Music in the London theatre from Purcell to Handel /:
This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750).
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge, United Kingdom :
Cambridge University Press,
2017.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750). |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781108125574 1108125573 9781316650813 1316650812 |
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contents | Purcell's "scurvy" poets / Roger Savage -- Opera as literature and the triumph of music / Martin Adams -- The British enchanters and George Granville's theory of opera / Wolfgang Hirschmann -- Lost chances: obstacles to English opera for Purcell and Handel / Jeffrey Barnouw -- Alexander's feast, or The power of perseverance: Dryden's plan for English opera and its near-fulfilment in a Handel ode / Andrew Pinnock and Bruce Wood -- Ombra mai fu: shades of Greece and Rome in the librettos for Handel's London operas / Peter Brown -- Handel and the uses of antiquity / Reinhard Strohm -- From Metastasio's Alessandro to Handel's Poro: a change of dramatic emphasis / Graham Cummings -- Deidamia as an "Heroi-comi-pastoral" opera / Sarah McCleave -- Seventeenth-century literary classics as eighteenth-century libretto sources: Congreve, Dryden and Milton in the 1730s and 1740s / Matthew Gardner -- "In this ballance seek a character": the role of "il moderato" in L'allegro, il penseroso ed il moderato / Ruth Smith -- "Straight mine eye hath caught new pleasures": glancing and gazing spectatorship in Handel's L'allegro, il penseroso ed il moderato / Matthew Badham -- Accompanied recitative and characterisation in Handel's oratorios / Liam Gorry -- Handel, Charles Jennens and the advent of scriptural oratorio / John H. Roberts. |
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dewey-search | 782.1094209032 |
dewey-sort | 3782.1094209032 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | 1600-1799 fast |
era_facet | 1600-1799 |
format | Electronic eBook |
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spelling | Music in the London theatre from Purcell to Handel / edited by Colin Timms, Bruce Wood. Cambridge, United Kingdom : Cambridge University Press, 2017. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Vendor-supplied metadata. Includes bibliographical references and index. This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750). Purcell's "scurvy" poets / Roger Savage -- Opera as literature and the triumph of music / Martin Adams -- The British enchanters and George Granville's theory of opera / Wolfgang Hirschmann -- Lost chances: obstacles to English opera for Purcell and Handel / Jeffrey Barnouw -- Alexander's feast, or The power of perseverance: Dryden's plan for English opera and its near-fulfilment in a Handel ode / Andrew Pinnock and Bruce Wood -- Ombra mai fu: shades of Greece and Rome in the librettos for Handel's London operas / Peter Brown -- Handel and the uses of antiquity / Reinhard Strohm -- From Metastasio's Alessandro to Handel's Poro: a change of dramatic emphasis / Graham Cummings -- Deidamia as an "Heroi-comi-pastoral" opera / Sarah McCleave -- Seventeenth-century literary classics as eighteenth-century libretto sources: Congreve, Dryden and Milton in the 1730s and 1740s / Matthew Gardner -- "In this ballance seek a character": the role of "il moderato" in L'allegro, il penseroso ed il moderato / Ruth Smith -- "Straight mine eye hath caught new pleasures": glancing and gazing spectatorship in Handel's L'allegro, il penseroso ed il moderato / Matthew Badham -- Accompanied recitative and characterisation in Handel's oratorios / Liam Gorry -- Handel, Charles Jennens and the advent of scriptural oratorio / John H. Roberts. Opera England 17th century. Opera England 18th century. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Opera fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C 1600-1799 fast Timms, Colin, editor. http://id.loc.gov/authorities/names/n80057823 Wood, Bruce, 1945- editor. https://id.oclc.org/worldcat/entity/E39PCjqQ46kryjCXTW6hVYrH4q http://id.loc.gov/authorities/names/n85023020 has work: Music in the London theatre from Purcell to Handel (Text) https://id.oclc.org/worldcat/entity/E39PCGGPD9DDq3hF9dMBpjyBMX https://id.oclc.org/worldcat/ontology/hasWork Print version: Music in the London theatre from Purcell to Handel. Cambridge, United Kingdom : Cambridge University Press, 2017 1107154642 9781107154643 (OCoLC)957240825 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1512495 Volltext |
spellingShingle | Music in the London theatre from Purcell to Handel / Purcell's "scurvy" poets / Roger Savage -- Opera as literature and the triumph of music / Martin Adams -- The British enchanters and George Granville's theory of opera / Wolfgang Hirschmann -- Lost chances: obstacles to English opera for Purcell and Handel / Jeffrey Barnouw -- Alexander's feast, or The power of perseverance: Dryden's plan for English opera and its near-fulfilment in a Handel ode / Andrew Pinnock and Bruce Wood -- Ombra mai fu: shades of Greece and Rome in the librettos for Handel's London operas / Peter Brown -- Handel and the uses of antiquity / Reinhard Strohm -- From Metastasio's Alessandro to Handel's Poro: a change of dramatic emphasis / Graham Cummings -- Deidamia as an "Heroi-comi-pastoral" opera / Sarah McCleave -- Seventeenth-century literary classics as eighteenth-century libretto sources: Congreve, Dryden and Milton in the 1730s and 1740s / Matthew Gardner -- "In this ballance seek a character": the role of "il moderato" in L'allegro, il penseroso ed il moderato / Ruth Smith -- "Straight mine eye hath caught new pleasures": glancing and gazing spectatorship in Handel's L'allegro, il penseroso ed il moderato / Matthew Badham -- Accompanied recitative and characterisation in Handel's oratorios / Liam Gorry -- Handel, Charles Jennens and the advent of scriptural oratorio / John H. Roberts. Opera England 17th century. Opera England 18th century. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Opera fast |
title | Music in the London theatre from Purcell to Handel / |
title_auth | Music in the London theatre from Purcell to Handel / |
title_exact_search | Music in the London theatre from Purcell to Handel / |
title_full | Music in the London theatre from Purcell to Handel / edited by Colin Timms, Bruce Wood. |
title_fullStr | Music in the London theatre from Purcell to Handel / edited by Colin Timms, Bruce Wood. |
title_full_unstemmed | Music in the London theatre from Purcell to Handel / edited by Colin Timms, Bruce Wood. |
title_short | Music in the London theatre from Purcell to Handel / |
title_sort | music in the london theatre from purcell to handel |
topic | Opera England 17th century. Opera England 18th century. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Opera fast |
topic_facet | Opera England 17th century. Opera England 18th century. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Opera England |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1512495 |
work_keys_str_mv | AT timmscolin musicinthelondontheatrefrompurcelltohandel AT woodbruce musicinthelondontheatrefrompurcelltohandel |