Hong Kong horror cinema /:
"Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, a...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis, the region's filmmakers have pushed the boundaries of genre, cinematic style, and bad taste. But what makes Hong Kong horror cinema so utterly unique? Why does it hold such fascination for "serious" cinephiles and cult fans alike? Hong Kong Horror Cinema is the first English-language study of this delirious and captivating cinematic tradition, offering new insights into the history of Hong Kong horror through case studies of classic films and through a detailed consideration of their aesthetic power, economic significance, and cultural impact in both the global and domestic market."--Publisher's description |
| Beschreibung: | 1 online resource (x, 227 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781474424608 1474424600 9781474424615 1474424619 9781474444705 1474444709 |
Internformat
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| 245 | 0 | 0 | |a Hong Kong horror cinema / |c edited by Gary Bettinson and Daniel Martin. |
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| 264 | 4 | |c ©2018 | |
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Part I: |t Formations and Fragmentations: The Development of Hong Kong Horror. What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s / |r Raymond Tsang -- |t The White Snake in Hong Kong Horror Cinema: From Horrific Tales to Crowd Pleasers / |r Liang Luo -- |t From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context / |r Andy Willis -- |t The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror / |r Daniel Martin -- |g Part II: |t Genre Hybridity: Comedy and Kung-Fu in the Hong Kong Horror. Animated Pasts and Unseen Futures: On the Comic Element in Hong Kong Horror / |r Andrew Grossman -- |t Performing (Comic) Abjection in the Hong Kong Ghost Story / |r Felicia Chan -- |t Hands, Fingers, and Fists: 'Grasping' Hong Kong Horror Films / |r David Scott Diffrient -- |t Tsui Hark's Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema / |r Kenneth Chan -- |g Part III: |t Transnational Trends: Globalisation and Politics in Contemporary Hong Kong Horror. Cross-Border Implications: Transnational Haunting, Gender, and the Persistent Look of The Eye / |r Enrique Ajuria Ibarra -- |t Food for Thought: Cannibalism in The Untold Story and Dumplings / |r Lisa Odham Stokes -- |t Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung's Dream Home / |r Gary Bettinson -- |t Ghostly Returns: The Politics of Horror in Hong Kong Cinema / |r Vivian Lee. |
| 520 | |a "Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis, the region's filmmakers have pushed the boundaries of genre, cinematic style, and bad taste. But what makes Hong Kong horror cinema so utterly unique? Why does it hold such fascination for "serious" cinephiles and cult fans alike? Hong Kong Horror Cinema is the first English-language study of this delirious and captivating cinematic tradition, offering new insights into the history of Hong Kong horror through case studies of classic films and through a detailed consideration of their aesthetic power, economic significance, and cultural impact in both the global and domestic market."--Publisher's description | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Horror films |z China |z Hong Kong |x History and criticism. | |
| 650 | 6 | |a Films d'horreur |z Chine |z Hongkong |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Horror films |2 fast | |
| 651 | 7 | |a China |z Hong Kong |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvt6xv8pV6CJd3DMttxjC | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Bettinson, Gary, |e editor. | |
| 700 | 1 | |a Martin, Daniel |c (Professor of Film Studies), |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjyMjWjdFvTVJqJkwDfdYq |0 http://id.loc.gov/authorities/names/nb2013007349 | |
| 758 | |i has work: |a Hong Kong horror cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFv7TvdTT3W66gcxX8CjT3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1037351846 |
|---|---|
| _version_ | 1816882423144644609 |
| adam_text | |
| any_adam_object | |
| author2 | Bettinson, Gary Martin, Daniel (Professor of Film Studies) |
| author2_role | edt edt |
| author2_variant | g b gb d m dm |
| author_GND | http://id.loc.gov/authorities/names/nb2013007349 |
