Quality Hollywood :: markers of distinction in contemporary studio film /
What defines 'quality' in contemporary Hollywood film? Although often seen as inhospitable to such work, the studios of the blockbuster-franchise era continue to produce features that make claims to higher status. Films such as The Social Network, The Assassination of Jesse James by the Co...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
I.B. Tauris,
2016.
|
| Schriftenreihe: | International library of moving image ;
Volume 28 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | What defines 'quality' in contemporary Hollywood film? Although often seen as inhospitable to such work, the studios of the blockbuster-franchise era continue to produce features that make claims to higher status. Films such as The Social Network, The Assassination of Jesse James by the Coward Robert Ford and Mystic River are marked as distinctive from the mainstream norm. But how exactly, and how are such qualities mixed with more familiar Hollywood ingredients, as found in larger doses in other examples such as Blood Diamond and the blockbuster-scale Inception? Quality Hollywood is the first book to address these issues, featuring close analysis of case study films, critical responses and the wider notions of cultural value on which these draw. Geoff King argues that such films retain a presence as a minority strand of studio output. The reasons for this combine factors relating to economics, the power of certain filmmakers and Hollywood's investment in its own prestige. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 0857728164 9780857728166 0857728857 9780857728852 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1004556209 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||unuuu | ||
| 008 | 180511s2016 enka ob 000 0 eng d | ||
| 040 | |a IDEBK |b eng |e rda |e pn |c IDEBK |d OCLCQ |d N$T |d YDX |d OCLCF |d UKAHL |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d QGK |d OCLCO |d OCLCL | ||
| 019 | |a 1259101450 | ||
| 020 | |a 0857728164 |q (ebk) | ||
| 020 | |a 9780857728166 |q (electronic bk.) | ||
| 020 | |a 0857728857 | ||
| 020 | |a 9780857728852 | ||
| 035 | |a (OCoLC)1004556209 |z (OCoLC)1259101450 | ||
| 037 | |a 1036286 |b MIL | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a PN1993.5.U6 | |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 082 | 7 | |a 791.43015 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a King, Geoff, |d 1960- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjGB8DrpdwrvdkQ86FFvQC |0 http://id.loc.gov/authorities/names/n2002025977 | |
| 245 | 1 | 0 | |a Quality Hollywood : |b markers of distinction in contemporary studio film / |c Geoff King. |
| 264 | 1 | |a London ; |a New York : |b I.B. Tauris, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a International library of moving image ; |v Volume 28 | |
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, March 4, 2019). | |
| 588 | 0 | |a Print version record. | |
| 520 | |a What defines 'quality' in contemporary Hollywood film? Although often seen as inhospitable to such work, the studios of the blockbuster-franchise era continue to produce features that make claims to higher status. Films such as The Social Network, The Assassination of Jesse James by the Coward Robert Ford and Mystic River are marked as distinctive from the mainstream norm. But how exactly, and how are such qualities mixed with more familiar Hollywood ingredients, as found in larger doses in other examples such as Blood Diamond and the blockbuster-scale Inception? Quality Hollywood is the first book to address these issues, featuring close analysis of case study films, critical responses and the wider notions of cultural value on which these draw. Geoff King argues that such films retain a presence as a minority strand of studio output. The reasons for this combine factors relating to economics, the power of certain filmmakers and Hollywood's investment in its own prestige. | ||
| 650 | 0 | |a Motion pictures |z United States |x Aesthetics. | |
| 650 | 0 | |a Motion pictures |z United States |x History. | |
| 650 | 0 | |a Quality (Aesthetics) |0 http://id.loc.gov/authorities/subjects/sh94009536 | |
| 650 | 6 | |a Cinéma |z États-Unis |x Esthétique. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire. | |
| 650 | 6 | |a Qualité (Esthétique) | |
| 650 | 7 | |a quality. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
| 650 | 7 | |a Quality (Aesthetics) |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Quality Hollywood (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGjjJKH6F6K9x6PTpHQ7RC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | |z 1-78453-044-1 | ||
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2025655 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH33401206 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH33322079 | ||
| 938 | |a EBSCOhost |b EBSC |n 2025655 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis38912450 | ||
| 938 | |a YBP Library Services |b YANK |n 300985836 | ||
| 938 | |a YBP Library Services |b YANK |n 16087416 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1004556209 |
|---|---|
| _version_ | 1816882400929513472 |
| adam_text | |
| any_adam_object | |
| author | King, Geoff, 1960- |
| author_GND | http://id.loc.gov/authorities/names/n2002025977 |
| author_facet | King, Geoff, 1960- |
| author_role | aut |
| author_sort | King, Geoff, 1960- |
| author_variant | g k gk |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.U6 |
| callnumber-search | PN1993.5.U6 |
| callnumber-sort | PN 41993.5 U6 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)1004556209 |
| dewey-full | 791.43015 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43015 |
| dewey-search | 791.43015 |
| dewey-sort | 3791.43015 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03823cam a2200673 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1004556209</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu|||unuuu</controlfield><controlfield tag="008">180511s2016 enka ob 000 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">IDEBK</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">IDEBK</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCF</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">QGK</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1259101450</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0857728164</subfield><subfield code="q">(ebk)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780857728166</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0857728857</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780857728852</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1004556209</subfield><subfield code="z">(OCoLC)1259101450</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">1036286</subfield><subfield code="b">MIL</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1993.5.U6</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.43015</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">King, Geoff,</subfield><subfield code="d">1960-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjGB8DrpdwrvdkQ86FFvQC</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2002025977</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Quality Hollywood :</subfield><subfield code="b">markers of distinction in contemporary studio film /</subfield><subfield code="c">Geoff King.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ;</subfield><subfield code="a">New York :</subfield><subfield code="b">I.B. Tauris,</subfield><subfield code="c">2016.