Disappearing war :: interdisciplinary perspectives on cinema and erasure in the post-9/11 world /
The battles fought in the name of the ́⁰war on terroŕ⁰₉ have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and u...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press Ltd,
[2017]
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | The battles fought in the name of the ́⁰war on terroŕ⁰₉ have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unintentional processes of erasure through which the distortion happens? What are their consequences? Cinema is a key site at which questions about our highly mediated experience of war can be addressed or, more significantly, elided. Looking at a range of films that have provoked debate, from award-winning features like Zero Dark Thirty and American Sniper, to documentaries like Kill List and Dirty Wars, as well as at the work of visual artists like Harun Farocki and Omer Fast, this book examines the practices of erasure in the cinematic representation of recent military interventions. Drawing on representations of war-related death, dying and bodily damage, this provocative collection addresses ́⁰what́⁰₉s missinǵ⁰₉ in existing scholarly responses to modern warfare; in film studies, as well as in politics and international relations. |
| Beschreibung: | 1 online resource (xiii, 202 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781474416573 1474416578 |
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| 245 | 0 | 0 | |a Disappearing war : |b interdisciplinary perspectives on cinema and erasure in the post-9/11 world / |c edited by Christina Hellmich and Lisa Purse. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press Ltd, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xiii, 202 pages) : |b illustrations | ||
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| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g 1. |t Introduction: Cinema and the Epistemology of War / |r Christina Hellmich and Lisa Purse -- |g 2. |t Good Kill? US Soldiers and the Killing of Civilians in American Film / |r Cora Sol Goldstein -- |g 3. |t '5,000 feet is the best': Drone Warfare, Targets and Paul Virilio's 'Accident' / |r Agnieszka Piotrowska -- |g 4. |t Post-heroic War/The Body at Risk / |r Robert Burgoyne -- |g 5. |t Disappearing Bodies: Visualising the Maywand District Murders / |r Thomas Gregory -- |g 6. |t The Unknowable Soldier: Ethical Erasure in The Master's Facial Close-ups / |r James Harvey -- |g 7. |t Visible Dead Bodies and the Technologies of Erasure in the War on Terror / |r Jessica Auchter -- |g 8. |t Ambiguity, Ambivalence and Absence in Zero Dark Thirty / |r Lisa Purse -- |g 9. |t Invisible War: Broadcast Television Documentary and Iraq / |r Janet Harris -- |g 10. |t Nine Cinematic Devices for Staging (In)visible War and the (Vanishing) Colonial Present / |r Shohini Chaudhuri -- |g 11. |t Afterword: Reflections on Knowing War / |r Christina Hellmich. |
| 588 | 0 | |a Print version record. | |
| 520 | |a The battles fought in the name of the ́⁰war on terroŕ⁰₉ have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unintentional processes of erasure through which the distortion happens? What are their consequences? Cinema is a key site at which questions about our highly mediated experience of war can be addressed or, more significantly, elided. Looking at a range of films that have provoked debate, from award-winning features like Zero Dark Thirty and American Sniper, to documentaries like Kill List and Dirty Wars, as well as at the work of visual artists like Harun Farocki and Omer Fast, this book examines the practices of erasure in the cinematic representation of recent military interventions. Drawing on representations of war-related death, dying and bodily damage, this provocative collection addresses ́⁰what́⁰₉s missinǵ⁰₉ in existing scholarly responses to modern warfare; in film studies, as well as in politics and international relations. | ||
| 650 | 0 | |a War films |x History and criticism. | |
| 650 | 6 | |a Films de guerre |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a War films |2 fast | |
| 650 | 7 | |a Elfter September |2 gnd |0 http://d-nb.info/gnd/4667841-4 | |
| 650 | 7 | |a Kriegsfilm |2 gnd |0 http://d-nb.info/gnd/4165687-8 | |
| 650 | 7 | |a Dokumentarfilm |2 gnd |0 http://d-nb.info/gnd/4012653-5 | |
| 650 | 7 | |a Krieg |g Motiv |2 gnd |0 http://d-nb.info/gnd/4136410-7 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Hellmich, Christina, |d 1978- |e editor. |0 http://id.loc.gov/authorities/names/no2009175201 | |
| 700 | 1 | |a Purse, Lisa, |e editor. | |
