Writing by ear :: Clarice Lispector and the aural novel /
"Considering Brazilian novelist Clarice Lispector's literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973),...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Toronto :
University of Toronto Press,
[2018]
|
Schriftenreihe: | University of Toronto romance series (Unnumbered)
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Considering Brazilian novelist Clarice Lispector's literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and Jo[gamma]o Guimar[gamma]es Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing."-- |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781487514730 1487514735 |
Internformat
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245 | 1 | 0 | |a Writing by ear : |b Clarice Lispector and the aural novel / |c Marília Librandi. |
264 | 1 | |a Toronto : |b University of Toronto Press, |c [2018] | |
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490 | 1 | |a University of Toronto romance series | |
504 | |a Includes bibliographical references and index. | ||
520 | |a "Considering Brazilian novelist Clarice Lispector's literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and Jo[gamma]o Guimar[gamma]es Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing."-- |c Provided by publisher | ||
588 | |a Online resource; title from PDF title page (EBSCO, viewed July 3, 2018). | ||
505 | 0 | |a Cover; Contents; List of Illustrations; Preface; Acknowledgments; Note on Copyright and Translations; 1 Introduction: A Certain Intimate Sense; 2 Writing by Ear; 3 The Aural Novel; 4 Hearing the Wild Heart; 5 Loud Object; 6 The Echopoetics of G.H.; Coda: Hearing Horses; Notes; Works Cited; Index. | |
600 | 1 | 0 | |a Lispector, Clarice |x Criticism and interpretation. |
600 | 1 | 7 | |a Lispector, Clarice |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJp9q6th6fG9BxTkk7fg8C |
650 | 0 | |a Orality in literature. |0 http://id.loc.gov/authorities/subjects/sh99003306 | |
650 | 0 | |a Sound in literature. |0 http://id.loc.gov/authorities/subjects/sh94009081 | |
650 | 6 | |a Oralité (Psychanalyse) dans la littérature. | |
650 | 7 | |a LITERARY CRITICISM |x European |x Spanish & Portuguese. |2 bisacsh | |
650 | 7 | |a LITERARY CRITICISM |x General. |2 bisacsh | |
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776 | 0 | 8 | |i Print version: |a LIBRANDI, MARILIA. |t WRITING BY EAR. |d [Place of publication not identified] : UNIV OF TORONTO PRESS, 2018 |z 1487502141 |w (OCoLC)1029803883 |
830 | 0 | |a University of Toronto romance series (Unnumbered) |0 http://id.loc.gov/authorities/names/no00012901 | |
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adam_text | |
any_adam_object | |
author | Rocha, Marília Librandi |
author_facet | Rocha, Marília Librandi |
author_role | aut |
author_sort | Rocha, Marília Librandi |
author_variant | m l r ml mlr |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PQ9697 |
callnumber-raw | PQ9697.L585 |
callnumber-search | PQ9697.L585 |
callnumber-sort | PQ 49697 L585 |
callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
collection | ZDB-4-EBA |
contents | Cover; Contents; List of Illustrations; Preface; Acknowledgments; Note on Copyright and Translations; 1 Introduction: A Certain Intimate Sense; 2 Writing by Ear; 3 The Aural Novel; 4 Hearing the Wild Heart; 5 Loud Object; 6 The Echopoetics of G.H.; Coda: Hearing Horses; Notes; Works Cited; Index. |
ctrlnum | (OCoLC)1042329671 |
dewey-full | 869.3/42 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 869 - Portuguese and Galician literatures |
dewey-raw | 869.3/42 |
dewey-search | 869.3/42 |
dewey-sort | 3869.3 242 |
dewey-tens | 860 - Spanish & Portuguese literatures |
discipline | Romanistik |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-on1042329671 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:29:02Z |
institution | BVB |
isbn | 9781487514730 1487514735 |
language | English |
oclc_num | 1042329671 |
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physical | 1 online resource |
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publishDate | 2018 |
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publisher | University of Toronto Press, |
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series | University of Toronto romance series (Unnumbered) |
