REMEX :: toward an art history of the NAFTA era /
REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994-2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexican-US b...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Regierungsdokument Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin :
University of Texas Press,
2018.
|
| Ausgabe: | First edition. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994-2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexican-US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates--City, Woman, and Border. She links the rise of 1990s Mexico City art on a global market to the period's consolidation of Mexico-US border art on a global market to the period's consolidation of Mexico-US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists' remapping of the figure of Mexico as Woman. A tour de force that depicts a feedback loop of art and public policy--what Carroll terms the "allegorical performative"--REMEX adds context to the long-term effects of the post-1968 intersection of DF performance and conceptualism, centralizes women artists' embodied critiques of national and global master narratives, and tracks post-1984 border art's "undocumentation" of racialized and sexualized reconfigurations of North American labor pools. The book's featured artwork becomes the lens through which Carroll rereads a range of events and phenomena from California's Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Cuidad Juárez, and Mexico's war on drugs--back cover |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781477311028 1477311025 9781477311035 1477311033 |
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| 100 | 1 | |a Carroll, Amy Sara, |d 1967- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjKp3yxVF4Dh79DT8WJfmb |0 http://id.loc.gov/authorities/names/no2005100720 | |
| 245 | 1 | 0 | |a REMEX : |b toward an art history of the NAFTA era / |c Amy Sara Carroll. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2018. | |
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Prelude: The allegorical performative -- Introduction: Remix : re: Mex : REMEX : toward an art history of the NAFTA era -- City. NAFTA-Era Performance and Conceptualism's Prehistory. Mexico City, readymade : The "Pias Forms," Mexico's 1968, and Los Grupos -- "Naco" as the taco : No-grupo, Maris Bustamante's La Patente del Taco, and Melquiades Herrera's Object Lifeworlds -- Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. The almost Ex Teresa Generation -- Vicente Razo's Anthropological Materialism -- Yoshua Okón's Art and Administration -- Minerva Cuevas's Logocentrism -- Francis Alÿs, Santiago Sierra, and the Age of Cuauhtémoc -- Teresa Margolles, Remaindered -- Woman. ¿Desmodernidad? : Literalists to the Core!. Polvo de Gallina Negra's Maternal Prosthesis -- Lorena Wolffer's "El Derecho de Réplica" -- Katia Tirado's Pub(l)ic Niches -- Silvia Gruner's fucked-up ethnographies -- Nao Bustamante's inter-American pageantry -- Border. NAFTA-Era Performance and Conceptualism's Prehistory. Art and design : the Mexico-US border after 1965 -- The border art workshop/Taller de Arte Fronterizo's Open Door and Laboratory -- Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. Guillermo Gómez-Peña's "North American Free Art Agreement" -- inSITE specificity/Tijuana, capital of the twenty-first century -- From undocumentation to the undocumentary (Alex Rivera, Sergio Arau, and Yareli Arizmendi, Lourdes Portillo, Ursula Biemann, Sergio De La Torre, and Vicky Funari, Chantal Akerman, Natalia Almada, ______) -- Postlude: Remix : re: Mex : REMEX : untoward art histories of the third millennium. | |
| 520 | |a REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994-2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexican-US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates--City, Woman, and Border. She links the rise of 1990s Mexico City art on a global market to the period's consolidation of Mexico-US border art on a global market to the period's consolidation of Mexico-US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists' remapping of the figure of Mexico as Woman. A tour de force that depicts a feedback loop of art and public policy--what Carroll terms the "allegorical performative"--REMEX adds context to the long-term effects of the post-1968 intersection of DF performance and conceptualism, centralizes women artists' embodied critiques of national and global master narratives, and tracks post-1984 border art's "undocumentation" of racialized and sexualized reconfigurations of North American labor pools. The book's featured artwork becomes the lens through which Carroll rereads a range of events and phenomena from California's Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Cuidad Juárez, and Mexico's war on drugs--back cover | ||
