Elements of surprise :: our mental limits and the satisfactions of plot /
Elements of Surprise opens with an novel but narrow focus: how a particular cognitive bias, the "curse of knowledge," underwrites stories that rely on what it calls "well-made surprise," as seen in (for example) classic detective fiction--that is, surprises in novels, films, tele...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge, Massachusetts :
Harvard University Press,
2018.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Elements of Surprise opens with an novel but narrow focus: how a particular cognitive bias, the "curse of knowledge," underwrites stories that rely on what it calls "well-made surprise," as seen in (for example) classic detective fiction--that is, surprises in novels, films, television, and plays that set us up to be fooled in ways we find pleasing and satisfying. But from there, the book expands its reach. At its core, "cursed" thinking underlies almost everything people write, say, and think about both other people and our own pasts. The more information we have about something, and the more experience we have with it, the harder it is to step outside that experience. What unfolds is both a fresh approach to mental heuristics and biases and an ambitious work of cognitive literary criticism. Elements of Surprise provides a new and exciting way of thinking about the mechanics of narrative, explored through thoughtful readings of classic, popular, and obscure texts.-- |
Beschreibung: | 1 online resource (332 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780674919570 0674919572 9780674919594 0674919599 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-on1030304372 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 180403s2018 mau ob 001 0 eng d | ||
040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d EBLCP |d YDX |d IDB |d INT |d DEGRU |d OCLCQ |d OTZ |d TKN |d UEJ |d OCLCQ |d LDP |d UKAHL |d TEFOD |d OCLCO |d K6U |d JSTOR |d OCLCQ |d OCLCO |d OCLCQ |d PSYSI |d OCLCQ |d OCLCO |d OCLCL | ||
019 | |a 1091472180 | ||
020 | |a 9780674919570 |q (electronic bk.) | ||
020 | |a 0674919572 |q (electronic bk.) | ||
020 | |a 9780674919594 |q (electronic bk.) | ||
020 | |a 0674919599 |q (electronic bk.) | ||
020 | |z 9780674980204 | ||
020 | |z 0674980204 | ||
035 | |a (OCoLC)1030304372 |z (OCoLC)1091472180 | ||
037 | |a A5201EAE-C369-4A95-A481-B1521564C271 |b OverDrive, Inc. |n http://www.overdrive.com | ||
037 | |a 22573/ctv24v7fmh |b JSTOR | ||
050 | 4 | |a PN3378 |b .T53 2018eb | |
072 | 7 | |a LAN |x 005000 |2 bisacsh | |
072 | 7 | |a LAN |x 015000 |2 bisacsh | |
072 | 7 | |a REF |x 026000 |2 bisacsh | |
072 | 7 | |a PSY |x 008000 |2 bisacsh | |
072 | 7 | |a LIT |x 007000 |2 bisacsh | |
072 | 7 | |a SCI |x 090000 |2 bisacsh | |
072 | 7 | |a LIT |x 024000 |2 bisacsh | |
082 | 7 | |a 808.3/94 |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Tobin, Vera, |d 1975- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjtmPdM4FmmJcYxTGFqQD3 |0 http://id.loc.gov/authorities/names/n2009053836 | |
245 | 1 | 0 | |a Elements of surprise : |b our mental limits and the satisfactions of plot / |c Vera Tobin. |
264 | 1 | |a Cambridge, Massachusetts : |b Harvard University Press, |c 2018. | |
264 | 4 | |c ©2018 | |
300 | |a 1 online resource (332 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
520 | |a Elements of Surprise opens with an novel but narrow focus: how a particular cognitive bias, the "curse of knowledge," underwrites stories that rely on what it calls "well-made surprise," as seen in (for example) classic detective fiction--that is, surprises in novels, films, television, and plays that set us up to be fooled in ways we find pleasing and satisfying. But from there, the book expands its reach. At its core, "cursed" thinking underlies almost everything people write, say, and think about both other people and our own pasts. The more information we have about something, and the more experience we have with it, the harder it is to step outside that experience. What unfolds is both a fresh approach to mental heuristics and biases and an ambitious work of cognitive literary criticism. Elements of Surprise provides a new and exciting way of thinking about the mechanics of narrative, explored through thoughtful readings of classic, popular, and obscure texts.-- |c Provided by publisher | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Elementary problems -- The curse of knowledge? -- The poetics of surprise -- The naming of things -- Revelations, recognitions, and the satisfactions of plot -- When unreliability is a surprise -- When narration itself is a surprise -- So many things are obvious (now that we're at the end). | |
588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed April 3, 2018). | |
650 | 0 | |a Plots (Drama, novel, etc.) |0 http://id.loc.gov/authorities/subjects/sh85103532 | |
