Kerouac on Record :: a Literary Soundtrack /
"He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Di...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Academic,
2018.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds - from the blues to Broadway ballads - and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work - from singer-songwriters to rock bands. Some of the greatest transatlantic names - Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more - credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page."--Bloomsbury Publishing "He was the king of the Beat Generation and the most dynamic novelist of his time, but Jack Kerouac had a lifelong passion for music, particularly the mid-century jazz of New York City. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing. Yet he was also drawn to American popular music of all kinds-from the blues to country, rock`n'roll to Broadway ballads-and when he came to record albums under his own name, he worked with some of the most talented musicians on the scene. Yet Kerouac's musical legacy goes beyond the recordings he made himself: both tribute albums to the man and soundtrack recordings accompanying movies that brought his writing to the big screen have also featured potent and original musical content. In Kerouac on Record, we consider the writer's own recorded output, those rock tributes that have kept his memory alive and the scores that have featured in a string of Hollywood adaptations of his fictional adventures."--Publisher's description |
| Beschreibung: | 1 online resource (480 pages) |
| Bibliographie: | Includes bibliographical references and index. Includes discographies (pages 399-447). |
| ISBN: | 9781501323379 1501323377 9781501323362 1501323369 9781501323386 1501323385 1501323342 9781501323348 |
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| 245 | 0 | 0 | |a Kerouac on Record : |b a Literary Soundtrack / |c edited by Simon Warner, Jim Sampas. |
| 264 | 1 | |a New York : |b Bloomsbury Academic, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (480 pages) | ||
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| 505 | 0 | |a Cover page; Halftitle page; Praise; Title page; Copyright page; CONTENTS; ACKNOWLEDGEMENTS; PERMISSIONS; FOREWORD; INTRODUCTION; Kerouac and jazz; Kerouac and rock; Notes; Bibliography; Discography; Webography; CHAPTER 1 JACK KEROUACâ#x80;#x99;S JAZZ SCENE; Further reading; Bibliography; CHAPTER 2 THE BEGINNING OF BOP1; Note; CHAPTER 3 2ND CHORUS: BLUES: JACK KEROUAC; Notes; Bibliography; Discography; CHAPTER 4 DUET FOR SAXOPHONE AND PEN: LEE KONITZ AND THE DIRECT INFLUENCE OF JAZZ ON THE DEVELOPMENT OF JACK KEROUACâ#x80;#x99;S â#x80;#x98;SPONTANEOUS PROSEâ#x80;#x99; STYLE; Notes; Bibliography; Discography. | |
| 505 | 8 | |a INTERVIEW 1: LEE KONITZCHAPTER 5 JACK KEROUAC GOES VINYL: A SONIC JOURNEY INTO KEROUACâ#x80;#x99;S THREE LPS â#x80;#x93; POETRY FOR THE BEAT GENERATION ; BLUES AND HAIKUS; AND READINGS BY JACK KEROUAC ON THE BEAT GENERATION; Further reading; Discography; CHAPTER 6 ART MUSIC: LISTENING TO KEROUACâ#x80;#x99;S MEXICO CITY BLUES; Notes; Bibliography; INTERVIEW 2: DAVID AMRAM; Note; CHAPTER 7 BEAT REFRAINS: MUSIC, MILIEU AND IDENTITY IN JACK KEROUACâ#x80;#x99;S THE SUBTERRANEANS, THE METRO-GOLDWYN-MAYER FILM ADAPTATION; Notes; Bibliography; Filmography; CHAPTER 8 BOB DYLANâ#x80;#x99;S BEAT VISIONS (SONIC POETRY). | |
| 505 | 8 | |a Voice of a generation reduxâ#x80;#x98;Iâ#x80;#x99;m a poet, and I know it. Hope I donâ#x80;#x99;t blow itâ#x80;#x99;; â#x80;#x98;I came out of the wilderness and just naturally fell in with the Beat scene . . .â#x80;#x99;; â#x80;#x98;Talkinâ#x80;#x99; New Yorkâ#x80;#x99;; â#x80;#x98;So throw a match on itâ#x80;#x99;; â#x80;#x98;The great American road tripâ#x80;#x99;; â#x80;#x98;A hundred-mile-an-hour clipâ#x80;#x99;; â#x80;#x98;Writ for my own soulâ#x80;#x99;s earâ#x80;#x99;; â#x80;#x98;Hey, you dig something like cut-ups?â#x80;#x99;; â#x80;#x98;No rhyme, all cut- up, no nothing, except something happening, which is wordsâ#x80;#x99;; â#x80;#x98;An unmarked graveâ#x80;#x99;; Notes; CHAPTER 9 CARRYING A TORCH FOR â#x80;#x98;TI JEANâ#x80;#x99;; INTERVIEW 3: RICHARD MELTZER; Note. | |
