Interruptions :: the fragmentary aesthetic in modern literature /
In Interruptions: The Fragmentary Aesthetic in Modern Literature, Gerald L. Bruns explores the effects of parataxis, or fragmentary writing as a device in modern literature. Bruns focuses on texts that refuse to follow the traditional logic of sequential narrative. He explores numerous examples of s...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Tuscaloosa :
The University of Alabama Press,
[2018]
|
| Schriftenreihe: | Modern and contemporary poetics.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | In Interruptions: The Fragmentary Aesthetic in Modern Literature, Gerald L. Bruns explores the effects of parataxis, or fragmentary writing as a device in modern literature. Bruns focuses on texts that refuse to follow the traditional logic of sequential narrative. He explores numerous examples of self-interrupting composition, starting with Friedrich Schlegel's inaugural theory and practice of the fragment as an assertion of the autonomy of words, and their freedom from rule-governed hierarchies. Bruns opens the book with a short history of the fragment as a distinctive feature of literary modernism in works from Gertrude Stein to Paul Celan to present-day authors. The study progresses to the later work of Maurice Blanchot and Samuel Beckett, and argues, controversially, that Blanchot's writings on the fragment during the 1950s and early 1960s helped to inspire Beckett's turn toward paratactic prose. The study also extends to works of poetry, examining the radically paratactic arrangements of two contemporary British poets, J.H. Prynne and John Wilkinson, focusing chiefly on their most recent, and arguably most abstruse, works. Bruns also offers a close study of the poetry and poetics of Charles Bernstein. Interruptions concludes with two chapters about James Joyce. First, Bruns tackles the language of Finnegans Wake, namely the break-up of words themselves, its reassembly into puns, neologisms, nonsense, and even random strings of letters. Second, Bruns highlights the experience of mirrors in Joyce's fiction, particularly in Dubliners, Portrait of the Artist as a Young Man, and Ulysses, where mirrored reflections invariably serve as interruptions, discontinuities, or metaphorical displacements and proliferations of self-identity. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780817391720 081739172X |
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| 245 | 1 | 0 | |a Interruptions : |b the fragmentary aesthetic in modern literature / |c Gerald L. Bruns. |
| 264 | 1 | |a Tuscaloosa : |b The University of Alabama Press, |c [2018] | |
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Modern and contemporary poetics | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Prologue : the invention of poetry -- 1. An archeology of fragments -- 2. The impossible experience of words : the later fiction of Maurice Blanchot and Samuel Beckett -- 3. Dialectrics : turbulence and contradiction in J.H. Prynne's Kazoo dreamboats -- 4. Metastatic lyricism : John Wilkinson's poetry and poetics -- 5. Apology for stuffed owls : on the virtues of bad poetry -- 6. Paratactics ("pataquerics") of the ordinary : the course of the comic in Charles Bernstein's poetry -- 7. On the words of the wake (and what to do with them) -- 8. What's in a mirror? : James Joyce's Phenomenology of misperception -- Epilogue : on incompletion (stopping briefly with Gertrude Stein). | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In Interruptions: The Fragmentary Aesthetic in Modern Literature, Gerald L. Bruns explores the effects of parataxis, or fragmentary writing as a device in modern literature. Bruns focuses on texts that refuse to follow the traditional logic of sequential narrative. He explores numerous examples of self-interrupting composition, starting with Friedrich Schlegel's inaugural theory and practice of the fragment as an assertion of the autonomy of words, and their freedom from rule-governed hierarchies. Bruns opens the book with a short history of the fragment as a distinctive feature of literary modernism in works from Gertrude Stein to Paul Celan to present-day authors. The study progresses to the later work of Maurice Blanchot and Samuel Beckett, and argues, controversially, that Blanchot's writings on the fragment during the 1950s and early 1960s helped to inspire Beckett's turn toward paratactic prose. The study also extends to works of poetry, examining the radically paratactic arrangements of two contemporary British poets, J.H. Prynne and John Wilkinson, focusing chiefly on their most recent, and arguably most abstruse, works. Bruns also offers a close study of the poetry and poetics of Charles Bernstein. Interruptions concludes with two chapters about James Joyce. First, Bruns tackles the language of Finnegans Wake, namely the break-up of words themselves, its reassembly into puns, neologisms, nonsense, and even random strings of letters. Second, Bruns highlights the experience of mirrors in Joyce's fiction, particularly in Dubliners, Portrait of the Artist as a Young Man, and Ulysses, where mirrored reflections invariably serve as interruptions, discontinuities, or metaphorical displacements and proliferations of self-identity. | ||
