Indiscernible Counterparts :: the invention of the text in French classical drama /
While the plays of classical France achieve an unprecedented scenic perfection, what ultimately distinguishes classical drama is its unique awareness of its literary properties: the canny excavation of its resources as the site, instrument, and product of a concerted act of writing. But this self-co...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill :
University of North Carolina,
2017.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | While the plays of classical France achieve an unprecedented scenic perfection, what ultimately distinguishes classical drama is its unique awareness of its literary properties: the canny excavation of its resources as the site, instrument, and product of a concerted act of writing. But this self-conscious literariness also bears witness to the era's corollary awareness of the predicament in which even great art works stand as the occasion and counterpart of a critical, often ironic act of reading. In "inventing," that is, creating and discovering, the text as a vehicle of self-determining authorship, the "grands classiques" simultaneously invent the key critical insights shaping the methods we ourselves bring to bear on the poetic monuments they have left us. The literary monument thereby becomes its own "indiscernible counterpart," deliberately engaging what, in theory, ought to escape it--the deconstructive "other" only another contrives to see. |
| Beschreibung: | 1 online resource (389 pages) |
| ISBN: | 1469639246 9781469639246 |
Internformat
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| 245 | 1 | 0 | |a Indiscernible Counterparts : |b the invention of the text in French classical drama / |c Christopher Braider |
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| 520 | |a While the plays of classical France achieve an unprecedented scenic perfection, what ultimately distinguishes classical drama is its unique awareness of its literary properties: the canny excavation of its resources as the site, instrument, and product of a concerted act of writing. But this self-conscious literariness also bears witness to the era's corollary awareness of the predicament in which even great art works stand as the occasion and counterpart of a critical, often ironic act of reading. In "inventing," that is, creating and discovering, the text as a vehicle of self-determining authorship, the "grands classiques" simultaneously invent the key critical insights shaping the methods we ourselves bring to bear on the poetic monuments they have left us. The literary monument thereby becomes its own "indiscernible counterpart," deliberately engaging what, in theory, ought to escape it--the deconstructive "other" only another contrives to see. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a French drama |y 17th century |x History and criticism. | |
| 650 | 0 | |a Invention (Rhetoric) |x History |y 17th century. | |
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| 650 | 6 | |a Invention (Rhétorique) |x Histoire |y 17e siècle. | |
| 650 | 7 | |a DRAMA |x Continental European. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a French drama |2 fast | |
| 650 | 7 | |a Invention (Rhetoric) |2 fast | |
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Datensatz im Suchindex
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| author | Braider, Christopher, 1950- |
| author_GND | http://id.loc.gov/authorities/names/n92032169 |
| author_facet | Braider, Christopher, 1950- |
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| dewey-full | 842.409 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| discipline | Romanistik |
| era | 1600-1699 fast |
| era_facet | 1600-1699 |
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| genre_facet | Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-on1002009474 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:59Z |
| institution | BVB |
| isbn | 1469639246 9781469639246 |
| language | English |
| oclc_num | 1002009474 |
| open_access_boolean | |
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| physical | 1 online resource (389 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
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| publisher | University of North Carolina, |
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| spelling | Braider, Christopher, 1950- https://id.oclc.org/worldcat/entity/E39PCjv4K4BKxRmXBfH69mchQC http://id.loc.gov/authorities/names/n92032169 Indiscernible Counterparts : the invention of the text in French classical drama / Christopher Braider Chapel Hill : University of North Carolina, 2017. 1 online resource (389 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file While the plays of classical France achieve an unprecedented scenic perfection, what ultimately distinguishes classical drama is its unique awareness of its literary properties: the canny excavation of its resources as the site, instrument, and product of a concerted act of writing. But this self-conscious literariness also bears witness to the era's corollary awareness of the predicament in which even great art works stand as the occasion and counterpart of a critical, often ironic act of reading. In "inventing," that is, creating and discovering, the text as a vehicle of self-determining authorship, the "grands classiques" simultaneously invent the key critical insights shaping the methods we ourselves bring to bear on the poetic monuments they have left us. The literary monument thereby becomes its own "indiscernible counterpart," deliberately engaging what, in theory, ought to escape it--the deconstructive "other" only another contrives to see. Print version record. French drama 17th century History and criticism. Invention (Rhetoric) History 17th century. Théâtre français 17e siècle Histoire et critique. Invention (Rhétorique) Histoire 17e siècle. DRAMA Continental European. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh French drama fast Invention (Rhetoric) fast 1600-1699 fast Criticism, interpretation, etc. fast History fast FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1622293 Volltext |
| spellingShingle | Braider, Christopher, 1950- Indiscernible Counterparts : the invention of the text in French classical drama / French drama 17th century History and criticism. Invention (Rhetoric) History 17th century. Théâtre français 17e siècle Histoire et critique. Invention (Rhétorique) Histoire 17e siècle. DRAMA Continental European. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh French drama fast Invention (Rhetoric) fast |
| title | Indiscernible Counterparts : the invention of the text in French classical drama / |
| title_auth | Indiscernible Counterparts : the invention of the text in French classical drama / |
| title_exact_search | Indiscernible Counterparts : the invention of the text in French classical drama / |
| title_full | Indiscernible Counterparts : the invention of the text in French classical drama / Christopher Braider |
| title_fullStr | Indiscernible Counterparts : the invention of the text in French classical drama / Christopher Braider |
| title_full_unstemmed | Indiscernible Counterparts : the invention of the text in French classical drama / Christopher Braider |
| title_short | Indiscernible Counterparts : |
| title_sort | indiscernible counterparts the invention of the text in french classical drama |
| title_sub | the invention of the text in French classical drama / |
| topic | French drama 17th century History and criticism. Invention (Rhetoric) History 17th century. Théâtre français 17e siècle Histoire et critique. Invention (Rhétorique) Histoire 17e siècle. DRAMA Continental European. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh French drama fast Invention (Rhetoric) fast |
| topic_facet | French drama 17th century History and criticism. Invention (Rhetoric) History 17th century. Théâtre français 17e siècle Histoire et critique. Invention (Rhétorique) Histoire 17e siècle. DRAMA Continental European. PERFORMING ARTS Theater History & Criticism. French drama Invention (Rhetoric) Criticism, interpretation, etc. History |
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