| 505 | 8 | |a CHAPTER 10 THE GRATEFUL DEAD: JACK MANIFESTED AS MUSICCHAPTER 11 DRIVER: NEAL CASSADYâ#x80;#x99;S MUSICAL TRIP; Note; CHAPTER 12 JIM MORRISON / ANGEL OF FIRE; Notes; CHAPTER 13 LIGHT IS FASTER THAN SOUND: TEXANS, THE BEATS AND THE SAN FRANCISCO COUNTERCULTURE; CHAPTER 14 HIT THE ROAD, JACK: VAN MORRISON AND ON THE ROAD; Words and music; On the road; Route 66; Down the road; Off the road; Bibliography; Discography; Videography; CHAPTER 15 DETECTING JACK KEROUAC AND JONI MITCHELL: A LITERARY/LEGAL (NOT MUSICOLOGICAL) INVESTIGATION INTO THE SEARCH FOR INFLUENCE. | |
| 505 | 8 | |a Textual evidence of Mitchellâ#x80;#x99;s anxiety of influence â#x80;#x93; a brief discussionResolution of the case?; Notes; Bibliography; Discography; CHAPTER 16 KEROUAC AND COUNTRY MUSIC; Bibliography; CHAPTER 17 â#x80;#x98;STRAIGHT FROM THE MIND TO THE VOICEâ#x80;#x99;: SPECTRAL PERSISTENCE IN JACK KEROUAC AND TOM WAITS; Notes; Bibliography; Discography; INTERVIEW 4: BARNEY HOSKYNS ON TOM WAITS; CHAPTER 18 FROM BEAT BOP PROSODY TO PUNK ROCK POETRY: PATTI SMITH AND JACK KEROUAC â#x80;#x93; LITERATURE, LINEAGE, LEGACY; Notes; Bibliography; Discography; Filmography; POEMS; Introduction; passing tones; Mining the Vernacular. | |
| 520 | |a "He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds - from the blues to Broadway ballads - and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work - from singer-songwriters to rock bands. Some of the greatest transatlantic names - Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more - credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page."--Bloomsbury Publishing | ||
| 520 | |a "He was the king of the Beat Generation and the most dynamic novelist of his time, but Jack Kerouac had a lifelong passion for music, particularly the mid-century jazz of New York City. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing. Yet he was also drawn to American popular music of all kinds-from the blues to country, rock`n'roll to Broadway ballads-and when he came to record albums under his own name, he worked with some of the most talented musicians on the scene. Yet Kerouac's musical legacy goes beyond the recordings he made himself: both tribute albums to the man and soundtrack recordings accompanying movies that brought his writing to the big screen have also featured potent and original musical content. In Kerouac on Record, we consider the writer's own recorded output, those rock tributes that have kept his memory alive and the scores that have featured in a string of Hollywood adaptations of his fictional adventures."--Publisher's description | ||
| 504 | |a Includes bibliographical references and index. | ||
| 504 | |a Includes discographies (pages 399-447). | ||
| 600 | 1 | 0 | |a Kerouac, Jack, |d 1922-1969 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Kerouac, Jack, |d 1922-1969 |x Influence. |
| 600 | 1 | 7 | |a Kerouac, Jack, |d 1922-1969 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJgXbqRvMrX36TJ6XcT8md |
| 650 | 0 | |a Music |z United States |y 20th century |x History and criticism. | |
| 650 | 7 | |a Individual composers & musicians, specific bands & groups. |2 bicssc | |
| 650 | 7 | |a Literary studies: from c 1900. |2 bicssc | |
| 650 | 7 | |a Music reviews & criticism. |2 bicssc | |
| 650 | 7 | |a Music |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Literary Criticism |x American |x General. |2 bisacsh | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Literary criticism |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Literary criticism. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2017026126 | |
| 655 | 7 | |a Critiques littéraires. |2 rvmgf | |
| 700 | 1 | |a Warner, Simon, |d 1956- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjrpfdjgjC69w3Ddwxmkym |0 http://id.loc.gov/authorities/names/n96089289 | |
| 700 | 1 | |a Sampas, Jim, |e editor. |0 http://id.loc.gov/authorities/names/no2005089244 | |
