Greek laughter and tears :: antiquity and after /
Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotio...
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| Körperschaften: | , |
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| Format: | Elektronisch Tagungsbericht E-Book |
| Sprache: | English Ancient Greek |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2017]
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| Schriftenreihe: | Edinburgh Leventis studies.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity. Key features Includes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sideways Highlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity. Key features Includes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sideways Highlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance |
| Beschreibung: | "The papers presented in the this volume represent the completely revised and rewritten record of the Eighth A.G. Leventis Conference in Greek, Edinburgh, 7-10 November 2013"--Page xi |
| Beschreibung: | 1 online resource (xviii, 486 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 420-471) and index. |
| ISBN: | 9781474403801 1474403808 9781474403818 1474403816 |
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| 245 | 0 | 0 | |a Greek laughter and tears : |b antiquity and after / |c edited by Margaret Alexiou and Douglas Cairns. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2017] | |
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| 490 | 1 | |a Edinburgh Leventis Studies ; |v 8 | |
| 500 | |a "The papers presented in the this volume represent the completely revised and rewritten record of the Eighth A.G. Leventis Conference in Greek, Edinburgh, 7-10 November 2013"--Page xi | ||
| 504 | |a Includes bibliographical references (pages 420-471) and index. | ||
| 546 | |a English text with selections in Greek with parallel English translations. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g 1. |t Introduction / |r Margaret Alexiou and Douglas Cairns -- |g Part I. |t Ancient keynotes : from Homer to Lucian. |g 2. |t Laughter and tears in early Greek literature / |r Richard Seaford -- |g 3. |t Imaging divine laughter in Homer and Lucian / |r Stephen Halliwell -- |g 4. |t Parody, symbol and the literary past in Lucian / |r Calum Maciver -- |g Part 2. |t Ancient models, Byzantine collections : epigrams, riddles and jokes. |g 5. |t 'Tantalus ever in tears': the Greek anthology as a source of emotions in late antiquity / |r Judith Herrin -- |g 6. |t 'Do you think you're clever? Solve this riddle, then!' The comic side of Byzantine enigmatic poetry / |r Simone Beta -- |g 7. |t Philogelos : an anti-intellectual joke-book / |r Stephen West. -- |g Part 3. |t Byzantine perspectives : tears and laughter, theory and praxis. |g 9. |t 'Messages of the soul' : tears, smiles, laughter and emotions expressed by them in Byzantine literature / |r Martin Hinterberger |g 9. |t Towards a Byzantine theory of the comic? / |r Aglae Pizzone -- |g 10. |t Staging laughter and tears : Libanius, Chrysostom and the riot of the statues / |r Jan R. Stenger -- |g 11. |t Lamenting for the fall of Jerusalem in the seventh century CE / |r Ioannis Papadogiannakis -- |g 12. |t Guiding grief : liturgical poetry and ritual lamentation in early Byzantium / |r Susan Harvey. |g Part 4. |t Laughter, power and subversion. |g 13. |t Mime and the dangers of laughter in late antiquity / |r Ruth Webb -- |g . 14. |t Laughter on display : mimic P\performances and the danger of laughing in Byzantium / |r Przemeslaw Marciniak -- |g 15. |t The power of amusement and the amusement of power : the princely frescoes of St. Sophia, Kiev, and their connections to the Byzantine world / |r Elena Boeck -- |g 16. |t Laughing at Eros and Aphrodite : aexual inversion and its resolution in the classicising arts of medieval Byzantium / |r Alicia Walker -- |g Part 5. |t Gender, genre and language : loss and survival. |g 17. |t Comforting tears and suggestive smiles : to laugh and cry in the Komnenian novel / |r Ingela Nilsson -- |g 18. |t Do brothers weep? Male grief, mourning, lament and tears in eleventh- and twelfth-century Byzantium / |r Margaret Mullett -- |g 19. |t Laments by Nicetas Choniates and others for the fall of Constantinople in 1204 / |r Michael Angold -- |g 20. |t 'Words filled with tears' : amorous discourse as lamentation in the Palaiologan romances / |r Panagiotis Agapitos -- |g 21. |t The tragic, the comic and tragi-comic in Cretan renaissance literature / |r David Holton -- |g 22. |t Belisarius in the shadow theatre : the private calvary of a legendary general / |r Anna Stavrakopoulou -- |g 23. |t Afterword / |r Roderick Beaton -- |g Appendix. |t Chyrogles, or The girl with two husbands. |
