In on the kill taker /:
"By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 19...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Academic,
2018.
|
| Schriftenreihe: | 33 1/3.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. The album debuted on the now-SoundScan-driven charts; Fugazi had never been more in the public eye. Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and "breaking" punk in every possible meaning of the word. Despite all of this, Kill Taker is an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear."--Bloomsbury Publishing |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501321405 1501321404 9781501321412 1501321412 9781501321429 1501321420 1501321390 9781501321399 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1005776289 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 171005s2018 nyu ob 001 0 eng | ||
| 010 | |a 2017048153 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d NLE |d N$T |d YDX |d UWO |d OCLCF |d EBLCP |d CUI |d BLOOM |d OCLCQ |d NLW |d UKAHL |d OCLCQ |d LUN |d RDF |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 1027166821 |a 1100925921 |a 1170745969 | ||
| 020 | |a 9781501321405 |q (electronic bk.) | ||
| 020 | |a 1501321404 |q (electronic bk.) | ||
| 020 | |a 9781501321412 |q (electronic bk.) | ||
| 020 | |a 1501321412 |q (electronic bk.) | ||
| 020 | |a 9781501321429 |q (online) | ||
| 020 | |a 1501321420 | ||
| 020 | |a 1501321390 | ||
| 020 | |a 9781501321399 | ||
| 020 | |z 9781501321399 |q (pbk. ; |q alk. paper) | ||
| 035 | |a (OCoLC)1005776289 |z (OCoLC)1027166821 |z (OCoLC)1100925921 |z (OCoLC)1170745969 | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a ML421.F82 | |
| 072 | 7 | |a MUS |x 042000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 052000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 037110 |2 bisacsh | |
| 082 | 7 | |a 782.42166092/2 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Gross, Joe, |d 1974- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjxXGfWmVFDHjy9HYP76qP |0 http://id.loc.gov/authorities/names/n2017059277 | |
| 245 | 1 | 0 | |a In on the kill taker / |c Joe Gross. |
| 264 | 1 | |a New York : |b Bloomsbury Academic, |c 2018. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a 33 1/3 | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed February 27, 2018) | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. The album debuted on the now-SoundScan-driven charts; Fugazi had never been more in the public eye. Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and "breaking" punk in every possible meaning of the word. Despite all of this, Kill Taker is an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear."--Bloomsbury Publishing | ||
| 505 | 0 | |a Introduction -- Chapter 1. A Brief History of Four Musicians : A Fugazi Primer, 1986-90 -- Chapter 2. Interlude : A comment on ritual, or how Fugazi wrote songs -- Chapter 3. "Steady Diet of No Reverb" -- Chapter 4. The Albini demo -- Chapter 5. "Facet Squared" : 2:42 -- Chapter 6. "Public Witness Program" : 2:04 -- Chapter 7. "Returning the Screw" : 3:13 -- Chapter 8. Interlude : The Sleeve -- Chapter 9. "Smallpox Champion" : 4:01 -- Chapter 10. "Rend It" : 3:48 -- Chapter 11. "23 Beats Off" : 6:41 -- Chapter 12. "Sweet and Low" : 3:36 -- Chapter 13. "Cassavetes" : 2:30 -- Chapter 14. Interlude : Punk versus the Pop Charts -- Chapter 15. "Great Cop" : 1:52 -- Chapter 16. "Walken's Syndrome" : 3:18 -- Chapter 17. Two Finales -- Chapter 18. Interlude : Live -- Back matter -- Afterword -- Acknowledgements -- Bibliography -- Also available in the series. | |
| 610 | 2 | 0 | |a Fugazi (Musical group). |t In on the kill taker. |0 http://id.loc.gov/authorities/names/n2017059281 |
| 650 | 0 | |a Post-punk music |z United States |x History and criticism. | |
| 650 | 0 | |a Rock music |z United States |y 1991-2000 |x History and criticism. | |
| 650 | 6 | |a Post-punk (Musique) |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Rock (Musique) |z États-Unis |y 1991-2000 |x Histoire et critique. | |
| 650 | 7 | |a Music: styles & genres. |2 bicssc | |
| 650 | 7 | |a Individual composers & musicians, specific bands & groups. |2 bicssc | |
| 650 | 7 | |a Music reviews & criticism. |2 bicssc | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a Post-punk music |2 fast | |
| 650 | 7 | |a Rock music |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1991-2000 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a In on the kill taker (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFqXGQxbfMt3GK6cD8HDMP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Gross, Joe. |t Fugazi's in on the Kill Taker. |d New York : Bloomsbury Academic & Professional, ©2018 |z 9781501321399 |