| 758 | |i has work: |a Kerouac on record (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGmgQtMMwDVttmxJrMbB8y |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1021134342 |
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| _version_ | 1826942172976381952 |
| adam_text | |
| any_adam_object | |
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PS3521 |
| callnumber-raw | PS3521.E735 Z745 2018 |
| callnumber-search | PS3521.E735 Z745 2018 |
| callnumber-sort | PS 43521 E735 Z745 42018 |
| callnumber-subject | PS - American Literature |
| collection | ZDB-4-EBA |
| contents | Cover page; Halftitle page; Praise; Title page; Copyright page; CONTENTS; ACKNOWLEDGEMENTS; PERMISSIONS; FOREWORD; INTRODUCTION; Kerouac and jazz; Kerouac and rock; Notes; Bibliography; Discography; Webography; CHAPTER 1 JACK KEROUACâ#x80;#x99;S JAZZ SCENE; Further reading; Bibliography; CHAPTER 2 THE BEGINNING OF BOP1; Note; CHAPTER 3 2ND CHORUS: BLUES: JACK KEROUAC; Notes; Bibliography; Discography; CHAPTER 4 DUET FOR SAXOPHONE AND PEN: LEE KONITZ AND THE DIRECT INFLUENCE OF JAZZ ON THE DEVELOPMENT OF JACK KEROUACâ#x80;#x99;S â#x80;#x98;SPONTANEOUS PROSEâ#x80;#x99; STYLE; Notes; Bibliography; Discography. INTERVIEW 1: LEE KONITZCHAPTER 5 JACK KEROUAC GOES VINYL: A SONIC JOURNEY INTO KEROUACâ#x80;#x99;S THREE LPS â#x80;#x93; POETRY FOR THE BEAT GENERATION ; BLUES AND HAIKUS; AND READINGS BY JACK KEROUAC ON THE BEAT GENERATION; Further reading; Discography; CHAPTER 6 ART MUSIC: LISTENING TO KEROUACâ#x80;#x99;S MEXICO CITY BLUES; Notes; Bibliography; INTERVIEW 2: DAVID AMRAM; Note; CHAPTER 7 BEAT REFRAINS: MUSIC, MILIEU AND IDENTITY IN JACK KEROUACâ#x80;#x99;S THE SUBTERRANEANS, THE METRO-GOLDWYN-MAYER FILM ADAPTATION; Notes; Bibliography; Filmography; CHAPTER 8 BOB DYLANâ#x80;#x99;S BEAT VISIONS (SONIC POETRY). Voice of a generation reduxâ#x80;#x98;Iâ#x80;#x99;m a poet, and I know it. Hope I donâ#x80;#x99;t blow itâ#x80;#x99;; â#x80;#x98;I came out of the wilderness and just naturally fell in with the Beat scene . . .â#x80;#x99;; â#x80;#x98;Talkinâ#x80;#x99; New Yorkâ#x80;#x99;; â#x80;#x98;So throw a match on itâ#x80;#x99;; â#x80;#x98;The great American road tripâ#x80;#x99;; â#x80;#x98;A hundred-mile-an-hour clipâ#x80;#x99;; â#x80;#x98;Writ for my own soulâ#x80;#x99;s earâ#x80;#x99;; â#x80;#x98;Hey, you dig something like cut-ups?â#x80;#x99;; â#x80;#x98;No rhyme, all cut- up, no nothing, except something happening, which is wordsâ#x80;#x99;; â#x80;#x98;An unmarked graveâ#x80;#x99;; Notes; CHAPTER 9 CARRYING A TORCH FOR â#x80;#x98;TI JEANâ#x80;#x99;; INTERVIEW 3: RICHARD MELTZER; Note. CHAPTER 10 THE GRATEFUL DEAD: JACK MANIFESTED AS MUSICCHAPTER 11 DRIVER: NEAL CASSADYâ#x80;#x99;S MUSICAL TRIP; Note; CHAPTER 12 JIM MORRISON / ANGEL OF FIRE; Notes; CHAPTER 13 LIGHT IS FASTER THAN SOUND: TEXANS, THE BEATS AND THE SAN FRANCISCO COUNTERCULTURE; CHAPTER 14 HIT THE ROAD, JACK: VAN MORRISON AND ON THE ROAD; Words and music; On the road; Route 66; Down the road; Off the road; Bibliography; Discography; Videography; CHAPTER 15 DETECTING JACK KEROUAC AND JONI MITCHELL: A LITERARY/LEGAL (NOT MUSICOLOGICAL) INVESTIGATION INTO THE SEARCH FOR INFLUENCE. Textual evidence of Mitchellâ#x80;#x99;s anxiety of influence â#x80;#x93; a brief discussionResolution of the case?; Notes; Bibliography; Discography; CHAPTER 16 KEROUAC AND COUNTRY MUSIC; Bibliography; CHAPTER 17 â#x80;#x98;STRAIGHT FROM THE MIND TO THE VOICEâ#x80;#x99;: SPECTRAL PERSISTENCE IN JACK KEROUAC AND TOM WAITS; Notes; Bibliography; Discography; INTERVIEW 4: BARNEY HOSKYNS ON TOM WAITS; CHAPTER 18 FROM BEAT BOP PROSODY TO PUNK ROCK POETRY: PATTI SMITH AND JACK KEROUAC â#x80;#x93; LITERATURE, LINEAGE, LEGACY; Notes; Bibliography; Discography; Filmography; POEMS; Introduction; passing tones; Mining the Vernacular. |
| ctrlnum | (OCoLC)1021134342 |
| dewey-full | 818/.5409 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 818 - American miscellaneous writings |
| dewey-raw | 818/.5409 |
| dewey-search | 818/.5409 |
