Waiting for Verdi :: Italian opera and political opinion, 1815-1848 /
"The name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests, or even while facing the firing squad. Whereas many of those stories were exaggerated or even invented by later generations, opera--by Verdi, but also by Rossini, Doni...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California :
University of California Press,
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests, or even while facing the firing squad. Whereas many of those stories were exaggerated or even invented by later generations, opera--by Verdi, but also by Rossini, Donizetti, and Mercadante--did play a key role in priming Italians to imagine Italy as an independent and unified nation. Capturing what it was like to attend the opera or to join in the music at an aristocratic salon, Waiting for Verdi shows that the moral dilemmas, emotional reactions, and journalistic polemics sparked by these performances set new horizons for what Italians could think, feel, say, and write. Among the lessons taught by this music were that rules enforced by artistic tradition could be broken, that opera or ballet could jolt the spectator into intense feeling as well as edify, and that Italy could be in the vanguard of stylistic and technical innovation, rather than clinging to the glories of centuries past. More practically, theatrical performances showed spectators that political change really was possible, making the newly engaged spectator in the opera house into an actor on the political stage"--Provided by publisher. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520966574 0520966570 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1013528914 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 171127t20182018cau ob 001 0 eng | ||
| 010 | |a 2017056879 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d OCLCF |d OCLCQ |d OCLCO |d N$T |d OCLCA |d JSTOR |d CNCGM |d YDX |d YDX |d OCLCO |d INT |d MERER |d OCLCA |d OCLCQ |d OCLCO |d DKU |d OCLCQ |d OCLCO |d AU@ |d OCL |d OCLCQ |d OCLCO |d OCLCL | ||
| 020 | |a 9780520966574 |q (electronic book) | ||
| 020 | |a 0520966570 |q (electronic book) | ||
| 020 | |z 9780520276253 |q (hardcover ; |q alkaline paper) | ||
| 035 | |a (OCoLC)1013528914 | ||
| 037 | |a 22573/ctv1mvc8j |b JSTOR | ||
| 042 | |a pcc | ||
| 043 | |a e-it--- |a e-fr--- | ||
| 050 | 4 | |a ML3918.O64 |b S63 2018 | |
| 072 | 7 | |a MUS |x 042000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 052000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 037110 |2 bisacsh | |
| 072 | 7 | |a MUS |x 028000 |2 bisacsh | |
| 082 | 7 | |a 782.10945/09034 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Smart, Mary Ann, |e author. | |
| 245 | 1 | 0 | |a Waiting for Verdi : |b Italian opera and political opinion, 1815-1848 / |c Mary Ann Smart. |
| 264 | 1 | |a Oakland, California : |b University of California Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Risorgimento fantasies -- Accidental affinities: Gioachino Rossini and Salvatore Vigan? -- Elizabeth I, Mary Stuart, and the limits of allegory -- Reading Mazzini's Filosofia della musica with Byron and Donizetti -- Parlor games -- Progress, piety, and plagiarism: Verdi's I lombardi at La Scala -- Conclusion. | |
| 520 | |a "The name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests, or even while facing the firing squad. Whereas many of those stories were exaggerated or even invented by later generations, opera--by Verdi, but also by Rossini, Donizetti, and Mercadante--did play a key role in priming Italians to imagine Italy as an independent and unified nation. Capturing what it was like to attend the opera or to join in the music at an aristocratic salon, Waiting for Verdi shows that the moral dilemmas, emotional reactions, and journalistic polemics sparked by these performances set new horizons for what Italians could think, feel, say, and write. Among the lessons taught by this music were that rules enforced by artistic tradition could be broken, that opera or ballet could jolt the spectator into intense feeling as well as edify, and that Italy could be in the vanguard of stylistic and technical innovation, rather than clinging to the glories of centuries past. More practically, theatrical performances showed spectators that political change really was possible, making the newly engaged spectator in the opera house into an actor on the political stage"--Provided by publisher. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on July 18, 2018). | |
| 600 | 1 | 0 | |a Verdi, Giuseppe, |d 1813-1901 |x Influence. |
| 600 | 1 | 0 | |a Verdi, Giuseppe, |d 1813-1901 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Verdi, Giuseppe, |d 1813-1901 |2 fast |
| 650 | 0 | |a Opera |x Political aspects |z Italy |y 19th century. | |
| 650 | 0 | |a Opera |x Political aspects |z France |z Paris |y 19th century. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 650 | 7 | |a Opera |x Political aspects |2 fast | |
| 651 | 7 | |a France |z Paris |2 fast | |
| 651 | 7 | |a Italy |2 fast | |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Waiting for Verdi (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGMkpDV4bKXR84RfBVvd33 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Smart, Mary Ann. |t Waiting for Verdi. |d Oakland, California : University of California Press, [2018] |z 9780520276253 |w (DLC) 2017055321 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1817333 |3 Volltext |
| 938 | |a EBSCOhost |b EBSC |n 1817333 | ||
| 938 | |a YBP Library Services |b YANK |n 15207383 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1013528914 |
|---|---|
| _version_ | 1816882407362527232 |
| adam_text | |
| any_adam_object | |
| author | Smart, Mary Ann |
| author_facet | Smart, Mary Ann |
| author_role | aut |
| author_sort | Smart, Mary Ann |
| author_variant | m a s ma mas |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3918 |
| callnumber-raw | ML3918.O64 S63 2018 |
