Interpreting Musical Gestures, Topics, and Tropes :: Mozart, Beethoven, Schubert /
"This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, end...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bloomington, IN :
Indiana University Press,
2004.
|
Schriftenreihe: | Musical meaning and interpretation.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, ending the section with a chapter that presents an overview of topics, genres, and forms as tropes in Baroque, Classical, and Romantic music." "Part Two introduces a new approach by combining critical theory with biological and psychological theories of gesture, thereby surpassing the limits of conventional semiotic analysis. Within this section, Hatten presents analyses of Classical period works by Beethoven, Mozart, and Schubert. Part three extends these ideas into a theory of musical continuity, with several analyses of Beethoven's late works."--Jacket |
Beschreibung: | 1 online resource (372 pages) |
Bibliographie: | Includes bibliographical references (pages 323-338) and indexes. |
ISBN: | 9780253030276 0253030277 |
Internformat
MARC
LEADER | 00000cam a2200000Mi 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-on1011219010 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 171111s2004 inu ob 001 0 eng d | ||
040 | |a EBLCP |b eng |e pn |c EBLCP |d N$T |d IDEBK |d OCLCF |d OCLCQ |d P@U |d YDX |d JSTOR |d SNK |d DKU |d AUW |d INTCL |d MHW |d IGB |d D6H |d INARC |d VTS |d EZ9 |d AGLDB |d OCLCA |d G3B |d LVT |d S8J |d S9I |d STF |d AU@ |d M8D |d OCL |d OCLCQ |d YDXIT |d OCLCA |d SFB |d OCL |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ | ||
019 | |a 1013743410 |a 1019600629 |a 1039617051 |a 1125684084 | ||
020 | |a 9780253030276 |q (electronic bk.) | ||
020 | |a 0253030277 |q (electronic bk.) | ||
020 | |z 025334459X | ||
020 | |z 9780253344595 | ||
035 | |a (OCoLC)1011219010 |z (OCoLC)1013743410 |z (OCoLC)1019600629 |z (OCoLC)1039617051 |z (OCoLC)1125684084 | ||
037 | |a 22573/ctt1zzjk4x |b JSTOR | ||
050 | 4 | |a ML3845 |b .H35 2004 | |
072 | 7 | |a MUS |x 041000 |2 bisacsh | |
072 | 7 | |a MUS041000 |2 bisacsh | |
072 | 7 | |a LIT006000 |2 bisacsh | |
082 | 7 | |a 781/.1 |2 23 | |
084 | |a 24.50 |2 bcl | ||
084 | |a LP 40411 |2 rvk | ||
084 | |a LP 63181 |2 rvk | ||
084 | |a LP 65641 |2 rvk | ||
084 | |a LR 56000 |2 rvk | ||
049 | |a MAIN | ||
100 | 1 | |a Hatten, Robert S., |e author. |0 http://id.loc.gov/authorities/names/n93057537 | |
245 | 1 | 0 | |a Interpreting Musical Gestures, Topics, and Tropes : |b Mozart, Beethoven, Schubert / |c Robert S. Hatten. |
260 | |a Bloomington, IN : |b Indiana University Press, |c 2004. | ||
300 | |a 1 online resource (372 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Musical Meaning and Interpretation | |
588 | 0 | |a Print version record. | |
504 | |a Includes bibliographical references (pages 323-338) and indexes. | ||
505 | 0 | |a Markedness, topics, and tropes -- Musical gesture -- Continuity and discontinuity. | |
520 | 1 | |a "This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, ending the section with a chapter that presents an overview of topics, genres, and forms as tropes in Baroque, Classical, and Romantic music." | |
520 | 8 | |a "Part Two introduces a new approach by combining critical theory with biological and psychological theories of gesture, thereby surpassing the limits of conventional semiotic analysis. Within this section, Hatten presents analyses of Classical period works by Beethoven, Mozart, and Schubert. Part three extends these ideas into a theory of musical continuity, with several analyses of Beethoven's late works."--Jacket | |
600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Criticism and interpretation. |
600 | 1 | 0 | |a Beethoven, Ludwig van, |d 1770-1827 |x Criticism and interpretation. |
600 | 1 | 0 | |a Schubert, Franz, |d 1797-1828 |x Criticism and interpretation. |
600 | 1 | 6 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Critique et interprétation. |
600 | 1 | 6 | |a Beethoven, Ludwig van, |d 1770-1827 |x Critique et interprétation. |
600 | 1 | 6 | |a Schubert, Franz, |d 1797-1828 |x Critique et interprétation. |
600 | 1 | 7 | |a Beethoven, Ludwig van, |d 1770-1827 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJcGqDQFTYGptdQPd7RkDq |
600 | 1 | 7 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJcC43DvJHQgr4ddkc3PcP |
600 | 1 | 7 | |a Schubert, Franz, |d 1797-1828 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxRJ8yWBjc8wcBR73vGpP |
600 | 1 | 7 | |a Beethoven, Ludwig ((van)) |2 swd |
600 | 1 | 7 | |a Mozart, Wolfgang Amadeus. |2 swd |
600 | 1 | 7 | |a Schubert, Franz. |2 swd |
650 | 0 | |a Music |x Semiotics. |0 http://id.loc.gov/authorities/subjects/sh90001927 | |
650 | 6 | |a Sémiotique et musique. | |
650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
650 | 7 | |a Music |x Semiotics |2 fast | |
650 | 7 | |a Musikalische Semiotik |2 gnd |0 http://d-nb.info/gnd/4195308-3 | |
650 | 1 | 7 | |a Muziek. |2 gtt |
650 | 1 | 7 | |a Interpretatie. |2 gtt |
650 | 1 | 7 | |a Semiotiek. |2 gtt |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
776 | 0 | 8 | |i Print version: |a Hatten, Robert S. |t Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert. |d Bloomington, IN : Indiana University Press, ©2004 |z 9780253344595 |
