Sprezzatura :: Concealing the Effort of Art from Aristotle to Duchamp.
The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disguise technique and feign ease is to heighten beauty. To express this notion, Italian has a word with no...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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2018.
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| Schriftenreihe: | Columbia themes in philosophy, social criticism, and the arts.
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| Zusammenfassung: | The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disguise technique and feign ease is to heighten beauty. To express this notion, Italian has a word with no exact equivalent in other languages, sprezzatura: a kind of unaffectedness or nonchalance. In this book, the first to consider sprezzatura in its own right, philosopher of art Paolo D'Angelo reconstructs the history of concealing art, from ancient rhetoric to our own times. The word sprezzatura was coined in 1528 by Baldassarre Castiglione in The Book of the Courtier to mean a kind of grace with a special essence: the ability to conceal art. But the idea reaches back to Aristotle and Cicero and forward to avant-garde works such as Duchamp's ready-mades, all of which share the suspicion of the overt display of skill. The precept that art must be hidden turns up in a number of fields, from cosmetics to interior design, politics to poetry, the English garden to shabby chic. Through exploring different articulations of this idea, D'Angelo shows the paradox of aesthetics: art hides that it is art, but in doing so it reveals itself to be art and becomes an assertion about art. When art is concealed, it appears as spontaneous as nature--yet, paradoxically, also reveals its indebtedness to technique. An erudite and surprising tour through aesthetics, philosophy, and art history, Sprezzatura presents a strikingly original argument with deceptive ease. |
| Beschreibung: | 1 online resource (189 pages) |
| ISBN: | 9780231540346 0231540345 |
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| 520 | |a The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disguise technique and feign ease is to heighten beauty. To express this notion, Italian has a word with no exact equivalent in other languages, sprezzatura: a kind of unaffectedness or nonchalance. In this book, the first to consider sprezzatura in its own right, philosopher of art Paolo D'Angelo reconstructs the history of concealing art, from ancient rhetoric to our own times. The word sprezzatura was coined in 1528 by Baldassarre Castiglione in The Book of the Courtier to mean a kind of grace with a special essence: the ability to conceal art. But the idea reaches back to Aristotle and Cicero and forward to avant-garde works such as Duchamp's ready-mades, all of which share the suspicion of the overt display of skill. The precept that art must be hidden turns up in a number of fields, from cosmetics to interior design, politics to poetry, the English garden to shabby chic. Through exploring different articulations of this idea, D'Angelo shows the paradox of aesthetics: art hides that it is art, but in doing so it reveals itself to be art and becomes an assertion about art. When art is concealed, it appears as spontaneous as nature--yet, paradoxically, also reveals its indebtedness to technique. An erudite and surprising tour through aesthetics, philosophy, and art history, Sprezzatura presents a strikingly original argument with deceptive ease. | ||
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| author | D'Angelo, Paolo, 1956- |
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| contents | Intro; Table of Contents; Preface to the First Edition; Note to the Second Italian Edition; 1. Concealment; 2. Part of Eloquence Is to Hide Eloquence; 3. The Concealed Ornament; 4. Art or Nature?; 5. In the Garden; 6. Iki; 7. Those Who Cannot Dissimulate Cannot Rule Either; 8. True Eloquence Mocks Eloquence; 9. Ready-Mades; Notes; Index. |
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| discipline | Philosophie |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:28:13Z |
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| isbn | 9780231540346 0231540345 |