| callnumber-search | ML3918.O64 S63 2018 |
| callnumber-sort | ML 43918 O64 S63 42018 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Risorgimento fantasies -- Accidental affinities: Gioachino Rossini and Salvatore Vigan? -- Elizabeth I, Mary Stuart, and the limits of allegory -- Reading Mazzini's Filosofia della musica with Byron and Donizetti -- Parlor games -- Progress, piety, and plagiarism: Verdi's I lombardi at La Scala -- Conclusion. |
| ctrlnum | (OCoLC)1013528914 |
| dewey-full | 782.10945/09034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.10945/09034 |
| dewey-search | 782.10945/09034 |
| dewey-sort | 3782.10945 49034 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1800-1899 fast |
| era_facet | 1800-1899 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04431cam a2200685 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1013528914</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">171127t20182018cau ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2017056879</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCA</subfield><subfield code="d">JSTOR</subfield><subfield code="d">CNCGM</subfield><subfield code="d">YDX</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">INT</subfield><subfield code="d">MERER</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">DKU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">AU@</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520966574</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520966570</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780520276253</subfield><subfield code="q">(hardcover ;</subfield><subfield code="q">alkaline paper)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1013528914</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv1mvc8j</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">pcc</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-it---</subfield><subfield code="a">e-fr---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3918.O64</subfield><subfield code="b">S63 2018</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">042000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">052000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">037110</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">028000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">782.10945/09034</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Smart, Mary Ann,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Waiting for Verdi :</subfield><subfield code="b">Italian opera and political opinion, 1815-1848 /</subfield><subfield code="c">Mary Ann Smart.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland, California :</subfield><subfield code="b">University of California Press,</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Risorgimento fantasies -- Accidental affinities: Gioachino Rossini and Salvatore Vigan? -- Elizabeth I, Mary Stuart, and the limits of allegory -- Reading Mazzini's Filosofia della musica with Byron and Donizetti -- Parlor games -- Progress, piety, and plagiarism: Verdi's I lombardi at La Scala -- Conclusion.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests, or even while facing the firing squad. Whereas many of those stories were exaggerated or even invented by later generations, opera--by Verdi, but also by Rossini, Donizetti, and Mercadante--did play a key role in priming Italians to imagine Italy as an independent and unified nation. Capturing what it was like to attend the opera or to join in the music at an aristocratic salon, Waiting for Verdi shows that the moral dilemmas, emotional reactions, and journalistic polemics sparked by these performances set new horizons for what Italians could think, feel, say, and write. Among the lessons taught by this music were that rules enforced by artistic tradition could be broken, that opera or ballet could jolt the spectator into intense feeling as well as edify, and that Italy could be in the vanguard of stylistic and technical innovation, rather than clinging to the glories of centuries past. More practically, theatrical performances showed spectators that political change really was possible, making the newly engaged spectator in the opera house into an actor on the political stage"--Provided by publisher.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from digital title page (viewed on July 18, 2018).</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Verdi, Giuseppe,</subfield><subfield code="d">1813-1901</subfield><subfield code="x">Influence.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Verdi, Giuseppe,</subfield><subfield code="d">1813-1901</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Verdi, Giuseppe,</subfield><subfield code="d">1813-1901</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Opera</subfield><subfield code="x">Political aspects</subfield><subfield code="z">Italy</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Opera</subfield><subfield code="x">Political aspects</subfield><subfield code="z">France</subfield><subfield code="z">Paris</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Voice.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Lyrics.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Printed Music</subfield><subfield code="x">Vocal.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Opera.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Influence (Literary, artistic, etc.)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Opera</subfield><subfield code="x">Political aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">France</subfield><subfield code="z">Paris</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1800-1899</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Waiting for Verdi (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGMkpDV4bKXR84RfBVvd33</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Smart, Mary Ann.</subfield><subfield code="t">Waiting for Verdi.</subfield><subfield code="d">Oakland, California : University of California Press, [2018]</subfield><subfield code="z">9780520276253</subfield><subfield code="w">(DLC) 2017055321</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1817333</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1817333</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15207383</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | France Paris fast Italy fast |
