Intimacy, performance, and the Lied in the early nineteenth century /:
The German lied, or art song, is considered one of the most intimate of all musical genres'often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on out...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington :
Indiana University Press, Office of Scholarly Publishing, Herman B Wells Library,
[2018]
|
| Schriftenreihe: | Historical performance.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The German lied, or art song, is considered one of the most intimate of all musical genres'often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance. |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780253035806 0253035805 9780253035790 0253035791 |
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| 520 | |a The German lied, or art song, is considered one of the most intimate of all musical genres'often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance. | ||
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| spelling | Ronyak, Jennifer, author. Intimacy, performance, and the Lied in the early nineteenth century / Jennifer Ronyak. Bloomington : Indiana University Press, Office of Scholarly Publishing, Herman B Wells Library, [2018] 1 online resource. text rdacontent computer rdamedia online resource rdacarrier Historical performance Includes bibliographical references and index. Safeguarding the self -- Breathing subjectivity -- Serious play in the salon -- The poetic public sphere -- Lieder in an aria's clothing -- Mignon as public property. Description based on print version record and CIP data provided by publisher. The German lied, or art song, is considered one of the most intimate of all musical genres'often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance. Songs Germany History and criticism. Music Germany 19th century History and criticism. Chansons Allemagne Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Music fast Songs fast Germany fast 1800-1899 fast Criticism, interpretation, etc. fast has work: Intimacy, performance, and the Lied in the early nineteenth century (Text) https://id.oclc.org/worldcat/entity/E39PCFX8Dm9d9W7Yhxc4gVfhjK https://id.oclc.org/worldcat/ontology/hasWork Print version: Ronyak, Jennifer, author. Intimacy, performance, and the Lied in the early nineteenth century Bloomington : Indiana University Press, 2018 9780253035776 (DLC) 2018019395 Historical performance. http://id.loc.gov/authorities/names/no2018061302 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1905394 Volltext |
| spellingShingle | Ronyak, Jennifer Intimacy, performance, and the Lied in the early nineteenth century / Historical performance. Safeguarding the self -- Breathing subjectivity -- Serious play in the salon -- The poetic public sphere -- Lieder in an aria's clothing -- Mignon as public property. Songs Germany History and criticism. Music Germany 19th century History and criticism. Chansons Allemagne Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Music fast Songs fast |
| title | Intimacy, performance, and the Lied in the early nineteenth century / |
| title_auth | Intimacy, performance, and the Lied in the early nineteenth century / |
| title_exact_search | Intimacy, performance, and the Lied in the early nineteenth century / |
| title_full | Intimacy, performance, and the Lied in the early nineteenth century / Jennifer Ronyak. |
| title_fullStr | Intimacy, performance, and the Lied in the early nineteenth century / Jennifer Ronyak. |
| title_full_unstemmed | Intimacy, performance, and the Lied in the early nineteenth century / Jennifer Ronyak. |
| title_short | Intimacy, performance, and the Lied in the early nineteenth century / |
| title_sort | intimacy performance and the lied in the early nineteenth century |
| topic | Songs Germany History and criticism. Music Germany 19th century History and criticism. Chansons Allemagne Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Music fast Songs fast |
| topic_facet | Songs Germany History and criticism. Music Germany 19th century History and criticism. Chansons Allemagne Histoire et critique. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Music Songs Germany Criticism, interpretation, etc. |
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