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">International library of moving image ;</subfield><subfield code="v">Volume 28</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from PDF title page (EBSCO, March 4, 2019).</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">What defines 'quality' in contemporary Hollywood film? Although often seen as inhospitable to such work, the studios of the blockbuster-franchise era continue to produce features that make claims to higher status. Films such as The Social Network, The Assassination of Jesse James by the Coward Robert Ford and Mystic River are marked as distinctive from the mainstream norm. But how exactly, and how are such qualities mixed with more familiar Hollywood ingredients, as found in larger doses in other examples such as Blood Diamond and the blockbuster-scale Inception? Quality Hollywood is the first book to address these issues, featuring close analysis of case study films, critical responses and the wider notions of cultural value on which these draw. Geoff King argues that such films retain a presence as a minority strand of studio output. The reasons for this combine factors relating to economics, the power of certain filmmakers and Hollywood's investment in its own prestige.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield><subfield code="x">Aesthetics.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Quality (Aesthetics)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh94009536</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="z">États-Unis</subfield><subfield code="x">Esthétique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="z">États-Unis</subfield><subfield code="x">Histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Qualité (Esthétique)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">quality.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="x">Aesthetics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Quality (Aesthetics)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">United States</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Quality Hollywood (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGjjJKH6F6K9x6PTpHQ7RC</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">1-78453-044-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2025655</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH33401206</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH33322079</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2025655</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis38912450</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">300985836</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">16087416</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | History fast |
| genre_facet | History |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-on1004556209 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:28:01Z |
| institution | BVB |
| isbn | 0857728164 9780857728166 0857728857 9780857728852 |
| language | English |
| oclc_num | 1004556209 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | I.B. Tauris, |
| record_format | marc |
| series2 | International library of moving image ; |
| spelling | King, Geoff, 1960- author. https://id.oclc.org/worldcat/entity/E39PCjGB8DrpdwrvdkQ86FFvQC http://id.loc.gov/authorities/names/n2002025977 Quality Hollywood : markers of distinction in contemporary studio film / Geoff King. London ; New York : I.B. Tauris, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier International library of moving image ; Volume 28 Includes bibliographical references. Online resource; title from PDF title page (EBSCO, March 4, 2019). Print version record. What defines 'quality' in contemporary Hollywood film? Although often seen as inhospitable to such work, the studios of the blockbuster-franchise era continue to produce features that make claims to higher status. Films such as The Social Network, The Assassination of Jesse James by the Coward Robert Ford and Mystic River are marked as distinctive from the mainstream norm. But how exactly, and how are such qualities mixed with more familiar Hollywood ingredients, as found in larger doses in other examples such as Blood Diamond and the blockbuster-scale Inception? Quality Hollywood is the first book to address these issues, featuring close analysis of case study films, critical responses and the wider notions of cultural value on which these draw. Geoff King argues that such films retain a presence as a minority strand of studio output. The reasons for this combine factors relating to economics, the power of certain filmmakers and Hollywood's investment in its own prestige. Motion pictures United States Aesthetics. Motion pictures United States History. Quality (Aesthetics) http://id.loc.gov/authorities/subjects/sh94009536 Cinéma États-Unis Esthétique. Cinéma États-Unis Histoire. Qualité (Esthétique) quality. aat PERFORMING ARTS Reference. bisacsh Motion pictures fast Motion pictures Aesthetics fast Quality (Aesthetics) fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq History fast has work: Quality Hollywood (Text) https://id.oclc.org/worldcat/entity/E39PCGjjJKH6F6K9x6PTpHQ7RC https://id.oclc.org/worldcat/ontology/hasWork 1-78453-044-1 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2025655 Volltext |
| spellingShingle | King, Geoff, 1960- Quality Hollywood : markers of distinction in contemporary studio film / Motion pictures United States Aesthetics. Motion pictures United States History. Quality (Aesthetics) http://id.loc.gov/authorities/subjects/sh94009536 Cinéma États-Unis Esthétique. Cinéma États-Unis Histoire. Qualité (Esthétique) quality. aat PERFORMING ARTS Reference. bisacsh Motion pictures fast Motion pictures Aesthetics fast Quality (Aesthetics) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh94009536 |
| title | Quality Hollywood : markers of distinction in contemporary studio film / |
| title_auth | Quality Hollywood : markers of distinction in contemporary studio film / |
| title_exact_search | Quality Hollywood : markers of distinction in contemporary studio film / |
| title_full | Quality Hollywood : markers of distinction in contemporary studio film / Geoff King. |
| title_fullStr | Quality Hollywood : markers of distinction in contemporary studio film / Geoff King. |
| title_full_unstemmed | Quality Hollywood : markers of distinction in contemporary studio film / Geoff King. |
| title_short | Quality Hollywood : |
| title_sort | quality hollywood markers of distinction in contemporary studio film |
| title_sub | markers of distinction in contemporary studio film / |
| topic | Motion pictures United States Aesthetics. Motion pictures United States History. Quality (Aesthetics) http://id.loc.gov/authorities/subjects/sh94009536 Cinéma États-Unis Esthétique. Cinéma États-Unis Histoire. Qualité (Esthétique) quality. aat PERFORMING ARTS Reference. bisacsh Motion pictures fast Motion pictures Aesthetics fast Quality (Aesthetics) fast |
| topic_facet | Motion pictures United States Aesthetics. Motion pictures United States History. Quality (Aesthetics) Cinéma États-Unis Esthétique. Cinéma États-Unis Histoire. Qualité (Esthétique) quality. PERFORMING ARTS Reference. Motion pictures Motion pictures Aesthetics United States History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2025655 |
| work_keys_str_mv | AT kinggeoff qualityhollywoodmarkersofdistinctionincontemporarystudiofilm |