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| spelling | D'Angelo, Paolo, 1956- https://id.oclc.org/worldcat/entity/E39PBJp9rqPpXRG6Bpt7pxJCcP http://id.loc.gov/authorities/names/n83018154 Sprezzatura : Concealing the Effort of Art from Aristotle to Duchamp. La Vergne : Columbia University Press, 2018. 1 online resource (189 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Columbia Themes in Philosophy, Social Criticism, and the Arts Print version record. Intro; Table of Contents; Preface to the First Edition; Note to the Second Italian Edition; 1. Concealment; 2. Part of Eloquence Is to Hide Eloquence; 3. The Concealed Ornament; 4. Art or Nature?; 5. In the Garden; 6. Iki; 7. Those Who Cannot Dissimulate Cannot Rule Either; 8. True Eloquence Mocks Eloquence; 9. Ready-Mades; Notes; Index. The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disguise technique and feign ease is to heighten beauty. To express this notion, Italian has a word with no exact equivalent in other languages, sprezzatura: a kind of unaffectedness or nonchalance. In this book, the first to consider sprezzatura in its own right, philosopher of art Paolo D'Angelo reconstructs the history of concealing art, from ancient rhetoric to our own times. The word sprezzatura was coined in 1528 by Baldassarre Castiglione in The Book of the Courtier to mean a kind of grace with a special essence: the ability to conceal art. But the idea reaches back to Aristotle and Cicero and forward to avant-garde works such as Duchamp's ready-mades, all of which share the suspicion of the overt display of skill. The precept that art must be hidden turns up in a number of fields, from cosmetics to interior design, politics to poetry, the English garden to shabby chic. Through exploring different articulations of this idea, D'Angelo shows the paradox of aesthetics: art hides that it is art, but in doing so it reveals itself to be art and becomes an assertion about art. When art is concealed, it appears as spontaneous as nature--yet, paradoxically, also reveals its indebtedness to technique. An erudite and surprising tour through aesthetics, philosophy, and art history, Sprezzatura presents a strikingly original argument with deceptive ease. Sprezzatura (Aesthetics) http://id.loc.gov/authorities/subjects/sh2017004357 Art Philosophy. http://id.loc.gov/authorities/subjects/sh85007494 Art Philosophie. PHILOSOPHY Metaphysics. bisacsh ART Techniques General. bisacsh Art Philosophy fast Sprezzatura (Aesthetics) fast Print version: D'Angelo, Paolo. Sprezzatura : Concealing the Effort of Art from Aristotle to Duchamp. La Vergne : Columbia University Press, ©2018 Columbia themes in philosophy, social criticism, and the arts. http://id.loc.gov/authorities/names/no2006085813 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1701873 Volltext |
| spellingShingle | D'Angelo, Paolo, 1956- Sprezzatura : Concealing the Effort of Art from Aristotle to Duchamp. Columbia themes in philosophy, social criticism, and the arts. Intro; Table of Contents; Preface to the First Edition; Note to the Second Italian Edition; 1. Concealment; 2. Part of Eloquence Is to Hide Eloquence; 3. The Concealed Ornament; 4. Art or Nature?; 5. In the Garden; 6. Iki; 7. Those Who Cannot Dissimulate Cannot Rule Either; 8. True Eloquence Mocks Eloquence; 9. Ready-Mades; Notes; Index. Sprezzatura (Aesthetics) http://id.loc.gov/authorities/subjects/sh2017004357 Art Philosophy. http://id.loc.gov/authorities/subjects/sh85007494 Art Philosophie. PHILOSOPHY Metaphysics. bisacsh ART Techniques General. bisacsh Art Philosophy fast Sprezzatura (Aesthetics) fast |
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| title | Sprezzatura : Concealing the Effort of Art from Aristotle to Duchamp. |
| title_auth | Sprezzatura : Concealing the Effort of Art from Aristotle to Duchamp. |
| title_exact_search | Sprezzatura : Concealing the Effort of Art from Aristotle to Duchamp. |
| title_full | Sprezzatura : Concealing the Effort of Art from Aristotle to Duchamp. |
| title_fullStr | Sprezzatura : Concealing the Effort of Art from Aristotle to Duchamp. |
| title_full_unstemmed | Sprezzatura : Concealing the Effort of Art from Aristotle to Duchamp. |
| title_short | Sprezzatura : |
| title_sort | sprezzatura concealing the effort of art from aristotle to duchamp |
| title_sub | Concealing the Effort of Art from Aristotle to Duchamp. |
| topic | Sprezzatura (Aesthetics) http://id.loc.gov/authorities/subjects/sh2017004357 Art Philosophy. http://id.loc.gov/authorities/subjects/sh85007494 Art Philosophie. PHILOSOPHY Metaphysics. bisacsh ART Techniques General. bisacsh Art Philosophy fast Sprezzatura (Aesthetics) fast |
| topic_facet | Sprezzatura (Aesthetics) Art Philosophy. Art Philosophie. PHILOSOPHY Metaphysics. ART Techniques General. Art Philosophy |
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