830 | 0 | |a Musical meaning and interpretation. |0 http://id.loc.gov/authorities/names/n2004068861 | |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1631752 |3 Volltext |
938 | |a ProQuest Ebook Central |b EBLB |n EBL5118044 | ||
938 | |a EBSCOhost |b EBSC |n 1631752 | ||
938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis39176793 | ||
938 | |a Internet Archive |b INAR |n interpretingmusi00robe | ||
938 | |a Project MUSE |b MUSE |n muse59762 | ||
938 | |a YBP Library Services |b YANK |n 14946305 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1011219010 |
---|---|
_version_ | 1816882405549539328 |
adam_text | |
any_adam_object | |
author | Hatten, Robert S. |
author_GND | http://id.loc.gov/authorities/names/n93057537 |
author_facet | Hatten, Robert S. |
author_role | aut |
author_sort | Hatten, Robert S. |
author_variant | r s h rs rsh |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML3845 |
callnumber-raw | ML3845 .H35 2004 |
callnumber-search | ML3845 .H35 2004 |
callnumber-sort | ML 43845 H35 42004 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LP 40411 LP 63181 LP 65641 LR 56000 |
collection | ZDB-4-EBA |
contents | Markedness, topics, and tropes -- Musical gesture -- Continuity and discontinuity. |
ctrlnum | (OCoLC)1011219010 |
dewey-full | 781/.1 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781/.1 |
dewey-search | 781/.1 |
dewey-sort | 3781 11 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04953cam a2200853Mi 4500</leader><controlfield tag="001">ZDB-4-EBA-on1011219010</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">171111s2004 inu ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">N$T</subfield><subfield code="d">IDEBK</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">P@U</subfield><subfield code="d">YDX</subfield><subfield code="d">JSTOR</subfield><subfield code="d">SNK</subfield><subfield code="d">DKU</subfield><subfield code="d">AUW</subfield><subfield code="d">INTCL</subfield><subfield code="d">MHW</subfield><subfield code="d">IGB</subfield><subfield code="d">D6H</subfield><subfield code="d">INARC</subfield><subfield code="d">VTS</subfield><subfield code="d">EZ9</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCA</subfield><subfield code="d">G3B</subfield><subfield code="d">LVT</subfield><subfield code="d">S8J</subfield><subfield code="d">S9I</subfield><subfield code="d">STF</subfield><subfield code="d">AU@</subfield><subfield code="d">M8D</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDXIT</subfield><subfield code="d">OCLCA</subfield><subfield code="d">SFB</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1013743410</subfield><subfield code="a">1019600629</subfield><subfield code="a">1039617051</subfield><subfield code="a">1125684084</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253030276</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0253030277</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">025334459X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780253344595</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1011219010</subfield><subfield code="z">(OCoLC)1013743410</subfield><subfield code="z">(OCoLC)1019600629</subfield><subfield code="z">(OCoLC)1039617051</subfield><subfield code="z">(OCoLC)1125684084</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt1zzjk4x</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3845</subfield><subfield code="b">.H35 2004</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT006000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781/.1</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">24.50</subfield><subfield code="2">bcl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 40411</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 63181</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 65641</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56000</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hatten, Robert S.,</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n93057537</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Interpreting Musical Gestures, Topics, and Tropes :</subfield><subfield code="b">Mozart, Beethoven, Schubert /</subfield><subfield code="c">Robert S. Hatten.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Bloomington, IN :</subfield><subfield code="b">Indiana University Press,</subfield><subfield code="c">2004.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (372 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Musical Meaning and Interpretation</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 323-338) and indexes.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Markedness, topics, and tropes -- Musical gesture -- Continuity and discontinuity.</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, ending the section with a chapter that presents an overview of topics, genres, and forms as tropes in Baroque, Classical, and Romantic music."