| 520 | |a Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity. Key features Includes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sideways Highlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity. Key features Includes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sideways Highlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance | ||
| 650 | 0 | |a Emotions in music. |0 http://id.loc.gov/authorities/subjects/sh2005003066 | |
| 650 | 0 | |a Emotions in art. |0 http://id.loc.gov/authorities/subjects/sh85042824 | |
| 650 | 0 | |a Emotions in literature. |0 http://id.loc.gov/authorities/subjects/sh85042826 | |
| 650 | 0 | |a Greek literature |x History and criticism. | |
| 650 | 6 | |a Littérature grecque |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x Ancient & Classical. |2 bisacsh | |
| 650 | 7 | |a HISTORY |x Ancient |x General. |2 bisacsh | |
| 650 | 7 | |a Emotions in art |2 fast | |
| 650 | 7 | |a Emotions in literature |2 fast | |
| 650 | 7 | |a Emotions in music |2 fast | |
| 650 | 7 | |a Greek literature |2 fast | |
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| 700 | 1 | |a Alexiou, Margaret. | |
| 700 | 1 | |a Cairns, Douglas L. | |
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| author_additional | Margaret Alexiou and Douglas Cairns -- Richard Seaford -- Stephen Halliwell -- Calum Maciver -- Judith Herrin -- Simone Beta -- Stephen West. -- Martin Hinterberger Aglae Pizzone -- Jan R. Stenger -- Ioannis Papadogiannakis -- Susan Harvey. Ruth Webb -- Przemeslaw Marciniak -- Elena Boeck -- Alicia Walker -- Ingela Nilsson -- Margaret Mullett -- Michael Angold -- Panagiotis Agapitos -- David Holton -- Anna Stavrakopoulou -- Roderick Beaton -- |
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| contents | Introduction / Ancient keynotes : from Homer to Lucian. Laughter and tears in early Greek literature / Imaging divine laughter in Homer and Lucian / Parody, symbol and the literary past in Lucian / Ancient models, Byzantine collections : epigrams, riddles and jokes. 'Tantalus ever in tears': the Greek anthology as a source of emotions in late antiquity / 'Do you think you're clever? Solve this riddle, then!' The comic side of Byzantine enigmatic poetry / Philogelos : an anti-intellectual joke-book / Byzantine perspectives : tears and laughter, theory and praxis. 'Messages of the soul' : tears, smiles, laughter and emotions expressed by them in Byzantine literature / Towards a Byzantine theory of the comic? / Staging laughter and tears : Libanius, Chrysostom and the riot of the statues / Lamenting for the fall of Jerusalem in the seventh century CE / Guiding grief : liturgical poetry and ritual lamentation in early Byzantium / Laughter, power and subversion. Mime and the dangers of laughter in late antiquity / Laughter on display : mimic P\performances and the danger of laughing in Byzantium / The power of amusement and the amusement of power : the princely frescoes of St. Sophia, Kiev, and their connections to the Byzantine world / Laughing at Eros and Aphrodite : aexual inversion and its resolution in the classicising arts of medieval Byzantium / Gender, genre and language : loss and survival. Comforting tears and suggestive smiles : to laugh and cry in the Komnenian novel / Do brothers weep? Male grief, mourning, lament and tears in eleventh- and twelfth-century Byzantium / Laments by Nicetas Choniates and others for the fall of Constantinople in 1204 / 'Words filled with tears' : amorous discourse as lamentation in the Palaiologan romances / The tragic, the comic and tragi-comic in Cretan renaissance literature / Belisarius in the shadow theatre : the private calvary of a legendary general / Afterword / Chyrogles, or The girl with two husbands. |
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| dewey-sort | 3880.9 3353 |
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| discipline | Geschichte Philologie / Byzantinistik / Neulatein |
| format | Electronic Conference Proceeding eBook |
