The theatre of August Wilson /:
"The first comprehensive study of August Wilson's drama introduces the major themes and motifs that unite Wilson's ten-play cycle about African American life in each decade of the twentieth century. Framed by Wilson's life experiences and informed by his extensive interviews, thi...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London, UK :
Methuen Drama, Bloomsbury Publishing Plc,
2018
|
Schriftenreihe: | Critical companions (London, England)
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "The first comprehensive study of August Wilson's drama introduces the major themes and motifs that unite Wilson's ten-play cycle about African American life in each decade of the twentieth century. Framed by Wilson's life experiences and informed by his extensive interviews, this book provides fresh, coherent, detailed readings of each play, well-situated in the extant scholarship. It also provides an overview of the cycle as a whole, demonstrating how it comprises a compelling interrogation of American culture and historiography. Keenly aware of the musical paradigms informing Wilson's dramatic technique, Nadel shows how jazz and, particularly, the blues provide the structural mechanisms that allow Wilson to examine alternative notions of time, property, and law. Wilson's improvisational logics become crucial to expressing his notions of black identity and resituating the relationship of literal to figurative in the African American community. The final two chapters include contributions by scholars Harry J. Elam, Jr. and Donald E. Pease"--Provided by publisher |
Beschreibung: | 1 online resource (viii, 224 pages) |
Bibliographie: | Includes bibliographical references and index |
ISBN: | 9781472528322 1472528328 9781472527646 147252764X |
Internformat
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245 | 1 | 4 | |a The theatre of August Wilson / |c Alan Nadel |
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520 | |a "The first comprehensive study of August Wilson's drama introduces the major themes and motifs that unite Wilson's ten-play cycle about African American life in each decade of the twentieth century. Framed by Wilson's life experiences and informed by his extensive interviews, this book provides fresh, coherent, detailed readings of each play, well-situated in the extant scholarship. It also provides an overview of the cycle as a whole, demonstrating how it comprises a compelling interrogation of American culture and historiography. Keenly aware of the musical paradigms informing Wilson's dramatic technique, Nadel shows how jazz and, particularly, the blues provide the structural mechanisms that allow Wilson to examine alternative notions of time, property, and law. Wilson's improvisational logics become crucial to expressing his notions of black identity and resituating the relationship of literal to figurative in the African American community. The final two chapters include contributions by scholars Harry J. Elam, Jr. and Donald E. Pease"--Provided by publisher | ||
504 | |a Includes bibliographical references and index | ||
505 | 0 | |a Becoming August Wilson -- History and/as performance: the drama of African-American historiography -- Cutting the historical record, recording the blues: Ma Rainey's black bottom -- Beginning again, again: Gem of the ocean and Jitney -- The boundaries of property and the properties of humanity: Fences and Joe Turner's Come and gone -- The properties of the piano and the legacy of human property: The piano lesson -- Urban renewal by any means necessary: Two trains running -- "Sad stories of the death of kings": Seven guitars and King Hedley II -- The century that can't fix nothing with the law: Radio golf -- Critical and performance perspectives. Guitars and King Hedley II: August Wilson's Lazarus complex / Donald E. Pease -- Performance politics and authenticity: Joe Turner's come and gone and Jitney / Harry J. Elam, Jr. | |
588 | 0 | |a Print version record | |
600 | 1 | 0 | |a Wilson, August |x Criticism and interpretation. |
600 | 1 | 7 | |a Wilson, August |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtrQqhpcXhYxQWJ44xFKd |
650 | 7 | |a Literary studies: plays & playwrights. |2 bicssc | |
650 | 7 | |a Theatre studies. |2 bicssc | |
650 | 7 | |a DRAMA |x American. |2 bisacsh | |
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776 | 0 | 8 | |i Print version: |a Nadel, Alan, 1947- |t Theatre of August Wilson. |d London ; New York : Bloomsbury Methuen Drama, 2018 |z 9781472534439 |w (DLC) 2017040931 |w (OCoLC)982650692 |
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DE-BY-FWS_katkey | ZDB-4-EBA-on1034988494 |
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adam_text | |
any_adam_object | |
author | Nadel, Alan, 1947- |
author_GND | http://id.loc.gov/authorities/names/n87839872 |
author_facet | Nadel, Alan, 1947- |
author_role | aut |
author_sort | Nadel, Alan, 1947- |
author_variant | a n an |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PS3573 |
callnumber-raw | PS3573.I45677 Z79 2019eb |
callnumber-search | PS3573.I45677 Z79 2019eb |
callnumber-sort | PS 43573 I45677 Z79 42019EB |
callnumber-subject | PS - American Literature |
collection | ZDB-4-EBA |
contents | Becoming August Wilson -- History and/as performance: the drama of African-American historiography -- Cutting the historical record, recording the blues: Ma Rainey's black bottom -- Beginning again, again: Gem of the ocean and Jitney -- The boundaries of property and the properties of humanity: Fences and Joe Turner's Come and gone -- The properties of the piano and the legacy of human property: The piano lesson -- Urban renewal by any means necessary: Two trains running -- "Sad stories of the death of kings": Seven guitars and King Hedley II -- The century that can't fix nothing with the law: Radio golf -- Critical and performance perspectives. Guitars and King Hedley II: August Wilson's Lazarus complex / Donald E. Pease -- Performance politics and authenticity: Joe Turner's come and gone and Jitney / Harry J. Elam, Jr. |
