Chaucer and the subversion of form /:
Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very li...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York, NY :
Cambridge University Press,
2018.
|
| Schriftenreihe: | Cambridge studies in medieval literature ;
104. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous. |
| Beschreibung: | 1 online resource (ix, 224 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781108147682 1108147682 9781108148900 1108148905 1108147992 9781108147996 9781316644126 131664412X |
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| 520 | |a Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous. | ||
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| 505 | 8 | |a Insufficiencies: "The Former Age" and "Fortune" in Cambridge University Library, MS Ii.3.21Conclusion; Notes; Chapter 3 Against Order: Medieval, Modern, and Contemporary Critiques of Causality; The House of Fame; To the Lighthouse; My Life; Notes; Part II The Corporeality of Form; Chapter 4 Diverging Forms: Disability and the Monk's Tales; Renouncing Form; Form and Genre of "Tragedie"; Asserting Norms; Breaking Form; Formal Prosthesis; Disability Futures; Notes; Chapter 5 Figures for "Gretter Knowing": Forms in the Treatise on the Astrolabe. | |
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| 505 | 8 | |a Chapter 9 Opening The Canterbury Tales: Form and Formalism in the General PrologueNotes; Bibliography; Index. | |
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| contents | Cover; Half-title; Series information; Title page; Copyright information; Table of contents; List of contributors; Acknowledgments; Introduction; Formalism and Medieval Literature; New Formalisms in Medieval Literary Studies; The Subversions of Form; Notes; Part I The Failures of Form; Chapter 1 "many a lay and many a thing": Chaucer's Technical Terms; Notes; Chapter 2 Chaucer's Aesthetic Resources: Nature, Longing, and Economies of Form; Roundness: Boethian Sense-Perception and the Apprehension of Form; Purposiveness: Kant, Free Natural Beauty, and the Formal Object. Insufficiencies: "The Former Age" and "Fortune" in Cambridge University Library, MS Ii.3.21Conclusion; Notes; Chapter 3 Against Order: Medieval, Modern, and Contemporary Critiques of Causality; The House of Fame; To the Lighthouse; My Life; Notes; Part II The Corporeality of Form; Chapter 4 Diverging Forms: Disability and the Monk's Tales; Renouncing Form; Form and Genre of "Tragedie"; Asserting Norms; Breaking Form; Formal Prosthesis; Disability Futures; Notes; Chapter 5 Figures for "Gretter Knowing": Forms in the Treatise on the Astrolabe. "Ful notable fourme": Textual, Mechanical, and Cosmological Wholes"In manere of a nett": The Cosmic Network; "Ones for evere" and "Evermo": Reliable Knowledge, Eternal Rhythms; "All the world": Nonhierarchical Binaries, or The Equinox Effect; Notes; Chapter 6 The Heaviness of Prosopopoeial Form in Chaucer's Book of the Duchess; Notes; Part III The Forms of Reception; Chapter 7 Reading Badly: What the Physician's Tale Isn't Telling Us; Notes; Chapter 8 Birdsong, Love, and the House of Lancaster Gower Reforms Chaucer: Gower Reforms Chaucer; Notes. Chapter 9 Opening The Canterbury Tales: Form and Formalism in the General PrologueNotes; Bibliography; Index. |
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| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:29:01Z |
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| series | Cambridge studies in medieval literature ; |
| series2 | Cambridge studies in medieval literature ; |
| spelling | Chaucer and the subversion of form / edited by Thomas A. Prendergast, Jessica Rosenfeld. Cambridge ; New York, NY : Cambridge University Press, 2018. ©2018 1 online resource (ix, 224 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cambridge studies in medieval literature ; 104 Includes bibliographical references and index. Online resource; title from PDF file page (EBSCO, viewed June 29, 2018). Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous. Cover; Half-title; Series information; Title page; Copyright information; Table of contents; List of contributors; Acknowledgments; Introduction; Formalism and Medieval Literature; New Formalisms in Medieval Literary Studies; The Subversions of Form; Notes; Part I The Failures of Form; Chapter 1 "many a lay and many a thing": Chaucer's Technical Terms; Notes; Chapter 2 Chaucer's Aesthetic Resources: Nature, Longing, and Economies of Form; Roundness: Boethian Sense-Perception and the Apprehension of Form; Purposiveness: Kant, Free Natural Beauty, and the Formal Object. Insufficiencies: "The Former Age" and "Fortune" in Cambridge University Library, MS Ii.3.21Conclusion; Notes; Chapter 3 Against Order: Medieval, Modern, and Contemporary Critiques of Causality; The House of Fame; To the Lighthouse; My Life; Notes; Part II The Corporeality of Form; Chapter 4 Diverging Forms: Disability and the Monk's Tales; Renouncing Form; Form and Genre of "Tragedie"; Asserting Norms; Breaking Form; Formal Prosthesis; Disability Futures; Notes; Chapter 5 Figures