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Solve this riddle, then!' The comic side of Byzantine enigmatic poetry /</subfield><subfield code="r">Simone Beta --</subfield><subfield code="g">7.</subfield><subfield code="t">Philogelos : an anti-intellectual joke-book /</subfield><subfield code="r">Stephen West. --</subfield><subfield code="g">Part 3.</subfield><subfield code="t">Byzantine perspectives : tears and laughter, theory and praxis.</subfield><subfield code="g">9.</subfield><subfield code="t">'Messages of the soul' : tears, smiles, laughter and emotions expressed by them in Byzantine literature /</subfield><subfield code="r">Martin Hinterberger</subfield><subfield code="g">9.</subfield><subfield code="t">Towards a Byzantine theory of the comic? /</subfield><subfield code="r">Aglae Pizzone --</subfield><subfield code="g">10.</subfield><subfield code="t">Staging laughter and tears : Libanius, Chrysostom and the riot of the statues /</subfield><subfield code="r">Jan R. Stenger --</subfield><subfield code="g">11.</subfield><subfield code="t">Lamenting for the fall of Jerusalem in the seventh century CE /</subfield><subfield code="r">Ioannis Papadogiannakis --</subfield><subfield code="g">12.</subfield><subfield code="t">Guiding grief : liturgical poetry and ritual lamentation in early Byzantium /</subfield><subfield code="r">Susan Harvey.</subfield><subfield code="g">Part 4.</subfield><subfield code="t">Laughter, power and subversion.</subfield><subfield code="g">13.</subfield><subfield code="t">Mime and the dangers of laughter in late antiquity /</subfield><subfield code="r">Ruth Webb --</subfield><subfield code="g">. 14.</subfield><subfield code="t">Laughter on display : mimic P\performances and the danger of laughing in Byzantium /</subfield><subfield code="r">Przemeslaw Marciniak --</subfield><subfield code="g">15.</subfield><subfield code="t">The power of amusement and the amusement of power : the princely frescoes of St. Sophia, Kiev, and their connections to the Byzantine world /</subfield><subfield code="r">Elena Boeck --</subfield><subfield code="g">16.</subfield><subfield code="t">Laughing at Eros and Aphrodite : aexual inversion and its resolution in the classicising arts of medieval Byzantium /</subfield><subfield code="r">Alicia Walker --</subfield><subfield code="g">Part 5.</subfield><subfield code="t">Gender, genre and language : loss and survival.</subfield><subfield code="g">17.</subfield><subfield code="t">Comforting tears and suggestive smiles : to laugh and cry in the Komnenian novel /</subfield><subfield code="r">Ingela Nilsson --</subfield><subfield code="g">18.</subfield><subfield code="t">Do brothers weep? Male grief, mourning, lament and tears in eleventh- and twelfth-century Byzantium /</subfield><subfield code="r">Margaret Mullett --</subfield><subfield code="g">19.</subfield><subfield code="t">Laments by Nicetas Choniates and others for the fall of Constantinople in 1204 /</subfield><subfield code="r">Michael Angold --</subfield><subfield code="g">20.</subfield><subfield code="t">'Words filled with tears' : amorous discourse as lamentation in the Palaiologan romances /</subfield><subfield code="r">Panagiotis Agapitos --</subfield><subfield code="g">21.</subfield><subfield code="t">The tragic, the comic and tragi-comic in Cretan renaissance literature /</subfield><subfield code="r">David Holton --</subfield><subfield code="g">22.</subfield><subfield code="t">Belisarius in the shadow theatre : the private calvary of a legendary general /</subfield><subfield code="r">Anna Stavrakopoulou --</subfield><subfield code="g">23.</subfield><subfield code="t">Afterword /</subfield><subfield code="r">Roderick Beaton --</subfield><subfield code="g">Appendix.</subfield><subfield code="t">Chyrogles, or The girl with two husbands.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity. Key features Includes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sideways Highlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? 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Key features Includes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sideways Highlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Emotions in music.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2005003066</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Emotions in art.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85042824</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Emotions in literature.