The Beatles on screen :: from pop stars to musicians /
The 1960s ushered in a time of creative freedom and idealism reflected in the popular music and films on both sides of the Atlantic. At the forefront of driving that creative change were four mop-topped musicians from Liverpool, The Beatles. While many scholars have examined their role as songwriter...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Academic,
2018.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The 1960s ushered in a time of creative freedom and idealism reflected in the popular music and films on both sides of the Atlantic. At the forefront of driving that creative change were four mop-topped musicians from Liverpool, The Beatles. While many scholars have examined their role as songwriters, as countercultural and political figures, and as solo artists, few have considered the important role film played in the Beatles' career. This book focuses on the overlooked films the Beatles performed in from 1964 to 1970 in order to chart their journey from pop stars to musicians. Through these case studies, The Beatles on Screen uncovers how the relationship between film and pop music has changed the ways in which bands communicate with their fans. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501327155 1501327151 9781501327148 1501327143 1501327135 9781501327131 9781501327162 150132716X |
Internformat
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| 100 | 1 | |a Fremaux, Stephanie, |e author. | |
| 245 | 1 | 4 | |a The Beatles on screen : |b from pop stars to musicians / |c Stephanie Fremaux. |
| 264 | 1 | |a New York : |b Bloomsbury Academic, |c 2018. | |
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a The 1960s ushered in a time of creative freedom and idealism reflected in the popular music and films on both sides of the Atlantic. At the forefront of driving that creative change were four mop-topped musicians from Liverpool, The Beatles. While many scholars have examined their role as songwriters, as countercultural and political figures, and as solo artists, few have considered the important role film played in the Beatles' career. This book focuses on the overlooked films the Beatles performed in from 1964 to 1970 in order to chart their journey from pop stars to musicians. Through these case studies, The Beatles on Screen uncovers how the relationship between film and pop music has changed the ways in which bands communicate with their fans. | ||
| 588 | 0 | |a Vendor-supplied metadata. | |
| 505 | 0 | |a Cover; Half Title; Title; Copyright; Contents; Acknowledgments; Introduction; Theoretical frameworks and literature survey; Chapter summaries; 1 A Hard Day's Night: Beatlemania hits the big screen; Context and musical sequence analysis; "A Hard Day's Night" (opening credits); "I Should Have Known Better"; "If I Fell"; "Can't Buy Me Love"; "And I Love Her"/ "I'm Happy Just to Dance with You"; The final live concert sequence ("Tell Me Why"/"If I Fell"/"I Should Have Known Better"/"She Loves You"); Conclusion; 2 Help! Beatlemania is out of control; "Help!" (opening credits). | |
| 505 | 8 | |a "You're Going to Lose that Girl""You've Got to Hide Your Love Away"; "Ticket to Ride"; "I Need You"; "The Night Before"/ "She's a Woman"; "Another Girl"; Conclusion; 3 Roll up for the Magical Mystery Tour; Producing and promoting Magical Mystery Tour; Perception, performance, liberation-psychedelia's influence on the Beatles; The Beatles' psychedelic promotional films; "Rain" and "Paperback Writer"; "Strawberry Fields Forever"; Magical Mystery Tour as a psychedelic trip; "Magical Mystery Tour"; "The Fool on the Hill" and "Flying"; "I am the Walrus"; "Blue Jay Way" and "Death Cab for Cutie." | |
| 505 | 8 | |a "Your Mother Should Know"Conclusion; 4 From seaside mystery trips to Pepperland: Aboard the Yellow Submarine; King Features and the Beatles cartoon series; Yellow Submarine-film form and style; The narrative/number relationship; "Eleanor Rigby"; "Only a Northern Song"; "Sea of Holes"; "Lucy in the Sky with Diamonds"; Conclusion; 5 The end of an era, the end of the Beatles-Let It Be; Observational documentary, form, and function in Let It Be; The Beatles as social actors; A fifth Beatle?; George Harrison: The "quiet one" speaks; Ringo Starr: The lovable drummer writes a song. | |
| 505 | 8 | |a Paul McCartney: (Reluctant?) leaderJohn Lennon: The enigma; The viewer as voyeur; The Beatles take a final bow: "Revolution," "Hey Jude," and the rooftop performance; Conclusion; Conclusion; Bibliography; Index. | |
| 610 | 2 | 0 | |a Beatles |x In motion pictures. |
| 610 | 2 | 7 | |a Beatles |2 fast |
| 650 | 0 | |a Musical films |z Great Britain |x History and criticism. | |
| 650 | 6 | |a Films musicaux |z Grande-Bretagne |x Histoire et critique. | |
| 650 | 7 | |a Rock & Pop music. |2 bicssc | |
| 650 | 7 | |a Film guides & reviews. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Musical films |2 fast | |
