The cinema of Cuba :: contemporary film and the legacy of revolution /
Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible sense of rapid change which is reflected in the island's national cinema. New screen technologies and digital distribution med...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
I.B. Tauris & Co. Ltd,
2017.
|
| Schriftenreihe: | Tauris world cinema series.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible sense of rapid change which is reflected in the island's national cinema. New screen technologies and digital distribution media have supported the efficacy and global reach of Cuban filmmakers whose work, somewhat in lieu of adequate distribution and traditional screening facilities in Cuba itself, is often disseminated via 'flash'(USB memory sticks). Channelling an energetic DIY attitude through grassroots movements and ad-hoc resourcefulness, the new filmmakers of Cuba have inspired the editors of this book to embrace their contagious enthusiasm through essays on authentic Cuban cinema. Whilst the book provides a comprehensive overview of the history behind current practices, it also moves beyond this to examine key case studies as well as 'snapshots'of individuals working within the industry today. Chapters celebrate the shared creativity as well as diversity of Cuban cinema, including both productions of the Cuban Film Institute's (ICAIC) as well as those from the industry margins. The films discussed demonstrate a driving cinematic force through social criticism, the emphasis of debate and historical change through film, reassessments of gender relations, the use of new technologies and much more. |
| Beschreibung: | 1 online resource (xv, 320 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781786722539 1786722534 9781786732538 178673253X |
Internformat
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| 245 | 0 | 4 | |a The cinema of Cuba : |b contemporary film and the legacy of revolution / |c edited by Guy Baron and Ann Marie Stock, with Antonio Álvarez Pitaluga. |
| 264 | 1 | |a London : |b I.B. Tauris & Co. Ltd, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xv, 320 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Tauris world cinema series | |
| 520 | |a Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible sense of rapid change which is reflected in the island's national cinema. New screen technologies and digital distribution media have supported the efficacy and global reach of Cuban filmmakers whose work, somewhat in lieu of adequate distribution and traditional screening facilities in Cuba itself, is often disseminated via 'flash'(USB memory sticks). Channelling an energetic DIY attitude through grassroots movements and ad-hoc resourcefulness, the new filmmakers of Cuba have inspired the editors of this book to embrace their contagious enthusiasm through essays on authentic Cuban cinema. Whilst the book provides a comprehensive overview of the history behind current practices, it also moves beyond this to examine key case studies as well as 'snapshots'of individuals working within the industry today. Chapters celebrate the shared creativity as well as diversity of Cuban cinema, including both productions of the Cuban Film Institute's (ICAIC) as well as those from the industry margins. The films discussed demonstrate a driving cinematic force through social criticism, the emphasis of debate and historical change through film, reassessments of gender relations, the use of new technologies and much more. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Brief notes on a history of Cuban cinema (1959-2015) / Antonio Álvarez Pitaluga -- Cuban cinema at the start of the new millenium: dysfunction, isolation and the struggle for identity / Guy Baron -- Community film and audiovisual production in Cuba / Jesús Guanche -- Cinema, race and revolution: dialogue and disagreements of a Cuban trilogy / Alejandro L. Fernández Calderón -- Cubist Cuba: memorias del desarrollo (memories of overdevelopment, 2010) / Rob Stone -- Then came the special period: cinema of Fernando Pérez / Michael Chanan -- Zombie nation: monstruous identities in three Cuban films / Dunja Fehimovic -- Director as social critic: Guantanamera and Barrio Cuba / Jessica Gibbs -- Within, against, inside, out: Ian Padrón, fuera de liga, habanastation and music video / Ryan Prout -- Circular road: national cinema: global film / Aram Vidal -- Trains of silence / Oneyda González -- From the community to the world: perspectives of an individual creator within the televisión serrana audiovisual collective / Carlos Y. Rodríguez -- From exilic to diasporic: new Cuban cinemas in the United States / Zaira Zarza. | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Motion pictures |z Cuba |x History |y 21st century. | |