650 | 0 | |a Surprise in literature. |0 http://id.loc.gov/authorities/subjects/sh94009108 | |
650 | 0 | |a Literary anatomies. |0 http://id.loc.gov/authorities/subjects/sh85077485 | |
650 | 0 | |a Narration (Rhetoric) |0 http://id.loc.gov/authorities/subjects/sh85089833 | |
650 | 0 | |a Cognition. |0 http://id.loc.gov/authorities/subjects/sh85027742 | |
650 | 2 | |a Cognition |0 https://id.nlm.nih.gov/mesh/D003071 | |
650 | 6 | |a Intrigues (Théâtre, roman, etc.) | |
650 | 6 | |a Surprise dans la littérature. | |
650 | 6 | |a Anatomie (Genre littéraire) | |
650 | 6 | |a Narration. | |
650 | 6 | |a Cognition. | |
650 | 7 | |a cognition. |2 aat | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Rhetoric. |2 bisacsh | |
650 | 7 | |a REFERENCE |x Writing Skills. |2 bisacsh | |
650 | 7 | |a PSYCHOLOGY |x Cognitive Psychology. |2 bisacsh | |
650 | 7 | |a Cognition |2 fast | |
650 | 7 | |a Literary anatomies |2 fast | |
650 | 7 | |a Narration (Rhetoric) |2 fast | |
650 | 7 | |a Plots (Drama, novel, etc.) |2 fast | |
650 | 7 | |a Surprise in literature |2 fast | |
650 | 7 | |a Literature: history & criticism. |2 thema | |
650 | 7 | |a Literary studies: c 1900 to c 2000. |2 thema | |
650 | 7 | |a Literary studies: fiction, novelists & prose writers. |2 thema | |
650 | 7 | |a Neurosciences. |2 thema | |
650 | 7 | |a Cognitivism, cognitive theory. |2 thema | |
650 | 7 | |a Literary studies: general. |2 thema | |
650 | 7 | |a Cognitive studies. |2 thema | |
650 | 7 | |a Literature. |2 ukslc | |
758 | |i has work: |a Elements of surprise (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFG6ykCjg3vcC7BvXYdKMP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Tobin, Vera, 1975- |t Elements of surprise : our mental limits and the satisfactions of plot. |d Cambridge, Massachusetts ; London, England : Harvard University Press, ©2018 |h 332 pages |z 9780674980204 |w (DLC) 2017042678 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1743729 |3 Volltext |
938 | |a Askews and Holts Library Services |b ASKH |n AH37532100 | ||
938 | |a De Gruyter |b DEGR |n 9780674919570 | ||
938 | |a EBL - Ebook Library |b EBLB |n EBL5334703 | ||
938 | |a EBSCOhost |b EBSC |n 1743729 | ||
938 | |a YBP Library Services |b YANK |n 15207413 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1030304372 |
---|---|
_version_ | 1816882417436196864 |
adam_text | |
any_adam_object | |
author | Tobin, Vera, 1975- |
author_GND | http://id.loc.gov/authorities/names/n2009053836 |
author_facet | Tobin, Vera, 1975- |
author_role | aut |
author_sort | Tobin, Vera, 1975- |
author_variant | v t vt |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN3378 |
callnumber-raw | PN3378 .T53 2018eb |
callnumber-search | PN3378 .T53 2018eb |
callnumber-sort | PN 43378 T53 42018EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Elementary problems -- The curse of knowledge? -- The poetics of surprise -- The naming of things -- Revelations, recognitions, and the satisfactions of plot -- When unreliability is a surprise -- When narration itself is a surprise -- So many things are obvious (now that we're at the end). |
ctrlnum | (OCoLC)1030304372 |
dewey-full | 808.3/94 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 808 - Rhetoric & collections of literature |
dewey-raw | 808.3/94 |
dewey-search | 808.3/94 |
dewey-sort | 3808.3 294 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05634cam a2200949 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1030304372</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">180403s2018 mau ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">YDX</subfield><subfield code="d">IDB</subfield><subfield code="d">INT</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OTZ</subfield><subfield code="d">TKN</subfield><subfield code="d">UEJ</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LDP</subfield><subfield code="d">UKAHL</subfield><subfield code="d">TEFOD</subfield><subfield code="d">OCLCO</subfield><subfield code="d">K6U</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">PSYSI</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1091472180</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780674919570</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0674919572</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780674919594</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0674919599</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780674980204</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0674980204</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1030304372</subfield><subfield code="z">(OCoLC)1091472180</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">A5201EAE-C369-4A95-A481-B1521564C271</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv24v7fmh</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN3378</subfield><subfield