Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre :: Mattheson's universal style in theory and practice /
"A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson's Pièces de clavecin (1714) in the context of his work as a public intellectual who encouraged German m...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Routledge,
2016.
|
| Schriftenreihe: | Royal Musical Association monographs ;
no. 25. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson's Pièces de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to eschew what he saw as the hidebound traditions of the past, and instead embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Beginning with the early non-musical writings by Mattheson, Seares places them in the context of the cosmopolitan city-state of Hamburg, before moving to a detailed study of his first major musical treatise Das neu-eröffnete Orchestre of 1713, in which he espoused his views about the musics of the past and present and, in particular, the characteristics of the musics of Germany, Italy, France and England. This latter section of the treatise, Part III, is edited and translated into English in the book's appendix - the first such translation available. Seares then moves on to an evaluation of the Pièces de clavecin as a work in which Mattheson reflects in musical terms the themes of modernism (in the sense of á la mode) and universalism that are such a strong part of his writings of the period, and a work that represents an important precursor for the keyboard suites of Johann Sebastian Bach and Georg Frideric Handel."--Provided by publisher. |
| Beschreibung: | "First published 2014 by Ashgate Publishing." |
| Beschreibung: | 1 online resource : music |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 1351561618 9781351561617 9781315092270 1315092271 |
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| 500 | |a "First published 2014 by Ashgate Publishing." | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The formative years leading up to Das neu-eröffnete Orchestre and the Pièces de clavecin -- Mattheson's Das neu-eröffnete Orchestre of 1713 -- Les pièces de clavecin/Harmonisches Denckmahl -- Mattheson's German heritage -- Music à la mode : Mattheson's response to the music of his Italian and French contemporaries -- Mattheson and universalism -- Mattheson's dance movements : an amalgam of styles -- Conclusion -- Appendix : translation of Part 3, chapter 1 from Das neu-eröffnete Orchestre. | |
| 520 | |a "A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson's Pièces de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to eschew what he saw as the hidebound traditions of the past, and instead embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Beginning with the early non-musical writings by Mattheson, Seares places them in the context of the cosmopolitan city-state of Hamburg, before moving to a detailed study of his first major musical treatise Das neu-eröffnete Orchestre of 1713, in which he espoused his views about the musics of the past and present and, in particular, the characteristics of the musics of Germany, Italy, France and England. This latter section of the treatise, Part III, is edited and translated into English in the book's appendix - the first such translation available. Seares then moves on to an evaluation of the Pièces de clavecin as a work in which Mattheson reflects in musical terms the themes of modernism (in the sense of á la mode) and universalism that are such a strong part of his writings of the period, and a work that represents an important precursor for the keyboard suites of Johann Sebastian Bach and Georg Frideric Handel."--Provided by publisher. | ||
| 600 | 1 | 0 | |a Mattheson, Johann, |d 1681-1764. |t Pièces de clavecin. |0 http://id.loc.gov/authorities/names/nr99031555 |
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Datensatz im Suchindex
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|---|---|
| _version_ | 1816882394803732481 |
| adam_text | |
| any_adam_object | |
| author | Seares, Margaret, 1968- |
| author2 | Mattheson, Johann, 1681-1764 |
| author2_role | |
| author2_variant | j m jm |
| author_GND | http://id.loc.gov/authorities/names/n97109715 http://id.loc.gov/authorities/names/n2014016809 |
| author_facet | Seares, Margaret, 1968- Mattheson, Johann, 1681-1764 |
| author_role | aut |
| author_sort | Seares, Margaret, 1968- |
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| contents | The formative years leading up to Das neu-eröffnete Orchestre and the Pièces de clavecin -- Mattheson's Das neu-eröffnete Orchestre of 1713 -- Les pièces de clavecin/Harmonisches Denckmahl -- Mattheson's German heritage -- Music à la mode : Mattheson's response to the music of his Italian and French contemporaries -- Mattheson and universalism -- Mattheson's dance movements : an amalgam of styles -- Conclusion -- Appendix : translation of Part 3, chapter 1 from Das neu-eröffnete Orchestre. |
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| dewey-search | 780.9 |
| dewey-sort | 3780.9 |
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| discipline | Musikwissenschaft |
| era | 1700-1799 fast |
| era_facet | 1700-1799 |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:27:55Z |
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| isbn | 1351561618 9781351561617 9781315092270 1315092271 |
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| series | Royal Musical Association monographs ; |
| series2 | Royal Musical Association monographs ; |