</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">"Part Two introduces a new approach by combining critical theory with biological and psychological theories of gesture, thereby surpassing the limits of conventional semiotic analysis. Within this section, Hatten presents analyses of Classical period works by Beethoven, Mozart, and Schubert. Part three extends these ideas into a theory of musical continuity, with several analyses of Beethoven's late works."--Jacket</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Mozart, Wolfgang Amadeus,</subfield><subfield code="d">1756-1791</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Beethoven, Ludwig van,</subfield><subfield code="d">1770-1827</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Schubert, Franz,</subfield><subfield code="d">1797-1828</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="6"><subfield code="a">Mozart, Wolfgang Amadeus,</subfield><subfield code="d">1756-1791</subfield><subfield code="x">Critique et interprétation.</subfield></datafield><datafield tag="600" ind1="1" ind2="6"><subfield code="a">Beethoven, Ludwig van,</subfield><subfield code="d">1770-1827</subfield><subfield code="x">Critique et interprétation.</subfield></datafield><datafield tag="600" ind1="1" ind2="6"><subfield code="a">Schubert, Franz,</subfield><subfield code="d">1797-1828</subfield><subfield code="x">Critique et interprétation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Beethoven, Ludwig van,</subfield><subfield code="d">1770-1827</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJcGqDQFTYGptdQPd7RkDq</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mozart, Wolfgang Amadeus,</subfield><subfield code="d">1756-1791</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJcC43DvJHQgr4ddkc3PcP</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Schubert, Franz,</subfield><subfield code="d">1797-1828</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJxRJ8yWBjc8wcBR73vGpP</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Beethoven, Ludwig ((van))</subfield><subfield code="2">swd</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mozart, Wolfgang Amadeus.</subfield><subfield code="2">swd</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Schubert, Franz.</subfield><subfield code="2">swd</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Semiotics.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh90001927</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Sémiotique et musique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Theory.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="x">Semiotics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musikalische Semiotik</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4195308-3</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Muziek.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Interpretatie.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Semiotiek.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Hatten, Robert S.</subfield><subfield code="t">Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert.</subfield><subfield code="d">Bloomington, IN : Indiana University Press, ©2004</subfield><subfield code="z">9780253344595</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Musical meaning and interpretation.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2004068861</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1631752</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL5118044</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1631752</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis39176793</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">interpretingmusi00robe</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse59762</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">14946305</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-on1011219010 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:28:06Z |
institution | BVB |
isbn | 9780253030276 0253030277 |
language | English |
oclc_num | 1011219010 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (372 pages) |
psigel | ZDB-4-EBA |
publishDate | 2004 |
publishDateSearch | 2004 |
publishDateSort | 2004 |
publisher | Indiana University Press, |
record_format | marc |
series | Musical meaning and interpretation. |
series2 | Musical Meaning and Interpretation |
spelling | Hatten, Robert S., author. http://id.loc.gov/authorities/names/n93057537 Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert / Robert S. Hatten. Bloomington, IN : Indiana University Press, 2004. 1 online resource (372 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Musical Meaning and Interpretation Print version record. Includes bibliographical references (pages 323-338) and indexes. Markedness, topics, and tropes -- Musical gesture -- Continuity and discontinuity. "This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, ending the section with a chapter that presents an overview of topics, genres, and forms as tropes in Baroque, Classical, and Romantic music." "Part Two introduces a new approach by combining critical theory with biological and psychological theories of gesture, thereby surpassing the limits of conventional semiotic analysis. Within this section, Hatten presents analyses of Classical period works by Beethoven, Mozart, and Schubert. Part three extends these ideas into a theory of musical continuity, with several analyses of Beethoven's late works."