| dewey-sort | 3818 45409 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>10095cam a2200901 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1021134342</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">180111s2018 nyu eobk 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">NLE</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">NLE</subfield><subfield code="d">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCF</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">INT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AU@</subfield><subfield code="d">BLOOM</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LUN</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">RDF</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1061044969</subfield><subfield code="a">1171029958</subfield><subfield code="a">1196173023</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501323379</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501323377</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501323362</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501323369</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501323386</subfield><subfield code="q">(online)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501323385</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501323342</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501323348</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781501323348</subfield><subfield code="q">(print)</subfield></datafield><datafield tag="024" ind1="8" ind2=" "><subfield code="a">99976524127</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1021134342</subfield><subfield code="z">(OCoLC)1061044969</subfield><subfield code="z">(OCoLC)1171029958</subfield><subfield code="z">(OCoLC)1196173023</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9781501323379</subfield><subfield code="b">CodeMantra</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PS3521.E735</subfield><subfield code="b">Z745 2018</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="x">004020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">818/.5409</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Kerouac on Record :</subfield><subfield code="b">a Literary Soundtrack /</subfield><subfield code="c">edited by Simon Warner, Jim Sampas.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York :</subfield><subfield code="b">Bloomsbury Academic,</subfield><subfield code="c">2018.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (480 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover page; Halftitle page; Praise; Title page; Copyright page; CONTENTS; ACKNOWLEDGEMENTS; PERMISSIONS; FOREWORD; INTRODUCTION; Kerouac and jazz; Kerouac and rock; Notes; Bibliography; Discography; Webography; CHAPTER 1 JACK KEROUACâ#x80;#x99;S JAZZ SCENE; Further reading; Bibliography; CHAPTER 2 THE BEGINNING OF BOP1; Note; CHAPTER 3 2ND CHORUS: BLUES: JACK KEROUAC; Notes; Bibliography; Discography; CHAPTER 4 DUET FOR SAXOPHONE AND PEN: LEE KONITZ AND THE DIRECT INFLUENCE OF JAZZ ON THE DEVELOPMENT OF JACK KEROUACâ#x80;#x99;S â#x80;#x98;SPONTANEOUS PROSEâ#x80;#x99; STYLE; Notes; Bibliography; Discography.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">INTERVIEW 1: LEE KONITZCHAPTER 5 JACK KEROUAC GOES VINYL: A SONIC JOURNEY INTO KEROUACâ#x80;#x99;S THREE LPS â#x80;#x93; POETRY FOR THE BEAT GENERATION ; BLUES AND HAIKUS; AND READINGS BY JACK KEROUAC ON THE BEAT GENERATION; Further reading; Discography; CHAPTER 6 ART MUSIC: LISTENING TO KEROUACâ#x80;#x99;S MEXICO CITY BLUES; Notes; Bibliography; INTERVIEW 2: DAVID AMRAM; Note; CHAPTER 7 BEAT REFRAINS: MUSIC, MILIEU AND IDENTITY IN JACK KEROUACâ#x80;#x99;S THE SUBTERRANEANS, THE METRO-GOLDWYN-MAYER FILM ADAPTATION; Notes; Bibliography; Filmography; CHAPTER 8 BOB DYLANâ#x80;#x99;S BEAT VISIONS (SONIC POETRY).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Voice of a generation reduxâ#x80;#x98;Iâ#x80;#x99;m a poet, and I know it. Hope I donâ#x80;#x99;t blow itâ#x80;#x99;; â#x80;#x98;I came out of the wilderness and just naturally fell in with the Beat scene . . .