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spelling | Rocha, Marília Librandi, author. Writing by ear : Clarice Lispector and the aural novel / Marília Librandi. Toronto : University of Toronto Press, [2018] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier University of Toronto romance series Includes bibliographical references and index. "Considering Brazilian novelist Clarice Lispector's literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and Jo[gamma]o Guimar[gamma]es Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing."-- Provided by publisher Online resource; title from PDF title page (EBSCO, viewed July 3, 2018). Cover; Contents; List of Illustrations; Preface; Acknowledgments; Note on Copyright and Translations; 1 Introduction: A Certain Intimate Sense; 2 Writing by Ear; 3 The Aural Novel; 4 Hearing the Wild Heart; 5 Loud Object; 6 The Echopoetics of G.H.; Coda: Hearing Horses; Notes; Works Cited; Index. Lispector, Clarice Criticism and interpretation. Lispector, Clarice fast https://id.oclc.org/worldcat/entity/E39PBJp9q6th6fG9BxTkk7fg8C Orality in literature. http://id.loc.gov/authorities/subjects/sh99003306 Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 Oralité (Psychanalyse) dans la littérature. LITERARY CRITICISM European Spanish & Portuguese. bisacsh LITERARY CRITICISM General. bisacsh Orality in literature fast Sound in literature fast Criticism, interpretation, etc. fast has work: Writing by ear (Text) https://id.oclc.org/worldcat/entity/E39PCFrVhb3yFtddYw9BqXpyr3 https://id.oclc.org/worldcat/ontology/hasWork Print version: LIBRANDI, MARILIA. WRITING BY EAR. [Place of publication not identified] : UNIV OF TORONTO PRESS, 2018 1487502141 (OCoLC)1029803883 University of Toronto romance series (Unnumbered) http://id.loc.gov/authorities/names/no00012901 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1841108 Volltext |
spellingShingle | Rocha, Marília Librandi Writing by ear : Clarice Lispector and the aural novel / University of Toronto romance series (Unnumbered) Cover; Contents; List of Illustrations; Preface; Acknowledgments; Note on Copyright and Translations; 1 Introduction: A Certain Intimate Sense; 2 Writing by Ear; 3 The Aural Novel; 4 Hearing the Wild Heart; 5 Loud Object; 6 The Echopoetics of G.H.; Coda: Hearing Horses; Notes; Works Cited; Index. Lispector, Clarice Criticism and interpretation. Lispector, Clarice fast https://id.oclc.org/worldcat/entity/E39PBJp9q6th6fG9BxTkk7fg8C Orality in literature. http://id.loc.gov/authorities/subjects/sh99003306 Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 Oralité (Psychanalyse) dans la littérature. LITERARY CRITICISM European Spanish & Portuguese. bisacsh LITERARY CRITICISM General. bisacsh Orality in literature fast Sound in literature fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh99003306 http://id.loc.gov/authorities/subjects/sh94009081 |
title | Writing by ear : Clarice Lispector and the aural novel / |
title_auth | Writing by ear : Clarice Lispector and the aural novel / |
title_exact_search | Writing by ear : Clarice Lispector and the aural novel / |
title_full | Writing by ear : Clarice Lispector and the aural novel / Marília Librandi. |
title_fullStr | Writing by ear : Clarice Lispector and the aural novel / Marília Librandi. |
title_full_unstemmed | Writing by ear : Clarice Lispector and the aural novel / Marília Librandi. |
title_short | Writing by ear : |
title_sort | writing by ear clarice lispector and the aural novel |
title_sub | Clarice Lispector and the aural novel / |
topic | Lispector, Clarice Criticism and interpretation. Lispector, Clarice fast https://id.oclc.org/worldcat/entity/E39PBJp9q6th6fG9BxTkk7fg8C Orality in literature. http://id.loc.gov/authorities/subjects/sh99003306 Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 Oralité (Psychanalyse) dans la littérature. LITERARY CRITICISM European Spanish & Portuguese. bisacsh LITERARY CRITICISM General. bisacsh Orality in literature fast Sound in literature fast |
topic_facet | Lispector, Clarice Criticism and interpretation. Lispector, Clarice Orality in literature. Sound in literature. Oralité (Psychanalyse) dans la littérature. LITERARY CRITICISM European Spanish & Portuguese. LITERARY CRITICISM General. Orality in literature Sound in literature Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1841108 |
work_keys_str_mv | AT rochamarilialibrandi writingbyearclaricelispectorandtheauralnovel |