| geographic_facet | France Paris Italy |
| id | ZDB-4-EBA-on1013528914 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:28:07Z |
| institution | BVB |
| isbn | 9780520966574 0520966570 |
| language | English |
| lccn | 2017056879 |
| oclc_num | 1013528914 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | University of California Press, |
| record_format | marc |
| spelling | Smart, Mary Ann, author. Waiting for Verdi : Italian opera and political opinion, 1815-1848 / Mary Ann Smart. Oakland, California : University of California Press, [2018] ©2018 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Risorgimento fantasies -- Accidental affinities: Gioachino Rossini and Salvatore Vigan? -- Elizabeth I, Mary Stuart, and the limits of allegory -- Reading Mazzini's Filosofia della musica with Byron and Donizetti -- Parlor games -- Progress, piety, and plagiarism: Verdi's I lombardi at La Scala -- Conclusion. "The name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests, or even while facing the firing squad. Whereas many of those stories were exaggerated or even invented by later generations, opera--by Verdi, but also by Rossini, Donizetti, and Mercadante--did play a key role in priming Italians to imagine Italy as an independent and unified nation. Capturing what it was like to attend the opera or to join in the music at an aristocratic salon, Waiting for Verdi shows that the moral dilemmas, emotional reactions, and journalistic polemics sparked by these performances set new horizons for what Italians could think, feel, say, and write. Among the lessons taught by this music were that rules enforced by artistic tradition could be broken, that opera or ballet could jolt the spectator into intense feeling as well as edify, and that Italy could be in the vanguard of stylistic and technical innovation, rather than clinging to the glories of centuries past. More practically, theatrical performances showed spectators that political change really was possible, making the newly engaged spectator in the opera house into an actor on the political stage"--Provided by publisher. Online resource; title from digital title page (viewed on July 18, 2018). Verdi, Giuseppe, 1813-1901 Influence. Verdi, Giuseppe, 1813-1901 Criticism and interpretation. Verdi, Giuseppe, 1813-1901 fast Opera Political aspects Italy 19th century. Opera Political aspects France Paris 19th century. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh MUSIC Genres & Styles Opera. bisacsh Influence (Literary, artistic, etc.) fast Opera Political aspects fast France Paris fast Italy fast 1800-1899 fast Criticism, interpretation, etc. fast has work: Waiting for Verdi (Text) https://id.oclc.org/worldcat/entity/E39PCGMkpDV4bKXR84RfBVvd33 https://id.oclc.org/worldcat/ontology/hasWork Print version: Smart, Mary Ann. Waiting for Verdi. Oakland, California : University of California Press, [2018] 9780520276253 (DLC) 2017055321 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1817333 Volltext |
| spellingShingle | Smart, Mary Ann Waiting for Verdi : Italian opera and political opinion, 1815-1848 / Risorgimento fantasies -- Accidental affinities: Gioachino Rossini and Salvatore Vigan? -- Elizabeth I, Mary Stuart, and the limits of allegory -- Reading Mazzini's Filosofia della musica with Byron and Donizetti -- Parlor games -- Progress, piety, and plagiarism: Verdi's I lombardi at La Scala -- Conclusion. Verdi, Giuseppe, 1813-1901 Influence. Verdi, Giuseppe, 1813-1901 Criticism and interpretation. Verdi, Giuseppe, 1813-1901 fast Opera Political aspects Italy 19th century. Opera Political aspects France Paris 19th century. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh MUSIC Genres & Styles Opera. bisacsh Influence (Literary, artistic, etc.) fast Opera Political aspects fast |
| title | Waiting for Verdi : Italian opera and political opinion, 1815-1848 / |
| title_auth | Waiting for Verdi : Italian opera and political opinion, 1815-1848 / |
| title_exact_search | Waiting for Verdi : Italian opera and political opinion, 1815-1848 / |
| title_full | Waiting for Verdi : Italian opera and political opinion, 1815-1848 / Mary Ann Smart. |
| title_fullStr | Waiting for Verdi : Italian opera and political opinion, 1815-1848 / Mary Ann Smart. |
| title_full_unstemmed | Waiting for Verdi : Italian opera and political opinion, 1815-1848 / Mary Ann Smart. |
| title_short | Waiting for Verdi : |
| title_sort | waiting for verdi italian opera and political opinion 1815 1848 |
| title_sub | Italian opera and political opinion, 1815-1848 / |
| topic | Verdi, Giuseppe, 1813-1901 Influence. Verdi, Giuseppe, 1813-1901 Criticism and interpretation. Verdi, Giuseppe, 1813-1901 fast Opera Political aspects Italy 19th century. Opera Political aspects France Paris 19th century. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh MUSIC Genres & Styles Opera. bisacsh Influence (Literary, artistic, etc.) fast Opera Political aspects fast |
| topic_facet | Verdi, Giuseppe, 1813-1901 Influence. Verdi, Giuseppe, 1813-1901 Criticism and interpretation. Verdi, Giuseppe, 1813-1901 Opera Political aspects Italy 19th century. Opera Political aspects France Paris 19th century. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. MUSIC Genres & Styles Opera. Influence (Literary, artistic, etc.) Opera Political aspects France Paris Italy Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1817333 |
| work_keys_str_mv | AT smartmaryann waitingforverdiitalianoperaandpoliticalopinion18151848 |