Allusion as narrative premise in Brahms's instrumental music /:
Who inspired Johannes Brahms in his art of writing music' In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bloomington, Indiana :
Indiana University Press,
[2018]
|
Schriftenreihe: | Musical meaning and interpretation.
|
Schlagworte: | |
Online-Zugang: | Volltext Volltext |
Zusammenfassung: | Who inspired Johannes Brahms in his art of writing music' In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history. |
Beschreibung: | 1 online resource (xi, 256 pages). |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780253033161 0253033160 |
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contents | The notion of allusion as narrative premise in Brahms's instrumental music -- Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical -- Meaning in the B-major piano trio, op. 8 -- Musical memory and the D-major serenade, op. 11 -- An historical model, an emerging soloist, a young composer in turmoil: the piano -- Concerto in D minor, op. 15 -- A later example: tragic antiquarianism in Brahms's fourth symphony. |
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spelling | Sholes, Jacquelyn, author. Allusion as narrative premise in Brahms's instrumental music / Jacquelyn E.C. Sholes. Bloomington, Indiana : Indiana University Press, [2018] 1 online resource (xi, 256 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Musical meaning and interpretation Includes bibliographical references and index. The notion of allusion as narrative premise in Brahms's instrumental music -- Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical -- Meaning in the B-major piano trio, op. 8 -- Musical memory and the D-major serenade, op. 11 -- An historical model, an emerging soloist, a young composer in turmoil: the piano -- Concerto in D minor, op. 15 -- A later example: tragic antiquarianism in Brahms's fourth symphony. Online resource; title from digital title page (viewed on July 11, 2018). Who inspired Johannes Brahms in his art of writing music' In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history. Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897. Instrumental music. http://id.loc.gov/authorities/names/n2006006139 Brahms, Johannes, 1833-1897 fast Instrumental music (Brahms, Johannes) fast Instrumental music Germany History and criticism. Musique instrumentale Allemagne Histoire et critique. MUSIC Musical Instruments General. bisacsh MUSIC Printed Music Band & Orchestra. bisacsh MUSIC History & Criticism. bisacsh Instrumental music fast Germany fast Criticism, interpretation, etc. fast Print version: Sholes, Jacquelyn. Allusion as narrative premise in Brahms's instrumental music. Bloomington : Indiana University Press, 2018 9780253033161 (DLC) 2018020684 Musical meaning and interpretation. http://id.loc.gov/authorities/names/n2004068861 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1838565 Volltext FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1838566 Volltext |
spellingShingle | Sholes, Jacquelyn Allusion as narrative premise in Brahms's instrumental music / Musical meaning and interpretation. The notion of allusion as narrative premise in Brahms's instrumental music -- Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical -- Meaning in the B-major piano trio, op. 8 -- Musical memory and the D-major serenade, op. 11 -- An historical model, an emerging soloist, a young composer in turmoil: the piano -- Concerto in D minor, op. 15 -- A later example: tragic antiquarianism in Brahms's fourth symphony. Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897. Instrumental music. http://id.loc.gov/authorities/names/n2006006139 Brahms, Johannes, 1833-1897 fast Instrumental music (Brahms, Johannes) fast Instrumental music Germany History and criticism. Musique instrumentale Allemagne Histoire et critique. MUSIC Musical Instruments General. bisacsh MUSIC Printed Music Band & Orchestra. bisacsh MUSIC History & Criticism. bisacsh Instrumental music fast |
subject_GND | http://id.loc.gov/authorities/names/n2006006139 |
title | Allusion as narrative premise in Brahms's instrumental music / |
title_auth | Allusion as narrative premise in Brahms's instrumental music / |
title_exact_search | Allusion as narrative premise in Brahms's instrumental music / |
title_full | Allusion as narrative premise in Brahms's instrumental music / Jacquelyn E.C. Sholes. |
title_fullStr | Allusion as narrative premise in Brahms's instrumental music / Jacquelyn E.C. Sholes. |
title_full_unstemmed | Allusion as narrative premise in Brahms's instrumental music / Jacquelyn E.C. Sholes. |
title_short | Allusion as narrative premise in Brahms's instrumental music / |
title_sort | allusion as narrative premise in brahms s instrumental music |
topic | Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897. Instrumental music. http://id.loc.gov/authorities/names/n2006006139 Brahms, Johannes, 1833-1897 fast Instrumental music (Brahms, Johannes) fast Instrumental music Germany History and criticism. Musique instrumentale Allemagne Histoire et critique. MUSIC Musical Instruments General. bisacsh MUSIC Printed Music Band & Orchestra. bisacsh MUSIC History & Criticism. bisacsh Instrumental music fast |
topic_facet | Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897. Instrumental music. Brahms, Johannes, 1833-1897 Instrumental music (Brahms, Johannes) Instrumental music Germany History and criticism. Musique instrumentale Allemagne Histoire et critique. MUSIC Musical Instruments General. MUSIC Printed Music Band & Orchestra. MUSIC History & Criticism. Instrumental music Germany Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1838565 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1838566 |
work_keys_str_mv | AT sholesjacquelyn allusionasnarrativepremiseinbrahmssinstrumentalmusic |