| 651 | 7 | |a Great Britain |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP | |
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| adam_text | |
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| author | Fremaux, Stephanie |
| author_facet | Fremaux, Stephanie |
| author_role | aut |
| author_sort | Fremaux, Stephanie |
| author_variant | s f sf |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML421 |
| callnumber-raw | ML421.B4 |
| callnumber-search | ML421.B4 |
| callnumber-sort | ML 3421 B4 |
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| contents | Cover; Half Title; Title; Copyright; Contents; Acknowledgments; Introduction; Theoretical frameworks and literature survey; Chapter summaries; 1 A Hard Day's Night: Beatlemania hits the big screen; Context and musical sequence analysis; "A Hard Day's Night" (opening credits); "I Should Have Known Better"; "If I Fell"; "Can't Buy Me Love"; "And I Love Her"/ "I'm Happy Just to Dance with You"; The final live concert sequence ("Tell Me Why"/"If I Fell"/"I Should Have Known Better"/"She Loves You"); Conclusion; 2 Help! Beatlemania is out of control; "Help!" (opening credits). "You're Going to Lose that Girl""You've Got to Hide Your Love Away"; "Ticket to Ride"; "I Need You"; "The Night Before"/ "She's a Woman"; "Another Girl"; Conclusion; 3 Roll up for the Magical Mystery Tour; Producing and promoting Magical Mystery Tour; Perception, performance, liberation-psychedelia's influence on the Beatles; The Beatles' psychedelic promotional films; "Rain" and "Paperback Writer"; "Strawberry Fields Forever"; Magical Mystery Tour as a psychedelic trip; "Magical Mystery Tour"; "The Fool on the Hill" and "Flying"; "I am the Walrus"; "Blue Jay Way" and "Death Cab for Cutie." "Your Mother Should Know"Conclusion; 4 From seaside mystery trips to Pepperland: Aboard the Yellow Submarine; King Features and the Beatles cartoon series; Yellow Submarine-film form and style; The narrative/number relationship; "Eleanor Rigby"; "Only a Northern Song"; "Sea of Holes"; "Lucy in the Sky with Diamonds"; Conclusion; 5 The end of an era, the end of the Beatles-Let It Be; Observational documentary, form, and function in Let It Be; The Beatles as social actors; A fifth Beatle?; George Harrison: The "quiet one" speaks; Ringo Starr: The lovable drummer writes a song. Paul McCartney: (Reluctant?) leaderJohn Lennon: The enigma; The viewer as voyeur; The Beatles take a final bow: "Revolution," "Hey Jude," and the rooftop performance; Conclusion; Conclusion; Bibliography; Index. |
| ctrlnum | (OCoLC)1030438225 |
| dewey-full | 791.43/6 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6 |
| dewey-search | 791.43/6 |
| dewey-sort | 3791.43 16 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:28:17Z |
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| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Fremaux, Stephanie, author. The Beatles on screen : from pop stars to musicians / Stephanie Fremaux. New York : Bloomsbury Academic, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. The 1960s ushered in a time of creative freedom and idealism reflected in the popular music and films on both sides of the Atlantic. At the forefront of driving that creative change were four mop-topped musicians from Liverpool, The Beatles. While many scholars have examined their role as songwriters, as countercultural and political figures, and as solo artists, few have considered the important role film played in the Beatles' career. This book focuses on the overlooked films the Beatles performed in from 1964 to 1970 in order to chart their journey from pop stars to musicians. Through these case studies, The Beatles on Screen uncovers how the relationship between film and pop music has changed the ways in which bands communicate with their fans. Vendor-supplied metadata. Cover; Half Title; Title; Copyright; Contents; Acknowledgments; Introduction; Theoretical frameworks and literature survey; Chapter summaries; 1 A Hard Day's Night: Beatlemania hits the big screen; Context and musical sequence analysis; "A Hard Day's Night" (opening credits); "I Should Have Known Better"; "If I Fell"; "Can't Buy Me Love"; "And I Love Her"/ "I'm Happy Just to Dance with You"; The final live concert sequence ("Tell Me Why"/"If I Fell"/"I Should Have Known Better"/"She Loves You"); Conclusion; 2 Help! Beatlemania is out of control; "Help!" (opening credits). "You're Going to Lose that Girl""You've Got to Hide Your Love Away"; "Ticket to Ride"; "I Need You"; "The Night Before"/ "She's a Woman"; "Another Girl"; Conclusion; 3 Roll up for the Magical Mystery Tour; Producing and promoting Magical Mystery Tour; Perception, performance, liberation-psychedelia's influence on the Beatles; The Beatles' psychedelic promotional films; "Rain" and "Paperback Writer"; "Strawberry Fields Forever"; Magical Mystery Tour as a psychedelic trip; "Magical Mystery Tour"; "The Fool on the Hill" and "Flying"; "I am the Walrus"; "Blue Jay Way" and "Death Cab for Cutie." "Your Mother Should Know"Conclusion; 4 From seaside mystery trips to Pepperland: Aboard the Yellow Submarine; King Features and the Beatles cartoon series; Yellow Submarine-film form and style; The narrative/number relationship; "Eleanor Rigby"; "Only a Northern Song"; "Sea of Holes"; "Lucy in the Sky with Diamonds"; Conclusion; 5 The end of an era, the end of the Beatles-Let It Be; Observational documentary, form, and function in Let It Be; The Beatles as social actors; A fifth Beatle?; George Harrison: The "quiet one" speaks; Ringo Starr: The lovable drummer writes a song. Paul McCartney: (Reluctant?) leaderJohn Lennon: The enigma; The viewer as voyeur; The Beatles take a final bow: "Revolution," "Hey Jude," and the rooftop performance; Conclusion; Conclusion; Bibliography; Index. Beatles In motion pictures. Beatles fast Musical films Great Britain History and criticism. Films musicaux Grande-Bretagne Histoire et critique. Rock & Pop music. bicssc Film guides & reviews. bicssc PERFORMING ARTS Reference. bisacsh Motion pictures fast Musical films fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Criticism, interpretation, etc. fast FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1752722 Volltext |
| spellingShingle | Fremaux, Stephanie The Beatles on screen : from pop stars to musicians / Cover; Half Title; Title; Copyright; Contents; Acknowledgments; Introduction; Theoretical frameworks and literature survey; Chapter summaries; 1 A Hard Day's Night: Beatlemania hits the big screen; Context and musical sequence analysis; "A Hard Day's Night" (opening credits); "I Should Have Known Better"; "If I Fell"; "Can't Buy Me Love"; "And I Love Her"/ "I'm Happy Just to Dance with You"; The final live concert sequence ("Tell Me Why"/"If I Fell"/"I Should Have Known Better"/"She Loves You"); Conclusion; 2 Help! Beatlemania is out of control; "Help!" (opening credits). "You're Going to Lose that Girl""You've Got to Hide Your Love Away"; "Ticket to Ride"; "I Need You"; "The Night Before"/ "She's a Woman"; "Another Girl"; Conclusion; 3 Roll up for the Magical Mystery Tour; Producing and promoting Magical Mystery Tour; Perception, performance, liberation-psychedelia's influence on the Beatles; The Beatles' psychedelic promotional films; "Rain" and "Paperback Writer"; "Strawberry Fields Forever"; Magical Mystery Tour as a psychedelic trip; "Magical Mystery Tour"; "The Fool on the Hill" and "Flying"; "I am the Walrus"; "Blue Jay Way" and "Death Cab for Cutie." "Your Mother Should Know"Conclusion; 4 From seaside mystery trips to Pepperland: Aboard the Yellow Submarine; King Features and the Beatles cartoon series; Yellow Submarine-film form and style; The narrative/number relationship; "Eleanor Rigby"; "Only a Northern Song"; "Sea of Holes"; "Lucy in the Sky with Diamonds"; Conclusion; 5 The end of an era, the end of the Beatles-Let It Be; Observational documentary, form, and function in Let It Be; The Beatles as social actors; A fifth Beatle?; George Harrison: The "quiet one" speaks; Ringo Starr: The lovable drummer writes a song. Paul McCartney: (Reluctant?) leaderJohn Lennon: The enigma; The viewer as voyeur; The Beatles take a final bow: "Revolution," "Hey Jude," and the rooftop performance; Conclusion; Conclusion; Bibliography; Index. Beatles In motion pictures. Beatles fast Musical films Great Britain History and criticism. Films musicaux Grande-Bretagne Histoire et critique. Rock & Pop music. bicssc Film guides & reviews. bicssc PERFORMING ARTS Reference. bisacsh Motion pictures fast Musical films fast |
| title | The Beatles on screen : from pop stars to musicians / |
| title_auth | The Beatles on screen : from pop stars to musicians / |
| title_exact_search | The Beatles on screen : from pop stars to musicians / |
| title_full | The Beatles on screen : from pop stars to musicians / Stephanie Fremaux. |
| title_fullStr | The Beatles on screen : from pop stars to musicians / Stephanie Fremaux. |
| title_full_unstemmed | The Beatles on screen : from pop stars to musicians / Stephanie Fremaux. |
| title_short | The Beatles on screen : |
| title_sort | beatles on screen from pop stars to musicians |
| title_sub | from pop stars to musicians / |
| topic | Beatles In motion pictures. Beatles fast Musical films Great Britain History and criticism. Films musicaux Grande-Bretagne Histoire et critique. Rock & Pop music. bicssc Film guides & reviews. bicssc PERFORMING ARTS Reference. bisacsh Motion pictures fast Musical films fast |
| topic_facet | Beatles In motion pictures. Beatles Musical films Great Britain History and criticism. Films musicaux Grande-Bretagne Histoire et critique. Rock & Pop music. Film guides & reviews. PERFORMING ARTS Reference. Motion pictures Musical films Great Britain Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1752722 |
| work_keys_str_mv | AT fremauxstephanie thebeatlesonscreenfrompopstarstomusicians AT fremauxstephanie beatlesonscreenfrompopstarstomusicians |