New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"":
James Weldon Johnson (1871-1938) exemplified the ideal of the American public intellectual as a writer, educator, songwriter, diplomat, key figure of the Harlem Renaissance, and first African American executive of the NAACP. Originally published anonymously in 1912, Johnson's novel The Autobiog...
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| Weitere Verfasser: | , , , , , , , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Athens :
University of Georgia Press,
2017.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | James Weldon Johnson (1871-1938) exemplified the ideal of the American public intellectual as a writer, educator, songwriter, diplomat, key figure of the Harlem Renaissance, and first African American executive of the NAACP. Originally published anonymously in 1912, Johnson's novel The Autobiography of an Ex-Colored Man is considered one of the foundational works of twentieth-century African American literature, and its themes and forms have been taken up by other writers, from Ralph Ellison to Teju Cole. Johnson's novel provocatively engages with political and cultural strains still prevalent in American discourse today, and it remains in print over a century after its initial publication. New Perspectives contains fresh essays that analyze the book's reverberations, the contexts within which it was created and received, the aesthetic and intellectual developments of its author, and its continued relevance in American literature and global culture. -- from back cover. |
| Beschreibung: | 1 online resource (206 pages) |
| ISBN: | 9780820350967 0820350966 |
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| 505 | 0 | |a Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction: Biography of an Author, Biography of a Text: James Weldon Johnson's Ultimate American Work; Part One: Cultures of Reading, Cultures of Writing: Canons and Authenticity; "Stepping across the Confines of Language and Race": Brander Matthews, James Weldon Johnson, and Racial Cosmopolitanism; How The Autobiography of an Ex-Colored Man Became an Unlikely Literary Classic; Authenticity and Transparency in The Autobiography of an Ex-Colored Man. | |
| 505 | 8 | |a Part Two: Relational Tropes: Transnationalism, Futurity, and the Ex-Colored ManThe Futurity of Miscegenation: James Weldon Johnson's The Autobiography of an Ex-Colored Man and Pauline Hopkins's Of One Blood; Blackness Written, Erased, Rewritten: James Weldon Johnson, Teju Cole, and the Palimpsest of Modernity; Dead Ambitions and Repeated Interruptions: Economies of Race and Temporality in The Autobiography of an Ex-Coloured Man; Part Three: Poetics: Sound, Affect, and the Archive; The Autobiography as Ars Poetica: Satire and Rhythmic Exegesis in "Saint Peter Relates an Incident." | |
| 505 | 8 | |a The Composer versus the "Perfessor": Writing Race and (Rag)TimeJames Weldon Johnson's The Autobiography of an Ex-Colored Man, Archived and Live; Part Four: Legacies; W.E.B. Du Bois, Barack Obama, and the Search for Race: School House Blues; Afterword: The Ex-Colored Man for a New Century; Suggested Further Reading; Contributors; Index. | |
| 520 | |a James Weldon Johnson (1871-1938) exemplified the ideal of the American public intellectual as a writer, educator, songwriter, diplomat, key figure of the Harlem Renaissance, and first African American executive of the NAACP. Originally published anonymously in 1912, Johnson's novel The Autobiography of an Ex-Colored Man is considered one of the foundational works of twentieth-century African American literature, and its themes and forms have been taken up by other writers, from Ralph Ellison to Teju Cole. Johnson's novel provocatively engages with political and cultural strains still prevalent in American discourse today, and it remains in print over a century after its initial publication. New Perspectives contains fresh essays that analyze the book's reverberations, the contexts within which it was created and received, the aesthetic and intellectual developments of its author, and its continued relevance in American literature and global culture. -- from back cover. | ||
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| author | Oliver, Lawrence |
| author2 | Nowlin, Michael Karem, Jeff Paulin, Diana Lamothe, Daphne Barnhart, Bruce Glaser, Ben Brooks, Lori Stepto, Robert B. Morrissette, Noelle |
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| author_facet | Oliver, Lawrence Nowlin, Michael Karem, Jeff Paulin, Diana Lamothe, Daphne Barnhart, Bruce Glaser, Ben Brooks, Lori Stepto, Robert B. Morrissette, Noelle |
