New transnationalisms in contemporary Latin American cinemas /:
In the late 1990s and early 2000s Latin American films like Amores perros, Diarios de motocicleta, Y tu mamá también and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in global markets. Benefiting from external financial and/or creative input, these films were co...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press Ltd,
[2018]
|
| Schriftenreihe: | Traditions in world cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In the late 1990s and early 2000s Latin American films like Amores perros, Diarios de motocicleta, Y tu mamá también and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in global markets. Benefiting from external financial and/or creative input, these films were considered examples of transnational cinema. Through a textual analysis of six filmmakers (Alejandra González Iñárritu, Alfonso Cuarón, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan José Campanella), this book examines these and other transnational films including the subsequent wave of commercially successful 'deterritorialised' films by the same directors. It argues that although the films produced within the parameters of the United States film industry may have been commercially successful, they are not necessarily apolitical nor totally divorced from key notions of national or continental identity. Bringing a new perspective to the films of Latin America's transnational auteurs, New Transnationalisms in Contemporary Latin American Cinemas is a major contribution towards understanding how different genres function across different cultures--back cover. |
| Beschreibung: | 1 online resource (xiv, 282 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781474431125 1474431127 9781474431118 1474431119 9781474445238 1474445233 074864573X 9780748645732 |
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| 520 | |a In the late 1990s and early 2000s Latin American films like Amores perros, Diarios de motocicleta, Y tu mamá también and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in global markets. Benefiting from external financial and/or creative input, these films were considered examples of transnational cinema. Through a textual analysis of six filmmakers (Alejandra González Iñárritu, Alfonso Cuarón, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan José Campanella), this book examines these and other transnational films including the subsequent wave of commercially successful 'deterritorialised' films by the same directors. It argues that although the films produced within the parameters of the United States film industry may have been commercially successful, they are not necessarily apolitical nor totally divorced from key notions of national or continental identity. Bringing a new perspective to the films of Latin America's transnational auteurs, New Transnationalisms in Contemporary Latin American Cinemas is a major contribution towards understanding how different genres function across different cultures--back cover. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t ACKNOWLEDGEMENTS -- |t FIGURES -- |t TABLES -- |t TRADITIONS IN WORLD CINEMA -- |t INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING -- |t MEXICO: INTRODUCTION -- |t Introduction -- |t 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS -- |t 2. 'FROM HOLLYWOOD AND BACK': ALFONSO CUARÓN'S ADVENTURES IN GENRE -- |t 3. GUILLERMO DEL TORO'S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL'S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN'S LABYRINTH 2006) -- |t BRAZIL: INTRODUCTION -- |t Introduction -- |t 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR -- |t 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES' DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012) -- |t ARGENTINA: INTRODUCTION -- |t Introduction -- |t 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009) -- |t EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015) -- |t SELECT FILMOGRAPHY -- |t BIBLIOGRAPHY -- |t INDEX |
| 650 | 0 | |a Motion pictures |z Latin America. | |
| 650 | 0 | |a Motion picture producers and directors |z Latin America. | |
| 650 | 0 | |a Motion pictures and transnationalism |z Latin America. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z Amérique latine. | |
| 650 | 6 | |a Cinéma et transnationalisme |z Amérique latine. | |
| 650 | 6 | |a Cinéma |z Amérique latine. | |
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| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
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| author | Tierney, Dolores |
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| contents | Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- TABLES -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING -- MEXICO: INTRODUCTION -- Introduction -- 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS -- 2. 'FROM HOLLYWOOD AND BACK': ALFONSO CUARÓN'S ADVENTURES IN GENRE -- 3. GUILLERMO DEL TORO'S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL'S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN'S LABYRINTH 2006) -- BRAZIL: INTRODUCTION -- 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR -- 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES' DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012) -- ARGENTINA: INTRODUCTION -- 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009) -- EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015) -- SELECT FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43098 |
| dewey-search | 791.43098 |
| dewey-sort | 3791.43098 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015) --</subfield><subfield code="t">SELECT FILMOGRAPHY --</subfield><subfield code="t">BIBLIOGRAPHY --</subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">Latin America.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture producers and directors</subfield><subfield code="z">Latin America.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and transnationalism</subfield><subfield code="z">Latin America.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Producteurs et réalisateurs de cinéma</subfield><subfield code="z">Amérique latine.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma et transnationalisme</subfield><subfield code="z">Amérique latine.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="z">Amérique latine.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture producers and directors</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures and transnationalism</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Latin America</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">New transnationalisms in contemporary Latin American cinemas (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGRCGchYrHDqXkj477m9Kq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Tierney, Dolores.</subfield><subfield code="t">New transnationalisms in contemporary Latin American cinemas.</subfield><subfield code="d">Edinburgh : Edinburgh University Press Ltd, [2018]</subfield><subfield code="z">9780748645732</subfield><subfield code="w">(DLC) 2018295240</subfield><subfield code="w">(OCoLC)1027101773</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Traditions in world cinema.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2005058764</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1814984</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH34696558</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1814984</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Oxford University Press USA</subfield><subfield code="b">OUPR</subfield><subfield code="n">EDZ0001933964</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">16665708</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15445601</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15280739</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| geographic | Latin America fast |
| geographic_facet | Latin America |
