K-pop live :: fans, idols, and multimedia performance /
"1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the ris...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Stanford, California :
Stanford University Press,
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be 'live' and 'alive'. Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of 'liveness' in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how 'what is live' becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call 'live.'"--Publisher's description |
| Beschreibung: | 1 online resource (ix, 275 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 213-256) and index. |
| ISBN: | 9781503606005 1503606007 |
Internformat
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| 100 | 1 | |a Kim, Suk-Young, |d 1970- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjBG6G43JFB8M9v8KfjJwC |0 http://id.loc.gov/authorities/names/n2008066121 | |
| 245 | 1 | 0 | |a K-pop live : |b fans, idols, and multimedia performance / |c Suk-Young Kim. |
| 264 | 1 | |a Stanford, California : |b Stanford University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (ix, 275 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 213-256) and index. | ||
| 505 | 0 | |a Historicizing K-pop -- K-pop from live television to social media -- Simulating liveness in K-pop music videos -- Hologram stars greet live audiences -- Live K-pop concerts and their digital doubles. | |
| 520 | |a "1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be 'live' and 'alive'. Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of 'liveness' in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how 'what is live' becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call 'live.'"--Publisher's description | ||
| 588 | 0 | |a Online resource; title from digital title page (DeGruyter, viewed June 17, 2021). | |
| 546 | |a In English. | ||
| 650 | 0 | |a Popular music |z Korea (South) |x History and criticism. | |
| 650 | 0 | |a Popular music |x Performances |z Korea (South) | |
| 650 | 0 | |a Concerts |z Korea (South) | |
| 650 | 0 | |a Music and technology |z Korea (South) | |
| 650 | 6 | |a K-pop |x Histoire et critique. | |
| 650 | 6 | |a Concerts |z Corée du Sud. | |
| 650 | 6 | |a Musique et technologie |z Corée du Sud. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Concerts |2 fast | |
| 650 | 7 | |a Music and technology |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a Korea (South) |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRg3kwbTgW8wMXD4yWrY | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a K-pop live (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFRCGB8TM7vyjJwFBVjRGb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Kim, Suk-Young, 1970- |t K-pop live. |d Stanford, California : Stanford University Press, [2018] |z 9781503605039 |w (DLC) 2017050970 |w (OCoLC)1008758952 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1038796995 |
|---|---|
| _version_ | 1813901619012567041 |
| adam_text | |
| any_adam_object | |
| author | Kim, Suk-Young, 1970- |
| author_GND | http://id.loc.gov/authorities/names/n2008066121 |
| author_facet | Kim, Suk-Young, 1970- |
| author_role | aut |
| author_sort | Kim, Suk-Young, 1970- |
| author_variant | s y k syk |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3502 |
| callnumber-raw | ML3502.K6 K577 2018eb |
| callnumber-search | ML3502.K6 K577 2018eb |
| callnumber-sort | ML 43502 K6 K577 42018EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Historicizing K-pop -- K-pop from live television to social media -- Simulating liveness in K-pop music videos -- Hologram stars greet live audiences -- Live K-pop concerts and their digital doubles. |
| ctrlnum | (OCoLC)1038796995 |
| dewey-full | 781.63095195 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.63095195 |
| dewey-search | 781.63095195 |
| dewey-sort | 3781.63095195 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| geographic | Korea (South) fast https://id.oclc.org/worldcat/entity/E39QbtfRg3kwbTgW8wMXD4yWrY |
| geographic_facet | Korea (South) |
| id | ZDB-4-EBA-on1038796995 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T15:49:46Z |
| institution | BVB |
| isbn | 9781503606005 1503606007 |
| language | English |
| oclc_num | 1038796995 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (ix, 275 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Stanford University Press, |
| record_format | marc |
| spelling | Kim, Suk-Young, 1970- author. https://id.oclc.org/worldcat/entity/E39PCjBG6G43JFB8M9v8KfjJwC http://id.loc.gov/authorities/names/n2008066121 K-pop live : fans, idols, and multimedia performance / Suk-Young Kim. Stanford, California : Stanford University Press, [2018] ©2018 1 online resource (ix, 275 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 213-256) and index. Historicizing K-pop -- K-pop from live television to social media -- Simulating liveness in K-pop music videos -- Hologram stars greet live audiences -- Live K-pop concerts and their digital doubles. "1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be 'live' and 'alive'. Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of 'liveness' in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how 'what is live' becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call 'live.'"--Publisher's description Online resource; title from digital title page (DeGruyter, viewed June 17, 2021). In English. Popular music Korea (South) History and criticism. Popular music Performances Korea (South) Concerts Korea (South) Music and technology Korea (South) K-pop Histoire et critique. Concerts Corée du Sud. Musique et technologie Corée du Sud. MUSIC Instruction & Study Theory. bisacsh Concerts fast Music and technology fast Popular music fast Korea (South) fast https://id.oclc.org/worldcat/entity/E39QbtfRg3kwbTgW8wMXD4yWrY Criticism, interpretation, etc. fast has work: K-pop live (Text) https://id.oclc.org/worldcat/entity/E39PCFRCGB8TM7vyjJwFBVjRGb https://id.oclc.org/worldcat/ontology/hasWork Print version: Kim, Suk-Young, 1970- K-pop live. Stanford, California : Stanford University Press, [2018] 9781503605039 (DLC) 2017050970 (OCoLC)1008758952 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1824732 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1824732 Volltext |
| spellingShingle | Kim, Suk-Young, 1970- K-pop live : fans, idols, and multimedia performance / Historicizing K-pop -- K-pop from live television to social media -- Simulating liveness in K-pop music videos -- Hologram stars greet live audiences -- Live K-pop concerts and their digital doubles. Popular music Korea (South) History and criticism. Popular music Performances Korea (South) Concerts Korea (South) Music and technology Korea (South) K-pop Histoire et critique. Concerts Corée du Sud. Musique et technologie Corée du Sud. MUSIC Instruction & Study Theory. bisacsh Concerts fast Music and technology fast Popular music fast |
| title | K-pop live : fans, idols, and multimedia performance / |
| title_auth | K-pop live : fans, idols, and multimedia performance / |
| title_exact_search | K-pop live : fans, idols, and multimedia performance / |
| title_full | K-pop live : fans, idols, and multimedia performance / Suk-Young Kim. |
| title_fullStr | K-pop live : fans, idols, and multimedia performance / Suk-Young Kim. |
| title_full_unstemmed | K-pop live : fans, idols, and multimedia performance / Suk-Young Kim. |
| title_short | K-pop live : |
| title_sort | k pop live fans idols and multimedia performance |
| title_sub | fans, idols, and multimedia performance / |
| topic | Popular music Korea (South) History and criticism. Popular music Performances Korea (South) Concerts Korea (South) Music and technology Korea (South) K-pop Histoire et critique. Concerts Corée du Sud. Musique et technologie Corée du Sud. MUSIC Instruction & Study Theory. bisacsh Concerts fast Music and technology fast Popular music fast |
| topic_facet | Popular music Korea (South) History and criticism. Popular music Performances Korea (South) Concerts Korea (South) Music and technology Korea (South) K-pop Histoire et critique. Concerts Corée du Sud. Musique et technologie Corée du Sud. MUSIC Instruction & Study Theory. Concerts Music and technology Popular music Korea (South) Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1824732 |
| work_keys_str_mv | AT kimsukyoung kpoplivefansidolsandmultimediaperformance |