The webcam as an emerging cinematic medium /:
All the world's a stage - literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's or...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
[2018]
|
| Schriftenreihe: | Film culture in transition.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | All the world's a stage - literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's original research and experimental films, presented in this groundbreaking book, expose fictionalising elements in archival webcams and explore video surveillance as an urban condition that influences both perceptions of the past and visions of the future. |
| Beschreibung: | 1 online resource (237 pages) |
| Bibliographie: | Includes bibliographical references and indexes. |
| ISBN: | 9789048536733 9048536731 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1041854234 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 180625s2018 ne a ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d YDX |d JSTOR |d EBLCP |d OCLCF |d DEGRU |d UKAHL |d OCLCQ |d K6U |d BRF |d UX1 |d P@U |d CAMBR |d OCLCQ |d OCLCO |d S2H |d OCLCQ |d OCLCO |d DGITA |d OCLCQ |d NLAUP |d OCLCQ |d OCLCO |d YWS |d OCLCO |d OCLCQ |d OCLCL |d BLOOM |d SFB | ||
| 019 | |a 1175644325 | ||
| 020 | |a 9789048536733 |q (electronic bk.) | ||
| 020 | |a 9048536731 |q (electronic bk.) | ||
| 020 | |z 9789462985582 | ||
| 020 | |z 9462985588 | ||
| 035 | |a (OCoLC)1041854234 |z (OCoLC)1175644325 | ||
| 037 | |a 22573/ctv2b6qt6 |b JSTOR | ||
| 050 | 4 | |a PN1995 |b .A43 2018eb | |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 072 | 7 | |a SOC |x 000000 |2 bisacsh | |
| 072 | 7 | |a PER |x 004030 |2 bisacsh | |
| 072 | 7 | |a SOC |x 052000 |2 bisacsh | |
| 082 | 7 | |a 791.4301 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Albuquerque, Paula, |e author. | |
| 245 | 1 | 4 | |a The webcam as an emerging cinematic medium / |c Paula Albuquerque. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2018] | |
| 300 | |a 1 online resource (237 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film culture in transition | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 520 | 8 | |a All the world's a stage - literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's original research and experimental films, presented in this groundbreaking book, expose fictionalising elements in archival webcams and explore video surveillance as an urban condition that influences both perceptions of the past and visions of the future. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Ackowledgments -- |t Introduction -- |t 1. Video Surveillance versus the Affected Personal Cam -- |t 2. Post-Panopticism and the Attention Economy -- |t 3. From Cinematographic to Cinematic Apparatus -- |t 4. Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams -- |t 5. Webcams and the Archive -- |t 6. Appropriating the Cinematic Apparatus -- |t Conclusion -- |t Bibliography -- |t List of Images -- |t Index of Authors -- |t Index of Makers -- |t Index of Subjects / Artworks |
| 650 | 0 | |a Motion pictures |x Aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85088085 | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a Media studies. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 653 | |a Surveillance, Cinematic, Digital Archive. | ||
| 655 | 0 | |a Electronic books. | |
| 655 | 4 | |a Electronic books. | |
| 758 | |i has work: |a The webcam as an emerging cinematic medium (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGbqhKYPQVfQjgRCPjBH83 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Albuquerque, Paula. |t Webcam as an emerging cinematic medium. |d Amsterdam : Amsterdam University Press, [2018] |z 9789462985582 |w (OCoLC)1022526848 |
| 830 | 0 | |a Film culture in transition. |0 http://id.loc.gov/authorities/names/n94045741 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1833778 |3 Volltext |
| 938 | |a Bloomsbury Publishing |b BLOO |n BP9789048561407SS | ||
| 938 | |a Amsterdam University Press |b AUPA |n 9789048536733 | ||
| 938 | |a Digitalia Publishing |b DGIT |n DIGAMSTUP0181 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH33661531 | ||
| 938 | |a De Gruyter |b DEGR |n 9789048536733 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5434335 | ||
| 938 | |a EBSCOhost |b EBSC |n 1833778 | ||
| 938 | |a Project MUSE |b MUSE |n muse76553 | ||
| 938 | |a YBP Library Services |b YANK |n 15564414 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1041854234 |
|---|---|
| _version_ | 1816882463505383424 |
| adam_text | |
| any_adam_object | |
| author | Albuquerque, Paula |
| author_facet | Albuquerque, Paula |
| author_role | aut |
| author_sort | Albuquerque, Paula |
| author_variant | p a pa |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 .A43 2018eb |
| callnumber-search | PN1995 .A43 2018eb |
| callnumber-sort | PN 41995 A43 42018EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Frontmatter -- Table of Contents -- Ackowledgments -- Introduction -- 1. Video Surveillance versus the Affected Personal Cam -- 2. Post-Panopticism and the Attention Economy -- 3. From Cinematographic to Cinematic Apparatus -- 4. Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams -- 5. Webcams and the Archive -- 6. Appropriating the Cinematic Apparatus -- Conclusion -- Bibliography -- List of Images -- Index of Authors -- Index of Makers -- Index of Subjects / Artworks |
