Last things :: disastrous form from Kant to Hujar /
With the "arrival" of the so-called era of the Anthropocene, certain contemporary theoretical approaches have led us to think that we are only now properly beginning to speculate on an inhuman world that is not for us, as well as confronting our fears and anxieties around ecological, polit...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Fordham University Press,
[2018]
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| Schriftenreihe: | Lit z.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | With the "arrival" of the so-called era of the Anthropocene, certain contemporary theoretical approaches have led us to think that we are only now properly beginning to speculate on an inhuman world that is not for us, as well as confronting our fears and anxieties around ecological, political, social, and philosophical extinction. Reflections on apocalypse and disaster, however, were not foreign to what we historically call romanticism, but in Last Things, Jacques Khalip begins with the "end of things" differently, treating lastness otherwise than either a privation or a conclusion. He emphasizes quieter and non-emphatic modes of thinking the end of the world of thought itself. Without fear, foreshadowing, or catastrophe, Khalip explores lastness as a form, structure, or unit that marks the limits of our life and world, and he reads the fate of romanticism (and romantic studies) within the key of the last. Although this is a reading one could never wish for, it is one, Khalip argues, that we urgently have to make today. The book is not an elegy to the human, or to romanticism; rather, it polemically argues that we should read romanticism as a negative force that exceeds theories, narratives, and figures of survival and sustainability. Each chapter explores a diverse range of romantic and contemporary materials: poetry by John Clare, Emily Dickinson, John Keats, Percy Shelley, and William Wordsworth; philosophical texts by William Godwin, David Hume, Immanuel Kant, and Jean-Jacques Rousseau; paintings by Hubert Robert, Caspar David Friedrich, and Paterson Ewen; installations by Tatsuo Miyajima and James Turrell; and photography by John Dugdale, Peter Hujar, and Joanna Kane. Shuttling between different temporalities, Last Things undertakes an original reorganization of romantic thought for contemporary culture. It examines an "archive" that is on the side of disappearance, perishing, the inhuman, and lastness. "Amid contemporary anxieties about the destruction of the planet, Khalip's book shows how the question of disappearance and lastnesss haunts the cultural imagination across a range of periods and genres.A smart cultural studies book that serves as a newer companion to such classics as Edelman's 'No Future' and Said's 'Late Style.' Ranges from philosophy to literature to modern photography, such as the queer romanticism of Peter Hujar."-- |
| Beschreibung: | 1 online resource (139 pages, 8 unnumbered pages of plates) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 105-134) and index. |
| ISBN: | 9780823279579 082327957X 0823281574 9780823281572 0823279561 9780823279562 |
Internformat
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| 100 | 1 | |a Khalip, Jacques, |d 1975- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjCWgXRjyGwRtCPMwchyh3 |0 http://id.loc.gov/authorities/names/no2004077550 | |
| 245 | 1 | 0 | |a Last things : |b disastrous form from Kant to Hujar / |c Jacques Khalip. |
| 264 | 1 | |a New York : |b Fordham University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (139 pages, 8 unnumbered pages of plates) : |b illustrations | ||
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| 505 | 0 | |a Has-been -- Introduction : now no more -- The unfinished world -- Life is gone -- As if that look must be the last. | |