â#x80;#x99;; â#x80;#x98;Talkinâ#x80;#x99; New Yorkâ#x80;#x99;; â#x80;#x98;So throw a match on itâ#x80;#x99;; â#x80;#x98;The great American road tripâ#x80;#x99;; â#x80;#x98;A hundred-mile-an-hour clipâ#x80;#x99;; â#x80;#x98;Writ for my own soulâ#x80;#x99;s earâ#x80;#x99;; â#x80;#x98;Hey, you dig something like cut-ups?â#x80;#x99;; â#x80;#x98;No rhyme, all cut- up, no nothing, except something happening, which is wordsâ#x80;#x99;; â#x80;#x98;An unmarked graveâ#x80;#x99;; Notes; CHAPTER 9 CARRYING A TORCH FOR â#x80;#x98;TI JEANâ#x80;#x99;; INTERVIEW 3: RICHARD MELTZER; Note.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">CHAPTER 10 THE GRATEFUL DEAD: JACK MANIFESTED AS MUSICCHAPTER 11 DRIVER: NEAL CASSADYâ#x80;#x99;S MUSICAL TRIP; Note; CHAPTER 12 JIM MORRISON / ANGEL OF FIRE; Notes; CHAPTER 13 LIGHT IS FASTER THAN SOUND: TEXANS, THE BEATS AND THE SAN FRANCISCO COUNTERCULTURE; CHAPTER 14 HIT THE ROAD, JACK: VAN MORRISON AND ON THE ROAD; Words and music; On the road; Route 66; Down the road; Off the road; Bibliography; Discography; Videography; CHAPTER 15 DETECTING JACK KEROUAC AND JONI MITCHELL: A LITERARY/LEGAL (NOT MUSICOLOGICAL) INVESTIGATION INTO THE SEARCH FOR INFLUENCE.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Textual evidence of Mitchellâ#x80;#x99;s anxiety of influence â#x80;#x93; a brief discussionResolution of the case?; Notes; Bibliography; Discography; CHAPTER 16 KEROUAC AND COUNTRY MUSIC; Bibliography; CHAPTER 17 â#x80;#x98;STRAIGHT FROM THE MIND TO THE VOICEâ#x80;#x99;: SPECTRAL PERSISTENCE IN JACK KEROUAC AND TOM WAITS; Notes; Bibliography; Discography; INTERVIEW 4: BARNEY HOSKYNS ON TOM WAITS; CHAPTER 18 FROM BEAT BOP PROSODY TO PUNK ROCK POETRY: PATTI SMITH AND JACK KEROUAC â#x80;#x93; LITERATURE, LINEAGE, LEGACY; Notes; Bibliography; Discography; Filmography; POEMS; Introduction; passing tones; Mining the Vernacular.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds - from the blues to Broadway ballads - and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work - from singer-songwriters to rock bands. Some of the greatest transatlantic names - Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more - credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page."--Bloomsbury Publishing</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"He was the king of the Beat Generation and the most dynamic novelist of his time, but Jack Kerouac had a lifelong passion for music, particularly the mid-century jazz of New York City. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing. Yet he was also drawn to American popular music of all kinds-from the blues to country, rock`n'roll to Broadway ballads-and when he came to record albums under his own name, he worked with some of the most talented musicians on the scene. Yet Kerouac's musical legacy goes beyond the recordings he made himself: both tribute albums to the man and soundtrack recordings accompanying movies that brought his writing to the big screen have also featured potent and original musical content. In Kerouac on Record, we consider the writer's own recorded output, those rock tributes that have kept his memory alive and the scores that have featured in a string of Hollywood adaptations of his fictional adventures."--Publisher's description</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes discographies (pages 399-447).</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Kerouac, Jack,</subfield><subfield code="d">1922-1969</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Kerouac, Jack,</subfield><subfield code="d">1922-1969</subfield><subfield code="x">Influence.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Kerouac, Jack,</subfield><subfield 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| genre | Literary criticism fast Criticism, interpretation, etc. fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf |
