Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries /:
The book examines the lotteries as devices for distributing images and art objects, and constructing their value in the former Low Countries. Alongside the fairs and before specialist auction sales were established, they were an atypical but popular and large-scale form of the art trade. As part of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston :
Brill,
2018.
|
| Schriftenreihe: | Studies in the history of collecting & art markets ;
Volume 4 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The book examines the lotteries as devices for distributing images and art objects, and constructing their value in the former Low Countries. Alongside the fairs and before specialist auction sales were established, they were an atypical but popular and large-scale form of the art trade. As part of a growing entrepreneurial sensibility based on speculation and a sense of risk, they lay behind many innovations. This study looks at their actors, networks and strategies. It considers the objects at stake, their value, and the forms of visual communication intended to boost an appetite for ownership. Ultimately, it contemplates how the lottery culture impacted notions of Fortune and Vanitas in the visual arts. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789004358812 9004358811 |
Internformat
MARC
| LEADER | 00000cam a22000008i 4500 | ||
|---|---|---|---|
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| 003 | OCoLC | ||
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| 008 | 171102s2018 ne ob 001 0 eng | ||
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| 020 | |a 9789004358812 |q (electronic bk.) | ||
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| 049 | |a MAIN | ||
| 100 | 1 | |a Raux, Sophie, |e author. | |
| 245 | 1 | 0 | |a Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries / |c by Sophie Raux. |
| 263 | |a 1802 | ||
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2018. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b n |2 rdamedia | ||
| 338 | |a online resource |b nc |2 rdacarrier | ||
| 490 | 0 | |a Studies in the history of collecting & art markets ; |v Volume 4 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a Intro; Contents; Acknowledgements; List of Figures and Tables; List of Abbreviations; Introduction; Chapter 1 Origin and Typology of Lotteries in the Low Countries; 1 Historical and Historiographical Context; 1.1 An Invention Linked to a Boom in Risk and Speculation; 1.2 From the Burgundian Netherlands to Italy: Rapid Expansion Across Urban Europe; 1.3 Towards More Material Prizes; 2 Lottery Typology in the Sixteenth-Century Netherlands; 2.1 Public-Utility Lotteries Held by Civil or Religious Institutions; 2.2 State Lotteries for the Common Good. | |
| 505 | 8 | |a 2.3 Lotteries of Private Entrepreneurs for Commercial Ends3 The Upsurge in Commercial Lotteries; 3.1 "Secret" Closed-Circle Lotteries: The Abuses of the 1520s; 3.2 Occasional Lotteries by Specialist Dealers: Tapestries, Paintings, Alabasters, Jewelry; 3.3 International Traders and Lottery Entrepreneurs; Chapter 2 The Machinery of Success: Expert Valuation-Exhibition-Draw; 1 Building Trust; 1.1 A Transparent Procedure; 1.2 Expert Valuation Procedures; 2 Make Known, Make Seen: The Visual Means of Mediatization; 2.1 Public Exhibitions; 2.2 A Fanfare of Visual Communication. | |
| 505 | 8 | |a 3 Theatralization: The Public Draw as Urban SpectacleChapter 3 Visualizing the Material and Moral Stakes of Institutional Lotteries; 1 Illustrated Posters: A Feature of the Visual Culture of the Low Countries; 1.1 From brieven van de lotinghe to loterijkaarten; 1.2 Of German Origin?; 1.3 Expressing the Hierarchy of Object Values Through Image and Text; 2 Exploiting the Image's Power of Persuasion; 2.1 The "Portrait of the Prizes"; 2.2 Interaction between Iconicity and Textuality; 2.3 Combining the Appeal to Good Intentions with the Lure of Profit. | |