| 630 | 0 | 7 | |a North American Free Trade Agreement (1992 December 17) |2 fast |
| 650 | 0 | |a Arts, Mexican |y 20th century |x Themes, motives. | |
| 650 | 0 | |a Arts, Mexican |y 21st century |x Themes, motives. | |
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| 650 | 0 | |a Arts and society |z Mexican-American Border Region |x History |y 21st century. | |
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| 650 | 6 | |a Arts mexicains |y 20e siècle |x Thèmes, motifs. | |
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| 650 | 7 | |a Art and society |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Carroll, Amy Sara, 1967- |t REMEX. |b First edition. |d Austin : University of Texas Press, 2018 |z 9781477310649 |w (DLC) 2017005974 |w (OCoLC)976035865 |
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|---|---|
| _version_ | 1816882405867257857 |
| adam_text | |
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| author | Carroll, Amy Sara, 1967- |
| author_GND | http://id.loc.gov/authorities/names/no2005100720 |
| author_facet | Carroll, Amy Sara, 1967- |
| author_role | aut |
| author_sort | Carroll, Amy Sara, 1967- |
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX514 |
| callnumber-raw | NX514.A1 C38 2018eb |
| callnumber-search | NX514.A1 C38 2018eb |
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| collection | ZDB-4-EBA |
| contents | Prelude: The allegorical performative -- Introduction: Remix : re: Mex : REMEX : toward an art history of the NAFTA era -- City. NAFTA-Era Performance and Conceptualism's Prehistory. Mexico City, readymade : The "Pias Forms," Mexico's 1968, and Los Grupos -- "Naco" as the taco : No-grupo, Maris Bustamante's La Patente del Taco, and Melquiades Herrera's Object Lifeworlds -- Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. The almost Ex Teresa Generation -- Vicente Razo's Anthropological Materialism -- Yoshua Okón's Art and Administration -- Minerva Cuevas's Logocentrism -- Francis Alÿs, Santiago Sierra, and the Age of Cuauhtémoc -- Teresa Margolles, Remaindered -- Woman. ¿Desmodernidad? : Literalists to the Core!. Polvo de Gallina Negra's Maternal Prosthesis -- Lorena Wolffer's "El Derecho de Réplica" -- Katia Tirado's Pub(l)ic Niches -- Silvia Gruner's fucked-up ethnographies -- Nao Bustamante's inter-American pageantry -- Border. NAFTA-Era Performance and Conceptualism's Prehistory. Art and design : the Mexico-US border after 1965 -- The border art workshop/Taller de Arte Fronterizo's Open Door and Laboratory -- Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. Guillermo Gómez-Peña's "North American Free Art Agreement" -- inSITE specificity/Tijuana, capital of the twenty-first century -- From undocumentation to the undocumentary (Alex Rivera, Sergio Arau, and Yareli Arizmendi, Lourdes Portillo, Ursula Biemann, Sergio De La Torre, and Vicky Funari, Chantal Akerman, Natalia Almada, ______) -- Postlude: Remix : re: Mex : REMEX : untoward art histories of the third millennium. |
| ctrlnum | (OCoLC)1011587723 |
| dewey-full | 700.972/0904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.972/0904 |
| dewey-search | 700.972/0904 |
| dewey-sort | 3700.972 3904 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| edition | First edition. |
| era | 1900-2099 fast |
| era_facet | 1900-2099 |
| format | Government Document Electronic eBook |
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| genre_facet | Electronic books. History |
| geographic | North America Mexican-American Border Region fast Mexico fast https://id.oclc.org/worldcat/entity/E39QbtfRkxCrqQ3XXbCkdP63kc North America fast https://id.oclc.org/worldcat/entity/E39PBJxRHKPqWyj6g89H9PwHmd |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:28:06Z |
| institution | BVB |
| isbn | 9781477311028 1477311025 9781477311035 1477311033 |
| language | English |
| oclc_num | 1011587723 |
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| spelling | Carroll, Amy Sara, 1967- author. https://id.oclc.org/worldcat/entity/E39PCjKp3yxVF4Dh79DT8WJfmb http://id.loc.gov/authorities/names/no2005100720 REMEX : toward an art history of the NAFTA era / Amy Sara Carroll. First edition. Austin : University of Texas Press, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Prelude: The allegorical performative -- Introduction: Remix : re: Mex : REMEX : toward an art history of the NAFTA era -- City. NAFTA-Era Performance and Conceptualism's Prehistory. Mexico City, readymade : The "Pias Forms," Mexico's 1968, and Los Grupos -- "Naco" as the taco : No-grupo, Maris Bustamante's La Patente del Taco, and Melquiades Herrera's Object Lifeworlds -- Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. The almost Ex Teresa Generation -- Vicente Razo's Anthropological Materialism -- Yoshua Okón's Art and Administration -- Minerva Cuevas's Logocentrism -- Francis