Narrowcast :: poetry and audio research /
Through case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, this book explores how New Left poets mobilized recording as a new form of sonic field research even while they were being subject to tape-...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Stanford, California :
Stanford University Press,
[2018]
|
| Schriftenreihe: | Post 45.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Through case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, this book explores how New Left poets mobilized recording as a new form of sonic field research even while they were being subject to tape-based surveillance by the CIA and the FBI. |
| Beschreibung: | Through four case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, Narrowcast explores how poets Allen Ginsberg, Charles Olson, Larry Eigner and Amiri Baraka mobilized recording as a new form of sonic field research even while they were being subject to tape-based surveillance by the CIA and the FBI. Explores how poets associated with the New Left mobilized tape recording as a new form of sonic field research even as they themselves were being subject to tape-based surveillance. Media theorists tend to understand audio recording as a technique for separating bodies from sounds, but this book listens closely to tape's embedded information, offering a counterintuitive site-specific account of 1960s poetic recordings. Allen Ginsberg, Charles Olson, Larry Eigner, and Amiri Baraka all used recording to contest models of time being put forward by dominant media and the state, exploring non-monumental time and subverting media schedules of work, consumption, leisure, and national crises. Surprisingly, their methods at once dovetailed with those of the state collecting evidence against them and ran up against the same technological limits. Arguing that CIA and FBI "researchers" shared unexpected terrain not only with poets but with famous theorists such as Fredric Jameson and Hayden White, Lytle Shaw reframes the status of tape recordings in postwar poetics and challenges notions of how tape might be understood as a mode of evidence. |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781503606579 1503606570 |
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| 504 | |a Includes bibliographical references and index. | ||
| 500 | |a Through four case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, Narrowcast explores how poets Allen Ginsberg, Charles Olson, Larry Eigner and Amiri Baraka mobilized recording as a new form of sonic field research even while they were being subject to tape-based surveillance by the CIA and the FBI. | ||
| 500 | |a Explores how poets associated with the New Left mobilized tape recording as a new form of sonic field research even as they themselves were being subject to tape-based surveillance. Media theorists tend to understand audio recording as a technique for separating bodies from sounds, but this book listens closely to tape's embedded information, offering a counterintuitive site-specific account of 1960s poetic recordings. Allen Ginsberg, Charles Olson, Larry Eigner, and Amiri Baraka all used recording to contest models of time being put forward by dominant media and the state, exploring non-monumental time and subverting media schedules of work, consumption, leisure, and national crises. Surprisingly, their methods at once dovetailed with those of the state collecting evidence against them and ran up against the same technological limits. Arguing that CIA and FBI "researchers" shared unexpected terrain not only with poets but with famous theorists such as Fredric Jameson and Hayden White, Lytle Shaw reframes the status of tape recordings in postwar poetics and challenges notions of how tape might be understood as a mode of evidence. | ||
| 520 | |a Through case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, this book explores how New Left poets mobilized recording as a new form of sonic field research even while they were being subject to tape-based surveillance by the CIA and the FBI. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on May 11, 2018). | |
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| 650 | 6 | |a Surveillance électronique |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Nouvelle gauche |z États-Unis |x Histoire |y 20e siècle. | |
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| contents | Third personism : the FBI's poetics of immediacy in the 1960s -- The Eigner sanction : keeping time from the American century -- Olson's sonic walls : citizenship and surveillance from the OWI to the Nixon tapes -- The strategic idea of north : Glenn Gould, Sergeant Jones and White Alice. |
| ctrlnum | (OCoLC)1019841607 |
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| dewey-search | 811/.5409 |
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| genre_facet | Criticism, interpretation, etc. History |
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| id | ZDB-4-EBA-on1019841607 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:28:10Z |
| institution | BVB |
| isbn | 9781503606579 1503606570 |
| language | English |
| lccn | 2017059718 |
| oclc_num | 1019841607 |
| open_access_boolean | |
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| publishDateSearch | 2018 |
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| publisher | Stanford University Press, |
| record_format | marc |
| series | Post 45. |
| series2 | Post-45 |
| spelling | Shaw, Lytle, author. Narrowcast : poetry and audio research / Lytle Shaw. Stanford, California : Stanford University Press, [2018] 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Post-45 Third personism : the FBI's poetics of immediacy in the 1960s -- The Eigner sanction : keeping time from the American century -- Olson's sonic walls : citizenship and surveillance from the OWI to the Nixon tapes -- The strategic idea of north : Glenn Gould, Sergeant Jones and White Alice. Includes bibliographical references and index. Through four case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, Narrowcast explores how poets Allen Ginsberg, Charles Olson, Larry Eigner and Amiri Baraka mobilized recording as a new form of sonic field research even while they were being subject to tape-based surveillance by the CIA and the FBI. Explores how poets associated with the New Left mobilized tape recording as a new form of sonic field research even as they themselves were being subject to tape-based surveillance. Media theorists tend to understand audio recording as a technique for separating bodies from sounds, but this book listens