Art, politics, and Rancière :: broken perceptions /
Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Ranciere: Broken Perspectives provides an account of how works of art can, but do no...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Bloomsbury Academic,
2018.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Ranciere: Broken Perspectives provides an account of how works of art can, but do not necessarily, interrupt dominant narratives. Inspired by Jacques Ranciere, Tina Chanter assumes his work as a starting point. She presents a rigorous and appreciative critique of Ranciere's story of aesthetics, paying close attention to gender and race. Along with the relationship between the unconscious and the political, identity politics, phenomenology and perception are key themes throughout, used to address questions such as 'How do some things become visible, while other things remain invisible?' and 'What does it take for something to be seen, and why do other things elude visibility?' Alongside illuminating discussions of Ranciere, Heidegger and Levinas are informed accounts of artists Ingrid Mwangi, Phillip Noyce, Ingrid Pollard, and Gillian Wearing. Outlining the basis of a new political aesthetic, Art, Politics and Ranciere, develops an original philosophical consideration that is sensitive to race and gender, yet not reducible to these concerns. |
| Beschreibung: | 1 online resource (xv, 180 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781472510945 1472510941 1472511670 9781472511676 1350044172 9781350044173 |
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| 505 | 0 | |a Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel -- Framing and reframing Rancière's critical intervention: Foucault and Kant -- Form and matter -- Feminist art: disrupting and consolidating the police order. | |
| 520 | 8 | |a Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Ranciere: Broken Perspectives provides an account of how works of art can, but do not necessarily, interrupt dominant narratives. Inspired by Jacques Ranciere, Tina Chanter assumes his work as a starting point. She presents a rigorous and appreciative critique of Ranciere's story of aesthetics, paying close attention to gender and race. Along with the relationship between the unconscious and the political, identity politics, phenomenology and perception are key themes throughout, used to address questions such as 'How do some things become visible, while other things remain invisible?' and 'What does it take for something to be seen, and why do other things elude visibility?' Alongside illuminating discussions of Ranciere, Heidegger and Levinas are informed accounts of artists Ingrid Mwangi, Phillip Noyce, Ingrid Pollard, and Gillian Wearing. Outlining the basis of a new political aesthetic, Art, Politics and Ranciere, develops an original philosophical consideration that is sensitive to race and gender, yet not reducible to these concerns. | |
| 588 | 0 | |a Print version record. | |
| 600 | 1 | 0 | |a Rancière, Jacques. |0 http://id.loc.gov/authorities/names/n81053868 |
| 600 | 1 | 7 | |a Rancière, Jacques |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJbH3TKQbwF7jyB4V4XyBP |
| 650 | 0 | |a Aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85001441 | |
| 650 | 0 | |a Art |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh85007494 | |
| 650 | 0 | |a Perception. |0 http://id.loc.gov/authorities/subjects/sh85099708 | |
| 650 | 0 | |a Political science |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh88004669 | |
| 650 | 2 | |a Perception |0 https://id.nlm.nih.gov/mesh/D010465 | |
| 650 | 6 | |a Art |x Philosophie. | |
| 650 | 6 | |a Perception. | |
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| 650 | 7 | |a Art |x Philosophy |2 fast | |
| 650 | 7 | |a Perception |2 fast | |
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| author | Chanter, Tina, 1960- |
| author_GND | http://id.loc.gov/authorities/names/n93111057 |
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| contents | Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel -- Framing and reframing Rancière's critical intervention: Foucault and Kant -- Form and matter -- Feminist art: disrupting and consolidating the police order. |
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| indexdate | 2024-11-27T13:28:04Z |
