The image in early cinema :: form and material /
"In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and...
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
Bloomington, Indiana :
Indiana University Press,
[2018]
|
| Schriftenreihe: | Early cinema in review.
|
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext |
| Zusammenfassung: | "In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context."--Publisher description. |
| Beschreibung: | 1 online resource (vii, 332 pages). |
| Bibliographie: | Includes bibliographical references and indexes. |
| ISBN: | 9780253034427 0253034426 9780253034403 025303440X 0253034396 9780253034397 |
Internformat
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| 245 | 0 | 4 | |a The image in early cinema : |b form and material / |c edited by Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2018] | |
| 300 | |a 1 online resource (vii, 332 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b n |2 rdamedia | ||
| 338 | |a online resource |b nc |2 rdacarrier | ||
| 490 | 1 | |a Early cinema in review : proceedings of Domitor | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 546 | |a English and French with English translations of French. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on May 01, 2018). | |
| 505 | 0 | |a Cover; Half title; Series Page; Title; Copyright; Contents; Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma / Jérémy Houillère. | |
| 505 | 8 | |a 6 De la presse illustrée à l'actualité filmée (1894-1910): l'émergence d'une nouvelle " culture visuelle de l'information "? / Rodolphe Gahéry7 From Pathé to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films / Florian Hoof. | |
| 505 | 8 | |a 11 Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin; 13 The Color Image / Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jörg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari. | |
| 505 | 8 | |a 16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) / Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema / Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe; 21 What is a Fake Image? / Frank Kessler and Sabine Lenk. | |
| 505 | 8 | |a 22 The Lantern Image between Stage and Screen / Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films / Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films / Martin L. Johnson; Appendix: Translations. | |
| 520 | |a "In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context."--Publisher description. | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Motion pictures and the arts. |0 http://id.loc.gov/authorities/subjects/sh85088135 | |
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| 655 | 4 | |a Electronic book. | |
| 700 | 1 | |a Curtis, Scott, |e editor. | |
| 700 | 1 | |a Gauthier, Philippe, |d 1980- |e editor. |0 http://id.loc.gov/authorities/names/nb2010024525 | |
| 700 | 1 | |a Gunning, Tom, |d 1949- |e editor. |0 http://id.loc.gov/authorities/names/n90656768 | |
| 700 | 1 | |a Yumibe, Joshua, |e editor. | |
| 758 | |i has work: |a The image in early cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFxxKvrdvf6qrkxJXCvx9P |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Image in early cinema. |d Bloomington : Indiana University Press, [2018] |z 9780253034403 |w (DLC) 2018001494 |
| 830 | 0 | |a Early cinema in review. |0 http://id.loc.gov/authorities/names/no2018077841 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1022085629 |
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| _version_ | 1816882412798345216 |
| adam_text | |
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| author2 | Curtis, Scott Gauthier, Philippe, 1980- Gunning, Tom, 1949- Yumibe, Joshua |
| author2_role | edt edt edt edt |
| author2_variant | s c sc p g pg t g tg j y jy |
| author_GND | http://id.loc.gov/authorities/names/nb2010024525 http://id.loc.gov/authorities/names/n90656768 |
| author_facet | Curtis, Scott Gauthier, Philippe, 1980- Gunning, Tom, 1949- Yumibe, Joshua |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.25 .I43 2018 |
| callnumber-search | PN1995.25 .I43 2018 |
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| collection | ZDB-4-EBA |
| contents | Cover; Half title; Series Page; Title; Copyright; Contents; Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma / Jérémy Houillère. 6 De la presse illustrée à l'actualité filmée (1894-1910): l'émergence d'une nouvelle " culture visuelle de l'information "? / Rodolphe Gahéry7 From Pathé to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films / Florian Hoof. 11 Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin; 13 The Color Image / Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jörg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari. 16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) / Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema / Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe; 21 What is a Fake Image? / Frank Kessler and Sabine Lenk. 22 The Lantern Image between Stage and Screen / Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films / Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films / Martin L. Johnson; Appendix: Translations. |
| ctrlnum | (OCoLC)1022085629 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-on1022085629 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:28:12Z |
| institution | BVB |
| isbn | 9780253034427 0253034426 9780253034403 025303440X 0253034396 9780253034397 |
| language | English French |
| lccn | 2018005348 |
| oclc_num | 1022085629 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (vii, 332 pages). |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Indiana University Press, |
| record_format | marc |