code="b">.T53 2018eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAN</subfield><subfield code="x">005000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAN</subfield><subfield code="x">015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">REF</subfield><subfield code="x">026000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PSY</subfield><subfield code="x">008000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="x">007000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SCI</subfield><subfield code="x">090000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="x">024000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">808.3/94</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tobin, Vera,</subfield><subfield code="d">1975-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjtmPdM4FmmJcYxTGFqQD3</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2009053836</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Elements of surprise :</subfield><subfield code="b">our mental limits and the satisfactions of plot /</subfield><subfield code="c">Vera Tobin.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, Massachusetts :</subfield><subfield code="b">Harvard University Press,</subfield><subfield code="c">2018.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (332 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Elements of Surprise opens with an novel but narrow focus: how a particular cognitive bias, the "curse of knowledge," underwrites stories that rely on what it calls "well-made surprise," as seen in (for example) classic detective fiction--that is, surprises in novels, films, television, and plays that set us up to be fooled in ways we find pleasing and satisfying. But from there, the book expands its reach. At its core, "cursed" thinking underlies almost everything people write, say, and think about both other people and our own pasts. The more information we have about something, and the more experience we have with it, the harder it is to step outside that experience. What unfolds is both a fresh approach to mental heuristics and biases and an ambitious work of cognitive literary criticism. Elements of Surprise provides a new and exciting way of thinking about the mechanics of narrative, explored through thoughtful readings of classic, popular, and obscure texts.--</subfield><subfield code="c">Provided by publisher</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Elementary problems -- The curse of knowledge? -- The poetics of surprise -- The naming of things -- Revelations, recognitions, and the satisfactions of plot -- When unreliability is a surprise -- When narration itself is a surprise -- So many things are obvious (now that we're at the end).</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from PDF title page (EBSCO, viewed April 3, 2018).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Plots (Drama, novel, etc.)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85103532</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Surprise in literature.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh94009108</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Literary anatomies.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85077485</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Narration (Rhetoric)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85089833</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Cognition.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85027742</subfield></datafield><datafield tag="650" ind1=" " ind2="2"><subfield code="a">Cognition</subfield><subfield code="0">https://id.nlm.nih.gov/mesh/D003071</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Intrigues (Théâtre, roman, etc.)</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Surprise dans la littérature.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Anatomie (Genre littéraire)</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Narration.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cognition.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">cognition.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LANGUAGE ARTS & DISCIPLINES</subfield><subfield code="x">Composition & Creative Writing.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LANGUAGE ARTS & DISCIPLINES</subfield><subfield code="x">Rhetoric.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">REFERENCE</subfield><subfield code="x">Writing Skills.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PSYCHOLOGY</subfield><subfield code="x">Cognitive Psychology.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Cognition</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Literary anatomies</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Narration (Rhetoric)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Plots (Drama, novel, etc.)