| 505 | 8 | |a 3 Theatralization and Dramatization: The Human Impact3.1 Isaac Claesz. van Swanenburgh's Poster for the Leiden Lottery (1596); 3.2 The Posters of Claes Jansz. Visscher: Playing with Reduplication; 3.3 Uses of the Poster as Image and the Poster as Object; Chapter 4 Lottery Posters and Booklets: The Role of Print in Structuring the Art Worlds; 1 Lottery Posters in the United Provinces; 1.1 Picturing Diversity, Novelty, and Luxury: The Lotteries of Hulst (1659-1660) and Terschelling (1666); 1.2 The Victory of the Object: The Durgerdam Lottery Poster (1688). | |
| 505 | 8 | |a 1.3 Demise of the Image: The Grootebroek Lottery Poster (1694-1695)1.4 Commercial Lottery Posters: The Importance of the Painter's Name; 2 Booklets and Catalogues: New Tools of Mediation and Encouragement to Gamble; 2.1 Arent van Gorp's Lottery in IJsselstein (Utrecht) in 1651; 2.2 Henry van Soest's Lottery at the Antwerp Stock Exchange (1695); 2.3 The Primacy of Market Value and Novelty; 3 A New Image of the Art Trade and Material Pleasure; 3.1 A Model for Gersaint?; 3.2 From Lottery Catalogue to Sales Catalogue; 3.3 Lotteries and Material Culture. | |
| 520 | 8 | |a The book examines the lotteries as devices for distributing images and art objects, and constructing their value in the former Low Countries. Alongside the fairs and before specialist auction sales were established, they were an atypical but popular and large-scale form of the art trade. As part of a growing entrepreneurial sensibility based on speculation and a sense of risk, they lay behind many innovations. This study looks at their actors, networks and strategies. It considers the objects at stake, their value, and the forms of visual communication intended to boost an appetite for ownership. Ultimately, it contemplates how the lottery culture impacted notions of Fortune and Vanitas in the visual arts. | |
| 650 | 0 | |a Art |x Economic aspects |z Benelux countries |x History. | |
| 650 | 0 | |a Lotteries |z Benelux countries |x History. | |
| 650 | 0 | |a Art |x Collectors and collecting |z Benelux countries |x History. | |
| 650 | 0 | |a Art and society |z Benelux countries |x History. | |
| 650 | 6 | |a Loteries |z Benelux |x Histoire. | |
| 650 | 6 | |a Art |x Collectionneurs et collections |z Benelux |x Histoire. | |
| 650 | 6 | |a Art et société |z Benelux |x Histoire. | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Art and society |2 fast | |
| 650 | 7 | |a Art |x Collectors and collecting |2 fast | |
| 650 | 7 | |a Art |x Economic aspects |2 fast | |
| 650 | 7 | |a Lotteries |2 fast | |
| 651 | 7 | |a Benelux countries |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Raux, Sophie. |t Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries. |d Leiden ; Boston : Brill, 2018 |z 9789004353213 |w (DLC) 2017052532 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1010505215 |
|---|---|
| _version_ | 1816882405148983296 |
| adam_text | |
| any_adam_object | |
| author | Raux, Sophie |
| author_facet | Raux, Sophie |
| author_role | aut |
| author_sort | Raux, Sophie |
| author_variant | s r sr |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N8600 |
| callnumber-raw | N8600 |
| callnumber-search | N8600 |
| callnumber-sort | N 48600 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Intro; Contents; Acknowledgements; List of Figures and Tables; List of Abbreviations; Introduction; Chapter 1 Origin and Typology of Lotteries in the Low Countries; 1 Historical and Historiographical Context; 1.1 An Invention Linked to a Boom in Risk and Speculation; 1.2 From the Burgundian Netherlands to Italy: Rapid Expansion Across Urban Europe; 1.3 Towards More Material Prizes; 2 Lottery Typology in the Sixteenth-Century Netherlands; 2.1 Public-Utility Lotteries Held by Civil or Religious Institutions; 2.2 State Lotteries for the Common Good. 2.3 Lotteries of Private Entrepreneurs for Commercial Ends3 The Upsurge in Commercial Lotteries; 3.1 "Secret" Closed-Circle Lotteries: The Abuses of the 1520s; 3.2 Occasional Lotteries by Specialist Dealers: Tapestries, Paintings, Alabasters, Jewelry; 3.3 International Traders and Lottery Entrepreneurs; Chapter 2 The Machinery of Success: Expert Valuation-Exhibition-Draw; 1 Building Trust; 1.1 A Transparent Procedure; 1.2 Expert Valuation Procedures; 2 Make Known, Make Seen: The Visual Means of Mediatization; 2.1 Public Exhibitions; 2.2 A Fanfare of Visual Communication. 