closely to tape's embedded information, offering a counterintuitive site-specific account of 1960s poetic recordings. Allen Ginsberg, Charles Olson, Larry Eigner, and Amiri Baraka all used recording to contest models of time being put forward by dominant media and the state, exploring non-monumental time and subverting media schedules of work, consumption, leisure, and national crises. Surprisingly, their methods at once dovetailed with those of the state collecting evidence against them and ran up against the same technological limits. Arguing that CIA and FBI "researchers" shared unexpected terrain not only with poets but with famous theorists such as Fredric Jameson and Hayden White, Lytle Shaw reframes the status of tape recordings in postwar poetics and challenges notions of how tape might be understood as a mode of evidence. Through case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, this book explores how New Left poets mobilized recording as a new form of sonic field research even while they were being subject to tape-based surveillance by the CIA and the FBI. Online resource; title from digital title page (viewed on May 11, 2018). American poetry 20th century History and criticism. Sound Recording and reproducing History 20th century. Sound recordings and the arts United States History 20th century. Electronic surveillance United States History 20th century. New Left United States History 20th century. Oral interpretation of poetry. http://id.loc.gov/authorities/subjects/sh85095241 Poetics. http://id.loc.gov/authorities/subjects/sh85103703 Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Poésie américaine 20e siècle Histoire et critique. Son Enregistrement et reproduction Histoire 20e siècle. Enregistrements sonores et arts États-Unis Histoire 20e siècle. Surveillance électronique États-Unis Histoire 20e siècle. Nouvelle gauche États-Unis Histoire 20e siècle. Poésie Lecture publique. Poétique. LITERARY CRITICISM Poetry. bisacsh Literature Philosophy fast American poetry fast Electronic surveillance fast New Left fast Oral interpretation of poetry fast Poetics fast Sound Recording and reproducing fast Sound recordings and the arts fast United States fast 1900-1999 fast Criticism, interpretation, etc. fast History fast Print version: Shaw, Lytle. Narrowcast. Stanford, California : Stanford University Press, 2018 9780804797993 (DLC) 2017055027 Post 45. http://id.loc.gov/authorities/names/no2011100329 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1795113 Volltext |
| spellingShingle | Shaw, Lytle Narrowcast : poetry and audio research / Post 45. Third personism : the FBI's poetics of immediacy in the 1960s -- The Eigner sanction : keeping time from the American century -- Olson's sonic walls : citizenship and surveillance from the OWI to the Nixon tapes -- The strategic idea of north : Glenn Gould, Sergeant Jones and White Alice. American poetry 20th century History and criticism. Sound Recording and reproducing History 20th century. Sound recordings and the arts United States History 20th century. Electronic surveillance United States History 20th century. New Left United States History 20th century. Oral interpretation of poetry. http://id.loc.gov/authorities/subjects/sh85095241 Poetics. http://id.loc.gov/authorities/subjects/sh85103703 Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Poésie américaine 20e siècle Histoire et critique. Son Enregistrement et reproduction Histoire 20e siècle. Enregistrements sonores et arts États-Unis Histoire 20e siècle. Surveillance électronique États-Unis Histoire 20e siècle. Nouvelle gauche États-Unis Histoire 20e siècle. Poésie Lecture publique. Poétique. LITERARY CRITICISM Poetry. bisacsh Literature Philosophy fast American poetry fast Electronic surveillance fast New Left fast Oral interpretation of poetry fast Poetics fast Sound Recording and reproducing fast Sound recordings and the arts fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85095241 http://id.loc.gov/authorities/subjects/sh85103703 http://id.loc.gov/authorities/subjects/sh85077524 |
| title | Narrowcast : poetry and audio research / |
| title_auth | Narrowcast : poetry and audio research / |
| title_exact_search | Narrowcast : poetry and audio research / |
| title_full | Narrowcast : poetry and audio research / Lytle Shaw. |
| title_fullStr | Narrowcast : poetry and audio research / Lytle Shaw. |
| title_full_unstemmed | Narrowcast : poetry and audio research / Lytle Shaw. |
| title_short | Narrowcast : |
| title_sort | narrowcast poetry and audio research |
| title_sub | poetry and audio research / |
| topic | American poetry 20th century History and criticism. Sound Recording and reproducing History 20th century. Sound recordings and the arts United States History 20th century. Electronic surveillance United States History 20th century. New Left United States History 20th century. Oral interpretation of poetry. http://id.loc.gov/authorities/subjects/sh85095241 Poetics. http://id.loc.gov/authorities/subjects/sh85103703 Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Poésie américaine 20e siècle Histoire et critique. Son Enregistrement et reproduction Histoire 20e siècle. Enregistrements sonores et arts États-Unis Histoire 20e siècle. Surveillance électronique États-Unis Histoire 20e siècle. Nouvelle gauche États-Unis Histoire 20e siècle. Poésie Lecture publique. Poétique. LITERARY CRITICISM Poetry. bisacsh Literature Philosophy fast American poetry fast Electronic surveillance fast New Left fast Oral interpretation of poetry fast Poetics fast Sound Recording and reproducing fast Sound recordings and the arts fast |
| topic_facet | American poetry 20th century History and criticism. Sound Recording and reproducing History 20th century. Sound recordings and the arts United States History 20th century. Electronic surveillance United States History 20th century. New Left United States History 20th century. Oral interpretation of poetry. Poetics. Literature Philosophy. Poésie américaine 20e siècle Histoire et critique. Son Enregistrement et reproduction Histoire 20e siècle. Enregistrements sonores et arts États-Unis Histoire 20e siècle. Surveillance électronique États-Unis Histoire 20e siècle. Nouvelle gauche États-Unis Histoire 20e siècle. Poésie Lecture publique. Poétique. LITERARY CRITICISM Poetry. Literature Philosophy American poetry Electronic surveillance New Left Oral interpretation of poetry Poetics Sound Recording and reproducing Sound recordings and the arts United States Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1795113 |
| work_keys_str_mv | AT shawlytle narrowcastpoetryandaudioresearch |