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Surprise in literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Literature: history & criticism.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Literary studies: c 1900 to c 2000.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Literary studies: fiction, novelists & prose writers.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Neurosciences.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Cognitivism, cognitive theory.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Literary studies: general.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Cognitive studies.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Literature.</subfield><subfield code="2">ukslc</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Elements of surprise (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFG6ykCjg3vcC7BvXYdKMP</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Tobin, Vera, 1975-</subfield><subfield code="t">Elements of surprise : our mental limits and the satisfactions of plot.</subfield><subfield code="d">Cambridge, Massachusetts ; London, England : Harvard University Press, ©2018</subfield><subfield code="h">332 pages</subfield><subfield code="z">9780674980204</subfield><subfield code="w">(DLC) 2017042678</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1743729</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH37532100</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780674919570</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL5334703</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1743729</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15207413</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
id | ZDB-4-EBA-on1030304372 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:28:17Z |
institution | BVB |
isbn | 9780674919570 0674919572 9780674919594 0674919599 |
language | English |
oclc_num | 1030304372 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (332 pages) |
psigel | ZDB-4-EBA |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Harvard University Press, |
record_format | marc |
spelling | Tobin, Vera, 1975- author. https://id.oclc.org/worldcat/entity/E39PCjtmPdM4FmmJcYxTGFqQD3 http://id.loc.gov/authorities/names/n2009053836 Elements of surprise : our mental limits and the satisfactions of plot / Vera Tobin. Cambridge, Massachusetts : Harvard University Press, 2018. ©2018 1 online resource (332 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Elements of Surprise opens with an novel but narrow focus: how a particular cognitive bias, the "curse of knowledge," underwrites stories that rely on what it calls "well-made surprise," as seen in (for example) classic detective fiction--that is, surprises in novels, films, television, and plays that set us up to be fooled in ways we find pleasing and satisfying. But from there, the book expands its reach. At its core, "cursed" thinking underlies almost everything people write, say, and think about both other people and our own pasts. The more information we have about something, and the more experience we have with it, the harder it is to step outside that experience. What unfolds is both a fresh approach to mental heuristics and biases and an ambitious work of cognitive literary criticism. Elements of Surprise provides a new and exciting way of thinking about the mechanics of narrative, explored through thoughtful readings of classic, popular, and obscure texts.-- Provided by publisher Includes bibliographical references and index. Elementary problems -- The curse of knowledge? -- The poetics of surprise -- The naming of things -- Revelations, recognitions, and the satisfactions of plot -- When unreliability is a surprise -- When narration itself is a surprise -- So many things are obvious (now that we're at the end). Online resource; title from PDF title page (EBSCO, viewed April 3, 2018). Plots (Drama, novel, etc.) http://id.loc.gov/authorities/subjects/sh85103532 Surprise in literature. http://id.loc.gov/authorities/subjects/sh94009108 Literary anatomies. http://id.loc.gov/authorities/subjects/sh85077485 Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Cognition. http://id.loc.gov/authorities/subjects/sh85027742 Cognition https://id.nlm.nih.gov/mesh/D003071 Intrigues (Théâtre, roman, etc.) Surprise dans la littérature. Anatomie (Genre littéraire) Narration. Cognition. cognition. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh PSYCHOLOGY Cognitive Psychology. bisacsh Cognition fast Literary anatomies fast Narration (Rhetoric) fast Plots (Drama, novel, etc.) fast Surprise in literature fast Literature: history & criticism. thema Literary studies: c 1900 to c 2000. thema Literary studies: fiction, novelists & prose writers. thema Neurosciences. thema Cognitivism, cognitive theory. thema Literary studies: general. thema Cognitive studies. thema Literature. ukslc has work: Elements of surprise (Text) https://id.oclc.org/worldcat/entity/E39PCFG6ykCjg3vcC7BvXYdKMP https://id.oclc.org/worldcat/ontology/hasWork Print version: Tobin, Vera, 1975- Elements of surprise : our mental limits and the satisfactions of plot. Cambridge, Massachusetts ; London, England : Harvard University Press, ©2018 332 pages 9780674980204 (DLC) 2017042678 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1743729 Volltext |
