Cinematic Corpographies :: Re-Mapping the War Film Through the Body /
Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic exper...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Berlin ; Boston :
De Gruyter,
[2018]
|
Schriftenreihe: | Cinepoetics ;
v. 3. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls "corpography" implies a constant re-mapping of landscape through the soldier's body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator's body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts. |
Beschreibung: | 1 online resource (210 pages) |
Bibliographie: | Includes bibliographical references (pages 182-192), filmography (pages 193-194) and indexes. |
ISBN: | 9783110580808 3110580802 9783110579710 3110579715 9783110580815 3110580810 |
Internformat
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505 | 0 | 0 | |t Frontmatter -- |t Acknowledgments -- |t Contents -- |t 1. Introduction -- |t 2. Measuring the Trenches: Corpographies of the First World War -- |t 3. From Above and From Within: Aerial Views and Corpographic Transformations in the WWII Combat Film -- |t 4. Dismembering War: Touch and Fragmentation in Anthony Mann's Men in War -- |t 5. Uncharting Territories: The Vietnam War's Shattering of the Senses -- |t 6. Zero Dark Thirty: Corpographies of the War on Terror -- |t 7. Conclusion -- |t Bibliography -- |t Filmography -- |t Subject index -- |t Name index -- |t Film index |
520 | |a Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls "corpography" implies a constant re-mapping of landscape through the soldier's body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator's body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts. | ||
546 | |a In English. | ||
588 | 0 | |a Online resource; title from PDF title page (publisher's Web site, viewed 22. Mai 2018). | |
504 | |a Includes bibliographical references (pages 182-192), filmography (pages 193-194) and indexes. | ||
650 | 0 | |a War films |x History and criticism. | |
650 | 4 | |a cinematic space. | |
650 | 4 | |a genre theory. | |
650 | 4 | |a poetics of affect. | |
650 | 4 | |a War film. | |
650 | 6 | |a Films de guerre |x Histoire et critique. | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 7 | |a War films |2 fast | |
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653 | |a War film. | ||
653 | |a cinematic space. | ||
653 | |a genre theory. | ||
653 | |a poetics of affect. | ||
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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adam_text | |
any_adam_object | |
author | Rositzka, Eileen |
author_facet | Rositzka, Eileen |
author_role | aut |
author_sort | Rositzka, Eileen |
author_variant | e r er |
building | Verbundindex |
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callnumber-sort | PN 41995.9 W3 R675 42018 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Frontmatter -- Acknowledgments -- Contents -- 1. Introduction -- 2. Measuring the Trenches: Corpographies of the First World War -- 3. From Above and From Within: Aerial Views and Corpographic Transformations in the WWII Combat Film -- 4. Dismembering War: Touch and Fragmentation in Anthony Mann's Men in War -- 5. Uncharting Territories: The Vietnam War's Shattering of the Senses -- 6. Zero Dark Thirty: Corpographies of the War on Terror -- 7. Conclusion -- Bibliography -- Filmography -- Subject index -- Name index -- Film index |
ctrlnum | (OCoLC)1037979554 |
dewey-full | 791.43/6581 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/6581 |
dewey-search | 791.43/6581 |
dewey-sort | 3791.43 46581 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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isbn | 9783110580808 3110580802 9783110579710 3110579715 9783110580815 3110580810 |
