The long roots of formalism in Brazil /:
The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism's combined but uneven development as these appear from the global 'periphery'. The grand project of Brasilia is the main theme of the first two chapters, which treat the `idea...
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Format: | Elektronisch E-Book |
Sprache: | English Portuguese |
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Leiden ; Boston :
Brill,
2017.
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Schriftenreihe: | Historical Materialism Book Ser.
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Online-Zugang: | Volltext |
Zusammenfassung: | The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism's combined but uneven development as these appear from the global 'periphery'. The grand project of Brasilia is the main theme of the first two chapters, which treat the `ideal city' as a case study in the ways in which creative talent in Brazil has been made to serve in the reproduction of social iniquities whose origins can be traced back to the agrarian latifundia. Further chapters scrutinise the socio-historical basis of Brazilian art, and develop, against the grain of the most prominent art historical approaches to modern Brazilian culture, a critical approach to the distinctly Brazilian visual language of geometrical abstraction. The book contends that, from the fifties up to today, formalism in Brazil has expressed the hegemony of the market. |
Beschreibung: | "This book is volume 2 - complementing volume 1: HM 137 The Conspiracy of Modern Art, by Luiz Renato Martins, edited and introduced by Steve Edwards, ISBN 9789004280045 (Brill 2017)." |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9789004362307 9004362304 |
Internformat
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504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
505 | 0 | |a Intro; Contents; Acknowledgements (and Some Welcome Words to the Reader); Credits; Introduction (Potts); Part 1. From Formation to Dismantling; Chapter 1. Strategies of Occupying Space in Brazil, from Tarsila to Oiticica; Chapter 2. 'Free Form': Brazilian Mode of Abstraction or a Malaise in History; Chapter 3. All This Geometry, Where Does It Come from, Where Does It Go?; Chapter 4. Trees of Brazil; Chapter 5. The Situation of Art and the 'Pensée Unique'; Chapter 6. Formation and Dismantling of a Brazilian Visual System; Part 2. From Dismantling to Struggle | |
505 | 8 | |a Chapter 7. From the Debate about Formation to Strike as FormationChapter 8. The Indignity of São Paulo; Chapter 9. Art against the Grain; Part 3. Against Formalism: Art, History and Criticism; Chapter 10. Work, Art and History: A Counterpoint between Periphery and Centre; Chapter 11. Notes on Modernisation, from the Periphery: On David Craven's 'Alternative Modernism'; Chapter 12. Art as Work (Interview); Chapter 13. International Benefit Society of Friends of Form and Bulletin on the Brazilian Division; Index of Artworks, Architectural Works and Songs Cited; Bibliography; Index | |
520 | |a The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism's combined but uneven development as these appear from the global 'periphery'. The grand project of Brasilia is the main theme of the first two chapters, which treat the `ideal city' as a case study in the ways in which creative talent in Brazil has been made to serve in the reproduction of social iniquities whose origins can be traced back to the agrarian latifundia. Further chapters scrutinise the socio-historical basis of Brazilian art, and develop, against the grain of the most prominent art historical approaches to modern Brazilian culture, a critical approach to the distinctly Brazilian visual language of geometrical abstraction. The book contends that, from the fifties up to today, formalism in Brazil has expressed the hegemony of the market. | ||
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adam_text | |
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author | Martins, Luiz Renato |
author2 | Grigera, Juan Rezende, Renato, 1964- |
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author_GND | http://id.loc.gov/authorities/names/no2002009829 |
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contents | Intro; Contents; Acknowledgements (and Some Welcome Words to the Reader); Credits; Introduction (Potts); Part 1. From Formation to Dismantling; Chapter 1. Strategies of Occupying Space in Brazil, from Tarsila to Oiticica; Chapter 2. 'Free Form': Brazilian Mode of Abstraction or a Malaise in History; Chapter 3. All This Geometry, Where Does It Come from, Where Does It Go?; Chapter 4. Trees of Brazil; Chapter 5. The Situation of Art and the 'Pensée Unique'; Chapter 6. Formation and Dismantling of a Brazilian Visual System; Part 2. From Dismantling to Struggle Chapter 7. From the Debate about Formation to Strike as FormationChapter 8. The Indignity of São Paulo; Chapter 9. Art against the Grain; Part 3. Against Formalism: Art, History and Criticism; Chapter 10. Work, Art and History: A Counterpoint between Periphery and Centre; Chapter 11. Notes on Modernisation, from the Periphery: On David Craven's 'Alternative Modernism'; Chapter 12. Art as Work (Interview); Chapter 13. International Benefit Society of Friends of Form and Bulletin on the Brazilian Division; Index of Artworks, Architectural Works and Songs Cited; Bibliography; Index |
ctrlnum | (OCoLC)1008762224 |
dewey-full | 709.81/0904 |
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dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.81/0904 |
dewey-search | 709.81/0904 |
dewey-sort | 3709.81 3904 |
