Jazz as critique :: Adorno and Black expression revisited /
"A sustained engagement with Theodor Adorno, Jazz as Critique looks to jazz for ways of understanding the inadequacies of contemporary life. Adorno's writings on jazz are notoriously dismissive. Nevertheless, Adorno does have faith in the critical potential of some musical traditions. Musi...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Stanford, California :
Stanford University Press,
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "A sustained engagement with Theodor Adorno, Jazz as Critique looks to jazz for ways of understanding the inadequacies of contemporary life. Adorno's writings on jazz are notoriously dismissive. Nevertheless, Adorno does have faith in the critical potential of some musical traditions. Music, he suggests, can provide insight into the controlling, destructive nature of modern society while offering a glimpse of more empathetic and less violent ways of being together in the world. Taking Adorno down a path he did not go, this book calls attention to an alternative sociality made manifest in jazz. In response to writing that tends to portray it as a mirror of American individualism and democracy, Fumi Okiji makes the case for jazz as a model of 'gathering in difference.' Noting that this mode of subjectivity emerged in response to the distinctive history of black America, she reveals that the music cannot but call the integrity of the world into question."-- Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a "communal self", an African-American subjectivity that demands recognition of black humanity and alterity. |
| Beschreibung: | 1 online resource (x, 148 pages) |
| Bibliographie: | Includes bibliographical references, discography and index. |
| ISBN: | 9781503605862 1503605868 |
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| 504 | |a Includes bibliographical references, discography and index. | ||
| 505 | 0 | |a Jazz, individualism and the Black modern -- Double consciousness and the critical potential of Black expression -- Black dwelling, a refuge for the homeless -- Storytelling, sound and silence -- Postscript: Some thoughts on the inadequacy and indispensability of jazz records. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed May 21, 2018). | |
| 520 | |a "A sustained engagement with Theodor Adorno, Jazz as Critique looks to jazz for ways of understanding the inadequacies of contemporary life. Adorno's writings on jazz are notoriously dismissive. Nevertheless, Adorno does have faith in the critical potential of some musical traditions. Music, he suggests, can provide insight into the controlling, destructive nature of modern society while offering a glimpse of more empathetic and less violent ways of being together in the world. Taking Adorno down a path he did not go, this book calls attention to an alternative sociality made manifest in jazz. In response to writing that tends to portray it as a mirror of American individualism and democracy, Fumi Okiji makes the case for jazz as a model of 'gathering in difference.' Noting that this mode of subjectivity emerged in response to the distinctive history of black America, she reveals that the music cannot but call the integrity of the world into question."-- |c Provided by publisher. | ||
| 520 | |a Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a "communal self", an African-American subjectivity that demands recognition of black humanity and alterity. | ||
| 600 | 1 | 0 | |a Adorno, Theodor W., |d 1903-1969. |t Ästhetik (1958/59). |l English. |0 http://id.loc.gov/authorities/names/n2017048267 |
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| 650 | 6 | |a Jazz |x Philosophie et esthétique. | |
| 650 | 6 | |a Musiciens noirs américains. | |
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| author | Okiji, Fumi, 1976- |
| author_GND | http://id.loc.gov/authorities/names/no2017123442 |
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| contents | Jazz, individualism and the Black modern -- Double consciousness and the critical potential of Black expression -- Black dwelling, a refuge for the homeless -- Storytelling, sound and silence -- Postscript: Some thoughts on the inadequacy and indispensability of jazz records. |
| ctrlnum | (OCoLC)1036985916 |
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| spelling | Okiji, Fumi, 1976- author. https://id.oclc.org/worldcat/entity/E39PCjDC4FD6cVTG4yJTVcdk9P http://id.loc.gov/authorities/names/no2017123442 Jazz as critique : Adorno and Black expression revisited / Fumi Okiji. Stanford, California : Stanford University Press, [2018] ©2018 1 online resource (x, 148 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references, discography and index. Jazz, individualism and the Black modern -- Double consciousness and the critical potential of Black expression -- Black dwelling, a refuge for the homeless -- Storytelling, sound and silence -- Postscript: Some thoughts on the inadequacy and indispensability of jazz records. Online resource; title from PDF title page (EBSCO, viewed May 21, 2018). "A sustained engagement with Theodor Adorno, Jazz as Critique looks to jazz for ways of understanding the inadequacies of contemporary life. Adorno's writings on jazz are notoriously dismissive. Nevertheless, Adorno does have faith in the critical potential of some musical traditions. Music, he suggests, can provide insight into the controlling, destructive nature of modern society while offering a glimpse of more empathetic and less violent ways of being together in the world. Taking Adorno down a path he did not go, this book calls attention to an alternative sociality made manifest in jazz. In response to writing that tends to portray it as a mirror of American individualism and democracy, Fumi Okiji makes the case for jazz as a model of 'gathering in difference.' Noting that this mode of subjectivity emerged in response to the distinctive history of black America, she reveals that the music cannot but call the integrity of the world into question."