--Jacket Mozart, Wolfgang Amadeus, 1756-1791 Criticism and interpretation. Beethoven, Ludwig van, 1770-1827 Criticism and interpretation. Schubert, Franz, 1797-1828 Criticism and interpretation. Mozart, Wolfgang Amadeus, 1756-1791 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 Critique et interprétation. Schubert, Franz, 1797-1828 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 fast https://id.oclc.org/worldcat/entity/E39PBJcGqDQFTYGptdQPd7RkDq Mozart, Wolfgang Amadeus, 1756-1791 fast https://id.oclc.org/worldcat/entity/E39PBJcC43DvJHQgr4ddkc3PcP Schubert, Franz, 1797-1828 fast https://id.oclc.org/worldcat/entity/E39PBJxRJ8yWBjc8wcBR73vGpP Beethoven, Ludwig ((van)) swd Mozart, Wolfgang Amadeus. swd Schubert, Franz. swd Music Semiotics. http://id.loc.gov/authorities/subjects/sh90001927 Sémiotique et musique. MUSIC Instruction & Study Theory. bisacsh Music Semiotics fast Musikalische Semiotik gnd http://d-nb.info/gnd/4195308-3 Muziek. gtt Interpretatie. gtt Semiotiek. gtt Criticism, interpretation, etc. fast Print version: Hatten, Robert S. Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert. Bloomington, IN : Indiana University Press, ©2004 9780253344595 Musical meaning and interpretation. http://id.loc.gov/authorities/names/n2004068861 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1631752 Volltext |
spellingShingle | Hatten, Robert S. Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert / Musical meaning and interpretation. Markedness, topics, and tropes -- Musical gesture -- Continuity and discontinuity. Mozart, Wolfgang Amadeus, 1756-1791 Criticism and interpretation. Beethoven, Ludwig van, 1770-1827 Criticism and interpretation. Schubert, Franz, 1797-1828 Criticism and interpretation. Mozart, Wolfgang Amadeus, 1756-1791 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 Critique et interprétation. Schubert, Franz, 1797-1828 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 fast https://id.oclc.org/worldcat/entity/E39PBJcGqDQFTYGptdQPd7RkDq Mozart, Wolfgang Amadeus, 1756-1791 fast https://id.oclc.org/worldcat/entity/E39PBJcC43DvJHQgr4ddkc3PcP Schubert, Franz, 1797-1828 fast https://id.oclc.org/worldcat/entity/E39PBJxRJ8yWBjc8wcBR73vGpP Beethoven, Ludwig ((van)) swd Mozart, Wolfgang Amadeus. swd Schubert, Franz. swd Music Semiotics. http://id.loc.gov/authorities/subjects/sh90001927 Sémiotique et musique. MUSIC Instruction & Study Theory. bisacsh Music Semiotics fast Musikalische Semiotik gnd http://d-nb.info/gnd/4195308-3 Muziek. gtt Interpretatie. gtt Semiotiek. gtt |
subject_GND | http://id.loc.gov/authorities/subjects/sh90001927 http://d-nb.info/gnd/4195308-3 |
title | Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert / |
title_auth | Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert / |
title_exact_search | Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert / |
title_full | Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert / Robert S. Hatten. |
title_fullStr | Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert / Robert S. Hatten. |
title_full_unstemmed | Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert / Robert S. Hatten. |
title_short | Interpreting Musical Gestures, Topics, and Tropes : |
title_sort | interpreting musical gestures topics and tropes mozart beethoven schubert |
title_sub | Mozart, Beethoven, Schubert / |
topic | Mozart, Wolfgang Amadeus, 1756-1791 Criticism and interpretation. Beethoven, Ludwig van, 1770-1827 Criticism and interpretation. Schubert, Franz, 1797-1828 Criticism and interpretation. Mozart, Wolfgang Amadeus, 1756-1791 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 Critique et interprétation. Schubert, Franz, 1797-1828 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 fast https://id.oclc.org/worldcat/entity/E39PBJcGqDQFTYGptdQPd7RkDq Mozart, Wolfgang Amadeus, 1756-1791 fast https://id.oclc.org/worldcat/entity/E39PBJcC43DvJHQgr4ddkc3PcP Schubert, Franz, 1797-1828 fast https://id.oclc.org/worldcat/entity/E39PBJxRJ8yWBjc8wcBR73vGpP Beethoven, Ludwig ((van)) swd Mozart, Wolfgang Amadeus. swd Schubert, Franz. swd Music Semiotics. http://id.loc.gov/authorities/subjects/sh90001927 Sémiotique et musique. MUSIC Instruction & Study Theory. bisacsh Music Semiotics fast Musikalische Semiotik gnd http://d-nb.info/gnd/4195308-3 Muziek. gtt Interpretatie. gtt Semiotiek. gtt |
topic_facet | Mozart, Wolfgang Amadeus, 1756-1791 Criticism and interpretation. Beethoven, Ludwig van, 1770-1827 Criticism and interpretation. Schubert, Franz, 1797-1828 Criticism and interpretation. Mozart, Wolfgang Amadeus, 1756-1791 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 Critique et interprétation. Schubert, Franz, 1797-1828 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 Mozart, Wolfgang Amadeus, 1756-1791 Schubert, Franz, 1797-1828 Beethoven, Ludwig ((van)) Mozart, Wolfgang Amadeus. Schubert, Franz. Music Semiotics. Sémiotique et musique. MUSIC Instruction & Study Theory. Music Semiotics Musikalische Semiotik Muziek. Interpretatie. Semiotiek. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1631752 |
work_keys_str_mv | AT hattenroberts interpretingmusicalgesturestopicsandtropesmozartbeethovenschubert |