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discipline | Kunstgeschichte |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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spelling | Martins, Luiz Renato, author. Essays. Selections. English The long roots of formalism in Brazil / by Luiz Renato Martins ; edited by Juan Grigera ; translated by Renato Rezende. 1712 Leiden ; Boston : Brill, 2017. 1 online resource text txt rdacontent computer n rdamedia online resource nc rdacarrier Historical Materialism Book Ser. "This book is volume 2 - complementing volume 1: HM 137 The Conspiracy of Modern Art, by Luiz Renato Martins, edited and introduced by Steve Edwards, ISBN 9789004280045 (Brill 2017)." Includes bibliographical references and index. Print version record and CIP data provided by publisher; resource not viewed. Intro; Contents; Acknowledgements (and Some Welcome Words to the Reader); Credits; Introduction (Potts); Part 1. From Formation to Dismantling; Chapter 1. Strategies of Occupying Space in Brazil, from Tarsila to Oiticica; Chapter 2. 'Free Form': Brazilian Mode of Abstraction or a Malaise in History; Chapter 3. All This Geometry, Where Does It Come from, Where Does It Go?; Chapter 4. Trees of Brazil; Chapter 5. The Situation of Art and the 'Pensée Unique'; Chapter 6. Formation and Dismantling of a Brazilian Visual System; Part 2. From Dismantling to Struggle Chapter 7. From the Debate about Formation to Strike as FormationChapter 8. The Indignity of São Paulo; Chapter 9. Art against the Grain; Part 3. Against Formalism: Art, History and Criticism; Chapter 10. Work, Art and History: A Counterpoint between Periphery and Centre; Chapter 11. Notes on Modernisation, from the Periphery: On David Craven's 'Alternative Modernism'; Chapter 12. Art as Work (Interview); Chapter 13. International Benefit Society of Friends of Form and Bulletin on the Brazilian Division; Index of Artworks, Architectural Works and Songs Cited; Bibliography; Index The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism's combined but uneven development as these appear from the global 'periphery'. The grand project of Brasilia is the main theme of the first two chapters, which treat the `ideal city' as a case study in the ways in which creative talent in Brazil has been made to serve in the reproduction of social iniquities whose origins can be traced back to the agrarian latifundia. Further chapters scrutinise the socio-historical basis of Brazilian art, and develop, against the grain of the most prominent art historical approaches to modern Brazilian culture, a critical approach to the distinctly Brazilian visual language of geometrical abstraction. The book contends that, from the fifties up to today, formalism in Brazil has expressed the hegemony of the market. Art, Brazilian 20th century Themes, motives. Architecture Brazil History 20th century. Architecture Brésil Histoire 20e siècle. ART History General. bisacsh Architecture fast Art, Brazilian Themes, motives fast Brazil fast 1900-1999 fast History fast Grigera, Juan, editor. Rezende, Renato, 1964- translator. http://id.loc.gov/authorities/names/no2002009829 has work: The long roots of formalism in Brazil (Text) https://id.oclc.org/worldcat/entity/E39PCFQKdxyRcYvHCbF87CB8wd https://id.oclc.org/worldcat/ontology/hasWork Print version: Martins, Luiz Renato. Long roots of formalism in Brazil. Leiden ; Boston : Brill, 2017 9789004323223 (DLC) 2017051067 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1742236 Volltext |
spellingShingle | Martins, Luiz Renato The long roots of formalism in Brazil / Historical Materialism Book Ser. Intro; Contents; Acknowledgements (and Some Welcome Words to the Reader); Credits; Introduction (Potts); Part 1. From Formation to Dismantling; Chapter 1. Strategies of Occupying Space in Brazil, from Tarsila to Oiticica; Chapter 2. 'Free Form': Brazilian Mode of Abstraction or a Malaise in History; Chapter 3. All This Geometry, Where Does It Come from, Where Does It Go?; Chapter 4. Trees of Brazil; Chapter 5. The Situation of Art and the 'Pensée Unique'; Chapter 6. Formation and Dismantling of a Brazilian Visual System; Part 2. From Dismantling to Struggle Chapter 7. From the Debate about Formation to Strike as FormationChapter 8. The Indignity of São Paulo; Chapter 9. Art against the Grain; Part 3. Against Formalism: Art, History and Criticism; Chapter 10. Work, Art and History: A Counterpoint between Periphery and Centre; Chapter 11. Notes on Modernisation, from the Periphery: On David Craven's 'Alternative Modernism'; Chapter 12. Art as Work (Interview); Chapter 13. International Benefit Society of Friends of Form and Bulletin on the Brazilian Division; Index of Artworks, Architectural Works and Songs Cited; Bibliography; Index Art, Brazilian 20th century Themes, motives. Architecture Brazil History 20th century. Architecture Brésil Histoire 20e siècle. ART History General. bisacsh Architecture fast Art, Brazilian Themes, motives fast |
title | The long roots of formalism in Brazil / |
title_alt | Essays. |
title_auth | The long roots of formalism in Brazil / |
title_exact_search | The long roots of formalism in Brazil / |
title_full | The long roots of formalism in Brazil / by Luiz Renato Martins ; edited by Juan Grigera ; translated by Renato Rezende. |
title_fullStr | The long roots of formalism in Brazil / by Luiz Renato Martins ; edited by Juan Grigera ; translated by Renato Rezende. |
title_full_unstemmed | The long roots of formalism in Brazil / by Luiz Renato Martins ; edited by Juan Grigera ; translated by Renato Rezende. |
title_short | The long roots of formalism in Brazil / |
title_sort | long roots of formalism in brazil |
topic | Art, Brazilian 20th century Themes, motives. Architecture Brazil History 20th century. Architecture Brésil Histoire 20e siècle. ART History General. bisacsh Architecture fast Art, Brazilian Themes, motives fast |
topic_facet | Art, Brazilian 20th century Themes, motives. Architecture Brazil History 20th century. Architecture Brésil Histoire 20e siècle. ART History General. Architecture Art, Brazilian Themes, motives Brazil History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1742236 |
work_keys_str_mv | AT martinsluizrenato essays AT grigerajuan essays AT rezenderenato essays AT martinsluizrenato thelongrootsofformalisminbrazil AT grigerajuan thelongrootsofformalisminbrazil AT rezenderenato thelongrootsofformalisminbrazil AT martinsluizrenato longrootsofformalisminbrazil AT grigerajuan longrootsofformalisminbrazil AT rezenderenato longrootsofformalisminbrazil |