| author_additional | Raymond Tsang -- Liang Luo -- Andy Willis -- Daniel Martin -- Andrew Grossman -- Felicia Chan -- David Scott Diffrient -- Kenneth Chan -- Enrique Ajuria Ibarra -- Lisa Odham Stokes -- Gary Bettinson -- Vivian Lee. |
| author_facet | Bettinson, Gary Martin, Daniel (Professor of Film Studies) |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.H6 H66 2018 |
| callnumber-search | PN1995.9.H6 H66 2018 |
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| collection | ZDB-4-EBA |
| contents | Formations and Fragmentations: The Development of Hong Kong Horror. What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s / The White Snake in Hong Kong Horror Cinema: From Horrific Tales to Crowd Pleasers / From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context / The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror / Genre Hybridity: Comedy and Kung-Fu in the Hong Kong Horror. Animated Pasts and Unseen Futures: On the Comic Element in Hong Kong Horror / Performing (Comic) Abjection in the Hong Kong Ghost Story / Hands, Fingers, and Fists: 'Grasping' Hong Kong Horror Films / Tsui Hark's Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema / Transnational Trends: Globalisation and Politics in Contemporary Hong Kong Horror. Cross-Border Implications: Transnational Haunting, Gender, and the Persistent Look of The Eye / Food for Thought: Cannibalism in The Untold Story and Dumplings / Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung's Dream Home / Ghostly Returns: The Politics of Horror in Hong Kong Cinema / |
| ctrlnum | (OCoLC)1037351846 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6164095125 |
| dewey-search | 791.43/6164095125 |
| dewey-sort | 3791.43 106164095125 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| geographic | China Hong Kong fast https://id.oclc.org/worldcat/entity/E39PBJvt6xv8pV6CJd3DMttxjC |
| geographic_facet | China Hong Kong |
| id | ZDB-4-EBA-on1037351846 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:28:22Z |
| institution | BVB |
| isbn | 9781474424608 1474424600 9781474424615 1474424619 9781474444705 1474444709 |
| language | English |
| oclc_num | 1037351846 |
| open_access_boolean | |
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| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| spelling | Hong Kong horror cinema / edited by Gary Bettinson and Daniel Martin. Edinburgh : Edinburgh University Press, [2018] ©2018 1 online resource (x, 227 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Part I: Formations and Fragmentations: The Development of Hong Kong Horror. What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s / Raymond Tsang -- The White Snake in Hong Kong Horror Cinema: From Horrific Tales to Crowd Pleasers / Liang Luo -- From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context / Andy Willis -- The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror / Daniel Martin -- Part II: Genre Hybridity: Comedy and Kung-Fu in the Hong Kong Horror. Animated Pasts and Unseen Futures: On the Comic Element in Hong Kong Horror / Andrew Grossman -- Performing (Comic) Abjection in the Hong Kong Ghost Story / Felicia Chan -- Hands, Fingers, and Fists: 'Grasping' Hong Kong Horror Films / David Scott Diffrient -- Tsui Hark's Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema / Kenneth Chan -- Part III: Transnational Trends: Globalisation and Politics in Contemporary Hong Kong Horror. Cross-Border Implications: Transnational Haunting, Gender, and the Persistent Look of The Eye / Enrique Ajuria Ibarra -- Food for Thought: Cannibalism in The Untold Story and Dumplings / Lisa Odham Stokes -- Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung's Dream Home / Gary Bettinson -- Ghostly Returns: The Politics of Horror in Hong Kong Cinema / Vivian Lee. "Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis, the region's filmmakers have pushed the boundaries of genre, cinematic style, and bad taste. But what makes Hong Kong horror cinema so utterly unique? Why does it hold such fascination for "serious" cinephiles and cult fans alike? Hong Kong Horror Cinema is the first English-language study of this delirious and captivating cinematic tradition, offering new insights into the history of Hong Kong horror through case studies of classic films and through a detailed consideration of their aesthetic power, economic significance, and cultural impact in both the global and domestic market."