Vampires, race, and transnational Hollywoods /:
The figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victimś⁰₉ blood, so too does Hollywood renew itself by consuming foreign styles a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2017]
|
| Schriftenreihe: | Traditions in American cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victimś⁰₉ blood, so too does Hollywood renew itself by consuming foreign styles and talent, moving to overseas locations, and proliferating in new guises. In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood́⁰₉s vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampiré⁰₉s popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes. Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universaĺ⁰₉s Dracula and DrÃŁcula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation. |
| Beschreibung: | 1 online resource (xiii, 282 pages) : illustrations |
| Bibliographie: | Includes filmography (pages 240-244), bibliographical references (pages 245-263) and index. |
| ISBN: | 9781474434768 1474434762 9781474423090 1474423094 |
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| contents | Introduction: migrations and mutations -- Blood, bodies, and borders -- "Making" Americans from foreigners -- Classical Hollywood vampires: the unnatural whiteness of America -- International Hollywood vampires: cosmopolitanisms of "foreign movies" -- Vampires of color: a critique of multicultural whiteness -- Terrorist vampires: religious heritage or planetary advocacy -- Other vampires, other Hollywoods: serialized citizenship and narrowcast difference -- Conclusion: history and Hollywood, mashed-up. |
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| spelling | Hudson, Dale M., 1965- author. http://id.loc.gov/authorities/names/no2004092526 Vampires, race, and transnational Hollywoods / Dale Hudson. Edinburgh : Edinburgh University Press, [2017] ©2017 1 online resource (xiii, 282 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Traditions in American cinema Includes filmography (pages 240-244), bibliographical references (pages 245-263) and index. Introduction: migrations and mutations -- Blood, bodies, and borders -- "Making" Americans from foreigners -- Classical Hollywood vampires: the unnatural whiteness of America -- International Hollywood vampires: cosmopolitanisms of "foreign movies" -- Vampires of color: a critique of multicultural whiteness -- Terrorist vampires: religious heritage or planetary advocacy -- Other vampires, other Hollywoods: serialized citizenship and narrowcast difference -- Conclusion: history and Hollywood, mashed-up. Print version record. The figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victimś⁰₉ blood, so too does Hollywood renew itself by consuming foreign styles and talent, moving to overseas locations, and proliferating in new guises. In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood́⁰₉s vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampiré⁰₉s popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes. Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universaĺ⁰₉s Dracula and DrÃŁcula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation. Vampire films History and criticism. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh Vampire films fast Electronic books. Criticism, interpretation, etc. fast has work: Vampires, race, and transnational Hollywoods (Text) https://id.oclc.org/worldcat/entity/E39PCGPkXKCpQ4YBVQrcfGp44m https://id.oclc.org/worldcat/ontology/hasWork Print version: Hudson, Dale M., 1965- Vampires, race, and transnational Hollywoods. Edinburgh : Edinburgh University Press, [2017] 9781474423083 (OCoLC)988185559 Traditions in American cinema. http://id.loc.gov/authorities/names/no2014085852 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1584972 Volltext |
| spellingShingle | Hudson, Dale M., 1965- Vampires, race, and transnational Hollywoods / Traditions in American cinema. Introduction: migrations and mutations -- Blood, bodies, and borders -- "Making" Americans from foreigners -- Classical Hollywood vampires: the unnatural whiteness of America -- International Hollywood vampires: cosmopolitanisms of "foreign movies" -- Vampires of color: a critique of multicultural whiteness -- Terrorist vampires: religious heritage or planetary advocacy -- Other vampires, other Hollywoods: serialized citizenship and narrowcast difference -- Conclusion: history and Hollywood, mashed-up. Vampire films History and criticism. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh Vampire films fast |
| title | Vampires, race, and transnational Hollywoods / |
| title_auth | Vampires, race, and transnational Hollywoods / |
| title_exact_search | Vampires, race, and transnational Hollywoods / |
| title_full | Vampires, race, and transnational Hollywoods / Dale Hudson. |
| title_fullStr | Vampires, race, and transnational Hollywoods / Dale Hudson. |
| title_full_unstemmed | Vampires, race, and transnational Hollywoods / Dale Hudson. |
| title_short | Vampires, race, and transnational Hollywoods / |
| title_sort | vampires race and transnational hollywoods |
| topic | Vampire films History and criticism. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh Vampire films fast |
| topic_facet | Vampire films History and criticism. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video Direction & Production. Vampire films Electronic books. Criticism, interpretation, etc. |
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