| 650 | 6 | |a Cinéma |z Cuba |x Histoire |y 21e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Cuba |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRvdgbTdTyQJcJ3FQ8vB | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Baron, Guy, |d 1964- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjqRkF66cgRKvhgMC98mr3 |0 http://id.loc.gov/authorities/names/n2011046912 | |
| 700 | 1 | |a Stock, Ann Marie, |e editor. |0 http://id.loc.gov/authorities/names/n96113024 | |
| 700 | 1 | |a Álvarez Pitaluga, Antonio, |d 1972- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjrYb8r9q36FT9chWPxRXb |0 http://id.loc.gov/authorities/names/no2009024760 | |
| 776 | 0 | 8 | |i Print version: |t Cinema of Cuba. |d London : I.B. Tauris & Co. Ltd, 2017 |z 9781784538149 |w (OCoLC)969828285 |
| 830 | 0 | |a Tauris world cinema series. |0 http://id.loc.gov/authorities/names/no2007115506 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1020172653 |
|---|---|
| _version_ | 1816882411261132801 |
| adam_text | |
| any_adam_object | |
| author2 | Baron, Guy, 1964- Stock, Ann Marie Álvarez Pitaluga, Antonio, 1972- |
| author2_role | edt edt edt |
| author2_variant | g b gb a m s am ams p a a pa paa |
| author_GND | http://id.loc.gov/authorities/names/n2011046912 http://id.loc.gov/authorities/names/n96113024 http://id.loc.gov/authorities/names/no2009024760 |
| author_facet | Baron, Guy, 1964- Stock, Ann Marie Álvarez Pitaluga, Antonio, 1972- |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.C8 C495 2017eb |
| callnumber-search | PN1993.5.C8 C495 2017eb |
| callnumber-sort | PN 41993.5 C8 C495 42017EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Brief notes on a history of Cuban cinema (1959-2015) / Antonio Álvarez Pitaluga -- Cuban cinema at the start of the new millenium: dysfunction, isolation and the struggle for identity / Guy Baron -- Community film and audiovisual production in Cuba / Jesús Guanche -- Cinema, race and revolution: dialogue and disagreements of a Cuban trilogy / Alejandro L. Fernández Calderón -- Cubist Cuba: memorias del desarrollo (memories of overdevelopment, 2010) / Rob Stone -- Then came the special period: cinema of Fernando Pérez / Michael Chanan -- Zombie nation: monstruous identities in three Cuban films / Dunja Fehimovic -- Director as social critic: Guantanamera and Barrio Cuba / Jessica Gibbs -- Within, against, inside, out: Ian Padrón, fuera de liga, habanastation and music video / Ryan Prout -- Circular road: national cinema: global film / Aram Vidal -- Trains of silence / Oneyda González -- From the community to the world: perspectives of an individual creator within the televisión serrana audiovisual collective / Carlos Y. Rodríguez -- From exilic to diasporic: new Cuban cinemas in the United States / Zaira Zarza. |
| ctrlnum | (OCoLC)1020172653 |
| dewey-full | 791.43097291 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43097291 |
| dewey-search | 791.43097291 |
| dewey-sort | 3791.43097291 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 2000-2099 fast |
| era_facet | 2000-2099 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Cuba fast https://id.oclc.org/worldcat/entity/E39QbtfRvdgbTdTyQJcJ3FQ8vB |
| geographic_facet | Cuba |
| id | ZDB-4-EBA-on1020172653 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:28:11Z |
| institution | BVB |
| isbn | 9781786722539 1786722534 9781786732538 178673253X |
| language | English |
| oclc_num | 1020172653 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xv, 320 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | I.B. Tauris & Co. Ltd, |
| record_format | marc |
| series | Tauris world cinema series. |
| series2 | Tauris world cinema series |
| spelling | The cinema of Cuba : contemporary film and the legacy of revolution / edited by Guy Baron and Ann Marie Stock, with Antonio Álvarez Pitaluga. London : I.B. Tauris & Co. Ltd, 2017. ©2017 1 online resource (xv, 320 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Tauris world cinema series Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible sense of rapid change which is reflected in the island's national cinema. New screen technologies and digital distribution media have supported the efficacy and global reach of Cuban filmmakers whose work, somewhat in lieu of adequate distribution and traditional screening facilities in Cuba itself, is often disseminated via 'flash'(USB memory sticks). Channelling an energetic DIY attitude through grassroots movements and ad-hoc resourcefulness, the new filmmakers of Cuba have inspired the editors of this book to embrace their contagious enthusiasm through essays on authentic Cuban cinema. Whilst the book provides a comprehensive overview of the history behind current practices, it also moves beyond this to examine key case studies as well as 'snapshots'of individuals working within the industry today. Chapters celebrate the shared creativity as well as diversity of Cuban cinema, including both productions of the Cuban Film Institute's (ICAIC) as well as those from the industry margins. The films discussed