Cinema and narrative complexity :: embodying the fabula /
Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies--including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approa...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
2017.
|
Schriftenreihe: | Film culture in transition.
|
Schlagworte: | |
Online-Zugang: | DE-862 DE-863 |
Zusammenfassung: | Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies--including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analyzing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect. |
Beschreibung: | 1 online resource (253 pages) : illustrations. |
Bibliographie: | Includes bibliographical references (pages 215-228) and index. |
ISBN: | 9789048530250 9048530253 |
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isbn | 9789048530250 9048530253 |
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spelling | Hven, Steffen, author. http://id.loc.gov/authorities/names/no2017102544 Cinema and narrative complexity : embodying the fabula / Steffen Hven. Amsterdam : Amsterdam University Press, 2017. ©2017 1 online resource (253 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Film culture in transition Includes bibliographical references (pages 215-228) and index. Cinema in the interstices -- Narrative ambiguity in the classical cinema -- Modern(ist) cinema: logic of the encounter -- Towards the embodied fabula -- The complexity of complex narratives -- Memento and the embodied fabula. Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies--including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analyzing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect. Print version record. Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Histoire. Film theory and criticism. bicssc PERFORMING ARTS / Film & Video / General bisacsh PERFORMING ARTS / Reference. bisacsh Motion pictures fast Erzähltechnik gnd Film-philosophy, cognitive film science, embodied cognition, narratology, 'complex narratives'. History fast has work: Cinema and narrative complexity (Text) https://id.oclc.org/worldcat/entity/E39PCGGFTKGky7xrT9VqwCpByd https://id.oclc.org/worldcat/ontology/hasWork Print version: Hven, Steffen. Cinema and narrative complexity. Amsterdam : Amsterdam University Press, 2017 9462980772 (DLC) 2017410013 (OCoLC)959034388 Film culture in transition. http://id.loc.gov/authorities/names/n94045741 |
spellingShingle | Hven, Steffen Cinema and narrative complexity : embodying the fabula / Film culture in transition. Cinema in the interstices -- Narrative ambiguity in the classical cinema -- Modern(ist) cinema: logic of the encounter -- Towards the embodied fabula -- The complexity of complex narratives -- Memento and the embodied fabula. Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Histoire. Film theory and criticism. bicssc PERFORMING ARTS / Film & Video / General bisacsh PERFORMING ARTS / Reference. bisacsh Motion pictures fast Erzähltechnik gnd |
subject_GND | http://d-nb.info/gnd/4075950-7 http://id.loc.gov/authorities/subjects/sh87002438 |
title | Cinema and narrative complexity : embodying the fabula / |
title_auth | Cinema and narrative complexity : embodying the fabula / |
title_exact_search | Cinema and narrative complexity : embodying the fabula / |
title_full | Cinema and narrative complexity : embodying the fabula / Steffen Hven. |
title_fullStr | Cinema and narrative complexity : embodying the fabula / Steffen Hven. |
title_full_unstemmed | Cinema and narrative complexity : embodying the fabula / Steffen Hven. |
title_short | Cinema and narrative complexity : |
title_sort | cinema and narrative complexity embodying the fabula |
title_sub | embodying the fabula / |
topic | Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Histoire. Film theory and criticism. bicssc PERFORMING ARTS / Film & Video / General bisacsh PERFORMING ARTS / Reference. bisacsh Motion pictures fast Erzähltechnik gnd |
topic_facet | Bibel Philemonbrief Motion pictures History. Cinéma Histoire. Film theory and criticism. PERFORMING ARTS / Film & Video / General PERFORMING ARTS / Reference. Motion pictures Erzähltechnik History |
work_keys_str_mv | AT hvensteffen cinemaandnarrativecomplexityembodyingthefabula |