| ctrlnum | (OCoLC)1041854234 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04208cam a2200733 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1041854234</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">180625s2018 ne a ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">JSTOR</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCF</subfield><subfield code="d">DEGRU</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">K6U</subfield><subfield code="d">BRF</subfield><subfield code="d">UX1</subfield><subfield code="d">P@U</subfield><subfield code="d">CAMBR</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">S2H</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">DGITA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">NLAUP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YWS</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCL</subfield><subfield code="d">BLOOM</subfield><subfield code="d">SFB</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1175644325</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048536733</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9048536731</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789462985582</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9462985588</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1041854234</subfield><subfield code="z">(OCoLC)1175644325</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv2b6qt6</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995</subfield><subfield code="b">.A43 2018eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC</subfield><subfield code="x">000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC</subfield><subfield code="x">052000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.4301</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Albuquerque, Paula,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The webcam as an emerging cinematic medium /</subfield><subfield code="c">Paula Albuquerque.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam :</subfield><subfield code="b">Amsterdam University Press,</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (237 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Film culture in transition</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and indexes.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">All the world's a stage - literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's original research and experimental films, presented in this groundbreaking book, expose fictionalising elements in archival webcams and explore video surveillance as an urban condition that influences both perceptions of the past and visions of the future.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter --</subfield><subfield code="t">Table of Contents --</subfield><subfield code="t">Ackowledgments --</subfield><subfield code="t">Introduction --</subfield><subfield code="t">1. Video Surveillance versus the Affected Personal Cam --</subfield><subfield code="t">2. Post-Panopticism and the Attention Economy --</subfield><subfield code="t">3. From Cinematographic to Cinematic Apparatus --</subfield><subfield code="t">4. Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams --</subfield><subfield code="t">5. Webcams and the Archive --</subfield><subfield code="t">6. Appropriating the Cinematic Apparatus --</subfield><subfield code="t">Conclusion --</subfield><subfield code="t">Bibliography --</subfield><subfield code="t">List of Images --</subfield><subfield code="t">Index of Authors --</subfield><subfield code="t">Index of Makers --</subfield><subfield code="t">Index of Subjects / Artworks</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Aesthetics.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088085</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Esthétique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Philosophie.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Media studies.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="x">Aesthetics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="x">Philosophy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Surveillance, Cinematic, Digital Archive.</subfield></datafield><datafield tag="655" ind1=" " ind2="0"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">The webcam as an emerging cinematic medium (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGbqhKYPQVfQjgRCPjBH83</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Albuquerque, Paula.</subfield><subfield code="t">Webcam as an emerging cinematic medium.</subfield><subfield code="d">Amsterdam : Amsterdam University Press, [2018]</subfield><subfield code="z">9789462985582</subfield><subfield code="w">(OCoLC)1022526848</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Film culture in transition.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n94045741</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1833778</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Bloomsbury Publishing</subfield><subfield code="b">BLOO</subfield><subfield code="n">BP9789048561407SS</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Amsterdam University Press</subfield><subfield code="b">AUPA</subfield><subfield code="n">9789048536733</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Digitalia Publishing</subfield><subfield code="b">DGIT</subfield><subfield code="n">DIGAMSTUP0181</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH33661531</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9789048536733</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL5434335</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1833778</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse76553</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15564414</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Electronic books. |