| series | Early cinema in review. |
| series2 | Early cinema in review : proceedings of Domitor |
| spelling | The image in early cinema : form and material / edited by Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe. Bloomington, Indiana : Indiana University Press, [2018] 1 online resource (vii, 332 pages). text txt rdacontent computer n rdamedia online resource nc rdacarrier Early cinema in review : proceedings of Domitor Includes bibliographical references and indexes. English and French with English translations of French. Online resource; title from digital title page (viewed on May 01, 2018). Cover; Half title; Series Page; Title; Copyright; Contents; Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma / Jérémy Houillère. 6 De la presse illustrée à l'actualité filmée (1894-1910): l'émergence d'une nouvelle " culture visuelle de l'information "? / Rodolphe Gahéry7 From Pathé to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films / Florian Hoof. 11 Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin; 13 The Color Image / Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jörg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari. 16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) / Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema / Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe; 21 What is a Fake Image? / Frank Kessler and Sabine Lenk. 22 The Lantern Image between Stage and Screen / Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films / Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films / Martin L. Johnson; Appendix: Translations. "In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context."--Publisher description. Motion pictures Philosophy. Motion pictures and the arts. http://id.loc.gov/authorities/subjects/sh85088135 Cinematography. http://id.loc.gov/authorities/subjects/sh85026014 Motion Pictures Cinéma et arts. Cinéma. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Cinematography fast Motion pictures and the arts fast Motion pictures Philosophy fast Electronic book. Curtis, Scott, editor. Gauthier, Philippe, 1980- editor. http://id.loc.gov/authorities/names/nb2010024525 Gunning, Tom, 1949- editor. http://id.loc.gov/authorities/names/n90656768 Yumibe, Joshua, editor. has work: The image in early cinema (Text) https://id.oclc.org/worldcat/entity/E39PCFxxKvrdvf6qrkxJXCvx9P https://id.oclc.org/worldcat/ontology/hasWork Print version: Image in early cinema. Bloomington : Indiana University Press, [2018] 9780253034403 (DLC) 2018001494 Early cinema in review. http://id.loc.gov/authorities/names/no2018077841 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1797094 Volltext FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1797095 Volltext |
| spellingShingle | The image in early cinema : form and material / Early cinema in review. Cover; Half title; Series Page; Title; Copyright; Contents; Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma / Jérémy Houillère. 6 De la presse illustrée à l'actualité filmée (1894-1910): l'émergence d'une nouvelle " culture visuelle de l'information "? / Rodolphe Gahéry7 From Pathé to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films / Florian Hoof. 11 Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin; 13 The Color Image / Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jörg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari. 16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) / Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema / Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe; 21 What is a Fake Image? / Frank Kessler and Sabine Lenk. 22 The Lantern Image between Stage and Screen / Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films / Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films / Martin L. Johnson; Appendix: Translations. Motion pictures Philosophy. Motion pictures and the arts. http://id.loc.gov/authorities/subjects/sh85088135 Cinematography. http://id.loc.gov/authorities/subjects/sh85026014 Motion Pictures Cinéma et arts. Cinéma. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Cinematography fast Motion pictures and the arts fast Motion pictures Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088135 http://id.loc.gov/authorities/subjects/sh85026014 |
| title | The image in early cinema : form and material / |
| title_auth | The image in early cinema : form and material / |
| title_exact_search | The image in early cinema : form and material / |
| title_full | The image in early cinema : form and material / edited by Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe. |
| title_fullStr | The image in early cinema : form and material / edited by Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe. |
| title_full_unstemmed | The image in early cinema : form and material / edited by Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe. |
| title_short | The image in early cinema : |
| title_sort | image in early cinema form and material |
| title_sub | form and material / |
| topic | Motion pictures Philosophy. Motion pictures and the arts. http://id.loc.gov/authorities/subjects/sh85088135 Cinematography. http://id.loc.gov/authorities/subjects/sh85026014 Motion Pictures Cinéma et arts. Cinéma. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Cinematography fast Motion pictures and the arts fast Motion pictures Philosophy fast |
| topic_facet | Motion pictures Philosophy. Motion pictures and the arts. Cinematography. Motion Pictures Cinéma et arts. Cinéma. Cinéma Philosophie. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Cinematography Motion pictures and the arts Motion pictures Philosophy Electronic book. |
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