Alÿs, Santiago Sierra, and the Age of Cuauhtémoc -- Teresa Margolles, Remaindered -- Woman. ¿Desmodernidad? : Literalists to the Core!. Polvo de Gallina Negra's Maternal Prosthesis -- Lorena Wolffer's "El Derecho de Réplica" -- Katia Tirado's Pub(l)ic Niches -- Silvia Gruner's fucked-up ethnographies -- Nao Bustamante's inter-American pageantry -- Border. NAFTA-Era Performance and Conceptualism's Prehistory. Art and design : the Mexico-US border after 1965 -- The border art workshop/Taller de Arte Fronterizo's Open Door and Laboratory -- Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. Guillermo Gómez-Peña's "North American Free Art Agreement" -- inSITE specificity/Tijuana, capital of the twenty-first century -- From undocumentation to the undocumentary (Alex Rivera, Sergio Arau, and Yareli Arizmendi, Lourdes Portillo, Ursula Biemann, Sergio De La Torre, and Vicky Funari, Chantal Akerman, Natalia Almada, ______) -- Postlude: Remix : re: Mex : REMEX : untoward art histories of the third millennium. REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994-2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexican-US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates--City, Woman, and Border. She links the rise of 1990s Mexico City art on a global market to the period's consolidation of Mexico-US border art on a global market to the period's consolidation of Mexico-US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists' remapping of the figure of Mexico as Woman. A tour de force that depicts a feedback loop of art and public policy--what Carroll terms the "allegorical performative"--REMEX adds context to the long-term effects of the post-1968 intersection of DF performance and conceptualism, centralizes women artists' embodied critiques of national and global master narratives, and tracks post-1984 border art's "undocumentation" of racialized and sexualized reconfigurations of North American labor pools. The book's featured artwork becomes the lens through which Carroll rereads a range of events and phenomena from California's Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Cuidad Juárez, and Mexico's war on drugs--back cover North American Free Trade Agreement (1992 December 17) fast Arts, Mexican 20th century Themes, motives. Arts, Mexican 21st century Themes, motives. Arts and society Mexican-American Border Region History 20th century. Arts and society Mexican-American Border Region History 21st century. Arts Political aspects Mexican-American Border Region History 20th century. Arts Political aspects Mexican-American Border Region History 21st century. Arts mexicains 20e siècle Thèmes, motifs. Arts mexicains 21e siècle Thèmes, motifs. Arts et société Région frontalière mexicano-américaine Histoire 21e siècle. Arts et société Région frontalière mexicano-américaine Histoire 20e siècle. Arts Aspect politique Région frontalière mexicano-américaine Histoire 20e siècle. Arts Aspect politique Région frontalière mexicano-américaine Histoire 21e siècle. ART Performance. bisacsh ART Reference. bisacsh ART / History / Contemporary (1945-) bisacsh Arts Political aspects fast Arts and society fast Art and society fast Arts, Mexican fast Free trade Social aspects fast National characteristics in art fast Neo-Mexicanism fast North America Mexican-American Border Region fast Mexico fast https://id.oclc.org/worldcat/entity/E39QbtfRkxCrqQ3XXbCkdP63kc North America fast https://id.oclc.org/worldcat/entity/E39PBJxRHKPqWyj6g89H9PwHmd 1900-2099 fast Electronic books. History fast has work: REMEX (Text) https://id.oclc.org/worldcat/entity/E39PCFRQhpgkcqKXB6MCVBCt4y https://id.oclc.org/worldcat/ontology/hasWork Print version: Carroll, Amy Sara, 1967- REMEX. First edition. Austin : University of Texas Press, 2018 9781477310649 (DLC) 2017005974 (OCoLC)976035865 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1631311 Volltext |
| spellingShingle | Carroll, Amy Sara, 1967- REMEX : toward an art history of the NAFTA era / Prelude: The allegorical performative -- Introduction: Remix : re: Mex : REMEX : toward an art history of the NAFTA era -- City. NAFTA-Era Performance and Conceptualism's Prehistory. Mexico City, readymade : The "Pias Forms," Mexico's 1968, and Los Grupos -- "Naco" as the taco : No-grupo, Maris Bustamante's La Patente del Taco, and Melquiades Herrera's Object Lifeworlds -- Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. The almost Ex Teresa Generation -- Vicente Razo's Anthropological Materialism -- Yoshua Okón's Art and Administration -- Minerva Cuevas's Logocentrism -- Francis Alÿs, Santiago Sierra, and the Age of Cuauhtémoc -- Teresa Margolles, Remaindered -- Woman. ¿Desmodernidad? : Literalists to the Core!. Polvo de Gallina Negra's Maternal Prosthesis -- Lorena Wolffer's "El Derecho de Réplica" -- Katia Tirado's Pub(l)ic Niches -- Silvia Gruner's