3 Theatralization: The Public Draw as Urban SpectacleChapter 3 Visualizing the Material and Moral Stakes of Institutional Lotteries; 1 Illustrated Posters: A Feature of the Visual Culture of the Low Countries; 1.1 From brieven van de lotinghe to loterijkaarten; 1.2 Of German Origin?; 1.3 Expressing the Hierarchy of Object Values Through Image and Text; 2 Exploiting the Image's Power of Persuasion; 2.1 The "Portrait of the Prizes"; 2.2 Interaction between Iconicity and Textuality; 2.3 Combining the Appeal to Good Intentions with the Lure of Profit. 3 Theatralization and Dramatization: The Human Impact3.1 Isaac Claesz. van Swanenburgh's Poster for the Leiden Lottery (1596); 3.2 The Posters of Claes Jansz. Visscher: Playing with Reduplication; 3.3 Uses of the Poster as Image and the Poster as Object; Chapter 4 Lottery Posters and Booklets: The Role of Print in Structuring the Art Worlds; 1 Lottery Posters in the United Provinces; 1.1 Picturing Diversity, Novelty, and Luxury: The Lotteries of Hulst (1659-1660) and Terschelling (1666); 1.2 The Victory of the Object: The Durgerdam Lottery Poster (1688). 1.3 Demise of the Image: The Grootebroek Lottery Poster (1694-1695)1.4 Commercial Lottery Posters: The Importance of the Painter's Name; 2 Booklets and Catalogues: New Tools of Mediation and Encouragement to Gamble; 2.1 Arent van Gorp's Lottery in IJsselstein (Utrecht) in 1651; 2.2 Henry van Soest's Lottery at the Antwerp Stock Exchange (1695); 2.3 The Primacy of Market Value and Novelty; 3 A New Image of the Art Trade and Material Pleasure; 3.1 A Model for Gersaint?; 3.2 From Lottery Catalogue to Sales Catalogue; 3.3 Lotteries and Material Culture. |
| ctrlnum | (OCoLC)1010505215 |
| dewey-full | 701/.03 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.03 |
| dewey-search | 701/.03 |
| dewey-sort | 3701 13 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1010505215 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:28:05Z |
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| isbn | 9789004358812 9004358811 |
| language | English |
| lccn | 2017053008 |
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| record_format | marc |
| series2 | Studies in the history of collecting & art markets ; |
| spelling | Raux, Sophie, author. Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries / by Sophie Raux. 1802 Leiden ; Boston : Brill, 2018. 1 online resource text txt rdacontent computer n rdamedia online resource nc rdacarrier Studies in the history of collecting & art markets ; Volume 4 Includes bibliographical references and index. Print version record and CIP data provided by publisher; resource not viewed. Intro; Contents; Acknowledgements; List of Figures and Tables; List of Abbreviations; Introduction; Chapter 1 Origin and Typology of Lotteries in the Low Countries; 1 Historical and Historiographical Context; 1.1 An Invention Linked to a Boom in Risk and Speculation; 1.2 From the Burgundian Netherlands to Italy: Rapid Expansion Across Urban Europe; 1.3 Towards More Material Prizes; 2 Lottery Typology in the Sixteenth-Century Netherlands; 2.1 Public-Utility Lotteries Held by Civil or Religious Institutions; 2.2 State Lotteries for the Common Good. 2.3 Lotteries of Private Entrepreneurs for Commercial Ends3 The Upsurge in Commercial Lotteries; 3.1 "Secret" Closed-Circle Lotteries: The Abuses of the 1520s; 3.2 Occasional Lotteries by Specialist Dealers: Tapestries, Paintings, Alabasters, Jewelry; 3.3 International Traders and Lottery Entrepreneurs; Chapter 2 The Machinery of Success: Expert Valuation-Exhibition-Draw; 1 Building Trust; 1.1 A Transparent Procedure; 1.2 Expert Valuation Procedures; 2 Make Known, Make Seen: The Visual Means of Mediatization; 2.1 Public Exhibitions; 2.2 A Fanfare of Visual Communication. 