| 758 | |i has work: |a Disappearing war (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGRwtbTBm77CCFMMtbcwYP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Disappearing war. |d Edinburgh : Edinburgh University Press Ltd, [2017] |z 9781474416566 |w (OCoLC)955313102 |
| 966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1584973 |3 Volltext |
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| 938 | |a EBSCOhost |b EBSC |n 1584973 | ||
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Datensatz im Suchindex
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| _version_ | 1829095116852166656 |
| adam_text | |
| any_adam_object | |
| author2 | Hellmich, Christina, 1978- Purse, Lisa |
| author2_role | edt edt |
| author2_variant | c h ch l p lp |
| author_GND | http://id.loc.gov/authorities/names/no2009175201 |
| author_additional | Christina Hellmich and Lisa Purse -- Cora Sol Goldstein -- Agnieszka Piotrowska -- Robert Burgoyne -- Thomas Gregory -- James Harvey -- Jessica Auchter -- Lisa Purse -- Janet Harris -- Shohini Chaudhuri -- Christina Hellmich. |
| author_facet | Hellmich, Christina, 1978- Purse, Lisa |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.W3 D57 2017eb |
| callnumber-search | PN1995.9.W3 D57 2017eb |
| callnumber-sort | PN 41995.9 W3 D57 42017EB |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 52700 |
| collection | ZDB-4-EBA |
| contents | Introduction: Cinema and the Epistemology of War / Good Kill? US Soldiers and the Killing of Civilians in American Film / '5,000 feet is the best': Drone Warfare, Targets and Paul Virilio's 'Accident' / Post-heroic War/The Body at Risk / Disappearing Bodies: Visualising the Maywand District Murders / The Unknowable Soldier: Ethical Erasure in The Master's Facial Close-ups / Visible Dead Bodies and the Technologies of Erasure in the War on Terror / Ambiguity, Ambivalence and Absence in Zero Dark Thirty / Invisible War: Broadcast Television Documentary and Iraq / Nine Cinematic Devices for Staging (In)visible War and the (Vanishing) Colonial Present / Afterword: Reflections on Knowing War / |
| ctrlnum | (OCoLC)1002303850 |
| dewey-full | 791.43/6581 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6581 |
| dewey-search | 791.43/6581 |
| dewey-sort | 3791.43 46581 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1002303850 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:43:55Z |
| institution | BVB |
| isbn | 9781474416573 1474416578 |
| language | English |
| oclc_num | 1002303850 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 202 pages) : illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Edinburgh University Press Ltd, |
| record_format | marc |
| spelling | Disappearing war : interdisciplinary perspectives on cinema and erasure in the post-9/11 world / edited by Christina Hellmich and Lisa Purse. Edinburgh : Edinburgh University Press Ltd, [2017] ©2017 1 online resource (xiii, 202 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. 1. Introduction: Cinema and the Epistemology of War / Christina Hellmich and Lisa Purse -- 2. Good Kill? US Soldiers and the Killing of Civilians in American Film / Cora Sol Goldstein -- 3. '5,000 feet is the best': Drone Warfare, Targets and Paul Virilio's 'Accident' / Agnieszka Piotrowska -- 4. Post-heroic War/The Body at Risk / Robert Burgoyne -- 5. Disappearing Bodies: Visualising the Maywand District Murders / Thomas Gregory -- 6. The Unknowable Soldier: Ethical Erasure in The Master's Facial Close-ups / James Harvey -- 7. Visible Dead Bodies and the Technologies of Erasure in the War on Terror / Jessica Auchter -- 8. Ambiguity, Ambivalence and Absence in Zero Dark Thirty / Lisa Purse -- 9. Invisible War: Broadcast Television Documentary and Iraq / Janet Harris -- 10. Nine Cinematic Devices for Staging (In)visible War and the (Vanishing) Colonial Present / Shohini Chaudhuri -- 11. Afterword: Reflections on Knowing War / Christina Hellmich. Print version record. The battles fought in the name of the ́⁰war on terroŕ⁰₉ have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unintentional processes of erasure through which the distortion happens? What are their consequences? Cinema is a key site at which questions about our highly mediated experience of war can be addressed or, more significantly, elided. Looking at a range of films that have provoked debate, from award-winning features like Zero Dark Thirty and American Sniper, to documentaries like Kill List and Dirty Wars, as well as at the work of visual artists like Harun Farocki and Omer Fast, this book examines the practices of erasure in the cinematic representation of recent military interventions. Drawing on representations of war-related death, dying and bodily damage, this provocative collection addresses ́⁰what́⁰₉s missinǵ⁰₉ in existing scholarly responses to modern warfare; in film studies, as well as in politics and international relations. War films History and criticism. Films de guerre Histoire et critique. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh War films fast Elfter September gnd http://d-nb.info/gnd/4667841-4 Kriegsfilm gnd http://d-nb.info/gnd/4165687-8 Dokumentarfilm gnd http://d-nb.info/gnd/4012653-5 Krieg Motiv gnd http://d-nb.info/gnd/4136410-7 Criticism, interpretation, etc. fast Hellmich, Christina, 1978- editor. http://id.loc.gov/authorities/names/no2009175201 Purse, Lisa, editor. has work: Disappearing war (Text) https://id.oclc.org/worldcat/entity/E39PCGRwtbTBm77CCFMMtbcwYP https://id.oclc.org/worldcat/ontology/hasWork Print version: Disappearing war. Edinburgh : Edinburgh University Press Ltd, [2017] 9781474416566 (OCoLC)955313102 |
| spellingShingle | Disappearing war : interdisciplinary perspectives on cinema and erasure in the post-9/11 world / Introduction: Cinema and the Epistemology of War / Good Kill? US Soldiers and the Killing of Civilians in American Film / '5,000 feet is the best': Drone Warfare, Targets and Paul Virilio's 'Accident' / Post-heroic War/The Body at Risk / Disappearing Bodies: Visualising the Maywand District Murders / The Unknowable Soldier: Ethical Erasure in The Master's Facial Close-ups / Visible Dead Bodies and the Technologies of Erasure in the War on Terror / Ambiguity, Ambivalence and Absence in Zero Dark Thirty / Invisible War: Broadcast Television Documentary and Iraq / Nine Cinematic Devices for Staging (In)visible War and the (Vanishing) Colonial Present / Afterword: Reflections on Knowing War / War films History and criticism. Films de guerre Histoire et critique. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh War films fast Elfter September gnd http://d-nb.info/gnd/4667841-4 Kriegsfilm gnd http://d-nb.info/gnd/4165687-8 Dokumentarfilm gnd http://d-nb.info/gnd/4012653-5 Krieg Motiv gnd http://d-nb.info/gnd/4136410-7 |
| subject_GND | http://d-nb.info/gnd/4667841-4 http://d-nb.info/gnd/4165687-8 http://d-nb.info/gnd/4012653-5 http://d-nb.info/gnd/4136410-7 |
| title | Disappearing war : interdisciplinary perspectives on cinema and erasure in the post-9/11 world / |
| title_alt | Introduction: Cinema and the Epistemology of War / Good Kill? US Soldiers and the Killing of Civilians in American Film / '5,000 feet is the best': Drone Warfare, Targets and Paul Virilio's 'Accident' / Post-heroic War/The Body at Risk / Disappearing Bodies: Visualising the Maywand District Murders / The Unknowable Soldier: Ethical Erasure in The Master's Facial Close-ups / Visible Dead Bodies and the Technologies of Erasure in the War on Terror / Ambiguity, Ambivalence and Absence in Zero Dark Thirty / Invisible War: Broadcast Television Documentary and Iraq / Nine Cinematic Devices for Staging (In)visible War and the (Vanishing) Colonial Present / Afterword: Reflections on Knowing War / |
| title_auth | Disappearing war : interdisciplinary perspectives on cinema and erasure in the post-9/11 world / |
| title_exact_search | Disappearing war : interdisciplinary perspectives on cinema and erasure in the post-9/11 world / |
| title_full | Disappearing war : interdisciplinary perspectives on cinema and erasure in the post-9/11 world / edited by Christina Hellmich and Lisa Purse. |
| title_fullStr | Disappearing war : interdisciplinary perspectives on cinema and erasure in the post-9/11 world / edited by Christina Hellmich and Lisa Purse. |
| title_full_unstemmed | Disappearing war : interdisciplinary perspectives on cinema and erasure in the post-9/11 world / edited by Christina Hellmich and Lisa Purse. |
| title_short | Disappearing war : |
| title_sort | disappearing war interdisciplinary perspectives on cinema and erasure in the post 9 11 world |
| title_sub | interdisciplinary perspectives on cinema and erasure in the post-9/11 world / |
| topic | War films History and criticism. Films de guerre Histoire et critique. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh War films fast Elfter September gnd http://d-nb.info/gnd/4667841-4 Kriegsfilm gnd http://d-nb.info/gnd/4165687-8 Dokumentarfilm gnd http://d-nb.info/gnd/4012653-5 Krieg Motiv gnd http://d-nb.info/gnd/4136410-7 |
| topic_facet | War films History and criticism. Films de guerre Histoire et critique. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. War films Elfter September Kriegsfilm Dokumentarfilm Krieg Motiv Criticism, interpretation, etc. |
| work_keys_str_mv | AT hellmichchristina disappearingwarinterdisciplinaryperspectivesoncinemaanderasureinthepost911world AT purselisa disappearingwarinterdisciplinaryperspectivesoncinemaanderasureinthepost911world |