demonstrate a driving cinematic force through social criticism, the emphasis of debate and historical change through film, reassessments of gender relations, the use of new technologies and much more. Includes bibliographical references and index. Brief notes on a history of Cuban cinema (1959-2015) / Antonio Álvarez Pitaluga -- Cuban cinema at the start of the new millenium: dysfunction, isolation and the struggle for identity / Guy Baron -- Community film and audiovisual production in Cuba / Jesús Guanche -- Cinema, race and revolution: dialogue and disagreements of a Cuban trilogy / Alejandro L. Fernández Calderón -- Cubist Cuba: memorias del desarrollo (memories of overdevelopment, 2010) / Rob Stone -- Then came the special period: cinema of Fernando Pérez / Michael Chanan -- Zombie nation: monstruous identities in three Cuban films / Dunja Fehimovic -- Director as social critic: Guantanamera and Barrio Cuba / Jessica Gibbs -- Within, against, inside, out: Ian Padrón, fuera de liga, habanastation and music video / Ryan Prout -- Circular road: national cinema: global film / Aram Vidal -- Trains of silence / Oneyda González -- From the community to the world: perspectives of an individual creator within the televisión serrana audiovisual collective / Carlos Y. Rodríguez -- From exilic to diasporic: new Cuban cinemas in the United States / Zaira Zarza. Print version record. Motion pictures Cuba History 21st century. Cinéma Cuba Histoire 21e siècle. PERFORMING ARTS Reference. bisacsh Motion pictures fast Cuba fast https://id.oclc.org/worldcat/entity/E39QbtfRvdgbTdTyQJcJ3FQ8vB 2000-2099 fast History fast Baron, Guy, 1964- editor. https://id.oclc.org/worldcat/entity/E39PCjqRkF66cgRKvhgMC98mr3 http://id.loc.gov/authorities/names/n2011046912 Stock, Ann Marie, editor. http://id.loc.gov/authorities/names/n96113024 Álvarez Pitaluga, Antonio, 1972- editor. https://id.oclc.org/worldcat/entity/E39PCjrYb8r9q36FT9chWPxRXb http://id.loc.gov/authorities/names/no2009024760 Print version: Cinema of Cuba. London : I.B. Tauris & Co. Ltd, 2017 9781784538149 (OCoLC)969828285 Tauris world cinema series. http://id.loc.gov/authorities/names/no2007115506 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1690723 Volltext |
| spellingShingle | The cinema of Cuba : contemporary film and the legacy of revolution / Tauris world cinema series. Brief notes on a history of Cuban cinema (1959-2015) / Antonio Álvarez Pitaluga -- Cuban cinema at the start of the new millenium: dysfunction, isolation and the struggle for identity / Guy Baron -- Community film and audiovisual production in Cuba / Jesús Guanche -- Cinema, race and revolution: dialogue and disagreements of a Cuban trilogy / Alejandro L. Fernández Calderón -- Cubist Cuba: memorias del desarrollo (memories of overdevelopment, 2010) / Rob Stone -- Then came the special period: cinema of Fernando Pérez / Michael Chanan -- Zombie nation: monstruous identities in three Cuban films / Dunja Fehimovic -- Director as social critic: Guantanamera and Barrio Cuba / Jessica Gibbs -- Within, against, inside, out: Ian Padrón, fuera de liga, habanastation and music video / Ryan Prout -- Circular road: national cinema: global film / Aram Vidal -- Trains of silence / Oneyda González -- From the community to the world: perspectives of an individual creator within the televisión serrana audiovisual collective / Carlos Y. Rodríguez -- From exilic to diasporic: new Cuban cinemas in the United States / Zaira Zarza. Motion pictures Cuba History 21st century. Cinéma Cuba Histoire 21e siècle. PERFORMING ARTS Reference. bisacsh Motion pictures fast |
| title | The cinema of Cuba : contemporary film and the legacy of revolution / |
| title_auth | The cinema of Cuba : contemporary film and the legacy of revolution / |
| title_exact_search | The cinema of Cuba : contemporary film and the legacy of revolution / |
| title_full | The cinema of Cuba : contemporary film and the legacy of revolution / edited by Guy Baron and Ann Marie Stock, with Antonio Álvarez Pitaluga. |
| title_fullStr | The cinema of Cuba : contemporary film and the legacy of revolution / edited by Guy Baron and Ann Marie Stock, with Antonio Álvarez Pitaluga. |
| title_full_unstemmed | The cinema of Cuba : contemporary film and the legacy of revolution / edited by Guy Baron and Ann Marie Stock, with Antonio Álvarez Pitaluga. |
| title_short | The cinema of Cuba : |
| title_sort | cinema of cuba contemporary film and the legacy of revolution |
| title_sub | contemporary film and the legacy of revolution / |
| topic | Motion pictures Cuba History 21st century. Cinéma Cuba Histoire 21e siècle. PERFORMING ARTS Reference. bisacsh Motion pictures fast |
| topic_facet | Motion pictures Cuba History 21st century. Cinéma Cuba Histoire 21e siècle. PERFORMING ARTS Reference. Motion pictures Cuba History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1690723 |
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