3 Theatralization: The Public Draw as Urban SpectacleChapter 3 Visualizing the Material and Moral Stakes of Institutional Lotteries; 1 Illustrated Posters: A Feature of the Visual Culture of the Low Countries; 1.1 From brieven van de lotinghe to loterijkaarten; 1.2 Of German Origin?; 1.3 Expressing the Hierarchy of Object Values Through Image and Text; 2 Exploiting the Image's Power of Persuasion; 2.1 The "Portrait of the Prizes"; 2.2 Interaction between Iconicity and Textuality; 2.3 Combining the Appeal to Good Intentions with the Lure of Profit. 3 Theatralization and Dramatization: The Human Impact3.1 Isaac Claesz. van Swanenburgh's Poster for the Leiden Lottery (1596); 3.2 The Posters of Claes Jansz. Visscher: Playing with Reduplication; 3.3 Uses of the Poster as Image and the Poster as Object; Chapter 4 Lottery Posters and Booklets: The Role of Print in Structuring the Art Worlds; 1 Lottery Posters in the United Provinces; 1.1 Picturing Diversity, Novelty, and Luxury: The Lotteries of Hulst (1659-1660) and Terschelling (1666); 1.2 The Victory of the Object: The Durgerdam Lottery Poster (1688). 1.3 Demise of the Image: The Grootebroek Lottery Poster (1694-1695)1.4 Commercial Lottery Posters: The Importance of the Painter's Name; 2 Booklets and Catalogues: New Tools of Mediation and Encouragement to Gamble; 2.1 Arent van Gorp's Lottery in IJsselstein (Utrecht) in 1651; 2.2 Henry van Soest's Lottery at the Antwerp Stock Exchange (1695); 2.3 The Primacy of Market Value and Novelty; 3 A New Image of the Art Trade and Material Pleasure; 3.1 A Model for Gersaint?; 3.2 From Lottery Catalogue to Sales Catalogue; 3.3 Lotteries and Material Culture. The book examines the lotteries as devices for distributing images and art objects, and constructing their value in the former Low Countries. Alongside the fairs and before specialist auction sales were established, they were an atypical but popular and large-scale form of the art trade. As part of a growing entrepreneurial sensibility based on speculation and a sense of risk, they lay behind many innovations. This study looks at their actors, networks and strategies. It considers the objects at stake, their value, and the forms of visual communication intended to boost an appetite for ownership. Ultimately, it contemplates how the lottery culture impacted notions of Fortune and Vanitas in the visual arts. Art Economic aspects Benelux countries History. Lotteries Benelux countries History. Art Collectors and collecting Benelux countries History. Art and society Benelux countries History. Loteries Benelux Histoire. Art Collectionneurs et collections Benelux Histoire. Art et société Benelux Histoire. ART General. bisacsh Art and society fast Art Collectors and collecting fast Art Economic aspects fast Lotteries fast Benelux countries fast History fast Print version: Raux, Sophie. Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries. Leiden ; Boston : Brill, 2018 9789004353213 (DLC) 2017052532 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1742228 Volltext |
| spellingShingle | Raux, Sophie Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries / Intro; Contents; Acknowledgements; List of Figures and Tables; List of Abbreviations; Introduction; Chapter 1 Origin and Typology of Lotteries in the Low Countries; 1 Historical and Historiographical Context; 1.1 An Invention Linked to a Boom in Risk and Speculation; 1.2 From the Burgundian Netherlands to Italy: Rapid Expansion Across Urban Europe; 1.3 Towards More Material Prizes; 2 Lottery Typology in the Sixteenth-Century Netherlands; 2.1 Public-Utility Lotteries Held by Civil or Religious Institutions; 2.2 State Lotteries for the Common Good. 2.3 Lotteries of Private Entrepreneurs for Commercial Ends3 The Upsurge in Commercial Lotteries; 3.1 "Secret" Closed-Circle Lotteries: The Abuses of the 1520s; 3.2 Occasional Lotteries by Specialist Dealers: Tapestries, Paintings, Alabasters, Jewelry; 3.3 International Traders and Lottery Entrepreneurs; Chapter 2 The Machinery of Success: Expert Valuation-Exhibition-Draw; 1 Building Trust; 1.1 A Transparent Procedure; 1.2 Expert Valuation Procedures; 2 Make Known, Make Seen: The Visual Means of Mediatization; 2.1 Public Exhibitions; 2.2 A Fanfare of Visual Communication. 