Speaking in Tongues :: Pop lokal global /
Sag mir, was du singst, und ich sag dir, wer du bist! Sprache und Musik sind wichtige Zeichen für Identität. Mit einem Lied kann man Zugehörigkeit, aber auch Abgrenzung symbolisieren: Migranten hören und machen Musik, die ihnen ein Gefühl von Heimat vermittelt. Lokale Musikszenen pflegen die re...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
Bielefeld :
Transcript-Verlag,
[2016]
|
| Schriftenreihe: | Beiträge zur Popularmusikforschung ;
42 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Sag mir, was du singst, und ich sag dir, wer du bist! Sprache und Musik sind wichtige Zeichen für Identität. Mit einem Lied kann man Zugehörigkeit, aber auch Abgrenzung symbolisieren: Migranten hören und machen Musik, die ihnen ein Gefühl von Heimat vermittelt. Lokale Musikszenen pflegen die regionalen Merkmale in ihren Songs, aber auch internationale Stars vermarkten sich mit Zeichen ihrer Herkunft. Angesichts der fortgeschrittenen Globalisierung des Musikmarkts gewinnt das Regionale in der populären Musik zunehmend an Bedeutung. Das Buch beschreibt am Beispiel verschiedener Musikkulturen und -szenen sowie aus der Perspektive verschiedener wissenschaftlicher Disziplinen die vielfältigen Prozesse der Identitätsbildung in der post-migrantischen Gesellschaft und die vielfältigen Spannungen zwischen regionalem Denken und einer nicht zuletzt ökonomisch globalisierten Welt. Tell me what you sing and I'll tell you who you are. Language and music are important symbols for identity. With a song, we can symbolize both belonging and exclusion: migrants listen to and make music which gives them a feeling of their homeland. Local music scenes foster regional characteristics in their songs, but international stars also market themselves with symbols of their heritage. In the face of the advanced globalization of the music market, the regional is gaining increasing significance in popular music. By way of examples from various musical cultures and scenes, as well as from the perspectives of various academic disciplines, this book describes the diverse processes of identity formation in post-migrant society and the diverse tensions between regional thinking and a world that is, if nothing else, economically globalized. |
| Beschreibung: | 1 online resource. |
| ISBN: | 9783839432242 3839432243 |
Internformat
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| 245 | 0 | 0 | |a Speaking in Tongues : |b Pop lokal global / |c Dietrich Helms, Thomas Phleps (verst.). |
| 264 | 1 | |a Bielefeld : |b Transcript-Verlag, |c [2016] | |
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| 300 | |a 1 online resource. | ||
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| 490 | 0 | |a Beiträge zur Popularmusikforschung ; |v 42 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Inhalt -- |t Editorial -- |t Why do Songs have Words in Different Languages? Negotiating Minority Identity through Language Choice among Swedish-Speaking Musicians in Finland / |r Brusila, Johannes -- |t »OBIAA PƐ SƐ ƆKƆ international.« Negotiating the Local and the Global in Ghanaian Hiplife Music / |r Carl, Florian -- |t Alternative Globalization in Southern France: Minority Language as a Creative Tool in Occitan Popular Music / |r Spanu, Michael -- |t Mutterlandpop. Lokale Markierung und Entgrenzung musikalischer Darbietungen auf ukrainischen Feiertagen / |r Diemer, Christian -- |t When Balkan became Popular: The Role of Cultural Intermediaries in Communicating Regional Musics / |r Gebesmair, Andreas -- |t World Music, Value, and Memory / |r Taylor, Timothy D. -- |t German Modern Talking vs. Iranian Modern Talking. Zur Anwendbarkeit der Korpus-Analyse als Mittel des Popmusikverstehens / |r Doehring, André -- |t Negotiating Andalusian Identity in Rock Andaluz Harmony. Musical Modes, ›Expressive Isomorphism‹ and Meaning in Post-Franco Spain / |r Peinazo, Diego García -- |t Zweisprachige Songs. Sprachmuster transkultureller Inszenierungen / |r John, Eckhard -- |t Style and Society -- Istanbul's Music Scene in the 1960s and 1970s: Musical Hybridism, the Gazino, and Social Tolerance / |r Lund, Cornelia / Lund, Holger -- |t Ethnic Club Cultures: Postmigrant Leisure Socialities and Music in Urban Europe / |r Kosnick, Kira -- |t Zu den Autoren -- |t Backmatter |
