Harmony in Mendelssohn and Schumann /:
This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. This volume's introductory chapters creatively in...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Cambridge, United Kingdom :
Cambridge University Press,
2018.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. This volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterworks section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. Poundie Burstein, and Peter H. Smith. Expanding upon analytical practices from the eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781108307680 110830768X 9781108284110 1108284116 9781108418034 1108418031 9781108406246 1108406246 |
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| 520 | |a This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. This volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterworks section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. Poundie Burstein, and Peter H. Smith. Expanding upon analytical practices from the eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words. | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Preface. Part 1. Methodological orientation: harmonic analysis through listening : Foundational diatonic processes ; Surges ; IV p5-6 s V ; I p5-6 s II ; Surging 6-phase chords ; Surges with ninths ; Colorful variants of II ; III along the path from I to V -- Part 2. Masterpieces : Mendelssohn : Octet in E� major (op. 20), movement 1 in response to Greg Vitercik and Benedict Taylor ; Mendelssohn : Song without words in F major (op. 85, no. 1) in response to Allen Cadwallader ; Schumann : "Warum?" from Phantasiest�ucke (op. 12) in response to L. Poundie Burstein ; Mendelssohn : Song without words in A� major (op. 53, no. 1) in response to Yosef Goldenberg ; Schumann: Three songs from Liederkreis (op. 39) in response to Charles Burkhart and David Ferris ; Schumann : "Im wundersch�onen Monat Mai" from Dichterliebe (op. 48, no. 1) in response to Deborah Stein ; Schumann : Sonata in A minor for violin and piano (op. 105) in response to Peter H. Smith -- Notes -- Select bibliography -- Index of Mendelssohn's works -- Index of Schumann's works -- Index of names and concepts. | |
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| contents | Preface. Part 1. Methodological orientation: harmonic analysis through listening : Foundational diatonic processes ; Surges ; IV p5-6 s V ; I p5-6 s II ; Surging 6-phase chords ; Surges with ninths ; Colorful variants of II ; III along the path from I to V -- Part 2. Masterpieces : Mendelssohn : Octet in E� major (op. 20), movement 1 in response to Greg Vitercik and Benedict Taylor ; Mendelssohn : Song without words in F major (op. 85, no. 1) in response to Allen Cadwallader ; Schumann : "Warum?" from Phantasiest�ucke (op. 12) in response to L. Poundie Burstein ; Mendelssohn : Song without words in A� major (op. 53, no. 1) in response to Yosef Goldenberg ; Schumann: Three songs from Liederkreis (op. 39) in response to Charles Burkhart and David Ferris ; Schumann : "Im wundersch�onen Monat Mai" from Dichterliebe (op. 48, no. 1) in response to Deborah Stein ; Schumann : Sonata in A minor for violin and piano (op. 105) in response to Peter H. Smith -- Notes -- Select bibliography -- Index of Mendelssohn's works -- Index of Schumann's works -- Index of names and concepts. |
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| spelling | Damschroder, David, author. http://id.loc.gov/authorities/names/n89126148 Harmony in Mendelssohn and Schumann / David Damschroder. Cambridge, United Kingdom : Cambridge University Press, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. This volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterworks section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. Poundie Burstein, and Peter H. Smith. Expanding upon analytical practices from the eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words. Vendor-supplied metadata. Includes bibliographical references and index. Preface. Part 1. Methodological orientation: harmonic analysis through listening : Foundational diatonic processes ; Surges ; IV p5-6 s V ; I p5-6 s II ; Surging 6-phase chords ; Surges with ninths ; Colorful variants of II ; III along the path from I to V -- Part 2. Masterpieces : Mendelssohn : Octet in E� major (op. 20), movement 1 in response to Greg Vitercik and Benedict Taylor ; Mendelssohn : Song without words in F major (op. 85, no. 1) in response to Allen Cadwallader ; Schumann : "Warum?" from Phantasiest�ucke (op. 12) in response to L. Poundie Burstein ; Mendelssohn : Song without words in A� major (op. 53, no. 1) in response to Yosef Goldenberg ; Schumann: Three songs from Liederkreis (op. 39) in response to Charles Burkhart and David Ferris ; Schumann : "Im wundersch�onen Monat Mai" from Dichterliebe (op. 48, no. 1) in response to Deborah Stein ; Schumann : Sonata in A minor for violin and piano (op. 105) in response to Peter H. Smith -- Notes -- Select bibliography -- Index of Mendelssohn's works -- Index of Schumann's works -- Index of names and concepts. Mendelssohn-Bartholdy, Felix, 1809-1847 Harmony. Schumann, Robert, 1810-1856 Harmony. Mendelssohn-Bartholdy, Felix, 1809-1847 fast https://id.oclc.org/worldcat/entity/E39PBJmtBVdYRd3PkQgkgytMyd Schumann, Robert, 1810-1856 fast https://id.oclc.org/worldcat/entity/E39PBJppGKcbpJT8vvG8JwkhpP Schumann, Robert 1810-1856 gnd Mendelssohn Bartholdy, Felix 1809-1847 gnd Music 19th century Analysis, appreciation. Musique 19e siècle Analyse et appréciation. MUSIC Instruction & Study Theory. bisacsh Harmony fast Harmonik gnd http://d-nb.info/gnd/4129030-6 Musik gnd 1800-1899 fast has work: Harmony in Mendelssohn and Schumann (Text) https://id.oclc.org/worldcat/entity/E39PCFV8F6YQyp4VJdd3RJ9jyd https://id.oclc.org/worldcat/ontology/hasWork FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1623655 Volltext |
| spellingShingle | Damschroder, David Harmony in Mendelssohn and Schumann / Preface. Part 1. Methodological orientation: harmonic analysis through listening : Foundational diatonic processes ; Surges ; IV p5-6 s V ; I p5-6 s II ; Surging 6-phase chords ; Surges with ninths ; Colorful variants of II ; III along the path from I to V -- Part 2. Masterpieces : Mendelssohn : Octet in E� major (op. 20), movement 1 in response to Greg Vitercik and Benedict Taylor ; Mendelssohn : Song without words in F major (op. 85, no. 1) in response to Allen Cadwallader ; Schumann : "Warum?" from Phantasiest�ucke (op. 12) in response to L. Poundie Burstein ; Mendelssohn : Song without words in A� major (op. 53, no. 1) in response to Yosef Goldenberg ; Schumann: Three songs from Liederkreis (op. 39) in response to Charles Burkhart and David Ferris ; Schumann : "Im wundersch�onen Monat Mai" from Dichterliebe (op. 48, no. 1) in response to Deborah Stein ; Schumann : Sonata in A minor for violin and piano (op. 105) in response to Peter H. Smith -- Notes -- Select bibliography -- Index of Mendelssohn's works -- Index of Schumann's works -- Index of names and concepts. Mendelssohn-Bartholdy, Felix, 1809-1847 Harmony. Schumann, Robert, 1810-1856 Harmony. Mendelssohn-Bartholdy, Felix, 1809-1847 fast https://id.oclc.org/worldcat/entity/E39PBJmtBVdYRd3PkQgkgytMyd Schumann, Robert, 1810-1856 fast https://id.oclc.org/worldcat/entity/E39PBJppGKcbpJT8vvG8JwkhpP Schumann, Robert 1810-1856 gnd Mendelssohn Bartholdy, Felix 1809-1847 gnd Music 19th century Analysis, appreciation. Musique 19e siècle Analyse et appréciation. MUSIC Instruction & Study Theory. bisacsh Harmony fast Harmonik gnd http://d-nb.info/gnd/4129030-6 Musik gnd |
| subject_GND | http://d-nb.info/gnd/4129030-6 |
| title | Harmony in Mendelssohn and Schumann / |
| title_auth | Harmony in Mendelssohn and Schumann / |
| title_exact_search | Harmony in Mendelssohn and Schumann / |
| title_full | Harmony in Mendelssohn and Schumann / David Damschroder. |
| title_fullStr | Harmony in Mendelssohn and Schumann / David Damschroder. |
| title_full_unstemmed | Harmony in Mendelssohn and Schumann / David Damschroder. |
| title_short | Harmony in Mendelssohn and Schumann / |
| title_sort | harmony in mendelssohn and schumann |
| topic | Mendelssohn-Bartholdy, Felix, 1809-1847 Harmony. Schumann, Robert, 1810-1856 Harmony. Mendelssohn-Bartholdy, Felix, 1809-1847 fast https://id.oclc.org/worldcat/entity/E39PBJmtBVdYRd3PkQgkgytMyd Schumann, Robert, 1810-1856 fast https://id.oclc.org/worldcat/entity/E39PBJppGKcbpJT8vvG8JwkhpP Schumann, Robert 1810-1856 gnd Mendelssohn Bartholdy, Felix 1809-1847 gnd Music 19th century Analysis, appreciation. Musique 19e siècle Analyse et appréciation. MUSIC Instruction & Study Theory. bisacsh Harmony fast Harmonik gnd http://d-nb.info/gnd/4129030-6 Musik gnd |
| topic_facet | Mendelssohn-Bartholdy, Felix, 1809-1847 Harmony. Schumann, Robert, 1810-1856 Harmony. Mendelssohn-Bartholdy, Felix, 1809-1847 Schumann, Robert, 1810-1856 Schumann, Robert 1810-1856 Mendelssohn Bartholdy, Felix 1809-1847 Music 19th century Analysis, appreciation. Musique 19e siècle Analyse et appréciation. MUSIC Instruction & Study Theory. Harmony Harmonik Musik |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1623655 |
| work_keys_str_mv | AT damschroderdavid harmonyinmendelssohnandschumann |