| 650 | 0 | |a Discourse analysis, Literary. |0 http://id.loc.gov/authorities/subjects/sh85038363 | |
| 650 | 0 | |a Literature, Modern |x Criticism, Textual. | |
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| 650 | 0 | |a Meaning (Philosophy) in literature. |0 http://id.loc.gov/authorities/subjects/sh94006399 | |
| 650 | 0 | |a Intertextuality. |0 http://id.loc.gov/authorities/subjects/sh88005212 | |
| 650 | 6 | |a Discours littéraire. | |
| 650 | 6 | |a Poétique. | |
| 650 | 6 | |a Esthétique dans la littérature. | |
| 650 | 6 | |a Signification (Philosophie) dans la littérature. | |
| 650 | 6 | |a Intertextualité. | |
| 650 | 7 | |a literary criticism. |2 aat | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Rhetoric. |2 bisacsh | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| contents | Prologue : the invention of poetry -- 1. An archeology of fragments -- 2. The impossible experience of words : the later fiction of Maurice Blanchot and Samuel Beckett -- 3. Dialectrics : turbulence and contradiction in J.H. Prynne's Kazoo dreamboats -- 4. Metastatic lyricism : John Wilkinson's poetry and poetics -- 5. Apology for stuffed owls : on the virtues of bad poetry -- 6. Paratactics ("pataquerics") of the ordinary : the course of the comic in Charles Bernstein's poetry -- 7. On the words of the wake (and what to do with them) -- 8. What's in a mirror? : James Joyce's Phenomenology of misperception -- Epilogue : on incompletion (stopping briefly with Gertrude Stein). |
| ctrlnum | (OCoLC)1030036847 |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
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| dewey-search | 808.001/4 |
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| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1030036847 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:23:52Z |
| institution | BVB |
| isbn | 9780817391720 081739172X |
| language | English |
| oclc_num | 1030036847 |
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| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | The University of Alabama Press, |
| record_format | marc |
| series | Modern and contemporary poetics. |
| series2 | Modern and contemporary poetics |
| spelling | Bruns, Gerald L., author. http://id.loc.gov/authorities/names/n82009843 Interruptions : the fragmentary aesthetic in modern literature / Gerald L. Bruns. Tuscaloosa : The University of Alabama Press, [2018] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Modern and contemporary poetics Includes bibliographical references and index. Prologue : the invention of poetry -- 1. An archeology of fragments -- 2. The impossible experience of words : the later fiction of Maurice Blanchot and Samuel Beckett -- 3. Dialectrics : turbulence and contradiction in J.H. Prynne's Kazoo dreamboats -- 4. Metastatic lyricism : John Wilkinson's poetry and poetics -- 5. Apology for stuffed owls : on the virtues of bad poetry -- 6. Paratactics ("pataquerics") of the ordinary : the course of the comic in Charles Bernstein's poetry -- 7. On the words of the wake (and what to do with them) -- 8. What's in a mirror? : James Joyce's Phenomenology of misperception -- Epilogue : on incompletion (stopping briefly with Gertrude Stein). Print version record. In Interruptions: The Fragmentary Aesthetic in Modern Literature, Gerald L. Bruns explores the effects of parataxis, or fragmentary writing as a device in modern literature. Bruns focuses on texts that refuse to follow the traditional logic of sequential narrative. He explores numerous examples of self-interrupting composition, starting with Friedrich Schlegel's inaugural theory and practice of the fragment as an assertion of the autonomy of words, and their freedom from rule-governed hierarchies. Bruns opens the book with a short history of the fragment as a distinctive feature of literary modernism in works from Gertrude Stein to Paul Celan to present-day authors. The study progresses to the later work of Maurice Blanchot and Samuel Beckett, and argues, controversially, that Blanchot's writings on the fragment during the 1950s and early 1960s helped to inspire Beckett's turn toward paratactic prose. The study also extends to works of poetry, examining the radically paratactic arrangements of two contemporary British poets, J.H. Prynne and John Wilkinson, focusing chiefly on their most recent, and arguably most abstruse, works. Bruns also offers a close study of the poetry and poetics of Charles Bernstein. Interruptions concludes with two chapters about James Joyce. First, Bruns tackles the language of Finnegans Wake, namely the break-up of words themselves, its reassembly into puns, neologisms, nonsense, and even random strings of letters. Second, Bruns highlights the experience of mirrors in Joyce's fiction, particularly in Dubliners, Portrait of the Artist as a Young Man, and Ulysses, where mirrored reflections invariably serve as interruptions, discontinuities, or metaphorical displacements and proliferations of self-identity. Discourse analysis, Literary. http://id.loc.gov/authorities/subjects/sh85038363 Literature, Modern Criticism, Textual. Literature, Experimental Criticism, Textual. Poetics. http://id.loc.gov/authorities/subjects/sh85103703 Aesthetics in literature. http://id.loc.gov/authorities/subjects/sh93007960 Meaning (Philosophy) in literature. http://id.loc.gov/authorities/subjects/sh94006399 Intertextuality. http://id.loc.gov/authorities/subjects/sh88005212 Discours littéraire. Poétique. Esthétique dans la littérature. Signification (Philosophie) dans la littérature. Intertextualité. literary criticism. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Aesthetics in literature fast Discourse analysis, Literary fast Intertextuality fast Literature, Experimental fast Literature, Modern fast Meaning (Philosophy) in literature fast Poetics fast Criticism, interpretation, etc. fast has work: Interruptions (Text) https://id.oclc.org/worldcat/entity/E39PCGqf6dyCDcVQQmwFJHJbh3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Bruns, Gerald L. Interruptions. Tuscaloosa : The University of Alabama Press, [2018] 9780817359065 (DLC) 2017038241 (OCoLC)1004981726 Modern and contemporary poetics. http://id.loc.gov/authorities/names/n98048650 |
| spellingShingle | Bruns, Gerald L. Interruptions : the fragmentary aesthetic in modern literature / Modern and contemporary poetics. Prologue : the invention of poetry -- 1. An archeology of fragments -- 2. The impossible experience of words : the later fiction of Maurice Blanchot and Samuel Beckett -- 3. Dialectrics : turbulence and contradiction in J.H. Prynne's Kazoo dreamboats -- 4. Metastatic lyricism : John Wilkinson's poetry and poetics -- 5. Apology for stuffed owls : on the virtues of bad poetry -- 6. Paratactics ("pataquerics") of the ordinary : the course of the comic in Charles Bernstein's poetry -- 7. On the words of the wake (and what to do with them) -- 8. What's in a mirror? : James Joyce's Phenomenology of misperception -- Epilogue : on incompletion (stopping briefly with Gertrude Stein). Discourse analysis, Literary. http://id.loc.gov/authorities/subjects/sh85038363 Literature, Modern Criticism, Textual. Literature, Experimental Criticism, Textual. Poetics. http://id.loc.gov/authorities/subjects/sh85103703 Aesthetics in literature. http://id.loc.gov/authorities/subjects/sh93007960 Meaning (Philosophy) in literature. http://id.loc.gov/authorities/subjects/sh94006399 Intertextuality. http://id.loc.gov/authorities/subjects/sh88005212 Discours littéraire. Poétique. Esthétique dans la littérature. Signification (Philosophie) dans la littérature. Intertextualité. literary criticism. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Aesthetics in literature fast Discourse analysis, Literary fast Intertextuality fast Literature, Experimental fast Literature, Modern fast Meaning (Philosophy) in literature fast Poetics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85038363 http://id.loc.gov/authorities/subjects/sh85103703 http://id.loc.gov/authorities/subjects/sh93007960 http://id.loc.gov/authorities/subjects/sh94006399 http://id.loc.gov/authorities/subjects/sh88005212 |
| title | Interruptions : the fragmentary aesthetic in modern literature / |
| title_auth | Interruptions : the fragmentary aesthetic in modern literature / |
| title_exact_search | Interruptions : the fragmentary aesthetic in modern literature / |
| title_full | Interruptions : the fragmentary aesthetic in modern literature / Gerald L. Bruns. |
| title_fullStr | Interruptions : the fragmentary aesthetic in modern literature / Gerald L. Bruns. |
| title_full_unstemmed | Interruptions : the fragmentary aesthetic in modern literature / Gerald L. Bruns. |
| title_short | Interruptions : |
| title_sort | interruptions the fragmentary aesthetic in modern literature |
| title_sub | the fragmentary aesthetic in modern literature / |
| topic | Discourse analysis, Literary. http://id.loc.gov/authorities/subjects/sh85038363 Literature, Modern Criticism, Textual. Literature, Experimental Criticism, Textual. Poetics. http://id.loc.gov/authorities/subjects/sh85103703 Aesthetics in literature. http://id.loc.gov/authorities/subjects/sh93007960 Meaning (Philosophy) in literature. http://id.loc.gov/authorities/subjects/sh94006399 Intertextuality. http://id.loc.gov/authorities/subjects/sh88005212 Discours littéraire. Poétique. Esthétique dans la littérature. Signification (Philosophie) dans la littérature. Intertextualité. literary criticism. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Aesthetics in literature fast Discourse analysis, Literary fast Intertextuality fast Literature, Experimental fast Literature, Modern fast Meaning (Philosophy) in literature fast Poetics fast |
| topic_facet | Discourse analysis, Literary. Literature, Modern Criticism, Textual. Literature, Experimental Criticism, Textual. Poetics. Aesthetics in literature. Meaning (Philosophy) in literature. Intertextuality. Discours littéraire. Poétique. Esthétique dans la littérature. Signification (Philosophie) dans la littérature. Intertextualité. literary criticism. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. LANGUAGE ARTS & DISCIPLINES Rhetoric. REFERENCE Writing Skills. Aesthetics in literature Discourse analysis, Literary Intertextuality Literature, Experimental Literature, Modern Meaning (Philosophy) in literature Poetics Criticism, interpretation, etc. |
| work_keys_str_mv | AT brunsgeraldl interruptionsthefragmentaryaestheticinmodernliterature |