| genre_facet | Literary criticism Criticism, interpretation, etc. Literary criticism. Critiques littéraires. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-on1021134342 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:23:47Z |
| institution | BVB |
| isbn | 9781501323379 1501323377 9781501323362 1501323369 9781501323386 1501323385 1501323342 9781501323348 |
| language | English |
| oclc_num | 1021134342 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (480 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Kerouac on Record : a Literary Soundtrack / edited by Simon Warner, Jim Sampas. New York : Bloomsbury Academic, 2018. ©2018 1 online resource (480 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover page; Halftitle page; Praise; Title page; Copyright page; CONTENTS; ACKNOWLEDGEMENTS; PERMISSIONS; FOREWORD; INTRODUCTION; Kerouac and jazz; Kerouac and rock; Notes; Bibliography; Discography; Webography; CHAPTER 1 JACK KEROUACâ#x80;#x99;S JAZZ SCENE; Further reading; Bibliography; CHAPTER 2 THE BEGINNING OF BOP1; Note; CHAPTER 3 2ND CHORUS: BLUES: JACK KEROUAC; Notes; Bibliography; Discography; CHAPTER 4 DUET FOR SAXOPHONE AND PEN: LEE KONITZ AND THE DIRECT INFLUENCE OF JAZZ ON THE DEVELOPMENT OF JACK KEROUACâ#x80;#x99;S â#x80;#x98;SPONTANEOUS PROSEâ#x80;#x99; STYLE; Notes; Bibliography; Discography. INTERVIEW 1: LEE KONITZCHAPTER 5 JACK KEROUAC GOES VINYL: A SONIC JOURNEY INTO KEROUACâ#x80;#x99;S THREE LPS â#x80;#x93; POETRY FOR THE BEAT GENERATION ; BLUES AND HAIKUS; AND READINGS BY JACK KEROUAC ON THE BEAT GENERATION; Further reading; Discography; CHAPTER 6 ART MUSIC: LISTENING TO KEROUACâ#x80;#x99;S MEXICO CITY BLUES; Notes; Bibliography; INTERVIEW 2: DAVID AMRAM; Note; CHAPTER 7 BEAT REFRAINS: MUSIC, MILIEU AND IDENTITY IN JACK KEROUACâ#x80;#x99;S THE SUBTERRANEANS, THE METRO-GOLDWYN-MAYER FILM ADAPTATION; Notes; Bibliography; Filmography; CHAPTER 8 BOB DYLANâ#x80;#x99;S BEAT VISIONS (SONIC POETRY). Voice of a generation reduxâ#x80;#x98;Iâ#x80;#x99;m a poet, and I know it. Hope I donâ#x80;#x99;t blow itâ#x80;#x99;; â#x80;#x98;I came out of the wilderness and just naturally fell in with the Beat scene . . .â#x80;#x99;; â#x80;#x98;Talkinâ#x80;#x99; New Yorkâ#x80;#x99;; â#x80;#x98;So throw a match on itâ#x80;#x99;; â#x80;#x98;The great American road tripâ#x80;#x99;; â#x80;#x98;A hundred-mile-an-hour clipâ#x80;#x99;; â#x80;#x98;Writ for my own soulâ#x80;#x99;s earâ#x80;#x99;; â#x80;#x98;Hey, you dig something like cut-ups?â#x80;#x99;; â#x80;#x98;No rhyme, all cut- up, no nothing, except something happening, which is wordsâ#x80;#x99;; â#x80;#x98;An unmarked graveâ#x80;#x99;; Notes; CHAPTER 9 CARRYING A TORCH FOR â#x80;#x98;TI JEANâ#x80;#x99;; INTERVIEW 3: RICHARD MELTZER; Note. CHAPTER 10 THE GRATEFUL DEAD: JACK MANIFESTED AS MUSICCHAPTER 11 DRIVER: NEAL CASSADYâ#x80;#x99;S MUSICAL TRIP; Note; CHAPTER 12 JIM MORRISON / ANGEL OF FIRE; Notes; CHAPTER 13 LIGHT IS FASTER THAN SOUND: TEXANS, THE BEATS AND THE SAN FRANCISCO COUNTERCULTURE; CHAPTER 14 HIT THE ROAD, JACK: VAN MORRISON AND ON THE ROAD; Words and music; On the road; Route 66; Down the road; Off the road; Bibliography; Discography; Videography; CHAPTER 15 DETECTING JACK KEROUAC AND JONI MITCHELL: A LITERARY/LEGAL (NOT MUSICOLOGICAL) INVESTIGATION INTO THE SEARCH FOR INFLUENCE. Textual evidence of Mitchellâ#x80;#x99;s anxiety of influence â#x80;#x93; a brief discussionResolution of the case?; Notes; Bibliography; Discography; CHAPTER 16 KEROUAC AND COUNTRY MUSIC; Bibliography; CHAPTER 17 â#x80;#x98;STRAIGHT FROM THE MIND TO THE VOICEâ#x80;#x99;: SPECTRAL PERSISTENCE IN JACK KEROUAC AND TOM WAITS; Notes; Bibliography; Discography; INTERVIEW 4: BARNEY HOSKYNS ON TOM WAITS; CHAPTER 18 FROM BEAT BOP PROSODY TO PUNK ROCK POETRY: PATTI SMITH AND JACK KEROUAC â#x80;#x93; LITERATURE, LINEAGE, LEGACY; Notes; Bibliography; Discography; Filmography; POEMS; Introduction; passing tones; Mining the Vernacular. "He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds - from the blues to Broadway ballads - and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work - from singer-songwriters to rock bands. Some of the greatest transatlantic names - Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more - credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page."