ctrlnum | (OCoLC)1034988494 |
dewey-full | 812/.54 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 812 - American drama in English |
dewey-raw | 812/.54 |
dewey-search | 812/.54 |
dewey-sort | 3812 254 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-on1034988494 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:28:20Z |
institution | BVB |
isbn | 9781472528322 1472528328 9781472527646 147252764X |
language | English |
oclc_num | 1034988494 |
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physical | 1 online resource (viii, 224 pages) |
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publishDate | 2018 |
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publisher | Methuen Drama, Bloomsbury Publishing Plc, |
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spelling | Nadel, Alan, 1947- author. https://id.oclc.org/worldcat/entity/E39PCjBd3QW3c3TT4xwDv376qP http://id.loc.gov/authorities/names/n87839872 The theatre of August Wilson / Alan Nadel Theater of August Wilson London, UK : Methuen Drama, Bloomsbury Publishing Plc, 2018 ©2018 1 online resource (viii, 224 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Critical companions "The first comprehensive study of August Wilson's drama introduces the major themes and motifs that unite Wilson's ten-play cycle about African American life in each decade of the twentieth century. Framed by Wilson's life experiences and informed by his extensive interviews, this book provides fresh, coherent, detailed readings of each play, well-situated in the extant scholarship. It also provides an overview of the cycle as a whole, demonstrating how it comprises a compelling interrogation of American culture and historiography. Keenly aware of the musical paradigms informing Wilson's dramatic technique, Nadel shows how jazz and, particularly, the blues provide the structural mechanisms that allow Wilson to examine alternative notions of time, property, and law. Wilson's improvisational logics become crucial to expressing his notions of black identity and resituating the relationship of literal to figurative in the African American community. The final two chapters include contributions by scholars Harry J. Elam, Jr. and Donald E. Pease"--Provided by publisher Includes bibliographical references and index Becoming August Wilson -- History and/as performance: the drama of African-American historiography -- Cutting the historical record, recording the blues: Ma Rainey's black bottom -- Beginning again, again: Gem of the ocean and Jitney -- The boundaries of property and the properties of humanity: Fences and Joe Turner's Come and gone -- The properties of the piano and the legacy of human property: The piano lesson -- Urban renewal by any means necessary: Two trains running -- "Sad stories of the death of kings": Seven guitars and King Hedley II -- The century that can't fix nothing with the law: Radio golf -- Critical and performance perspectives. Guitars and King Hedley II: August Wilson's Lazarus complex / Donald E. Pease -- Performance politics and authenticity: Joe Turner's come and gone and Jitney / Harry J. Elam, Jr. Print version record Wilson, August Criticism and interpretation. Wilson, August fast https://id.oclc.org/worldcat/entity/E39PBJtrQqhpcXhYxQWJ44xFKd Literary studies: plays & playwrights. bicssc Theatre studies. bicssc DRAMA American. bisacsh Criticism, interpretation, etc. fast has work: The theatre of August Wilson (Text) https://id.oclc.org/worldcat/entity/E39PCFtYw4YPBGDfyW7ybww7gX https://id.oclc.org/worldcat/ontology/hasWork Print version: Nadel, Alan, 1947- Theatre of August Wilson. London ; New York : Bloomsbury Methuen Drama, 2018 9781472534439 (DLC) 2017040931 (OCoLC)982650692 Critical companions (London, England) http://id.loc.gov/authorities/names/no2012052743 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1805155 Volltext |
spellingShingle | Nadel, Alan, 1947- The theatre of August Wilson / Critical companions (London, England) Becoming August Wilson -- History and/as performance: the drama of African-American historiography -- Cutting the historical record, recording the blues: Ma Rainey's black bottom -- Beginning again, again: Gem of the ocean and Jitney -- The boundaries of property and the properties of humanity: Fences and Joe Turner's Come and gone -- The properties of the piano and the legacy of human property: The piano lesson -- Urban renewal by any means necessary: Two trains running -- "Sad stories of the death of kings": Seven guitars and King Hedley II -- The century that can't fix nothing with the law: Radio golf -- Critical and performance perspectives. Guitars and King Hedley II: August Wilson's Lazarus complex / Donald E. Pease -- Performance politics and authenticity: Joe Turner's come and gone and Jitney / Harry J. Elam, Jr. Wilson, August Criticism and interpretation. Wilson, August fast https://id.oclc.org/worldcat/entity/E39PBJtrQqhpcXhYxQWJ44xFKd Literary studies: plays & playwrights. bicssc Theatre studies. bicssc DRAMA American. bisacsh |
title | The theatre of August Wilson / |
title_alt | Theater of August Wilson |
title_auth | The theatre of August Wilson / |
title_exact_search | The theatre of August Wilson / |
title_full | The theatre of August Wilson / Alan Nadel |
title_fullStr | The theatre of August Wilson / Alan Nadel |
title_full_unstemmed | The theatre of August Wilson / Alan Nadel |
title_short | The theatre of August Wilson / |
title_sort | theatre of august wilson |
topic | Wilson, August Criticism and interpretation. Wilson, August fast https://id.oclc.org/worldcat/entity/E39PBJtrQqhpcXhYxQWJ44xFKd Literary studies: plays & playwrights. bicssc Theatre studies. bicssc DRAMA American. bisacsh |
topic_facet | Wilson, August Criticism and interpretation. Wilson, August Literary studies: plays & playwrights. Theatre studies. DRAMA American. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1805155 |
work_keys_str_mv | AT nadelalan thetheatreofaugustwilson AT nadelalan theaterofaugustwilson AT nadelalan theatreofaugustwilson |