I'm not myself at all :: women, art, and subjectivity in Canada /
"Notions of identity have long structured women's art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If iden...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal :
McGill-Queen's University Press,
[2018]
|
| Schriftenreihe: | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Notions of identity have long structured women's art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in women's art, however, is more identity the solution? In this collection of interpretive essays on nineteenth and early twentieth-century art in Canada, author Kristina Huneault offers a meditation on the strictures of identity, and an exploration of forces that unsettle and realign the self. Looking closely at individual artists and works, Huneault combines formal analysis with archival research and philosophical inquiry, building nuanced readings of objects that range from the canonical to the largely unknown. Whether in miniature portraits or genre paintings, botanical drawings or baskets, women artists reckoned with constraints that limited understandings of themselves and others. They also forged creative alternatives. At times, the author explains, identity features in women's artistic work as a failed project, at other times it marks a boundary, beyond which they were able to expand, explore, and exult. Bringing together settler and Indigenous forms of cultural expression and foregrounding the importance of colonialism within the development of art in Canada, I'm not myself at all observes and reactivates historical art by women and prompts readers to consider what a less-restrictive conceptualization of selfhood might bring to current patterns of cultural analysis."-- |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780773554030 0773554033 |
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| 520 | |a "Notions of identity have long structured women's art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in women's art, however, is more identity the solution? In this collection of interpretive essays on nineteenth and early twentieth-century art in Canada, author Kristina Huneault offers a meditation on the strictures of identity, and an exploration of forces that unsettle and realign the self. Looking closely at individual artists and works, Huneault combines formal analysis with archival research and philosophical inquiry, building nuanced readings of objects that range from the canonical to the largely unknown. Whether in miniature portraits or genre paintings, botanical drawings or baskets, women artists reckoned with constraints that limited understandings of themselves and others. They also forged creative alternatives. At times, the author explains, identity features in women's artistic work as a failed project, at other times it marks a boundary, beyond which they were able to expand, explore, and exult. Bringing together settler and Indigenous forms of cultural expression and foregrounding the importance of colonialism within the development of art in Canada, I'm not myself at all observes and reactivates historical art by women and prompts readers to consider what a less-restrictive conceptualization of selfhood might bring to current patterns of cultural analysis."-- |c Provided by publisher. | ||
| 505 | 0 | |a Cover; I'm Not Myself at All; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; PART ONE · IDENTITIES; 1 Absence Henrietta Hamilton, Demasduit, and the Settler-Colonial Encounter; 2 Displacements Self and Home in the Art of Frances Anne Hopkins; 3 Gaps Lived Experience and Cultural Narrative in Helen McNicoll's Impressionist Canvases; PART TWO · FORCES; 4 Diversity Identity, Difference, and the Botanical Encounter; 5 Inclination Maternity, Reverie, and the Art of Being-With; 6 Listening Nature and Personhood for Emily Carr and Sewiṉchelwet (Sophie Frank); Coda | |
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| author | Huneault, Kristina |
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| contents | Cover; I'm Not Myself at All; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; PART ONE · IDENTITIES; 1 Absence Henrietta Hamilton, Demasduit, and the Settler-Colonial Encounter; 2 Displacements Self and Home in the Art of Frances Anne Hopkins; 3 Gaps Lived Experience and Cultural Narrative in Helen McNicoll's Impressionist Canvases; PART TWO · FORCES; 4 Diversity Identity, Difference, and the Botanical Encounter; 5 Inclination Maternity, Reverie, and the Art of Being-With; 6 Listening Nature and Personhood for Emily Carr and Sewiṉchelwet (Sophie Frank); Coda |
