area |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a African American history. | ||
| 653 | |a Calypso. | ||
| 653 | |a Harry Belafonte. | ||
| 653 | |a United States. | ||
| 653 | |a authenticity. | ||
| 653 | |a cultural appropriation. | ||
| 653 | |a fad. | ||
| 653 | |a mass culture. | ||
| 653 | |a performance. | ||
| 653 | |a race. | ||
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Stolen time (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGGBCJRTh3r4Fdmtf7jtDm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Vogel, Shane. |t Stolen Time. |d Chicago, IL : University of Chicago Press, 2018 |z 022656830X |z 9780226568300 |w (OCoLC)1022778060 |
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| author | Vogel, Shane |
| author_GND | http://id.loc.gov/authorities/names/n2008039888 |
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| callnumber-raw | ML3486.A1 V64 2018 |
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| contents | Introduction : This and that, or, Swiped Calypsos -- Stolen Time : The ontology of Black fad performance -- The Calypso program : technology, performance, cinema -- Carnivalizing jazz : Duke Ellington's Calypso Theater and the diasporic instant -- Surfacing the Caribbean : Black Broadway and mock transnational performance -- Conclusion : Don't stop the carnival. |
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| dewey-raw | 781.6409729 |
| dewey-search | 781.6409729 |
| dewey-sort | 3781.6409729 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| genre_facet | History |
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| geographic_facet | English-speaking Caribbean Area United States |
| id | ZDB-4-EBA-on1044767725 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:03Z |
| institution | BVB |
| isbn | 9780226568584 022656858X |
| language | English |
| oclc_num | 1044767725 |
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| publisher | University of Chicago Press, |
| record_format | marc |
| spelling | Vogel, Shane, author. http://id.loc.gov/authorities/names/n2008039888 Stolen time : black fad performance and the Calypso craze / Shane Vogel. Chicago, IL : University of Chicago Press, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier In 1956 Harry Belafonte's Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US--it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework--black fad performance--for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it--and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself. Online resource; title from PDF file page (EBSCO, viewed July 20 2018). Introduction : This and that, or, Swiped Calypsos -- Stolen Time : The ontology of Black fad performance -- The Calypso program : technology, performance, cinema -- Carnivalizing jazz : Duke Ellington's Calypso Theater and the diasporic instant -- Surfacing the Caribbean : Black Broadway and mock transnational performance -- Conclusion : Don't stop the carnival. Includes bibliographical references (pages 213-241) and index. Calypso (Music) History. Popular music United States 1951-1960 History. Popular music Caribbean, English-speaking. Calypso musicians. http://id.loc.gov/authorities/subjects/sh86008000 Musicians, Black Caribbean, English-speaking. African American musicians History 20th century. Calypso (Musique) Histoire. Musique populaire États-Unis 1951-1960 Histoire. Musique populaire Antilles anglophones. Musiciens de calypso. Musiciens noirs Antilles anglophones. Musiciens noirs américains Histoire 20e siècle. MUSIC Instruction & Study Theory. bisacsh African American musicians fast Calypso (Music) fast Calypso musicians fast Musicians, Black fast Popular music fast English-speaking Caribbean Area fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast African American history. Calypso. Harry Belafonte. United States. authenticity. cultural appropriation. fad. mass culture. performance. race. History fast has work: Stolen time (Text) https://id.oclc.org/worldcat/entity/E39PCGGBCJRTh3r4Fdmtf7jtDm https://id.oclc.org/worldcat/ontology/hasWork Print version: Vogel, Shane. Stolen Time. Chicago, IL : University of Chicago Press, 2018 022656830X 9780226568300 (OCoLC)1022778060 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1796143 Volltext |
| spellingShingle | Vogel, Shane Stolen time : black fad performance and the Calypso craze / Introduction : This and that, or, Swiped Calypsos -- Stolen Time : The ontology of Black fad performance -- The Calypso program : technology, performance, cinema -- Carnivalizing jazz : Duke Ellington's Calypso Theater and the diasporic instant -- Surfacing the Caribbean : Black Broadway and mock transnational performance -- Conclusion : Don't stop the carnival. Calypso (Music) History. Popular music United States 1951-1960 History. Popular music Caribbean, English-speaking. Calypso musicians. http://id.loc.gov/authorities/subjects/sh86008000 Musicians, Black Caribbean, English-speaking. African American musicians History 20th century. Calypso (Musique) Histoire. Musique populaire États-Unis 1951-1960 Histoire. Musique populaire Antilles anglophones. Musiciens de calypso. Musiciens noirs Antilles anglophones. Musiciens noirs américains Histoire 20e siècle. MUSIC Instruction & Study Theory. bisacsh African American musicians fast Calypso (Music) fast Calypso musicians fast Musicians, Black fast Popular music fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh86008000 |
| title | Stolen time : black fad performance and the Calypso craze / |
| title_auth | Stolen time : black fad performance and the Calypso craze / |
| title_exact_search | Stolen time : black fad performance and the Calypso craze / |
| title_full | Stolen time : black fad performance and the Calypso craze / Shane Vogel. |
| title_fullStr | Stolen time : black fad performance and the Calypso craze / Shane Vogel. |
| title_full_unstemmed | Stolen time : black fad performance and the Calypso craze / Shane Vogel. |
| title_short | Stolen time : |
| title_sort | stolen time black fad performance and the calypso craze |
| title_sub | black fad performance and the Calypso craze / |
| topic | Calypso (Music) History. Popular music United States 1951-1960 History. Popular music Caribbean, English-speaking. Calypso musicians. http://id.loc.gov/authorities/subjects/sh86008000 Musicians, Black Caribbean, English-speaking. African American musicians History 20th century. Calypso (Musique) Histoire. Musique populaire États-Unis 1951-1960 Histoire. Musique populaire Antilles anglophones. Musiciens de calypso. Musiciens noirs Antilles anglophones. Musiciens noirs américains Histoire 20e siècle. MUSIC Instruction & Study Theory. bisacsh African American musicians fast Calypso (Music) fast Calypso musicians fast Musicians, Black fast Popular music fast |
| topic_facet | Calypso (Music) History. Popular music United States 1951-1960 History. Popular music Caribbean, English-speaking. Calypso musicians. Musicians, Black Caribbean, English-speaking. African American musicians History 20th century. Calypso (Musique) Histoire. Musique populaire États-Unis 1951-1960 Histoire. Musique populaire Antilles anglophones. Musiciens de calypso. Musiciens noirs Antilles anglophones. Musiciens noirs américains Histoire 20e siècle. MUSIC Instruction & Study Theory. African American musicians Calypso (Music) Calypso musicians Musicians, Black Popular music English-speaking Caribbean Area United States History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1796143 |
| work_keys_str_mv | AT vogelshane stolentimeblackfadperformanceandthecalypsocraze |