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spelling | Rositzka, Eileen, author. Cinematic Corpographies : Re-Mapping the War Film Through the Body / Eileen Rositzka. Berlin ; Boston : De Gruyter, [2018] ©2018 1 online resource (210 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Cinepoetics ; Volume 3 Frontmatter -- Acknowledgments -- Contents -- 1. Introduction -- 2. Measuring the Trenches: Corpographies of the First World War -- 3. From Above and From Within: Aerial Views and Corpographic Transformations in the WWII Combat Film -- 4. Dismembering War: Touch and Fragmentation in Anthony Mann's Men in War -- 5. Uncharting Territories: The Vietnam War's Shattering of the Senses -- 6. Zero Dark Thirty: Corpographies of the War on Terror -- 7. Conclusion -- Bibliography -- Filmography -- Subject index -- Name index -- Film index Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls "corpography" implies a constant re-mapping of landscape through the soldier's body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator's body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts. In English. Online resource; title from PDF title page (publisher's Web site, viewed 22. Mai 2018). Includes bibliographical references (pages 182-192), filmography (pages 193-194) and indexes. War films History and criticism. cinematic space. genre theory. poetics of affect. War film. Films de guerre Histoire et critique. PERFORMING ARTS Reference. bisacsh War films fast Raum Motiv gnd http://d-nb.info/gnd/4225698-7 Kriegsfilm gnd http://d-nb.info/gnd/4165687-8 Körper Motiv gnd http://d-nb.info/gnd/4164424-4 Criticism, interpretation, etc. fast EPUB 9783110579710 print 9783110579635 Cinepoetics ; v. 3. http://id.loc.gov/authorities/names/no2018092421 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1817712 Volltext |
spellingShingle | Rositzka, Eileen Cinematic Corpographies : Re-Mapping the War Film Through the Body / Cinepoetics ; Frontmatter -- Acknowledgments -- Contents -- 1. Introduction -- 2. Measuring the Trenches: Corpographies of the First World War -- 3. From Above and From Within: Aerial Views and Corpographic Transformations in the WWII Combat Film -- 4. Dismembering War: Touch and Fragmentation in Anthony Mann's Men in War -- 5. Uncharting Territories: The Vietnam War's Shattering of the Senses -- 6. Zero Dark Thirty: Corpographies of the War on Terror -- 7. Conclusion -- Bibliography -- Filmography -- Subject index -- Name index -- Film index War films History and criticism. cinematic space. genre theory. poetics of affect. War film. Films de guerre Histoire et critique. PERFORMING ARTS Reference. bisacsh War films fast Raum Motiv gnd http://d-nb.info/gnd/4225698-7 Kriegsfilm gnd http://d-nb.info/gnd/4165687-8 Körper Motiv gnd http://d-nb.info/gnd/4164424-4 |
subject_GND | http://d-nb.info/gnd/4225698-7 http://d-nb.info/gnd/4165687-8 http://d-nb.info/gnd/4164424-4 |
title | Cinematic Corpographies : Re-Mapping the War Film Through the Body / |
title_alt | Frontmatter -- Acknowledgments -- Contents -- 1. Introduction -- 2. Measuring the Trenches: Corpographies of the First World War -- 3. From Above and From Within: Aerial Views and Corpographic Transformations in the WWII Combat Film -- 4. Dismembering War: Touch and Fragmentation in Anthony Mann's Men in War -- 5. Uncharting Territories: The Vietnam War's Shattering of the Senses -- 6. Zero Dark Thirty: Corpographies of the War on Terror -- 7. Conclusion -- Bibliography -- Filmography -- Subject index -- Name index -- Film index |
title_auth | Cinematic Corpographies : Re-Mapping the War Film Through the Body / |
title_exact_search | Cinematic Corpographies : Re-Mapping the War Film Through the Body / |
title_full | Cinematic Corpographies : Re-Mapping the War Film Through the Body / Eileen Rositzka. |
title_fullStr | Cinematic Corpographies : Re-Mapping the War Film Through the Body / Eileen Rositzka. |
title_full_unstemmed | Cinematic Corpographies : Re-Mapping the War Film Through the Body / Eileen Rositzka. |
title_short | Cinematic Corpographies : |
title_sort | cinematic corpographies re mapping the war film through the body |
title_sub | Re-Mapping the War Film Through the Body / |
topic | War films History and criticism. cinematic space. genre theory. poetics of affect. War film. Films de guerre Histoire et critique. PERFORMING ARTS Reference. bisacsh War films fast Raum Motiv gnd http://d-nb.info/gnd/4225698-7 Kriegsfilm gnd http://d-nb.info/gnd/4165687-8 Körper Motiv gnd http://d-nb.info/gnd/4164424-4 |
topic_facet | War films History and criticism. cinematic space. genre theory. poetics of affect. War film. Films de guerre Histoire et critique. PERFORMING ARTS Reference. War films Raum Motiv Kriegsfilm Körper Motiv Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1817712 |
work_keys_str_mv | AT rositzkaeileen cinematiccorpographiesremappingthewarfilmthroughthebody |