| id | ZDB-4-EBA-on1037950550 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:28:57Z |
| institution | BVB |
| isbn | 9781474431125 1474431127 9781474431118 1474431119 9781474445238 1474445233 074864573X 9780748645732 |
| language | English |
| oclc_num | 1037950550 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiv, 282 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Edinburgh University Press Ltd, |
| record_format | marc |
| series | Traditions in world cinema. |
| series2 | Traditions in world cinema |
| spelling | Tierney, Dolores, author. http://id.loc.gov/authorities/names/nb2007027216 New transnationalisms in contemporary Latin American cinemas / Dolores Tierney. Edinburgh : Edinburgh University Press Ltd, [2018] ©2018 1 online resource (xiv, 282 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Traditions in world cinema Includes bibliographical references and index. Online resource; title from PDF title page (EBSCO, viewed May 29, 2018). In the late 1990s and early 2000s Latin American films like Amores perros, Diarios de motocicleta, Y tu mamá también and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in global markets. Benefiting from external financial and/or creative input, these films were considered examples of transnational cinema. Through a textual analysis of six filmmakers (Alejandra González Iñárritu, Alfonso Cuarón, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan José Campanella), this book examines these and other transnational films including the subsequent wave of commercially successful 'deterritorialised' films by the same directors. It argues that although the films produced within the parameters of the United States film industry may have been commercially successful, they are not necessarily apolitical nor totally divorced from key notions of national or continental identity. Bringing a new perspective to the films of Latin America's transnational auteurs, New Transnationalisms in Contemporary Latin American Cinemas is a major contribution towards understanding how different genres function across different cultures--back cover. Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- TABLES -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING -- MEXICO: INTRODUCTION -- Introduction -- 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS -- 2. 'FROM HOLLYWOOD AND BACK': ALFONSO CUARÓN'S ADVENTURES IN GENRE -- 3. GUILLERMO DEL TORO'S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL'S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN'S LABYRINTH 2006) -- BRAZIL: INTRODUCTION -- Introduction -- 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR -- 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES' DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012) -- ARGENTINA: INTRODUCTION -- Introduction -- 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009) -- EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015) -- SELECT FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX Motion pictures Latin America. Motion picture producers and directors Latin America. Motion pictures and transnationalism Latin America. Producteurs et réalisateurs de cinéma Amérique latine. Cinéma et transnationalisme Amérique latine. Cinéma Amérique latine. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion picture producers and directors fast Motion pictures fast Motion pictures and transnationalism fast Latin America fast has work: New transnationalisms in contemporary Latin American cinemas (Text) https://id.oclc.org/worldcat/entity/E39PCGRCGchYrHDqXkj477m9Kq https://id.oclc.org/worldcat/ontology/hasWork Print version: Tierney, Dolores. New transnationalisms in contemporary Latin American cinemas. Edinburgh : Edinburgh University Press Ltd, [2018] 9780748645732 (DLC) 2018295240 (OCoLC)1027101773 Traditions in world cinema. http://id.loc.gov/authorities/names/no2005058764 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1814984 Volltext |
| spellingShingle | Tierney, Dolores New transnationalisms in contemporary Latin American cinemas / Traditions in world cinema. Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- TABLES -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING -- MEXICO: INTRODUCTION -- Introduction -- 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS -- 2. 'FROM HOLLYWOOD AND BACK': ALFONSO CUARÓN'S ADVENTURES IN GENRE -- 3. GUILLERMO DEL TORO'S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL'S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN'S LABYRINTH 2006) -- BRAZIL: INTRODUCTION -- 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR -- 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES' DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012) -- ARGENTINA: INTRODUCTION -- 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009) -- EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015) -- SELECT FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX Motion pictures Latin America. Motion picture producers and directors Latin America. Motion pictures and transnationalism Latin America. Producteurs et réalisateurs de cinéma Amérique latine. Cinéma et transnationalisme Amérique latine. Cinéma Amérique latine. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion picture producers and directors fast Motion pictures fast Motion pictures and transnationalism fast |
| title | New transnationalisms in contemporary Latin American cinemas / |
| title_alt | Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- TABLES -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING -- MEXICO: INTRODUCTION -- Introduction -- 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS -- 2. 'FROM HOLLYWOOD AND BACK': ALFONSO CUARÓN'S ADVENTURES IN GENRE -- 3. GUILLERMO DEL TORO'S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL'S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN'S LABYRINTH 2006) -- BRAZIL: INTRODUCTION -- 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR -- 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES' DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012) -- ARGENTINA: INTRODUCTION -- 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009) -- EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015) -- SELECT FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX |
| title_auth | New transnationalisms in contemporary Latin American cinemas / |
| title_exact_search | New transnationalisms in contemporary Latin American cinemas / |
| title_full | New transnationalisms in contemporary Latin American cinemas / Dolores Tierney. |
| title_fullStr | New transnationalisms in contemporary Latin American cinemas / Dolores Tierney. |
| title_full_unstemmed | New transnationalisms in contemporary Latin American cinemas / Dolores Tierney. |
| title_short | New transnationalisms in contemporary Latin American cinemas / |
| title_sort | new transnationalisms in contemporary latin american cinemas |
| topic | Motion pictures Latin America. Motion picture producers and directors Latin America. Motion pictures and transnationalism Latin America. Producteurs et réalisateurs de cinéma Amérique latine. Cinéma et transnationalisme Amérique latine. Cinéma Amérique latine. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion picture producers and directors fast Motion pictures fast Motion pictures and transnationalism fast |
| topic_facet | Motion pictures Latin America. Motion picture producers and directors Latin America. Motion pictures and transnationalism Latin America. Producteurs et réalisateurs de cinéma Amérique latine. Cinéma et transnationalisme Amérique latine. Cinéma Amérique latine. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video General. Motion picture producers and directors Motion pictures Motion pictures and transnationalism Latin America |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1814984 |
| work_keys_str_mv | AT tierneydolores newtransnationalismsincontemporarylatinamericancinemas |