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| spelling | Chanter, Tina, 1960- author. https://id.oclc.org/worldcat/entity/E39PCjxtkgBRBgPbVvmwRKpkQm http://id.loc.gov/authorities/names/n93111057 Art, politics, and Rancière : broken perceptions / Tina Chanter. London ; New York : Bloomsbury Academic, 2018. 1 online resource (xv, 180 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel -- Framing and reframing Rancière's critical intervention: Foucault and Kant -- Form and matter -- Feminist art: disrupting and consolidating the police order. Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Ranciere: Broken Perspectives provides an account of how works of art can, but do not necessarily, interrupt dominant narratives. Inspired by Jacques Ranciere, Tina Chanter assumes his work as a starting point. She presents a rigorous and appreciative critique of Ranciere's story of aesthetics, paying close attention to gender and race. Along with the relationship between the unconscious and the political, identity politics, phenomenology and perception are key themes throughout, used to address questions such as 'How do some things become visible, while other things remain invisible?' and 'What does it take for something to be seen, and why do other things elude visibility?' Alongside illuminating discussions of Ranciere, Heidegger and Levinas are informed accounts of artists Ingrid Mwangi, Phillip Noyce, Ingrid Pollard, and Gillian Wearing. Outlining the basis of a new political aesthetic, Art, Politics and Ranciere, develops an original philosophical consideration that is sensitive to race and gender, yet not reducible to these concerns. Print version record. Rancière, Jacques. http://id.loc.gov/authorities/names/n81053868 Rancière, Jacques fast https://id.oclc.org/worldcat/entity/E39PBJbH3TKQbwF7jyB4V4XyBP Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Art Philosophy. http://id.loc.gov/authorities/subjects/sh85007494 Perception. http://id.loc.gov/authorities/subjects/sh85099708 Political science Philosophy. http://id.loc.gov/authorities/subjects/sh88004669 Perception https://id.nlm.nih.gov/mesh/D010465 Art Philosophie. Perception. PHILOSOPHY History & Surveys Modern. bisacsh Aesthetics fast Art Philosophy fast Perception fast Political science Philosophy fast has work: Art, politics, and Rancière (Text) https://id.oclc.org/worldcat/entity/E39PCFQycPcPwJftfGjFCFHVyb https://id.oclc.org/worldcat/ontology/hasWork Print version: Chanter, Tina, 1960- Art, politics, and Rancière. New York : Bloomsbury Academic, 2017 9781472510563 (DLC) 2017010878 (OCoLC)994220366 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1619239 Volltext |
| spellingShingle | Chanter, Tina, 1960- Art, politics, and Rancière : broken perceptions / Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel -- Framing and reframing Rancière's critical intervention: Foucault and Kant -- Form and matter -- Feminist art: disrupting and consolidating the police order. Rancière, Jacques. http://id.loc.gov/authorities/names/n81053868 Rancière, Jacques fast https://id.oclc.org/worldcat/entity/E39PBJbH3TKQbwF7jyB4V4XyBP Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Art Philosophy. http://id.loc.gov/authorities/subjects/sh85007494 Perception. http://id.loc.gov/authorities/subjects/sh85099708 Political science Philosophy. http://id.loc.gov/authorities/subjects/sh88004669 Perception https://id.nlm.nih.gov/mesh/D010465 Art Philosophie. Perception. PHILOSOPHY History & Surveys Modern. bisacsh Aesthetics fast Art Philosophy fast Perception fast Political science Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/names/n81053868 http://id.loc.gov/authorities/subjects/sh85001441 http://id.loc.gov/authorities/subjects/sh85007494 http://id.loc.gov/authorities/subjects/sh85099708 http://id.loc.gov/authorities/subjects/sh88004669 https://id.nlm.nih.gov/mesh/D010465 |
| title | Art, politics, and Rancière : broken perceptions / |
| title_auth | Art, politics, and Rancière : broken perceptions / |
| title_exact_search | Art, politics, and Rancière : broken perceptions / |
| title_full | Art, politics, and Rancière : broken perceptions / Tina Chanter. |
| title_fullStr | Art, politics, and Rancière : broken perceptions / Tina Chanter. |
| title_full_unstemmed | Art, politics, and Rancière : broken perceptions / Tina Chanter. |
| title_short | Art, politics, and Rancière : |
| title_sort | art politics and ranciere broken perceptions |
| title_sub | broken perceptions / |
| topic | Rancière, Jacques. http://id.loc.gov/authorities/names/n81053868 Rancière, Jacques fast https://id.oclc.org/worldcat/entity/E39PBJbH3TKQbwF7jyB4V4XyBP Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Art Philosophy. http://id.loc.gov/authorities/subjects/sh85007494 Perception. http://id.loc.gov/authorities/subjects/sh85099708 Political science Philosophy. http://id.loc.gov/authorities/subjects/sh88004669 Perception https://id.nlm.nih.gov/mesh/D010465 Art Philosophie. Perception. PHILOSOPHY History & Surveys Modern. bisacsh Aesthetics fast Art Philosophy fast Perception fast Political science Philosophy fast |
| topic_facet | Rancière, Jacques. Rancière, Jacques Aesthetics. Art Philosophy. Perception. Political science Philosophy. Perception Art Philosophie. PHILOSOPHY History & Surveys Modern. Aesthetics Art Philosophy Political science Philosophy |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1619239 |
| work_keys_str_mv | AT chantertina artpoliticsandrancierebrokenperceptions |