--Publisher's description Print version record. Horror films China Hong Kong History and criticism. Films d'horreur Chine Hongkong Histoire et critique. PERFORMING ARTS Reference. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Horror films fast China Hong Kong fast https://id.oclc.org/worldcat/entity/E39PBJvt6xv8pV6CJd3DMttxjC Electronic books. Criticism, interpretation, etc. fast Bettinson, Gary, editor. Martin, Daniel (Professor of Film Studies), editor. https://id.oclc.org/worldcat/entity/E39PCjyMjWjdFvTVJqJkwDfdYq http://id.loc.gov/authorities/names/nb2013007349 has work: Hong Kong horror cinema (Text) https://id.oclc.org/worldcat/entity/E39PCFv7TvdTT3W66gcxX8CjT3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Hong Kong horror cinema. Edinburgh : Edinburgh University Press, [2018] 9781474424592 (OCoLC)994635723 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815054 Volltext |
| spellingShingle | Hong Kong horror cinema / Formations and Fragmentations: The Development of Hong Kong Horror. What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s / The White Snake in Hong Kong Horror Cinema: From Horrific Tales to Crowd Pleasers / From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context / The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror / Genre Hybridity: Comedy and Kung-Fu in the Hong Kong Horror. Animated Pasts and Unseen Futures: On the Comic Element in Hong Kong Horror / Performing (Comic) Abjection in the Hong Kong Ghost Story / Hands, Fingers, and Fists: 'Grasping' Hong Kong Horror Films / Tsui Hark's Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema / Transnational Trends: Globalisation and Politics in Contemporary Hong Kong Horror. Cross-Border Implications: Transnational Haunting, Gender, and the Persistent Look of The Eye / Food for Thought: Cannibalism in The Untold Story and Dumplings / Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung's Dream Home / Ghostly Returns: The Politics of Horror in Hong Kong Cinema / Horror films China Hong Kong History and criticism. Films d'horreur Chine Hongkong Histoire et critique. PERFORMING ARTS Reference. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Horror films fast |
| title | Hong Kong horror cinema / |
| title_alt | Formations and Fragmentations: The Development of Hong Kong Horror. What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s / The White Snake in Hong Kong Horror Cinema: From Horrific Tales to Crowd Pleasers / From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context / The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror / Genre Hybridity: Comedy and Kung-Fu in the Hong Kong Horror. Animated Pasts and Unseen Futures: On the Comic Element in Hong Kong Horror / Performing (Comic) Abjection in the Hong Kong Ghost Story / Hands, Fingers, and Fists: 'Grasping' Hong Kong Horror Films / Tsui Hark's Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema / Transnational Trends: Globalisation and Politics in Contemporary Hong Kong Horror. Cross-Border Implications: Transnational Haunting, Gender, and the Persistent Look of The Eye / Food for Thought: Cannibalism in The Untold Story and Dumplings / Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung's Dream Home / Ghostly Returns: The Politics of Horror in Hong Kong Cinema / |
| title_auth | Hong Kong horror cinema / |
| title_exact_search | Hong Kong horror cinema / |
| title_full | Hong Kong horror cinema / edited by Gary Bettinson and Daniel Martin. |
| title_fullStr | Hong Kong horror cinema / edited by Gary Bettinson and Daniel Martin. |
| title_full_unstemmed | Hong Kong horror cinema / edited by Gary Bettinson and Daniel Martin. |
| title_short | Hong Kong horror cinema / |
| title_sort | hong kong horror cinema |
| topic | Horror films China Hong Kong History and criticism. Films d'horreur Chine Hongkong Histoire et critique. PERFORMING ARTS Reference. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Horror films fast |
| topic_facet | Horror films China Hong Kong History and criticism. Films d'horreur Chine Hongkong Histoire et critique. PERFORMING ARTS Reference. LITERARY CRITICISM European English, Irish, Scottish, Welsh. Horror films China Hong Kong Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815054 |
| work_keys_str_mv | AT bettinsongary hongkonghorrorcinema AT martindaniel hongkonghorrorcinema |