A theory of virtual agency for Western art music /:
In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional acti...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bloomington, Indiana :
Indiana University Press,
[2018]
|
Schriftenreihe: | Musical meaning and interpretation.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds. |
Beschreibung: | 1 online resource (x, 326 pages) |
Bibliographie: | Includes bibliographical references and indexes. |
ISBN: | 9780253037992 0253037999 9780253038012 0253038014 0253037972 9780253037978 9780253037985 0253037980 |
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245 | 1 | 2 | |a A theory of virtual agency for Western art music / |c Robert S. Hatten. |
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505 | 0 | |a Prelude: from gesture to virtual agency -- Foundations for a theory of agency -- Virtual environmental forces and gestural energies: actants as agential -- Virtual embodiment: from actants to virtual human agents -- Virtual identity and actorial continuity -- Interlude I: from embodiment to subjectivity -- Staging virtual subjectivity -- Virtual subjectivity and aesthetically warranted emotions -- Staging virtual narrative agency -- Performing agency -- An integrative agential interpretation of Chopin's Ballade in F minor, op. 52 -- Interlude II: hearing agency: a complex cognitive task -- Other perspectives on virtual agency -- Postlude. | |
588 | 0 | |a Online resource; title from digital title page (viewed on September 07, 2018). | |
520 | |a In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds. | ||
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author | Hatten, Robert S. |
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contents | Prelude: from gesture to virtual agency -- Foundations for a theory of agency -- Virtual environmental forces and gestural energies: actants as agential -- Virtual embodiment: from actants to virtual human agents -- Virtual identity and actorial continuity -- Interlude I: from embodiment to subjectivity -- Staging virtual subjectivity -- Virtual subjectivity and aesthetically warranted emotions -- Staging virtual narrative agency -- Performing agency -- An integrative agential interpretation of Chopin's Ballade in F minor, op. 52 -- Interlude II: hearing agency: a complex cognitive task -- Other perspectives on virtual agency -- Postlude. |
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spelling | Hatten, Robert S., author. A theory of virtual agency for Western art music / Robert S. Hatten. Bloomington, Indiana : Indiana University Press, [2018] 1 online resource (x, 326 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Musical meaning and interpretation Includes bibliographical references and indexes. Prelude: from gesture to virtual agency -- Foundations for a theory of agency -- Virtual environmental forces and gestural energies: actants as agential -- Virtual embodiment: from actants to virtual human agents -- Virtual identity and actorial continuity -- Interlude I: from embodiment to subjectivity -- Staging virtual subjectivity -- Virtual subjectivity and aesthetically warranted emotions -- Staging virtual narrative agency -- Performing agency -- An integrative agential interpretation of Chopin's Ballade in F minor, op. 52 -- Interlude II: hearing agency: a complex cognitive task -- Other perspectives on virtual agency -- Postlude. Online resource; title from digital title page (viewed on September 07, 2018). In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds. Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Agent (Philosophy) http://id.loc.gov/authorities/subjects/sh85002175 Act (Philosophy) http://id.loc.gov/authorities/subjects/sh85000677 Musique Philosophie et esthétique. Action (Philosophie) MUSIC Instruction & Study Theory. bisacsh Act (Philosophy) fast Agent (Philosophy) fast Music Philosophy and aesthetics fast Electronic book. Print version: Hatten, Robert S. Theory of virtual agency for Western art music. Bloomington : Indiana University Press, 2018 9780253037978 (DLC) 2018021852 Musical meaning and interpretation. http://id.loc.gov/authorities/names/n2004068861 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1878770 Volltext |
spellingShingle | Hatten, Robert S. A theory of virtual agency for Western art music / Musical meaning and interpretation. Prelude: from gesture to virtual agency -- Foundations for a theory of agency -- Virtual environmental forces and gestural energies: actants as agential -- Virtual embodiment: from actants to virtual human agents -- Virtual identity and actorial continuity -- Interlude I: from embodiment to subjectivity -- Staging virtual subjectivity -- Virtual subjectivity and aesthetically warranted emotions -- Staging virtual narrative agency -- Performing agency -- An integrative agential interpretation of Chopin's Ballade in F minor, op. 52 -- Interlude II: hearing agency: a complex cognitive task -- Other perspectives on virtual agency -- Postlude. Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Agent (Philosophy) http://id.loc.gov/authorities/subjects/sh85002175 Act (Philosophy) http://id.loc.gov/authorities/subjects/sh85000677 Musique Philosophie et esthétique. Action (Philosophie) MUSIC Instruction & Study Theory. bisacsh Act (Philosophy) fast Agent (Philosophy) fast Music Philosophy and aesthetics fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85088808 http://id.loc.gov/authorities/subjects/sh85002175 http://id.loc.gov/authorities/subjects/sh85000677 |
title | A theory of virtual agency for Western art music / |
title_auth | A theory of virtual agency for Western art music / |
title_exact_search | A theory of virtual agency for Western art music / |
title_full | A theory of virtual agency for Western art music / Robert S. Hatten. |
title_fullStr | A theory of virtual agency for Western art music / Robert S. Hatten. |
title_full_unstemmed | A theory of virtual agency for Western art music / Robert S. Hatten. |
title_short | A theory of virtual agency for Western art music / |
title_sort | theory of virtual agency for western art music |
topic | Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Agent (Philosophy) http://id.loc.gov/authorities/subjects/sh85002175 Act (Philosophy) http://id.loc.gov/authorities/subjects/sh85000677 Musique Philosophie et esthétique. Action (Philosophie) MUSIC Instruction & Study Theory. bisacsh Act (Philosophy) fast Agent (Philosophy) fast Music Philosophy and aesthetics fast |
topic_facet | Music Philosophy and aesthetics. Agent (Philosophy) Act (Philosophy) Musique Philosophie et esthétique. Action (Philosophie) MUSIC Instruction & Study Theory. Music Philosophy and aesthetics Electronic book. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1878770 |
work_keys_str_mv | AT hattenroberts atheoryofvirtualagencyforwesternartmusic AT hattenroberts theoryofvirtualagencyforwesternartmusic |