--Bloomsbury Publishing "He was the king of the Beat Generation and the most dynamic novelist of his time, but Jack Kerouac had a lifelong passion for music, particularly the mid-century jazz of New York City. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing. Yet he was also drawn to American popular music of all kinds-from the blues to country, rock`n'roll to Broadway ballads-and when he came to record albums under his own name, he worked with some of the most talented musicians on the scene. Yet Kerouac's musical legacy goes beyond the recordings he made himself: both tribute albums to the man and soundtrack recordings accompanying movies that brought his writing to the big screen have also featured potent and original musical content. In Kerouac on Record, we consider the writer's own recorded output, those rock tributes that have kept his memory alive and the scores that have featured in a string of Hollywood adaptations of his fictional adventures."--Publisher's description Includes bibliographical references and index. Includes discographies (pages 399-447). Kerouac, Jack, 1922-1969 Criticism and interpretation. Kerouac, Jack, 1922-1969 Influence. Kerouac, Jack, 1922-1969 fast https://id.oclc.org/worldcat/entity/E39PBJgXbqRvMrX36TJ6XcT8md Music United States 20th century History and criticism. Individual composers & musicians, specific bands & groups. bicssc Literary studies: from c 1900. bicssc Music reviews & criticism. bicssc Music History & Criticism. bisacsh Literary Criticism American General. bisacsh Influence (Literary, artistic, etc.) fast Music fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Literary criticism fast Criticism, interpretation, etc. fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf Warner, Simon, 1956- editor. https://id.oclc.org/worldcat/entity/E39PCjrpfdjgjC69w3Ddwxmkym http://id.loc.gov/authorities/names/n96089289 Sampas, Jim, editor. http://id.loc.gov/authorities/names/no2005089244 has work: Kerouac on record (Text) https://id.oclc.org/worldcat/entity/E39PCGmgQtMMwDVttmxJrMbB8y https://id.oclc.org/worldcat/ontology/hasWork Ebook version : 9781501323379 Print version: Kerouac on Record. New York : Bloomsbury Academic, 2018 9781501323348 1501323342 (DLC) 2017278959 (OCoLC)1000596349 LDL ebooks ONIX to marcxml transformation using Record_Load-eBooks_Legal_Deposit_onix2marc_v2-1.xsl 20180111 9781501323379 Uk. |
| spellingShingle | Kerouac on Record : a Literary Soundtrack / Cover page; Halftitle page; Praise; Title page; Copyright page; CONTENTS; ACKNOWLEDGEMENTS; PERMISSIONS; FOREWORD; INTRODUCTION; Kerouac and jazz; Kerouac and rock; Notes; Bibliography; Discography; Webography; CHAPTER 1 JACK KEROUACâ#x80;#x99;S JAZZ SCENE; Further reading; Bibliography; CHAPTER 2 THE BEGINNING OF BOP1; Note; CHAPTER 3 2ND CHORUS: BLUES: JACK KEROUAC; Notes; Bibliography; Discography; CHAPTER 4 DUET FOR SAXOPHONE AND PEN: LEE KONITZ AND THE DIRECT INFLUENCE OF JAZZ ON THE DEVELOPMENT OF JACK KEROUACâ#x80;#x99;S â#x80;#x98;SPONTANEOUS PROSEâ#x80;#x99; STYLE; Notes; Bibliography; Discography. INTERVIEW 1: LEE KONITZCHAPTER 5 JACK KEROUAC GOES VINYL: A SONIC JOURNEY INTO KEROUACâ#x80;#x99;S THREE LPS â#x80;#x93; POETRY FOR THE BEAT GENERATION ; BLUES AND HAIKUS; AND READINGS BY JACK KEROUAC ON THE BEAT GENERATION; Further reading; Discography; CHAPTER 6 ART MUSIC: LISTENING TO KEROUACâ#x80;#x99;S MEXICO CITY BLUES; Notes; Bibliography; INTERVIEW 2: DAVID AMRAM; Note; CHAPTER 7 BEAT REFRAINS: MUSIC, MILIEU AND IDENTITY IN JACK KEROUACâ#x80;#x99;S THE SUBTERRANEANS, THE METRO-GOLDWYN-MAYER FILM ADAPTATION; Notes; Bibliography; Filmography; CHAPTER 8 BOB DYLANâ#x80;#x99;S BEAT VISIONS (SONIC POETRY). Voice of a generation reduxâ#x80;#x98;Iâ#x80;#x99;m a poet, and I know it. Hope I donâ#x80;#x99;t blow itâ#x80;#x99;; â#x80;#x98;I came out of the wilderness and just naturally fell in with the Beat scene . . .