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85042826</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Greek literature</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Littérature grecque</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM</subfield><subfield code="x">Ancient & Classical.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY</subfield><subfield code="x">Ancient</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Emotions in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Emotions in literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Emotions in music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Greek literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="2"><subfield code="a">Congress</subfield><subfield code="0">https://id.nlm.nih.gov/mesh/D016423</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">proceedings (reports)</subfield><subfield code="2">aat</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Conference papers and proceedings</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Conference papers and proceedings.</subfield><subfield code="2">lcgft</subfield><subfield code="0">http://id.loc.gov/authorities/genreForms/gf2014026068</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Actes de congrès.</subfield><subfield code="2">rvmgf</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Alexiou, Margaret.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cairns, Douglas L.</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">University of Edinburgh.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n80010178</subfield></datafield><datafield tag="711" ind1="2" ind2=" "><subfield code="a">A.G. 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| indexdate | 2024-11-27T13:27:59Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/n80010178 |
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| publisher | Edinburgh University Press, |
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| series | Edinburgh Leventis studies. |
| series2 | Edinburgh Leventis Studies ; |
| spelling | Greek laughter and tears : antiquity and after / edited by Margaret Alexiou and Douglas Cairns. Edinburgh : Edinburgh University Press, [2017] ©2017 1 online resource (xviii, 486 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Edinburgh Leventis Studies ; 8 "The papers presented in the this volume represent the completely revised and rewritten record of the Eighth A.G. Leventis Conference in Greek, Edinburgh, 7-10 November 2013"--Page xi Includes bibliographical references (pages 420-471) and index. English text with selections in Greek with parallel English translations. Print version record. 1. Introduction / Margaret Alexiou and Douglas Cairns -- Part I. Ancient keynotes : from Homer to Lucian. 2. Laughter and tears in early Greek literature / Richard Seaford -- 3. Imaging divine laughter in Homer and Lucian / Stephen Halliwell -- 4. Parody, symbol and the literary past in Lucian / Calum Maciver -- Part 2. Ancient models, Byzantine collections : epigrams, riddles and jokes. 5. 'Tantalus ever in tears': the Greek anthology as a source of emotions in late antiquity / Judith Herrin -- 6. 'Do you think you're clever? Solve this riddle, then!' The comic side of Byzantine enigmatic poetry / Simone Beta -- 7. Philogelos : an anti-intellectual joke-book / Stephen West. -- Part 3. Byzantine perspectives : tears and laughter, theory and praxis. 9. 'Messages of the soul' : tears, smiles, laughter and emotions expressed by them in Byzantine literature / Martin Hinterberger 9. Towards a Byzantine theory of the comic? / Aglae Pizzone -- 10. Staging laughter and tears : Libanius, Chrysostom and the riot of the statues / Jan R. Stenger -- 11. Lamenting for the fall of Jerusalem in the seventh century CE / Ioannis Papadogiannakis -- 12. Guiding grief : liturgical poetry and ritual lamentation in early Byzantium / Susan Harvey. Part 4. Laughter, power and subversion. 13. Mime and the dangers of laughter in late antiquity / Ruth Webb -- . 14. Laughter on display : mimic P\performances and the danger of laughing in Byzantium / Przemeslaw Marciniak -- 15. The power of amusement and the amusement of power : the princely frescoes of St. Sophia, Kiev, and their connections to the Byzantine world / Elena Boeck -- 16. Laughing at Eros and Aphrodite : aexual inversion and its resolution in the classicising arts of medieval Byzantium / Alicia Walker -- Part 5. Gender, genre and language : loss and survival. 