| spelling | Seares, Margaret, 1968- author. https://id.oclc.org/worldcat/entity/E39PCjFWRC6DgCy4kvbY89RdwC http://id.loc.gov/authorities/names/n97109715 Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : Mattheson's universal style in theory and practice / Margaret Seares. London ; New York : Routledge, 2016. 1 online resource : music text txt rdacontent computer c rdamedia online resource cr rdacarrier Royal Musical Association monographs ; 25 Print version record. "First published 2014 by Ashgate Publishing." Includes bibliographical references and index. The formative years leading up to Das neu-eröffnete Orchestre and the Pièces de clavecin -- Mattheson's Das neu-eröffnete Orchestre of 1713 -- Les pièces de clavecin/Harmonisches Denckmahl -- Mattheson's German heritage -- Music à la mode : Mattheson's response to the music of his Italian and French contemporaries -- Mattheson and universalism -- Mattheson's dance movements : an amalgam of styles -- Conclusion -- Appendix : translation of Part 3, chapter 1 from Das neu-eröffnete Orchestre. "A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson's Pièces de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to eschew what he saw as the hidebound traditions of the past, and instead embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Beginning with the early non-musical writings by Mattheson, Seares places them in the context of the cosmopolitan city-state of Hamburg, before moving to a detailed study of his first major musical treatise Das neu-eröffnete Orchestre of 1713, in which he espoused his views about the musics of the past and present and, in particular, the characteristics of the musics of Germany, Italy, France and England. This latter section of the treatise, Part III, is edited and translated into English in the book's appendix - the first such translation available. Seares then moves on to an evaluation of the Pièces de clavecin as a work in which Mattheson reflects in musical terms the themes of modernism (in the sense of á la mode) and universalism that are such a strong part of his writings of the period, and a work that represents an important precursor for the keyboard suites of Johann Sebastian Bach and Georg Frideric Handel."--Provided by publisher. Mattheson, Johann, 1681-1764. Pièces de clavecin. http://id.loc.gov/authorities/names/nr99031555 Mattheson, Johann, 1681-1764. Neu-eröffnete Orchestre. http://id.loc.gov/authorities/names/no2009119168 Pièces de clavecin (Mattheson, Johann) fast Neu-eröffnete Orchestre (Mattheson, Johann) fast Music Germany 18th century History and criticism. Musique Allemagne 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd 1700-1799 fast Criticism, interpretation, etc. fast Mattheson, Johann, 1681-1764. Neu-eröffnete Orchestre. Judicatoria. Selections. English. http://id.loc.gov/authorities/names/n2014016809 has work: Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre (Text) https://id.oclc.org/worldcat/entity/E39PCG3DQCDcMP3BM6twHjxjQ3 https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781472438461 Royal Musical Association monographs ; no. 25. http://id.loc.gov/authorities/names/n84725200 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1551751 Volltext |
| spellingShingle | Seares, Margaret, 1968- Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : Mattheson's universal style in theory and practice / Royal Musical Association monographs ; The formative years leading up to Das neu-eröffnete Orchestre and the Pièces de clavecin -- Mattheson's Das neu-eröffnete Orchestre of 1713 -- Les pièces de clavecin/Harmonisches Denckmahl -- Mattheson's German heritage -- Music à la mode : Mattheson's response to the music of his Italian and French contemporaries -- Mattheson and universalism -- Mattheson's dance movements : an amalgam of styles -- Conclusion -- Appendix : translation of Part 3, chapter 1 from Das neu-eröffnete Orchestre. Mattheson, Johann, 1681-1764. Pièces de clavecin. http://id.loc.gov/authorities/names/nr99031555 Mattheson, Johann, 1681-1764. Neu-eröffnete Orchestre. http://id.loc.gov/authorities/names/no2009119168 Pièces de clavecin (Mattheson, Johann) fast Neu-eröffnete Orchestre (Mattheson, Johann) fast Music Germany 18th century History and criticism. Musique Allemagne 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast |
| subject_GND | http://id.loc.gov/authorities/names/nr99031555 http://id.loc.gov/authorities/names/no2009119168 |
| title | Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : Mattheson's universal style in theory and practice / |
| title_alt | Neu-eröffnete Orchestre. |
| title_auth | Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : Mattheson's universal style in theory and practice / |
| title_exact_search | Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : Mattheson's universal style in theory and practice / |
| title_full | Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : Mattheson's universal style in theory and practice / Margaret Seares. |
| title_fullStr | Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : Mattheson's universal style in theory and practice / Margaret Seares. |
| title_full_unstemmed | Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : Mattheson's universal style in theory and practice / Margaret Seares. |
| title_short | Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : |
| title_sort | johann mattheson s pieces de clavecin and das neu eroffnete orchestre mattheson s universal style in theory and practice |
| title_sub | Mattheson's universal style in theory and practice / |
| topic | Mattheson, Johann, 1681-1764. Pièces de clavecin. http://id.loc.gov/authorities/names/nr99031555 Mattheson, Johann, 1681-1764. Neu-eröffnete Orchestre. http://id.loc.gov/authorities/names/no2009119168 Pièces de clavecin (Mattheson, Johann) fast Neu-eröffnete Orchestre (Mattheson, Johann) fast Music Germany 18th century History and criticism. Musique Allemagne 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast |
| topic_facet | Mattheson, Johann, 1681-1764. Pièces de clavecin. Mattheson, Johann, 1681-1764. Neu-eröffnete Orchestre. Pièces de clavecin (Mattheson, Johann) Neu-eröffnete Orchestre (Mattheson, Johann) Music Germany 18th century History and criticism. Musique Allemagne 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. MUSIC Reference. Music Germany Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1551751 |
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