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| contents | Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction: Biography of an Author, Biography of a Text: James Weldon Johnson's Ultimate American Work; Part One: Cultures of Reading, Cultures of Writing: Canons and Authenticity; "Stepping across the Confines of Language and Race": Brander Matthews, James Weldon Johnson, and Racial Cosmopolitanism; How The Autobiography of an Ex-Colored Man Became an Unlikely Literary Classic; Authenticity and Transparency in The Autobiography of an Ex-Colored Man. Part Two: Relational Tropes: Transnationalism, Futurity, and the Ex-Colored ManThe Futurity of Miscegenation: James Weldon Johnson's The Autobiography of an Ex-Colored Man and Pauline Hopkins's Of One Blood; Blackness Written, Erased, Rewritten: James Weldon Johnson, Teju Cole, and the Palimpsest of Modernity; Dead Ambitions and Repeated Interruptions: Economies of Race and Temporality in The Autobiography of an Ex-Coloured Man; Part Three: Poetics: Sound, Affect, and the Archive; The Autobiography as Ars Poetica: Satire and Rhythmic Exegesis in "Saint Peter Relates an Incident." The Composer versus the "Perfessor": Writing Race and (Rag)TimeJames Weldon Johnson's The Autobiography of an Ex-Colored Man, Archived and Live; Part Four: Legacies; W.E.B. Du Bois, Barack Obama, and the Search for Race: School House Blues; Afterword: The Ex-Colored Man for a New Century; Suggested Further Reading; Contributors; Index. |
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| dewey-full | 818.5209 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 818 - American miscellaneous writings |
| dewey-raw | 818.5209 |
| dewey-search | 818.5209 |
| dewey-sort | 3818.5209 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn999648827 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:57Z |
| institution | BVB |
| isbn | 9780820350967 0820350966 |
| language | English |
| oclc_num | 999648827 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (206 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | University of Georgia Press, |
| record_format | marc |
| spelling | Oliver, Lawrence. New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"" Athens : University of Georgia Press, 2017. 1 online resource (206 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction: Biography of an Author, Biography of a Text: James Weldon Johnson's Ultimate American Work; Part One: Cultures of Reading, Cultures of Writing: Canons and Authenticity; "Stepping across the Confines of Language and Race": Brander Matthews, James Weldon Johnson, and Racial Cosmopolitanism; How The Autobiography of an Ex-Colored Man Became an Unlikely Literary Classic; Authenticity and Transparency in The Autobiography of an Ex-Colored Man. Part Two: Relational Tropes: Transnationalism, Futurity, and the Ex-Colored ManThe Futurity of Miscegenation: James Weldon Johnson's The Autobiography of an Ex-Colored Man and Pauline Hopkins's Of One Blood; Blackness Written, Erased, Rewritten: James Weldon Johnson, Teju Cole, and the Palimpsest of Modernity; Dead Ambitions and Repeated Interruptions: Economies of Race and Temporality in The Autobiography of an Ex-Coloured Man; Part Three: Poetics: Sound, Affect, and the Archive; The Autobiography as Ars Poetica: Satire and Rhythmic Exegesis in "Saint Peter Relates an Incident." The Composer versus the "Perfessor": Writing Race and (Rag)TimeJames Weldon Johnson's The Autobiography of an Ex-Colored Man, Archived and Live; Part Four: Legacies; W.E.B. Du Bois, Barack Obama, and the Search for Race: School House Blues; Afterword: The Ex-Colored Man for a New Century; Suggested Further Reading; Contributors; Index. James Weldon Johnson (1871-1938) exemplified the ideal of the American public intellectual as a writer, educator, songwriter, diplomat, key figure of the Harlem Renaissance, and first African American executive of the NAACP. Originally published anonymously in 1912, Johnson's novel The Autobiography of an Ex-Colored Man is considered one of the foundational works of twentieth-century African American literature, and its themes and forms have been taken up by other writers, from Ralph Ellison to Teju Cole. Johnson's novel provocatively engages with political and cultural strains still prevalent in American discourse today, and it remains in print over a century after its initial publication. New Perspectives contains fresh essays that analyze the book's reverberations, the contexts within which it was created and received, the aesthetic and intellectual developments of its author, and its continued relevance in American literature and global culture. -- from back cover. Johnson, James Weldon, 1871-1938. Autobiography of an ex-colored man. http://id.loc.gov/authorities/names/n2017012054 Johnson, James Weldon, 1871-1938. Autobiography of an ex-colored man. Autobiography of an ex-colored man (Johnson, James Weldon) fast African American men in literature. http://id.loc.gov/authorities/subjects/sh93007967 Race in literature. http://id.loc.gov/authorities/subjects/sh94008443 Hommes noirs américains dans la littérature. Race dans la littérature. LITERARY CRITICISM American General. bisacsh SOCIAL SCIENCE Ethnic Studies African American Studies. bisacsh African American men in literature fast Race in literature fast Nowlin, Michael. Karem, Jeff. Paulin, Diana. https://id.oclc.org/worldcat/entity/E39PCjG886bdrmVJTBFFDVC9fy