| 830 | 0 | |a 33 1/3. |0 http://id.loc.gov/authorities/names/n2003073262 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1717179 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH33902404 | ||
| 938 | |a Bloomsbury Publishing |b BLOO |n bpp09261819 | ||
| 938 | |a EBSCOhost |b EBSC |n 1717179 | ||
| 938 | |a YBP Library Services |b YANK |n 15185675 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1005776289 |
|---|---|
| _version_ | 1816882402461483008 |
| adam_text | |
| any_adam_object | |
| author | Gross, Joe, 1974- |
| author_GND | http://id.loc.gov/authorities/names/n2017059277 |
| author_facet | Gross, Joe, 1974- |
| author_role | aut |
| author_sort | Gross, Joe, 1974- |
| author_variant | j g jg |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML421 |
| callnumber-raw | ML421.F82 |
| callnumber-search | ML421.F82 |
| callnumber-sort | ML 3421 F82 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Introduction -- Chapter 1. A Brief History of Four Musicians : A Fugazi Primer, 1986-90 -- Chapter 2. Interlude : A comment on ritual, or how Fugazi wrote songs -- Chapter 3. "Steady Diet of No Reverb" -- Chapter 4. The Albini demo -- Chapter 5. "Facet Squared" : 2:42 -- Chapter 6. "Public Witness Program" : 2:04 -- Chapter 7. "Returning the Screw" : 3:13 -- Chapter 8. Interlude : The Sleeve -- Chapter 9. "Smallpox Champion" : 4:01 -- Chapter 10. "Rend It" : 3:48 -- Chapter 11. "23 Beats Off" : 6:41 -- Chapter 12. "Sweet and Low" : 3:36 -- Chapter 13. "Cassavetes" : 2:30 -- Chapter 14. Interlude : Punk versus the Pop Charts -- Chapter 15. "Great Cop" : 1:52 -- Chapter 16. "Walken's Syndrome" : 3:18 -- Chapter 17. Two Finales -- Chapter 18. Interlude : Live -- Back matter -- Afterword -- Acknowledgements -- Bibliography -- Also available in the series. |
| ctrlnum | (OCoLC)1005776289 |
| dewey-full | 782.42166092/2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.42166092/2 |
| dewey-search | 782.42166092/2 |
| dewey-sort | 3782.42166092 12 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1991-2000 fast |
| era_facet | 1991-2000 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05783cam a2200781 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1005776289</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">171005s2018 nyu ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2017048153</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">NLE</subfield><subfield code="d">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">UWO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">EBLCP</subfield><subfield code="d">CUI</subfield><subfield code="d">BLOOM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">NLW</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LUN</subfield><subfield code="d">RDF</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1027166821</subfield><subfield code="a">1100925921</subfield><subfield code="a">1170745969</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501321405</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501321404</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501321412</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501321412</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501321429</subfield><subfield code="q">(online)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501321420</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501321390</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501321399</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781501321399</subfield><subfield code="q">(pbk. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1005776289</subfield><subfield code="z">(OCoLC)1027166821</subfield><subfield code="z">(OCoLC)1100925921</subfield><subfield code="z">(OCoLC)1170745969</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML421.F82</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">042000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">052000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">037110</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">782.42166092/2</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gross, Joe,</subfield><subfield code="d">1974-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjxXGfWmVFDHjy9HYP76qP</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2017059277</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">In on the kill taker /</subfield><subfield code="c">Joe Gross.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York :</subfield><subfield code="b">Bloomsbury Academic,</subfield><subfield code="c">2018.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">33 1/3</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from PDF title page (EBSCO, viewed February 27, 2018)</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. The album debuted on the now-SoundScan-driven charts; Fugazi had never been more in the public eye. Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and "breaking" punk in every possible meaning of the word. Despite all of this, Kill Taker is an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear."--Bloomsbury Publishing</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction -- Chapter 1. A Brief History of Four Musicians : A Fugazi Primer, 1986-90 -- Chapter 2. Interlude : A comment on ritual, or how Fugazi wrote songs -- Chapter 3. "Steady Diet of No Reverb" -- Chapter 4. The Albini demo -- Chapter 5. "Facet Squared" : 2:42 -- Chapter 6. "Public Witness Program" : 2:04 -- Chapter 7. "Returning the Screw" : 3:13 -- Chapter 8. Interlude : The Sleeve -- Chapter 9. "Smallpox Champion" : 4:01 -- Chapter 10. "Rend It" : 3:48 -- Chapter 11. "23 Beats Off" : 6:41 -- Chapter 12. "Sweet and Low" : 3:36 -- Chapter 13. "Cassavetes" : 2:30 -- Chapter 14. Interlude : Punk versus the Pop Charts -- Chapter 15. "Great Cop" : 1:52 -- Chapter 16. "Walken's Syndrome" : 3:18 -- Chapter 17. Two Finales -- Chapter 18. Interlude : Live -- Back matter -- Afterword -- Acknowledgements -- Bibliography -- Also available in the series.</subfield></datafield><datafield tag="610" ind1="2" ind2="0"><subfield code="a">Fugazi (Musical group).</subfield><subfield code="t">In on the kill taker.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2017059281</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Post-punk music</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Rock music</subfield><subfield code="z">United States</subfield><subfield code="y">1991-2000</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Post-punk (Musique)</subfield><subfield code="z">États-Unis</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Rock (Musique)</subfield><subfield code="z">États-Unis</subfield><subfield code="y">1991-2000</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music: styles & genres.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Individual composers & musicians, specific bands & groups.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music reviews & criticism.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Voice.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Lyrics.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Printed Music</subfield><subfield code="x">Vocal.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Post-punk music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Rock music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">United States</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1991-2000</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">In on the kill taker (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFqXGQxbfMt3GK6cD8HDMP</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Gross, Joe.</subfield><subfield code="t">Fugazi's in on the Kill Taker.</subfield><subfield code="d">New York : Bloomsbury Academic & Professional, ©2018</subfield><subfield code="z">9781501321399</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">33 1/3.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2003073262</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1717179</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH33902404</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Bloomsbury Publishing</subfield><subfield code="b">BLOO</subfield><subfield code="n">bpp09261819</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1717179</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15185675</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-on1005776289 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:28:03Z |
| institution | BVB |
| isbn | 9781501321405 1501321404 9781501321412 1501321412 9781501321429 1501321420 1501321390 9781501321399 |
| language | English |
| lccn | 2017048153 |
| oclc_num | 1005776289 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| series | 33 1/3. |
| series2 | 33 1/3 |
| spelling | Gross, Joe, 1974- author. https://id.oclc.org/worldcat/entity/E39PCjxXGfWmVFDHjy9HYP76qP http://id.loc.gov/authorities/names/n2017059277 In on the kill taker / Joe Gross. New York : Bloomsbury Academic, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier 33 1/3 Online resource; title from PDF title page (EBSCO, viewed February 27, 2018) Includes bibliographical references and index. "By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. The album debuted on the now-SoundScan-driven charts; Fugazi had never been more in the public eye. Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and "breaking" punk in every possible meaning of the word. Despite all of this, Kill Taker is an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear."--Bloomsbury Publishing Introduction -- Chapter 1. A Brief History of Four Musicians : A Fugazi Primer, 1986-90 -- Chapter 2. Interlude : A comment on ritual, or how Fugazi wrote songs -- Chapter 3. "Steady Diet of No Reverb" -- Chapter 4. The Albini demo -- Chapter 5. "Facet Squared" : 2:42 -- Chapter 6. "Public Witness Program" : 2:04 -- Chapter 7. "Returning the Screw" : 3:13 -- Chapter 8. Interlude : The Sleeve -- Chapter 9. "Smallpox Champion" : 4:01 -- Chapter 10. "Rend It" : 3:48 -- Chapter 11. "23 Beats Off" : 6:41 -- Chapter 12. "Sweet and Low" : 3:36 -- Chapter 13. "Cassavetes" : 2:30 -- Chapter 14. Interlude : Punk versus the Pop Charts -- Chapter 15. "Great Cop" : 1:52 -- Chapter 16. "Walken's Syndrome" : 3:18 -- Chapter 17. Two Finales -- Chapter 18. Interlude : Live -- Back matter -- Afterword -- Acknowledgements -- Bibliography -- Also available in the series. Fugazi (Musical group). In on the kill taker. http://id.loc.gov/authorities/names/n2017059281 Post-punk music United States History and criticism. Rock music United States 1991-2000 History and criticism. Post-punk (Musique) États-Unis Histoire et critique. Rock (Musique) États-Unis 1991-2000 Histoire et critique. Music: styles & genres. bicssc Individual composers & musicians, specific bands & groups. bicssc Music reviews & criticism. bicssc MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Post-punk music fast Rock music fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1991-2000 fast Criticism, interpretation, etc. fast has work: In on the kill taker (Text) https://id.oclc.org/worldcat/entity/E39PCFqXGQxbfMt3GK6cD8HDMP https://id.oclc.org/worldcat/ontology/hasWork Print version: Gross, Joe. Fugazi's in on the Kill Taker. New York : Bloomsbury Academic & Professional, ©2018 9781501321399 33 1/3. http://id.loc.gov/authorities/names/n2003073262 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1717179 Volltext |
| spellingShingle | Gross, Joe, 1974- In on the kill taker / 33 1/3. Introduction -- Chapter 1. A Brief History of Four Musicians : A Fugazi Primer, 1986-90 -- Chapter 2. Interlude : A comment on ritual, or how Fugazi wrote songs -- Chapter 3. "Steady Diet of No Reverb" -- Chapter 4. The Albini demo -- Chapter 5. "Facet Squared" : 2:42 -- Chapter 6. "Public Witness Program" : 2:04 -- Chapter 7. "Returning the Screw" : 3:13 -- Chapter 8. Interlude : The Sleeve -- Chapter 9. "Smallpox Champion" : 4:01 -- Chapter 10. "Rend It" : 3:48 -- Chapter 11. "23 Beats Off" : 6:41 -- Chapter 12. "Sweet and Low" : 3:36 -- Chapter 13. "Cassavetes" : 2:30 -- Chapter 14. Interlude : Punk versus the Pop Charts -- Chapter 15. "Great Cop" : 1:52 -- Chapter 16. "Walken's Syndrome" : 3:18 -- Chapter 17. Two Finales -- Chapter 18. Interlude : Live -- Back matter -- Afterword -- Acknowledgements -- Bibliography -- Also available in the series. Fugazi (Musical group). In on the kill taker. http://id.loc.gov/authorities/names/n2017059281 Post-punk music United States History and criticism. Rock music United States 1991-2000 History and criticism. Post-punk (Musique) États-Unis Histoire et critique. Rock (Musique) États-Unis 1991-2000 Histoire et critique. Music: styles & genres. bicssc Individual composers & musicians, specific bands & groups. bicssc Music reviews & criticism. bicssc MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Post-punk music fast Rock music fast |
| subject_GND | http://id.loc.gov/authorities/names/n2017059281 |
| title | In on the kill taker / |
| title_auth | In on the kill taker / |
| title_exact_search | In on the kill taker / |
| title_full | In on the kill taker / Joe Gross. |
| title_fullStr | In on the kill taker / Joe Gross. |
| title_full_unstemmed | In on the kill taker / Joe Gross. |
| title_short | In on the kill taker / |
| title_sort | in on the kill taker |
| topic | Fugazi (Musical group). In on the kill taker. http://id.loc.gov/authorities/names/n2017059281 Post-punk music United States History and criticism. Rock music United States 1991-2000 History and criticism. Post-punk (Musique) États-Unis Histoire et critique. Rock (Musique) États-Unis 1991-2000 Histoire et critique. Music: styles & genres. bicssc Individual composers & musicians, specific bands & groups. bicssc Music reviews & criticism. bicssc MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Post-punk music fast Rock music fast |
| topic_facet | Fugazi (Musical group). In on the kill taker. Post-punk music United States History and criticism. Rock music United States 1991-2000 History and criticism. Post-punk (Musique) États-Unis Histoire et critique. Rock (Musique) États-Unis 1991-2000 Histoire et critique. Music: styles & genres. Individual composers & musicians, specific bands & groups. Music reviews & criticism. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Post-punk music Rock music United States Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1717179 |
| work_keys_str_mv | AT grossjoe inonthekilltaker |