3 Theatralization: The Public Draw as Urban SpectacleChapter 3 Visualizing the Material and Moral Stakes of Institutional Lotteries; 1 Illustrated Posters: A Feature of the Visual Culture of the Low Countries; 1.1 From brieven van de lotinghe to loterijkaarten; 1.2 Of German Origin?; 1.3 Expressing the Hierarchy of Object Values Through Image and Text; 2 Exploiting the Image's Power of Persuasion; 2.1 The "Portrait of the Prizes"; 2.2 Interaction between Iconicity and Textuality; 2.3 Combining the Appeal to Good Intentions with the Lure of Profit. 3 Theatralization and Dramatization: The Human Impact3.1 Isaac Claesz. van Swanenburgh's Poster for the Leiden Lottery (1596); 3.2 The Posters of Claes Jansz. Visscher: Playing with Reduplication; 3.3 Uses of the Poster as Image and the Poster as Object; Chapter 4 Lottery Posters and Booklets: The Role of Print in Structuring the Art Worlds; 1 Lottery Posters in the United Provinces; 1.1 Picturing Diversity, Novelty, and Luxury: The Lotteries of Hulst (1659-1660) and Terschelling (1666); 1.2 The Victory of the Object: The Durgerdam Lottery Poster (1688). 1.3 Demise of the Image: The Grootebroek Lottery Poster (1694-1695)1.4 Commercial Lottery Posters: The Importance of the Painter's Name; 2 Booklets and Catalogues: New Tools of Mediation and Encouragement to Gamble; 2.1 Arent van Gorp's Lottery in IJsselstein (Utrecht) in 1651; 2.2 Henry van Soest's Lottery at the Antwerp Stock Exchange (1695); 2.3 The Primacy of Market Value and Novelty; 3 A New Image of the Art Trade and Material Pleasure; 3.1 A Model for Gersaint?; 3.2 From Lottery Catalogue to Sales Catalogue; 3.3 Lotteries and Material Culture. Art Economic aspects Benelux countries History. Lotteries Benelux countries History. Art Collectors and collecting Benelux countries History. Art and society Benelux countries History. Loteries Benelux Histoire. Art Collectionneurs et collections Benelux Histoire. Art et société Benelux Histoire. ART General. bisacsh Art and society fast Art Collectors and collecting fast Art Economic aspects fast Lotteries fast |
| title | Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries / |
| title_auth | Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries / |
| title_exact_search | Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries / |
| title_full | Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries / by Sophie Raux. |
| title_fullStr | Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries / by Sophie Raux. |
| title_full_unstemmed | Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries / by Sophie Raux. |
| title_short | Lotteries, art markets, and visual culture in the Low Countries, 15th-17th centuries / |
| title_sort | lotteries art markets and visual culture in the low countries 15th 17th centuries |
| topic | Art Economic aspects Benelux countries History. Lotteries Benelux countries History. Art Collectors and collecting Benelux countries History. Art and society Benelux countries History. Loteries Benelux Histoire. Art Collectionneurs et collections Benelux Histoire. Art et société Benelux Histoire. ART General. bisacsh Art and society fast Art Collectors and collecting fast Art Economic aspects fast Lotteries fast |
| topic_facet | Art Economic aspects Benelux countries History. Lotteries Benelux countries History. Art Collectors and collecting Benelux countries History. Art and society Benelux countries History. Loteries Benelux Histoire. Art Collectionneurs et collections Benelux Histoire. Art et société Benelux Histoire. ART General. Art and society Art Collectors and collecting Art Economic aspects Lotteries Benelux countries History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1742228 |
| work_keys_str_mv | AT rauxsophie lotteriesartmarketsandvisualcultureinthelowcountries15th17thcenturies |