| 520 | |a Sag mir, was du singst, und ich sag dir, wer du bist! Sprache und Musik sind wichtige Zeichen für Identität. Mit einem Lied kann man Zugehörigkeit, aber auch Abgrenzung symbolisieren: Migranten hören und machen Musik, die ihnen ein Gefühl von Heimat vermittelt. Lokale Musikszenen pflegen die regionalen Merkmale in ihren Songs, aber auch internationale Stars vermarkten sich mit Zeichen ihrer Herkunft. Angesichts der fortgeschrittenen Globalisierung des Musikmarkts gewinnt das Regionale in der populären Musik zunehmend an Bedeutung. Das Buch beschreibt am Beispiel verschiedener Musikkulturen und -szenen sowie aus der Perspektive verschiedener wissenschaftlicher Disziplinen die vielfältigen Prozesse der Identitätsbildung in der post-migrantischen Gesellschaft und die vielfältigen Spannungen zwischen regionalem Denken und einer nicht zuletzt ökonomisch globalisierten Welt. | ||
| 520 | |a Tell me what you sing and I'll tell you who you are. Language and music are important symbols for identity. With a song, we can symbolize both belonging and exclusion: migrants listen to and make music which gives them a feeling of their homeland. Local music scenes foster regional characteristics in their songs, but international stars also market themselves with symbols of their heritage. In the face of the advanced globalization of the music market, the regional is gaining increasing significance in popular music. By way of examples from various musical cultures and scenes, as well as from the perspectives of various academic disciplines, this book describes the diverse processes of identity formation in post-migrant society and the diverse tensions between regional thinking and a world that is, if nothing else, economically globalized. | ||
| 546 | |a In German. | ||
| 588 | 0 | |a Online resource; title from PDF title page (publisher's Web site, viewed 27. Mrz 2018). | |
| 650 | 0 | |a Music and globalization |v Congresses. | |
| 650 | 0 | |a Popular music |v Congresses. | |
| 650 | 6 | |a Musique et mondialisation |v Congrès. | |
| 650 | 6 | |a Musique populaire |v Congrès. | |
| 650 | 7 | |a MUSIC / History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Music and globalization. |2 fast |0 (OCoLC)fst01030477 | |
| 650 | 7 | |a Popular music. |2 fast |0 (OCoLC)fst01071422 | |
| 655 | 7 | |a Conference papers and proceedings. |2 fast |0 (OCoLC)fst01423772 | |
| 700 | 1 | |a Helms, Dietrich, |e editor. | |
| 700 | 1 | |a Phleps (verst.), Thomas, |e editor. | |
| 758 | |i has work: |a Speaking in Tongues (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFKCFWwm3QvmYdpyMQXfdP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| 938 | |a De Gruyter |b DEGR |n 9783839432242 | ||
| 994 | |a 92 |b GEBAY | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1013962072 |
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| _version_ | 1813903777792524288 |
| adam_text | |
| any_adam_object | |
| author2 | Helms, Dietrich Phleps (verst.), Thomas |
| author2_role | edt edt |
| author2_variant | d h dh v t p vt vtp |
| author_additional | Brusila, Johannes -- Carl, Florian -- Spanu, Michael -- Diemer, Christian -- Gebesmair, Andreas -- Taylor, Timothy D. -- Doehring, André -- Peinazo, Diego García -- John, Eckhard -- Lund, Cornelia / Lund, Holger -- Kosnick, Kira -- |
| author_facet | Helms, Dietrich Phleps (verst.), Thomas |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3470 |
| callnumber-raw | ML3470 .S644 2015 |
| callnumber-search | ML3470 .S644 2015 |
| callnumber-sort | ML 43470 S644 42015 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 54600 |
| collection | ZDB-4-EBA |
| contents | Frontmatter -- Inhalt -- Editorial -- Why do Songs have Words in Different Languages? Negotiating Minority Identity through Language Choice among Swedish-Speaking Musicians in Finland / »OBIAA PƐ SƐ ƆKƆ international.« Negotiating the Local and the Global in Ghanaian Hiplife Music / Alternative Globalization in Southern France: Minority Language as a Creative Tool in Occitan Popular Music / Mutterlandpop. Lokale Markierung und Entgrenzung musikalischer Darbietungen auf ukrainischen Feiertagen / When Balkan became Popular: The Role of Cultural Intermediaries in Communicating Regional Musics / World Music, Value, and Memory / German Modern Talking vs. Iranian Modern Talking. Zur Anwendbarkeit der Korpus-Analyse als Mittel des Popmusikverstehens / Negotiating Andalusian Identity in Rock Andaluz Harmony. Musical Modes, ›Expressive Isomorphism‹ and Meaning in Post-Franco Spain / Zweisprachige Songs. Sprachmuster transkultureller Inszenierungen / Style and Society -- Istanbul's Music Scene in the 1960s and 1970s: Musical Hybridism, the Gazino, and Social Tolerance / Ethnic Club Cultures: Postmigrant Leisure Socialities and Music in Urban Europe / Zu den Autoren -- Backmatter |