fucked-up ethnographies -- Nao Bustamante's inter-American pageantry -- Border. NAFTA-Era Performance and Conceptualism's Prehistory. Art and design : the Mexico-US border after 1965 -- The border art workshop/Taller de Arte Fronterizo's Open Door and Laboratory -- Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. Guillermo Gómez-Peña's "North American Free Art Agreement" -- inSITE specificity/Tijuana, capital of the twenty-first century -- From undocumentation to the undocumentary (Alex Rivera, Sergio Arau, and Yareli Arizmendi, Lourdes Portillo, Ursula Biemann, Sergio De La Torre, and Vicky Funari, Chantal Akerman, Natalia Almada, ______) -- Postlude: Remix : re: Mex : REMEX : untoward art histories of the third millennium. North American Free Trade Agreement (1992 December 17) fast Arts, Mexican 20th century Themes, motives. Arts, Mexican 21st century Themes, motives. Arts and society Mexican-American Border Region History 20th century. Arts and society Mexican-American Border Region History 21st century. Arts Political aspects Mexican-American Border Region History 20th century. Arts Political aspects Mexican-American Border Region History 21st century. Arts mexicains 20e siècle Thèmes, motifs. Arts mexicains 21e siècle Thèmes, motifs. Arts et société Région frontalière mexicano-américaine Histoire 21e siècle. Arts et société Région frontalière mexicano-américaine Histoire 20e siècle. Arts Aspect politique Région frontalière mexicano-américaine Histoire 20e siècle. Arts Aspect politique Région frontalière mexicano-américaine Histoire 21e siècle. ART Performance. bisacsh ART Reference. bisacsh ART / History / Contemporary (1945-) bisacsh Arts Political aspects fast Arts and society fast Art and society fast Arts, Mexican fast Free trade Social aspects fast National characteristics in art fast Neo-Mexicanism fast |
| title | REMEX : toward an art history of the NAFTA era / |
| title_auth | REMEX : toward an art history of the NAFTA era / |
| title_exact_search | REMEX : toward an art history of the NAFTA era / |
| title_full | REMEX : toward an art history of the NAFTA era / Amy Sara Carroll. |
| title_fullStr | REMEX : toward an art history of the NAFTA era / Amy Sara Carroll. |
| title_full_unstemmed | REMEX : toward an art history of the NAFTA era / Amy Sara Carroll. |
| title_short | REMEX : |
| title_sort | remex toward an art history of the nafta era |
| title_sub | toward an art history of the NAFTA era / |
| topic | North American Free Trade Agreement (1992 December 17) fast Arts, Mexican 20th century Themes, motives. Arts, Mexican 21st century Themes, motives. Arts and society Mexican-American Border Region History 20th century. Arts and society Mexican-American Border Region History 21st century. Arts Political aspects Mexican-American Border Region History 20th century. Arts Political aspects Mexican-American Border Region History 21st century. Arts mexicains 20e siècle Thèmes, motifs. Arts mexicains 21e siècle Thèmes, motifs. Arts et société Région frontalière mexicano-américaine Histoire 21e siècle. Arts et société Région frontalière mexicano-américaine Histoire 20e siècle. Arts Aspect politique Région frontalière mexicano-américaine Histoire 20e siècle. Arts Aspect politique Région frontalière mexicano-américaine Histoire 21e siècle. ART Performance. bisacsh ART Reference. bisacsh ART / History / Contemporary (1945-) bisacsh Arts Political aspects fast Arts and society fast Art and society fast Arts, Mexican fast Free trade Social aspects fast National characteristics in art fast Neo-Mexicanism fast |
| topic_facet | North American Free Trade Agreement (1992 December 17) Arts, Mexican 20th century Themes, motives. Arts, Mexican 21st century Themes, motives. Arts and society Mexican-American Border Region History 20th century. Arts and society Mexican-American Border Region History 21st century. Arts Political aspects Mexican-American Border Region History 20th century. Arts Political aspects Mexican-American Border Region History 21st century. Arts mexicains 20e siècle Thèmes, motifs. Arts mexicains 21e siècle Thèmes, motifs. Arts et société Région frontalière mexicano-américaine Histoire 21e siècle. Arts et société Région frontalière mexicano-américaine Histoire 20e siècle. Arts Aspect politique Région frontalière mexicano-américaine Histoire 20e siècle. Arts Aspect politique Région frontalière mexicano-américaine Histoire 21e siècle. ART Performance. ART Reference. ART / History / Contemporary (1945-) Arts Political aspects Arts and society Art and society Arts, Mexican Free trade Social aspects National characteristics in art Neo-Mexicanism North America Mexican-American Border Region Mexico North America Electronic books. History |
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| work_keys_str_mv | AT carrollamysara remextowardanarthistoryofthenaftaera |