| 520 | |a With the "arrival" of the so-called era of the Anthropocene, certain contemporary theoretical approaches have led us to think that we are only now properly beginning to speculate on an inhuman world that is not for us, as well as confronting our fears and anxieties around ecological, political, social, and philosophical extinction. Reflections on apocalypse and disaster, however, were not foreign to what we historically call romanticism, but in Last Things, Jacques Khalip begins with the "end of things" differently, treating lastness otherwise than either a privation or a conclusion. He emphasizes quieter and non-emphatic modes of thinking the end of the world of thought itself. Without fear, foreshadowing, or catastrophe, Khalip explores lastness as a form, structure, or unit that marks the limits of our life and world, and he reads the fate of romanticism (and romantic studies) within the key of the last. Although this is a reading one could never wish for, it is one, Khalip argues, that we urgently have to make today. The book is not an elegy to the human, or to romanticism; rather, it polemically argues that we should read romanticism as a negative force that exceeds theories, narratives, and figures of survival and sustainability. Each chapter explores a diverse range of romantic and contemporary materials: poetry by John Clare, Emily Dickinson, John Keats, Percy Shelley, and William Wordsworth; philosophical texts by William Godwin, David Hume, Immanuel Kant, and Jean-Jacques Rousseau; paintings by Hubert Robert, Caspar David Friedrich, and Paterson Ewen; installations by Tatsuo Miyajima and James Turrell; and photography by John Dugdale, Peter Hujar, and Joanna Kane. Shuttling between different temporalities, Last Things undertakes an original reorganization of romantic thought for contemporary culture. It examines an "archive" that is on the side of disappearance, perishing, the inhuman, and lastness. | ||
| 520 | |a "Amid contemporary anxieties about the destruction of the planet, Khalip's book shows how the question of disappearance and lastnesss haunts the cultural imagination across a range of periods and genres.A smart cultural studies book that serves as a newer companion to such classics as Edelman's 'No Future' and Said's 'Late Style.' Ranges from philosophy to literature to modern photography, such as the queer romanticism of Peter Hujar."-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references (pages 105-134) and index. | ||
| 588 | 0 | |a Print version record and online resource (JSTOR, viewed July 15, 2020). | |
| 546 | |a In English. | ||
| 650 | 0 | |a Romanticism |x History and criticism. | |
| 650 | 0 | |a Literature |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh85077524 | |
| 650 | 6 | |a Romantisme |x Histoire et critique. | |
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| 650 | 7 | |a Literature |x Philosophy |2 fast | |
| 650 | 7 | |a Romanticism |2 fast | |
| 653 | |a Dugdale. | ||
| 653 | |a Ewen. | ||
| 653 | |a Hujar. | ||
| 653 | |a Kant. | ||
| 653 | |a Keats. | ||
| 653 | |a Shelley. | ||
| 653 | |a Wordsworth. | ||
| 653 | |a extinction. | ||
| 653 | |a lastness. | ||
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| 653 | |a romanticism. | ||
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| author | Khalip, Jacques, 1975- |
| author_GND | http://id.loc.gov/authorities/names/no2004077550 |
| author_facet | Khalip, Jacques, 1975- |
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| contents | Has-been -- Introduction : now no more -- The unfinished world -- Life is gone -- As if that look must be the last. |
| ctrlnum | (OCoLC)1029650308 |
| dewey-full | 809/.9145 |
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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1029650308 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:28:16Z |
| institution | BVB |
| isbn | 9780823279579 082327957X 0823281574 9780823281572 0823279561 9780823279562 |
| language | English |
| oclc_num | 1029650308 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (139 pages, 8 unnumbered pages of plates) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Fordham University Press, |
| record_format | marc |
| series | Lit z. |
| series2 | LIT Z |
| spelling | Khalip, Jacques, 1975- author. https://id.oclc.org/worldcat/entity/E39PCjCWgXRjyGwRtCPMwchyh3 http://id.loc.gov/authorities/names/no2004077550 Last things : disastrous form from Kant to Hujar / Jacques Khalip. New York : Fordham University Press, [2018] ©2018 1 online resource (139 pages, 8 unnumbered pages of plates) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda LIT Z Has-been -- Introduction : now no more -- The unfinished world -- Life is gone -- As if that look must be the last. With the "arrival" of the so-called era of the Anthropocene, certain contemporary theoretical approaches have led us to think that we are only now properly beginning to speculate on an inhuman world that is not for us, as well as confronting our fears and