| ctrlnum | (OCoLC)1013962072 |
| dewey-full | 781.6309 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6309 |
| dewey-search | 781.6309 |
| dewey-sort | 3781.6309 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| record_format | marc |
| series2 | Beiträge zur Popularmusikforschung ; |
| spelling | Speaking in Tongues : Pop lokal global / Dietrich Helms, Thomas Phleps (verst.). Bielefeld : Transcript-Verlag, [2016] ©2015 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Beiträge zur Popularmusikforschung ; 42 Frontmatter -- Inhalt -- Editorial -- Why do Songs have Words in Different Languages? Negotiating Minority Identity through Language Choice among Swedish-Speaking Musicians in Finland / Brusila, Johannes -- »OBIAA PƐ SƐ ƆKƆ international.« Negotiating the Local and the Global in Ghanaian Hiplife Music / Carl, Florian -- Alternative Globalization in Southern France: Minority Language as a Creative Tool in Occitan Popular Music / Spanu, Michael -- Mutterlandpop. Lokale Markierung und Entgrenzung musikalischer Darbietungen auf ukrainischen Feiertagen / Diemer, Christian -- When Balkan became Popular: The Role of Cultural Intermediaries in Communicating Regional Musics / Gebesmair, Andreas -- World Music, Value, and Memory / Taylor, Timothy D. -- German Modern Talking vs. Iranian Modern Talking. Zur Anwendbarkeit der Korpus-Analyse als Mittel des Popmusikverstehens / Doehring, André -- Negotiating Andalusian Identity in Rock Andaluz Harmony. Musical Modes, ›Expressive Isomorphism‹ and Meaning in Post-Franco Spain / Peinazo, Diego García -- Zweisprachige Songs. Sprachmuster transkultureller Inszenierungen / John, Eckhard -- Style and Society -- Istanbul's Music Scene in the 1960s and 1970s: Musical Hybridism, the Gazino, and Social Tolerance / Lund, Cornelia / Lund, Holger -- Ethnic Club Cultures: Postmigrant Leisure Socialities and Music in Urban Europe / Kosnick, Kira -- Zu den Autoren -- Backmatter Sag mir, was du singst, und ich sag dir, wer du bist! Sprache und Musik sind wichtige Zeichen für Identität. Mit einem Lied kann man Zugehörigkeit, aber auch Abgrenzung symbolisieren: Migranten hören und machen Musik, die ihnen ein Gefühl von Heimat vermittelt. Lokale Musikszenen pflegen die regionalen Merkmale in ihren Songs, aber auch internationale Stars vermarkten sich mit Zeichen ihrer Herkunft. Angesichts der fortgeschrittenen Globalisierung des Musikmarkts gewinnt das Regionale in der populären Musik zunehmend an Bedeutung. Das Buch beschreibt am Beispiel verschiedener Musikkulturen und -szenen sowie aus der Perspektive verschiedener wissenschaftlicher Disziplinen die vielfältigen Prozesse der Identitätsbildung in der post-migrantischen Gesellschaft und die vielfältigen Spannungen zwischen regionalem Denken und einer nicht zuletzt ökonomisch globalisierten Welt. Tell me what you sing and I'll tell you who you are. Language and music are important symbols for identity. With a song, we can symbolize both belonging and exclusion: migrants listen to and make music which gives them a feeling of their homeland. Local music scenes foster regional characteristics in their songs, but international stars also market themselves with symbols of their heritage. In the face of the advanced globalization of the music market, the regional is gaining increasing significance in popular music. By way of examples from various musical cultures and scenes, as well as from the perspectives of various academic disciplines, this book describes the diverse processes of identity formation in post-migrant society and the diverse tensions between regional thinking and a world that is, if nothing else, economically globalized. In German. Online resource; title from PDF title page (publisher's Web site, viewed 27. Mrz 2018). Music and globalization Congresses. Popular music Congresses. Musique et mondialisation Congrès. Musique populaire Congrès. MUSIC / History & Criticism. bisacsh Music and globalization. fast (OCoLC)fst01030477 Popular music. fast (OCoLC)fst01071422 Conference papers and proceedings. fast (OCoLC)fst01423772 Helms, Dietrich, editor. Phleps (verst.), Thomas, editor. has work: Speaking in Tongues (Text) https://id.oclc.org/worldcat/entity/E39PCFKCFWwm3QvmYdpyMQXfdP https://id.oclc.org/worldcat/ontology/hasWork FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1109574 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1109574 Volltext |