â#x80;#x99;; â#x80;#x98;Talkinâ#x80;#x99; New Yorkâ#x80;#x99;; â#x80;#x98;So throw a match on itâ#x80;#x99;; â#x80;#x98;The great American road tripâ#x80;#x99;; â#x80;#x98;A hundred-mile-an-hour clipâ#x80;#x99;; â#x80;#x98;Writ for my own soulâ#x80;#x99;s earâ#x80;#x99;; â#x80;#x98;Hey, you dig something like cut-ups?â#x80;#x99;; â#x80;#x98;No rhyme, all cut- up, no nothing, except something happening, which is wordsâ#x80;#x99;; â#x80;#x98;An unmarked graveâ#x80;#x99;; Notes; CHAPTER 9 CARRYING A TORCH FOR â#x80;#x98;TI JEANâ#x80;#x99;; INTERVIEW 3: RICHARD MELTZER; Note. CHAPTER 10 THE GRATEFUL DEAD: JACK MANIFESTED AS MUSICCHAPTER 11 DRIVER: NEAL CASSADYâ#x80;#x99;S MUSICAL TRIP; Note; CHAPTER 12 JIM MORRISON / ANGEL OF FIRE; Notes; CHAPTER 13 LIGHT IS FASTER THAN SOUND: TEXANS, THE BEATS AND THE SAN FRANCISCO COUNTERCULTURE; CHAPTER 14 HIT THE ROAD, JACK: VAN MORRISON AND ON THE ROAD; Words and music; On the road; Route 66; Down the road; Off the road; Bibliography; Discography; Videography; CHAPTER 15 DETECTING JACK KEROUAC AND JONI MITCHELL: A LITERARY/LEGAL (NOT MUSICOLOGICAL) INVESTIGATION INTO THE SEARCH FOR INFLUENCE. Textual evidence of Mitchellâ#x80;#x99;s anxiety of influence â#x80;#x93; a brief discussionResolution of the case?; Notes; Bibliography; Discography; CHAPTER 16 KEROUAC AND COUNTRY MUSIC; Bibliography; CHAPTER 17 â#x80;#x98;STRAIGHT FROM THE MIND TO THE VOICEâ#x80;#x99;: SPECTRAL PERSISTENCE IN JACK KEROUAC AND TOM WAITS; Notes; Bibliography; Discography; INTERVIEW 4: BARNEY HOSKYNS ON TOM WAITS; CHAPTER 18 FROM BEAT BOP PROSODY TO PUNK ROCK POETRY: PATTI SMITH AND JACK KEROUAC â#x80;#x93; LITERATURE, LINEAGE, LEGACY; Notes; Bibliography; Discography; Filmography; POEMS; Introduction; passing tones; Mining the Vernacular. Kerouac, Jack, 1922-1969 Criticism and interpretation. Kerouac, Jack, 1922-1969 Influence. Kerouac, Jack, 1922-1969 fast https://id.oclc.org/worldcat/entity/E39PBJgXbqRvMrX36TJ6XcT8md Music United States 20th century History and criticism. Individual composers & musicians, specific bands & groups. bicssc Literary studies: from c 1900. bicssc Music reviews & criticism. bicssc Music History & Criticism. bisacsh Literary Criticism American General. bisacsh Influence (Literary, artistic, etc.) fast Music fast |
| subject_GND | http://id.loc.gov/authorities/genreForms/gf2017026126 |
| title | Kerouac on Record : a Literary Soundtrack / |
| title_auth | Kerouac on Record : a Literary Soundtrack / |
| title_exact_search | Kerouac on Record : a Literary Soundtrack / |
| title_full | Kerouac on Record : a Literary Soundtrack / edited by Simon Warner, Jim Sampas. |
| title_fullStr | Kerouac on Record : a Literary Soundtrack / edited by Simon Warner, Jim Sampas. |
| title_full_unstemmed | Kerouac on Record : a Literary Soundtrack / edited by Simon Warner, Jim Sampas. |
| title_short | Kerouac on Record : |
| title_sort | kerouac on record a literary soundtrack |
| title_sub | a Literary Soundtrack / |
| topic | Kerouac, Jack, 1922-1969 Criticism and interpretation. Kerouac, Jack, 1922-1969 Influence. Kerouac, Jack, 1922-1969 fast https://id.oclc.org/worldcat/entity/E39PBJgXbqRvMrX36TJ6XcT8md Music United States 20th century History and criticism. Individual composers & musicians, specific bands & groups. bicssc Literary studies: from c 1900. bicssc Music reviews & criticism. bicssc Music History & Criticism. bisacsh Literary Criticism American General. bisacsh Influence (Literary, artistic, etc.) fast Music fast |
| topic_facet | Kerouac, Jack, 1922-1969 Criticism and interpretation. Kerouac, Jack, 1922-1969 Influence. Kerouac, Jack, 1922-1969 Music United States 20th century History and criticism. Individual composers & musicians, specific bands & groups. Literary studies: from c 1900. Music reviews & criticism. Music History & Criticism. Literary Criticism American General. Influence (Literary, artistic, etc.) Music United States Literary criticism Criticism, interpretation, etc. Literary criticism. Critiques littéraires. |
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