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| dewey-search | 704/.0420971 |
| dewey-sort | 3704 6420971 |
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| discipline | Kunstgeschichte |
| era | 1800-1999 fast |
| era_facet | 1800-1999 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Canada fast https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 |
| geographic_facet | Canada |
| id | ZDB-4-EBA-on1035259538 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:28:21Z |
| institution | BVB |
| isbn | 9780773554030 0773554033 |
| language | English |
| oclc_num | 1035259538 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource. |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | McGill-Queen's University Press, |
| record_format | marc |
| series | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. |
| series2 | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
| spelling | Huneault, Kristina, author. I'm not myself at all : women, art, and subjectivity in Canada / Kristina Huneault. 1806 Montreal : McGill-Queen's University Press, [2018] 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier McGill-Queen's/Beaverbrook Canadian Foundation studies in art history Includes bibliographical references and index. "Notions of identity have long structured women's art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in women's art, however, is more identity the solution? In this collection of interpretive essays on nineteenth and early twentieth-century art in Canada, author Kristina Huneault offers a meditation on the strictures of identity, and an exploration of forces that unsettle and realign the self. Looking closely at individual artists and works, Huneault combines formal analysis with archival research and philosophical inquiry, building nuanced readings of objects that range from the canonical to the largely unknown. Whether in miniature portraits or genre paintings, botanical drawings or baskets, women artists reckoned with constraints that limited understandings of themselves and others. They also forged creative alternatives. At times, the author explains, identity features in women's artistic work as a failed project, at other times it marks a boundary, beyond which they were able to expand, explore, and exult. Bringing together settler and Indigenous forms of cultural expression and foregrounding the importance of colonialism within the development of art in Canada, I'm not myself at all observes and reactivates historical art by women and prompts readers to consider what a less-restrictive conceptualization of selfhood might bring to current patterns of cultural analysis."-- Provided by publisher. Cover; I'm Not Myself at All; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; PART ONE · IDENTITIES; 1 Absence Henrietta Hamilton, Demasduit, and the Settler-Colonial Encounter; 2 Displacements Self and Home in the Art of Frances Anne Hopkins; 3 Gaps Lived Experience and Cultural Narrative in Helen McNicoll's Impressionist Canvases; PART TWO · FORCES; 4 Diversity Identity, Difference, and the Botanical Encounter; 5 Inclination Maternity, Reverie, and the Art of Being-With; 6 Listening Nature and Personhood for Emily Carr and Sewiṉchelwet (Sophie Frank); Coda Women artists Canada. http://id.loc.gov/authorities/subjects/sh97008761 Art Canada History. Art, Canadian 19th century. Art, Canadian 20th century. Identity (Psychology) in art. http://id.loc.gov/authorities/subjects/sh96011828 Women in art. http://id.loc.gov/authorities/subjects/sh85147554 Femmes artistes Canada. Art Canada Histoire. Identité (Psychologie) dans l'art. Femmes dans l'art. ART Subjects & Themes General. bisacsh Art fast Art, Canadian fast Identity (Psychology) in art fast Women artists fast Women in art fast Canada fast https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 Frau gnd http://d-nb.info/gnd/4018202-2 Frau Motiv gnd http://d-nb.info/gnd/4113617-2 Kunst gnd http://d-nb.info/gnd/4114333-4 Künstlerin gnd http://d-nb.info/gnd/4033430-2 Identität gnd http://d-nb.info/gnd/4026482-8 1800-1999 fast History fast has work: I'm not myself at all (Text) https://id.oclc.org/worldcat/entity/E39PCFJwQVGy7MGQG6gbpkB7BK https://id.oclc.org/worldcat/ontology/hasWork Print version:Huneault, Kristina. I'm not myself at all.: Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2018. McGill-Queen's/Beaverbrook Canadian Foundation studies in art history McGill-Queen's/Beaverbrook Canadian Foundation studies in art history (CaOONL)20189010894 Print version: Huneault, Kristina. I'm not myself at all. Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2018 0773553193 9780773553194 (OCoLC)1013498650 McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. http://id.loc.gov/authorities/names/no2009036808 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1837742 Volltext |
| spellingShingle | Huneault, Kristina I'm not myself at all : women, art, and subjectivity in Canada / McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. Cover; I'm Not Myself at All; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; PART ONE · IDENTITIES; 1 Absence Henrietta Hamilton, Demasduit, and the Settler-Colonial Encounter; 2 Displacements Self and Home in the Art of Frances Anne Hopkins; 3 Gaps Lived Experience and Cultural Narrative in Helen McNicoll's Impressionist Canvases; PART TWO · FORCES; 4 Diversity Identity, Difference, and the Botanical Encounter; 5 Inclination Maternity, Reverie, and the Art of Being-With; 6 Listening Nature and Personhood for Emily Carr and Sewiṉchelwet (Sophie Frank); Coda Women artists Canada. http://id.loc.gov/authorities/subjects/sh97008761 Art Canada History. Art, Canadian 19th century. Art, Canadian 20th century. Identity (Psychology) in art. http://id.loc.gov/authorities/subjects/sh96011828 Women in art. http://id.loc.gov/authorities/subjects/sh85147554 Femmes artistes Canada. Art Canada Histoire. Identité (Psychologie) dans l'art. Femmes dans l'art. ART Subjects & Themes General. bisacsh Art fast Art, Canadian fast Identity (Psychology) in art fast Women artists fast Women in art fast Frau gnd http://d-nb.info/gnd/4018202-2 Frau Motiv gnd http://d-nb.info/gnd/4113617-2 Kunst gnd http://d-nb.info/gnd/4114333-4 Künstlerin gnd http://d-nb.info/gnd/4033430-2 Identität gnd http://d-nb.info/gnd/4026482-8 |
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| title | I'm not myself at all : women, art, and subjectivity in Canada / |
| title_auth | I'm not myself at all : women, art, and subjectivity in Canada / |
| title_exact_search | I'm not myself at all : women, art, and subjectivity in Canada / |
| title_full | I'm not myself at all : women, art, and subjectivity in Canada / Kristina Huneault. |
| title_fullStr | I'm not myself at all : women, art, and subjectivity in Canada / Kristina Huneault. |
| title_full_unstemmed | I'm not myself at all : women, art, and subjectivity in Canada / Kristina Huneault. |
| title_short | I'm not myself at all : |
| title_sort | i m not myself at all women art and subjectivity in canada |
| title_sub | women, art, and subjectivity in Canada / |
| topic | Women artists Canada. http://id.loc.gov/authorities/subjects/sh97008761 Art Canada History. Art, Canadian 19th century. Art, Canadian 20th century. Identity (Psychology) in art. http://id.loc.gov/authorities/subjects/sh96011828 Women in art. http://id.loc.gov/authorities/subjects/sh85147554 Femmes artistes Canada. Art Canada Histoire. Identité (Psychologie) dans l'art. Femmes dans l'art. ART Subjects & Themes General. bisacsh Art fast Art, Canadian fast Identity (Psychology) in art fast Women artists fast Women in art fast Frau gnd http://d-nb.info/gnd/4018202-2 Frau Motiv gnd http://d-nb.info/gnd/4113617-2 Kunst gnd http://d-nb.info/gnd/4114333-4 Künstlerin gnd http://d-nb.info/gnd/4033430-2 Identität gnd http://d-nb.info/gnd/4026482-8 |
| topic_facet | Women artists Canada. Art Canada History. Art, Canadian 19th century. Art, Canadian 20th century. Identity (Psychology) in art. Women in art. Femmes artistes Canada. Art Canada Histoire. Identité (Psychologie) dans l'art. Femmes dans l'art. ART Subjects & Themes General. Art Art, Canadian Identity (Psychology) in art Women artists Women in art Canada Frau Frau Motiv Kunst Künstlerin Identität History |
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| work_keys_str_mv | AT huneaultkristina imnotmyselfatallwomenartandsubjectivityincanada |