for "Gretter Knowing": Forms in the Treatise on the Astrolabe. "Ful notable fourme": Textual, Mechanical, and Cosmological Wholes"In manere of a nett": The Cosmic Network; "Ones for evere" and "Evermo": Reliable Knowledge, Eternal Rhythms; "All the world": Nonhierarchical Binaries, or The Equinox Effect; Notes; Chapter 6 The Heaviness of Prosopopoeial Form in Chaucer's Book of the Duchess; Notes; Part III The Forms of Reception; Chapter 7 Reading Badly: What the Physician's Tale Isn't Telling Us; Notes; Chapter 8 Birdsong, Love, and the House of Lancaster Gower Reforms Chaucer: Gower Reforms Chaucer; Notes. Chapter 9 Opening The Canterbury Tales: Form and Formalism in the General PrologueNotes; Bibliography; Index. Chaucer, Geoffrey, -1400 Criticism and interpretation. Chaucer, Geoffrey, -1400 Criticism, Textual. Chaucer, Geoffrey, -1400 Technique. Chaucer, Geoffrey, -1400 fast https://id.oclc.org/worldcat/entity/E39PBJp6cpHBPPhxvByfWWkdQq POETRY English, Irish, Scottish, Welsh. bisacsh Technique fast Criticism, interpretation, etc. fast Prendergast, Thomas A. (Thomas Augustine), editor. https://id.oclc.org/worldcat/entity/E39PCjCj4r7c9T7c7fgXMR3Tpd http://id.loc.gov/authorities/names/n99011071 Rosenfeld, Jessica, 1976- editor. https://id.oclc.org/worldcat/entity/E39PCjDTckCKWKYG3TmPwg7m3P http://id.loc.gov/authorities/names/n2010059639 has work: Chaucer and the subversion of form (Text) https://id.oclc.org/worldcat/entity/E39PCFyqyRRdxh7d4FYBXJbQtq https://id.oclc.org/worldcat/ontology/hasWork 1107192846 Cambridge studies in medieval literature ; 104. http://id.loc.gov/authorities/names/n86717934 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1761458 Volltext |
| spellingShingle | Chaucer and the subversion of form / Cambridge studies in medieval literature ; Cover; Half-title; Series information; Title page; Copyright information; Table of contents; List of contributors; Acknowledgments; Introduction; Formalism and Medieval Literature; New Formalisms in Medieval Literary Studies; The Subversions of Form; Notes; Part I The Failures of Form; Chapter 1 "many a lay and many a thing": Chaucer's Technical Terms; Notes; Chapter 2 Chaucer's Aesthetic Resources: Nature, Longing, and Economies of Form; Roundness: Boethian Sense-Perception and the Apprehension of Form; Purposiveness: Kant, Free Natural Beauty, and the Formal Object. Insufficiencies: "The Former Age" and "Fortune" in Cambridge University Library, MS Ii.3.21Conclusion; Notes; Chapter 3 Against Order: Medieval, Modern, and Contemporary Critiques of Causality; The House of Fame; To the Lighthouse; My Life; Notes; Part II The Corporeality of Form; Chapter 4 Diverging Forms: Disability and the Monk's Tales; Renouncing Form; Form and Genre of "Tragedie"; Asserting Norms; Breaking Form; Formal Prosthesis; Disability Futures; Notes; Chapter 5 Figures for "Gretter Knowing": Forms in the Treatise on the Astrolabe. "Ful notable fourme": Textual, Mechanical, and Cosmological Wholes"In manere of a nett": The Cosmic Network; "Ones for evere" and "Evermo": Reliable Knowledge, Eternal Rhythms; "All the world": Nonhierarchical Binaries, or The Equinox Effect; Notes; Chapter 6 The Heaviness of Prosopopoeial Form in Chaucer's Book of the Duchess; Notes; Part III The Forms of Reception; Chapter 7 Reading Badly: What the Physician's Tale Isn't Telling Us; Notes; Chapter 8 Birdsong, Love, and the House of Lancaster Gower Reforms Chaucer: Gower Reforms Chaucer; Notes. Chapter 9 Opening The Canterbury Tales: Form and Formalism in the General PrologueNotes; Bibliography; Index. Chaucer, Geoffrey, -1400 Criticism and interpretation. Chaucer, Geoffrey, -1400 Criticism, Textual. Chaucer, Geoffrey, -1400 Technique. Chaucer, Geoffrey, -1400 fast https://id.oclc.org/worldcat/entity/E39PBJp6cpHBPPhxvByfWWkdQq POETRY English, Irish, Scottish, Welsh. bisacsh Technique fast |
| title | Chaucer and the subversion of form / |
| title_auth | Chaucer and the subversion of form / |
| title_exact_search | Chaucer and the subversion of form / |
| title_full | Chaucer and the subversion of form / edited by Thomas A. Prendergast, Jessica Rosenfeld. |
| title_fullStr | Chaucer and the subversion of form / edited by Thomas A. Prendergast, Jessica Rosenfeld. |
| title_full_unstemmed | Chaucer and the subversion of form / edited by Thomas A. Prendergast, Jessica Rosenfeld. |
| title_short | Chaucer and the subversion of form / |
| title_sort | chaucer and the subversion of form |
| topic | Chaucer, Geoffrey, -1400 Criticism and interpretation. Chaucer, Geoffrey, -1400 Criticism, Textual. Chaucer, Geoffrey, -1400 Technique. Chaucer, Geoffrey, -1400 fast https://id.oclc.org/worldcat/entity/E39PBJp6cpHBPPhxvByfWWkdQq POETRY English, Irish, Scottish, Welsh. bisacsh Technique fast |
| topic_facet | Chaucer, Geoffrey, -1400 Criticism and interpretation. Chaucer, Geoffrey, -1400 Criticism, Textual. Chaucer, Geoffrey, -1400 Technique. Chaucer, Geoffrey, -1400 POETRY English, Irish, Scottish, Welsh. Technique Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1761458 |
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