anxieties around ecological, political, social, and philosophical extinction. Reflections on apocalypse and disaster, however, were not foreign to what we historically call romanticism, but in Last Things, Jacques Khalip begins with the "end of things" differently, treating lastness otherwise than either a privation or a conclusion. He emphasizes quieter and non-emphatic modes of thinking the end of the world of thought itself. Without fear, foreshadowing, or catastrophe, Khalip explores lastness as a form, structure, or unit that marks the limits of our life and world, and he reads the fate of romanticism (and romantic studies) within the key of the last. Although this is a reading one could never wish for, it is one, Khalip argues, that we urgently have to make today. The book is not an elegy to the human, or to romanticism; rather, it polemically argues that we should read romanticism as a negative force that exceeds theories, narratives, and figures of survival and sustainability. Each chapter explores a diverse range of romantic and contemporary materials: poetry by John Clare, Emily Dickinson, John Keats, Percy Shelley, and William Wordsworth; philosophical texts by William Godwin, David Hume, Immanuel Kant, and Jean-Jacques Rousseau; paintings by Hubert Robert, Caspar David Friedrich, and Paterson Ewen; installations by Tatsuo Miyajima and James Turrell; and photography by John Dugdale, Peter Hujar, and Joanna Kane. Shuttling between different temporalities, Last Things undertakes an original reorganization of romantic thought for contemporary culture. It examines an "archive" that is on the side of disappearance, perishing, the inhuman, and lastness. "Amid contemporary anxieties about the destruction of the planet, Khalip's book shows how the question of disappearance and lastnesss haunts the cultural imagination across a range of periods and genres.A smart cultural studies book that serves as a newer companion to such classics as Edelman's 'No Future' and Said's 'Late Style.' Ranges from philosophy to literature to modern photography, such as the queer romanticism of Peter Hujar."-- Provided by publisher. Includes bibliographical references (pages 105-134) and index. Print version record and online resource (JSTOR, viewed July 15, 2020). In English. Romanticism History and criticism. Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Romantisme Histoire et critique. LITERARY CRITICISM General. bisacsh Literature Philosophy fast Romanticism fast Dugdale. Ewen. Hujar. Kant. Keats. Shelley. Wordsworth. extinction. lastness. life. photography. romanticism. Electronic books. Criticism, interpretation, etc. fast Print version: 9780823279548 0823279545 (OCoLC)1002296727 Lit z. http://id.loc.gov/authorities/names/no2015111133 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1735860 Volltext |
| spellingShingle | Khalip, Jacques, 1975- Last things : disastrous form from Kant to Hujar / Lit z. Has-been -- Introduction : now no more -- The unfinished world -- Life is gone -- As if that look must be the last. Romanticism History and criticism. Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Romantisme Histoire et critique. LITERARY CRITICISM General. bisacsh Literature Philosophy fast Romanticism fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85077524 |
| title | Last things : disastrous form from Kant to Hujar / |
| title_auth | Last things : disastrous form from Kant to Hujar / |
| title_exact_search | Last things : disastrous form from Kant to Hujar / |
| title_full | Last things : disastrous form from Kant to Hujar / Jacques Khalip. |
| title_fullStr | Last things : disastrous form from Kant to Hujar / Jacques Khalip. |
| title_full_unstemmed | Last things : disastrous form from Kant to Hujar / Jacques Khalip. |
| title_short | Last things : |
| title_sort | last things disastrous form from kant to hujar |
| title_sub | disastrous form from Kant to Hujar / |
| topic | Romanticism History and criticism. Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Romantisme Histoire et critique. LITERARY CRITICISM General. bisacsh Literature Philosophy fast Romanticism fast |
| topic_facet | Romanticism History and criticism. Literature Philosophy. Romantisme Histoire et critique. LITERARY CRITICISM General. Literature Philosophy Romanticism Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1735860 |
| work_keys_str_mv | AT khalipjacques lastthingsdisastrousformfromkanttohujar |