| spellingShingle | Speaking in Tongues : Pop lokal global / Frontmatter -- Inhalt -- Editorial -- Why do Songs have Words in Different Languages? Negotiating Minority Identity through Language Choice among Swedish-Speaking Musicians in Finland / »OBIAA PƐ SƐ ƆKƆ international.« Negotiating the Local and the Global in Ghanaian Hiplife Music / Alternative Globalization in Southern France: Minority Language as a Creative Tool in Occitan Popular Music / Mutterlandpop. Lokale Markierung und Entgrenzung musikalischer Darbietungen auf ukrainischen Feiertagen / When Balkan became Popular: The Role of Cultural Intermediaries in Communicating Regional Musics / World Music, Value, and Memory / German Modern Talking vs. Iranian Modern Talking. Zur Anwendbarkeit der Korpus-Analyse als Mittel des Popmusikverstehens / Negotiating Andalusian Identity in Rock Andaluz Harmony. Musical Modes, ›Expressive Isomorphism‹ and Meaning in Post-Franco Spain / Zweisprachige Songs. Sprachmuster transkultureller Inszenierungen / Style and Society -- Istanbul's Music Scene in the 1960s and 1970s: Musical Hybridism, the Gazino, and Social Tolerance / Ethnic Club Cultures: Postmigrant Leisure Socialities and Music in Urban Europe / Zu den Autoren -- Backmatter Music and globalization Congresses. Popular music Congresses. Musique et mondialisation Congrès. Musique populaire Congrès. MUSIC / History & Criticism. bisacsh Music and globalization. fast (OCoLC)fst01030477 Popular music. fast (OCoLC)fst01071422 |
| subject_GND | (OCoLC)fst01030477 (OCoLC)fst01071422 (OCoLC)fst01423772 |
| title | Speaking in Tongues : Pop lokal global / |
| title_alt | Frontmatter -- Inhalt -- Editorial -- Why do Songs have Words in Different Languages? Negotiating Minority Identity through Language Choice among Swedish-Speaking Musicians in Finland / »OBIAA PƐ SƐ ƆKƆ international.« Negotiating the Local and the Global in Ghanaian Hiplife Music / Alternative Globalization in Southern France: Minority Language as a Creative Tool in Occitan Popular Music / Mutterlandpop. Lokale Markierung und Entgrenzung musikalischer Darbietungen auf ukrainischen Feiertagen / When Balkan became Popular: The Role of Cultural Intermediaries in Communicating Regional Musics / World Music, Value, and Memory / German Modern Talking vs. Iranian Modern Talking. Zur Anwendbarkeit der Korpus-Analyse als Mittel des Popmusikverstehens / Negotiating Andalusian Identity in Rock Andaluz Harmony. Musical Modes, ›Expressive Isomorphism‹ and Meaning in Post-Franco Spain / Zweisprachige Songs. Sprachmuster transkultureller Inszenierungen / Style and Society -- Istanbul's Music Scene in the 1960s and 1970s: Musical Hybridism, the Gazino, and Social Tolerance / Ethnic Club Cultures: Postmigrant Leisure Socialities and Music in Urban Europe / Zu den Autoren -- Backmatter |
| title_auth | Speaking in Tongues : Pop lokal global / |
| title_exact_search | Speaking in Tongues : Pop lokal global / |
| title_full | Speaking in Tongues : Pop lokal global / Dietrich Helms, Thomas Phleps (verst.). |
| title_fullStr | Speaking in Tongues : Pop lokal global / Dietrich Helms, Thomas Phleps (verst.). |
| title_full_unstemmed | Speaking in Tongues : Pop lokal global / Dietrich Helms, Thomas Phleps (verst.). |
| title_short | Speaking in Tongues : |
| title_sort | speaking in tongues pop lokal global |
| title_sub | Pop lokal global / |
| topic | Music and globalization Congresses. Popular music Congresses. Musique et mondialisation Congrès. Musique populaire Congrès. MUSIC / History & Criticism. bisacsh Music and globalization. fast (OCoLC)fst01030477 Popular music. fast (OCoLC)fst01071422 |
| topic_facet | Music and globalization Congresses. Popular music Congresses. Musique et mondialisation Congrès. Musique populaire Congrès. MUSIC / History & Criticism. Music and globalization. Popular music. Conference papers and proceedings. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1109574 |
| work_keys_str_mv | AT helmsdietrich speakingintonguespoplokalglobal AT phlepsverstthomas speakingintonguespoplokalglobal |