17. Comforting tears and suggestive smiles : to laugh and cry in the Komnenian novel / Ingela Nilsson -- 18. Do brothers weep? Male grief, mourning, lament and tears in eleventh- and twelfth-century Byzantium / Margaret Mullett -- 19. Laments by Nicetas Choniates and others for the fall of Constantinople in 1204 / Michael Angold -- 20. 'Words filled with tears' : amorous discourse as lamentation in the Palaiologan romances / Panagiotis Agapitos -- 21. The tragic, the comic and tragi-comic in Cretan renaissance literature / David Holton -- 22. Belisarius in the shadow theatre : the private calvary of a legendary general / Anna Stavrakopoulou -- 23. Afterword / Roderick Beaton -- Appendix. Chyrogles, or The girl with two husbands. Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity. Key features Includes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sideways Highlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity. Key features Includes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sideways Highlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance Emotions in music. http://id.loc.gov/authorities/subjects/sh2005003066 Emotions in art. http://id.loc.gov/authorities/subjects/sh85042824 Emotions in literature. http://id.loc.gov/authorities/subjects/sh85042826 Greek literature History and criticism. Littérature grecque Histoire et critique. LITERARY CRITICISM Ancient & Classical. bisacsh HISTORY Ancient General. bisacsh Emotions in art fast Emotions in literature fast Emotions in music fast Greek literature fast Congress https://id.nlm.nih.gov/mesh/D016423 proceedings (reports) aat Conference papers and proceedings fast Criticism, interpretation, etc. fast Conference papers and proceedings. lcgft http://id.loc.gov/authorities/genreForms/gf2014026068 Actes de congrès. rvmgf Alexiou, Margaret. Cairns, Douglas L. University of Edinburgh. http://id.loc.gov/authorities/names/n80010178 A.G. Leventis Conference in Greek (8th : 2013 : Edinburgh) has work: Greek laughter and tears (Text) https://id.oclc.org/worldcat/entity/E39PCFHdyBjqtKPjWwc7XxWTDy https://id.oclc.org/worldcat/ontology/hasWork Print version: Greek laughter and tears. Edinburgh : Edinburgh University Press, [2017] 9781474403795 (OCoLC)951724637 Edinburgh Leventis studies. http://id.loc.gov/authorities/names/no2001029493 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1584949 Volltext |
| spellingShingle | Greek laughter and tears : antiquity and after / Edinburgh Leventis studies. Introduction / Ancient keynotes : from Homer to Lucian. Laughter and tears in early Greek literature / Imaging divine laughter in Homer and Lucian / Parody, symbol and the literary past in Lucian / Ancient models, Byzantine collections : epigrams, riddles and jokes. 'Tantalus ever in tears': the Greek anthology as a source of emotions in late antiquity / 'Do you think you're clever? Solve this riddle, then!' The comic side of Byzantine enigmatic poetry / Philogelos : an anti-intellectual joke-book / Byzantine perspectives : tears and laughter, theory and praxis. 'Messages of the soul' : tears, smiles, laughter and emotions expressed by them in Byzantine literature / Towards a Byzantine theory of the comic? / Staging laughter and tears : Libanius, Chrysostom and the riot of the statues / Lamenting for the fall of Jerusalem in the seventh century CE / Guiding grief : liturgical poetry and ritual lamentation in early Byzantium / Laughter, power and subversion. Mime and the dangers of laughter in late antiquity / Laughter on display : mimic P\performances and the danger of laughing in Byzantium / The power of amusement and the amusement of power : the princely frescoes of St. Sophia, Kiev, and their connections to the Byzantine world / Laughing at Eros and Aphrodite : aexual inversion and its resolution in the classicising arts of medieval Byzantium / Gender, genre and language : loss and survival. Comforting tears and suggestive smiles : to laugh and cry in the Komnenian novel / Do brothers weep? Male grief, mourning, lament and tears in eleventh- and twelfth-century Byzantium / Laments by Nicetas Choniates and others for the fall of Constantinople in 1204 / 'Words filled with tears' : amorous discourse as lamentation in the Palaiologan romances / The tragic, the comic and tragi-comic in Cretan renaissance literature / Belisarius in the shadow theatre : the private calvary of a legendary