| genre_facet | Electronic books. |
| id | ZDB-4-EBA-on1041854234 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:01Z |
| institution | BVB |
| isbn | 9789048536733 9048536731 |
| language | English |
| oclc_num | 1041854234 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (237 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| series | Film culture in transition. |
| series2 | Film culture in transition |
| spelling | Albuquerque, Paula, author. The webcam as an emerging cinematic medium / Paula Albuquerque. Amsterdam : Amsterdam University Press, [2018] 1 online resource (237 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Film culture in transition Includes bibliographical references and indexes. All the world's a stage - literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's original research and experimental films, presented in this groundbreaking book, expose fictionalising elements in archival webcams and explore video surveillance as an urban condition that influences both perceptions of the past and visions of the future. Print version record. Frontmatter -- Table of Contents -- Ackowledgments -- Introduction -- 1. Video Surveillance versus the Affected Personal Cam -- 2. Post-Panopticism and the Attention Economy -- 3. From Cinematographic to Cinematic Apparatus -- 4. Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams -- 5. Webcams and the Archive -- 6. Appropriating the Cinematic Apparatus -- Conclusion -- Bibliography -- List of Images -- Index of Authors -- Index of Makers -- Index of Subjects / Artworks Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion pictures Philosophy. Cinéma Esthétique. Cinéma Philosophie. Media studies. bicssc PERFORMING ARTS Reference. bisacsh SOCIAL SCIENCE General. bisacsh Motion pictures Aesthetics fast Motion pictures Philosophy fast Surveillance, Cinematic, Digital Archive. Electronic books. has work: The webcam as an emerging cinematic medium (Text) https://id.oclc.org/worldcat/entity/E39PCGbqhKYPQVfQjgRCPjBH83 https://id.oclc.org/worldcat/ontology/hasWork Print version: Albuquerque, Paula. Webcam as an emerging cinematic medium. Amsterdam : Amsterdam University Press, [2018] 9789462985582 (OCoLC)1022526848 Film culture in transition. http://id.loc.gov/authorities/names/n94045741 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1833778 Volltext |
| spellingShingle | Albuquerque, Paula The webcam as an emerging cinematic medium / Film culture in transition. Frontmatter -- Table of Contents -- Ackowledgments -- Introduction -- 1. Video Surveillance versus the Affected Personal Cam -- 2. Post-Panopticism and the Attention Economy -- 3. From Cinematographic to Cinematic Apparatus -- 4. Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams -- 5. Webcams and the Archive -- 6. Appropriating the Cinematic Apparatus -- Conclusion -- Bibliography -- List of Images -- Index of Authors -- Index of Makers -- Index of Subjects / Artworks Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion pictures Philosophy. Cinéma Esthétique. Cinéma Philosophie. Media studies. bicssc PERFORMING ARTS Reference. bisacsh SOCIAL SCIENCE General. bisacsh Motion pictures Aesthetics fast Motion pictures Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088085 |
| title | The webcam as an emerging cinematic medium / |
| title_alt | Frontmatter -- Table of Contents -- Ackowledgments -- Introduction -- 1. Video Surveillance versus the Affected Personal Cam -- 2. Post-Panopticism and the Attention Economy -- 3. From Cinematographic to Cinematic Apparatus -- 4. Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams -- 5. Webcams and the Archive -- 6. Appropriating the Cinematic Apparatus -- Conclusion -- Bibliography -- List of Images -- Index of Authors -- Index of Makers -- Index of Subjects / Artworks |
| title_auth | The webcam as an emerging cinematic medium / |
| title_exact_search | The webcam as an emerging cinematic medium / |
| title_full | The webcam as an emerging cinematic medium / Paula Albuquerque. |
| title_fullStr | The webcam as an emerging cinematic medium / Paula Albuquerque. |
| title_full_unstemmed | The webcam as an emerging cinematic medium / Paula Albuquerque. |
| title_short | The webcam as an emerging cinematic medium / |
| title_sort | webcam as an emerging cinematic medium |
| topic | Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion pictures Philosophy. Cinéma Esthétique. Cinéma Philosophie. Media studies. bicssc PERFORMING ARTS Reference. bisacsh SOCIAL SCIENCE General. bisacsh Motion pictures Aesthetics fast Motion pictures Philosophy fast |
| topic_facet | Motion pictures Aesthetics. Motion pictures Philosophy. Cinéma Esthétique. Cinéma Philosophie. Media studies. PERFORMING ARTS Reference. SOCIAL SCIENCE General. Motion pictures Aesthetics Motion pictures Philosophy Electronic books. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1833778 |
| work_keys_str_mv | AT albuquerquepaula thewebcamasanemergingcinematicmedium AT albuquerquepaula webcamasanemergingcinematicmedium |