http://id.loc.gov/authorities/names/nr97020992 Lamothe, Daphne. Barnhart, Bruce. Glaser, Ben. Brooks, Lori. Stepto, Robert B. https://id.oclc.org/worldcat/entity/E39PBJqk3vrvKQ7k3CwbbgkqwC http://id.loc.gov/authorities/names/n79001031 Morrissette, Noelle. https://id.oclc.org/worldcat/entity/E39PCjFWYPvVjCJphK8ryjx6mm http://id.loc.gov/authorities/names/no2008044708 has work: New perspectives on James Weldon Johnson's The autobiography of an ex-colored man (Text) https://id.oclc.org/worldcat/entity/E39PCGFMmf4XWXqKgy9GhqgtKd https://id.oclc.org/worldcat/ontology/hasWork Print version: Oliver, Lawrence. New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"". Athens : University of Georgia Press, ©2017 9780820350974 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1574081 Volltext |
| spellingShingle | Oliver, Lawrence New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"" Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction: Biography of an Author, Biography of a Text: James Weldon Johnson's Ultimate American Work; Part One: Cultures of Reading, Cultures of Writing: Canons and Authenticity; "Stepping across the Confines of Language and Race": Brander Matthews, James Weldon Johnson, and Racial Cosmopolitanism; How The Autobiography of an Ex-Colored Man Became an Unlikely Literary Classic; Authenticity and Transparency in The Autobiography of an Ex-Colored Man. Part Two: Relational Tropes: Transnationalism, Futurity, and the Ex-Colored ManThe Futurity of Miscegenation: James Weldon Johnson's The Autobiography of an Ex-Colored Man and Pauline Hopkins's Of One Blood; Blackness Written, Erased, Rewritten: James Weldon Johnson, Teju Cole, and the Palimpsest of Modernity; Dead Ambitions and Repeated Interruptions: Economies of Race and Temporality in The Autobiography of an Ex-Coloured Man; Part Three: Poetics: Sound, Affect, and the Archive; The Autobiography as Ars Poetica: Satire and Rhythmic Exegesis in "Saint Peter Relates an Incident." The Composer versus the "Perfessor": Writing Race and (Rag)TimeJames Weldon Johnson's The Autobiography of an Ex-Colored Man, Archived and Live; Part Four: Legacies; W.E.B. Du Bois, Barack Obama, and the Search for Race: School House Blues; Afterword: The Ex-Colored Man for a New Century; Suggested Further Reading; Contributors; Index. Johnson, James Weldon, 1871-1938. Autobiography of an ex-colored man. http://id.loc.gov/authorities/names/n2017012054 Johnson, James Weldon, 1871-1938. Autobiography of an ex-colored man. Autobiography of an ex-colored man (Johnson, James Weldon) fast African American men in literature. http://id.loc.gov/authorities/subjects/sh93007967 Race in literature. http://id.loc.gov/authorities/subjects/sh94008443 Hommes noirs américains dans la littérature. Race dans la littérature. LITERARY CRITICISM American General. bisacsh SOCIAL SCIENCE Ethnic Studies African American Studies. bisacsh African American men in literature fast Race in literature fast |
| subject_GND | http://id.loc.gov/authorities/names/n2017012054 http://id.loc.gov/authorities/subjects/sh93007967 http://id.loc.gov/authorities/subjects/sh94008443 |
| title | New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"" |
| title_auth | New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"" |
| title_exact_search | New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"" |
| title_full | New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"" |
| title_fullStr | New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"" |
| title_full_unstemmed | New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"" |
| title_short | New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"" |
| title_sort | new perspectives on james weldon johnson s the autobiography of an ex colored man |
| topic | Johnson, James Weldon, 1871-1938. Autobiography of an ex-colored man. http://id.loc.gov/authorities/names/n2017012054 Johnson, James Weldon, 1871-1938. Autobiography of an ex-colored man. Autobiography of an ex-colored man (Johnson, James Weldon) fast African American men in literature. http://id.loc.gov/authorities/subjects/sh93007967 Race in literature. http://id.loc.gov/authorities/subjects/sh94008443 Hommes noirs américains dans la littérature. Race dans la littérature. LITERARY CRITICISM American General. bisacsh SOCIAL SCIENCE Ethnic Studies African American Studies. bisacsh African American men in literature fast Race in literature fast |
| topic_facet | Johnson, James Weldon, 1871-1938. Autobiography of an ex-colored man. Autobiography of an ex-colored man (Johnson, James Weldon) African American men in literature. Race in literature. Hommes noirs américains dans la littérature. Race dans la littérature. LITERARY CRITICISM American General. SOCIAL SCIENCE Ethnic Studies African American Studies. African American men in literature Race in literature |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1574081 |
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