-- Provided by publisher. Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a "communal self", an African-American subjectivity that demands recognition of black humanity and alterity. Adorno, Theodor W., 1903-1969. Ästhetik (1958/59). English. http://id.loc.gov/authorities/names/n2017048267 Ästhetik (1958/59) (Adorno, Theodor W.) fast Jazz History and criticism. Jazz Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh2008004054 African American musicians. http://id.loc.gov/authorities/subjects/sh85001872 African American aesthetics. http://id.loc.gov/authorities/subjects/sh89002903 Aesthetics, Black. http://id.loc.gov/authorities/subjects/sh85001447 Jazz Philosophie et esthétique. Musiciens noirs américains. Esthétique noire américaine. Esthétique noire. MUSIC Instruction & Study Theory. bisacsh Aesthetics, Black fast African American aesthetics fast African American musicians fast Jazz fast Jazz Philosophy and aesthetics fast Criticism, interpretation, etc. fast has work: Jazz as critique (Text) https://id.oclc.org/worldcat/entity/E39PCGR4TBF6yJJqDJg8Wmx3Bd https://id.oclc.org/worldcat/ontology/hasWork Print version: Okiji, Fumi, 1976- Jazz as critique. Stanford, California : Stanford University Press, [2018] 9781503602021 (DLC) 2017045420 (OCoLC)1005776535 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1813154 Volltext |
| spellingShingle | Okiji, Fumi, 1976- Jazz as critique : Adorno and Black expression revisited / Jazz, individualism and the Black modern -- Double consciousness and the critical potential of Black expression -- Black dwelling, a refuge for the homeless -- Storytelling, sound and silence -- Postscript: Some thoughts on the inadequacy and indispensability of jazz records. Adorno, Theodor W., 1903-1969. Ästhetik (1958/59). English. http://id.loc.gov/authorities/names/n2017048267 Ästhetik (1958/59) (Adorno, Theodor W.) fast Jazz History and criticism. Jazz Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh2008004054 African American musicians. http://id.loc.gov/authorities/subjects/sh85001872 African American aesthetics. http://id.loc.gov/authorities/subjects/sh89002903 Aesthetics, Black. http://id.loc.gov/authorities/subjects/sh85001447 Jazz Philosophie et esthétique. Musiciens noirs américains. Esthétique noire américaine. Esthétique noire. MUSIC Instruction & Study Theory. bisacsh Aesthetics, Black fast African American aesthetics fast African American musicians fast Jazz fast Jazz Philosophy and aesthetics fast |
| subject_GND | http://id.loc.gov/authorities/names/n2017048267 http://id.loc.gov/authorities/subjects/sh2008004054 http://id.loc.gov/authorities/subjects/sh85001872 http://id.loc.gov/authorities/subjects/sh89002903 http://id.loc.gov/authorities/subjects/sh85001447 |
| title | Jazz as critique : Adorno and Black expression revisited / |
| title_auth | Jazz as critique : Adorno and Black expression revisited / |
| title_exact_search | Jazz as critique : Adorno and Black expression revisited / |
| title_full | Jazz as critique : Adorno and Black expression revisited / Fumi Okiji. |
| title_fullStr | Jazz as critique : Adorno and Black expression revisited / Fumi Okiji. |
| title_full_unstemmed | Jazz as critique : Adorno and Black expression revisited / Fumi Okiji. |
| title_short | Jazz as critique : |
| title_sort | jazz as critique adorno and black expression revisited |
| title_sub | Adorno and Black expression revisited / |
| topic | Adorno, Theodor W., 1903-1969. Ästhetik (1958/59). English. http://id.loc.gov/authorities/names/n2017048267 Ästhetik (1958/59) (Adorno, Theodor W.) fast Jazz History and criticism. Jazz Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh2008004054 African American musicians. http://id.loc.gov/authorities/subjects/sh85001872 African American aesthetics. http://id.loc.gov/authorities/subjects/sh89002903 Aesthetics, Black. http://id.loc.gov/authorities/subjects/sh85001447 Jazz Philosophie et esthétique. Musiciens noirs américains. Esthétique noire américaine. Esthétique noire. MUSIC Instruction & Study Theory. bisacsh Aesthetics, Black fast African American aesthetics fast African American musicians fast Jazz fast Jazz Philosophy and aesthetics fast |
| topic_facet | Adorno, Theodor W., 1903-1969. Ästhetik (1958/59). English. Ästhetik (1958/59) (Adorno, Theodor W.) Jazz History and criticism. Jazz Philosophy and aesthetics. African American musicians. African American aesthetics. Aesthetics, Black. Jazz Philosophie et esthétique. Musiciens noirs américains. Esthétique noire américaine. Esthétique noire. MUSIC Instruction & Study Theory. Aesthetics, Black African American aesthetics African American musicians Jazz Jazz Philosophy and aesthetics Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1813154 |
| work_keys_str_mv | AT okijifumi jazzascritiqueadornoandblackexpressionrevisited |