general / Afterword / Chyrogles, or The girl with two husbands. Emotions in music. http://id.loc.gov/authorities/subjects/sh2005003066 Emotions in art. http://id.loc.gov/authorities/subjects/sh85042824 Emotions in literature. http://id.loc.gov/authorities/subjects/sh85042826 Greek literature History and criticism. Littérature grecque Histoire et critique. LITERARY CRITICISM Ancient & Classical. bisacsh HISTORY Ancient General. bisacsh Emotions in art fast Emotions in literature fast Emotions in music fast Greek literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2005003066 http://id.loc.gov/authorities/subjects/sh85042824 http://id.loc.gov/authorities/subjects/sh85042826 https://id.nlm.nih.gov/mesh/D016423 http://id.loc.gov/authorities/genreForms/gf2014026068 |
| title | Greek laughter and tears : antiquity and after / |
| title_alt | Introduction / Ancient keynotes : from Homer to Lucian. Laughter and tears in early Greek literature / Imaging divine laughter in Homer and Lucian / Parody, symbol and the literary past in Lucian / Ancient models, Byzantine collections : epigrams, riddles and jokes. 'Tantalus ever in tears': the Greek anthology as a source of emotions in late antiquity / 'Do you think you're clever? Solve this riddle, then!' The comic side of Byzantine enigmatic poetry / Philogelos : an anti-intellectual joke-book / Byzantine perspectives : tears and laughter, theory and praxis. 'Messages of the soul' : tears, smiles, laughter and emotions expressed by them in Byzantine literature / Towards a Byzantine theory of the comic? / Staging laughter and tears : Libanius, Chrysostom and the riot of the statues / Lamenting for the fall of Jerusalem in the seventh century CE / Guiding grief : liturgical poetry and ritual lamentation in early Byzantium / Laughter, power and subversion. Mime and the dangers of laughter in late antiquity / Laughter on display : mimic P\performances and the danger of laughing in Byzantium / The power of amusement and the amusement of power : the princely frescoes of St. Sophia, Kiev, and their connections to the Byzantine world / Laughing at Eros and Aphrodite : aexual inversion and its resolution in the classicising arts of medieval Byzantium / Gender, genre and language : loss and survival. Comforting tears and suggestive smiles : to laugh and cry in the Komnenian novel / Do brothers weep? Male grief, mourning, lament and tears in eleventh- and twelfth-century Byzantium / Laments by Nicetas Choniates and others for the fall of Constantinople in 1204 / 'Words filled with tears' : amorous discourse as lamentation in the Palaiologan romances / The tragic, the comic and tragi-comic in Cretan renaissance literature / Belisarius in the shadow theatre : the private calvary of a legendary general / Afterword / Chyrogles, or The girl with two husbands. |
| title_auth | Greek laughter and tears : antiquity and after / |
| title_exact_search | Greek laughter and tears : antiquity and after / |
| title_full | Greek laughter and tears : antiquity and after / edited by Margaret Alexiou and Douglas Cairns. |
| title_fullStr | Greek laughter and tears : antiquity and after / edited by Margaret Alexiou and Douglas Cairns. |
| title_full_unstemmed | Greek laughter and tears : antiquity and after / edited by Margaret Alexiou and Douglas Cairns. |
| title_short | Greek laughter and tears : |
| title_sort | greek laughter and tears antiquity and after |
| title_sub | antiquity and after / |
| topic | Emotions in music. http://id.loc.gov/authorities/subjects/sh2005003066 Emotions in art. http://id.loc.gov/authorities/subjects/sh85042824 Emotions in literature. http://id.loc.gov/authorities/subjects/sh85042826 Greek literature History and criticism. Littérature grecque Histoire et critique. LITERARY CRITICISM Ancient & Classical. bisacsh HISTORY Ancient General. bisacsh Emotions in art fast Emotions in literature fast Emotions in music fast Greek literature fast |
| topic_facet | Emotions in music. Emotions in art. Emotions in literature. Greek literature History and criticism. Littérature grecque Histoire et critique. LITERARY CRITICISM Ancient & Classical. HISTORY Ancient General. Emotions in art Emotions in literature Emotions in music Greek literature Congress proceedings (reports) Conference papers and proceedings Criticism, interpretation, etc. Conference papers and proceedings. Actes de congrès. |
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