spellingShingle | Tobin, Vera, 1975- Elements of surprise : our mental limits and the satisfactions of plot / Elementary problems -- The curse of knowledge? -- The poetics of surprise -- The naming of things -- Revelations, recognitions, and the satisfactions of plot -- When unreliability is a surprise -- When narration itself is a surprise -- So many things are obvious (now that we're at the end). Plots (Drama, novel, etc.) http://id.loc.gov/authorities/subjects/sh85103532 Surprise in literature. http://id.loc.gov/authorities/subjects/sh94009108 Literary anatomies. http://id.loc.gov/authorities/subjects/sh85077485 Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Cognition. http://id.loc.gov/authorities/subjects/sh85027742 Cognition https://id.nlm.nih.gov/mesh/D003071 Intrigues (Théâtre, roman, etc.) Surprise dans la littérature. Anatomie (Genre littéraire) Narration. Cognition. cognition. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh PSYCHOLOGY Cognitive Psychology. bisacsh Cognition fast Literary anatomies fast Narration (Rhetoric) fast Plots (Drama, novel, etc.) fast Surprise in literature fast Literature: history & criticism. thema Literary studies: c 1900 to c 2000. thema Literary studies: fiction, novelists & prose writers. thema Neurosciences. thema Cognitivism, cognitive theory. thema Literary studies: general. thema Cognitive studies. thema Literature. ukslc |
subject_GND | http://id.loc.gov/authorities/subjects/sh85103532 http://id.loc.gov/authorities/subjects/sh94009108 http://id.loc.gov/authorities/subjects/sh85077485 http://id.loc.gov/authorities/subjects/sh85089833 http://id.loc.gov/authorities/subjects/sh85027742 https://id.nlm.nih.gov/mesh/D003071 |
title | Elements of surprise : our mental limits and the satisfactions of plot / |
title_auth | Elements of surprise : our mental limits and the satisfactions of plot / |
title_exact_search | Elements of surprise : our mental limits and the satisfactions of plot / |
title_full | Elements of surprise : our mental limits and the satisfactions of plot / Vera Tobin. |
title_fullStr | Elements of surprise : our mental limits and the satisfactions of plot / Vera Tobin. |
title_full_unstemmed | Elements of surprise : our mental limits and the satisfactions of plot / Vera Tobin. |
title_short | Elements of surprise : |
title_sort | elements of surprise our mental limits and the satisfactions of plot |
title_sub | our mental limits and the satisfactions of plot / |
topic | Plots (Drama, novel, etc.) http://id.loc.gov/authorities/subjects/sh85103532 Surprise in literature. http://id.loc.gov/authorities/subjects/sh94009108 Literary anatomies. http://id.loc.gov/authorities/subjects/sh85077485 Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Cognition. http://id.loc.gov/authorities/subjects/sh85027742 Cognition https://id.nlm.nih.gov/mesh/D003071 Intrigues (Théâtre, roman, etc.) Surprise dans la littérature. Anatomie (Genre littéraire) Narration. Cognition. cognition. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh PSYCHOLOGY Cognitive Psychology. bisacsh Cognition fast Literary anatomies fast Narration (Rhetoric) fast Plots (Drama, novel, etc.) fast Surprise in literature fast Literature: history & criticism. thema Literary studies: c 1900 to c 2000. thema Literary studies: fiction, novelists & prose writers. thema Neurosciences. thema Cognitivism, cognitive theory. thema Literary studies: general. thema Cognitive studies. thema Literature. ukslc |
topic_facet | Plots (Drama, novel, etc.) Surprise in literature. Literary anatomies. Narration (Rhetoric) Cognition. Cognition Intrigues (Théâtre, roman, etc.) Surprise dans la littérature. Anatomie (Genre littéraire) Narration. cognition. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. LANGUAGE ARTS & DISCIPLINES Rhetoric. REFERENCE Writing Skills. PSYCHOLOGY Cognitive Psychology. Literary anatomies Surprise in literature Literature: history & criticism. Literary studies: c 1900 to c 2000. Literary studies: fiction, novelists & prose writers. Neurosciences. Cognitivism, cognitive theory. Literary studies: general. Cognitive studies. Literature. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1743729 |
work_keys_str_mv | AT tobinvera elementsofsurpriseourmentallimitsandthesatisfactionsofplot |