The mobility of modernism :: art and criticism in 1920s Latin America /
Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Regierungsdokument Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin :
University of Texas Press,
2017.
|
| Ausgabe: | First edition. |
| Schriftenreihe: | Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. Harper Montgomery examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. She maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Merida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today-the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781477312551 1477312552 9781477312568 1477312560 |
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| 505 | 0 | |a Circulation : Latin American art in Amauta -- Relocation : Carlos Mérida moves to Mexico City -- Homecoming : Emilio Pettoruti and Xul Solar return to Buenos Aires -- Dissemination : woodcuts reproduce artistic labor -- Reproduction : Norah Borges draws modern femininity -- Pedagogy : Mexican children's art becomes revolutionary -- Conclusion. | |
| 520 | 8 | |a Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. Harper Montgomery examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. She maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Merida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today-the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition. | |
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| 830 | 0 | |a Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture. |0 http://id.loc.gov/authorities/names/n2001108572 | |
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| contents | Circulation : Latin American art in Amauta -- Relocation : Carlos Mérida moves to Mexico City -- Homecoming : Emilio Pettoruti and Xul Solar return to Buenos Aires -- Dissemination : woodcuts reproduce artistic labor -- Reproduction : Norah Borges draws modern femininity -- Pedagogy : Mexican children's art becomes revolutionary -- Conclusion. |
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| discipline | Kunstgeschichte |
| edition | First edition. |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Government Document Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:52Z |
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| language | English |
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| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | University of Texas Press, |
| record_format | marc |
| series | Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture. |
| series2 | Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture |
| spelling | Montgomery, Harper, author. The mobility of modernism : art and criticism in 1920s Latin America / Harper Montgomery. First edition. Austin : University of Texas Press, 2017. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture Includes bibliographical references and index. Circulation : Latin American art in Amauta -- Relocation : Carlos Mérida moves to Mexico City -- Homecoming : Emilio Pettoruti and Xul Solar return to Buenos Aires -- Dissemination : woodcuts reproduce artistic labor -- Reproduction : Norah Borges draws modern femininity -- Pedagogy : Mexican children's art becomes revolutionary -- Conclusion. Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. Harper Montgomery examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. She maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Merida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today-the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition. Print version record. Arts, Latin American 20th century. http://id.loc.gov/authorities/subjects/sh85008421 Modernism (Art) Latin America 20th century. Arts and society Latin America History 20th century. Art criticism Latin America History 20th century. Arts latino-américains 20e siècle. Arts et société Amérique latine Histoire 20e siècle. Modernisme (Art) Amérique latine 20e siècle. Critique d'art Amérique latine Histoire 20e siècle. ART Performance. bisacsh ART Reference. bisacsh ART / Caribbean & Latin American bisacsh Art criticism fast Arts and society fast Arts, Latin American fast Modernism (Art) fast Latin America fast Kunst gnd Kunstkritik gnd http://d-nb.info/gnd/4033659-1 Moderne gnd http://d-nb.info/gnd/4039827-4 Lateinamerika gnd 1900-1999 fast History fast has work: The mobility of modernism (Text) https://id.oclc.org/worldcat/entity/E39PCFWJw47C7gyTMHpCwtYFDm https://id.oclc.org/worldcat/ontology/hasWork Print version: Montgomery, Harper. Mobility of modernism. First edition. Austin : University of Texas Press, 2017 9781477312537 (DLC) 2016049900 (OCoLC)961153399 Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture. http://id.loc.gov/authorities/names/n2001108572 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1531132 Volltext |
| spellingShingle | Montgomery, Harper The mobility of modernism : art and criticism in 1920s Latin America / Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture. Circulation : Latin American art in Amauta -- Relocation : Carlos Mérida moves to Mexico City -- Homecoming : Emilio Pettoruti and Xul Solar return to Buenos Aires -- Dissemination : woodcuts reproduce artistic labor -- Reproduction : Norah Borges draws modern femininity -- Pedagogy : Mexican children's art becomes revolutionary -- Conclusion. Arts, Latin American 20th century. http://id.loc.gov/authorities/subjects/sh85008421 Modernism (Art) Latin America 20th century. Arts and society Latin America History 20th century. Art criticism Latin America History 20th century. Arts latino-américains 20e siècle. Arts et société Amérique latine Histoire 20e siècle. Modernisme (Art) Amérique latine 20e siècle. Critique d'art Amérique latine Histoire 20e siècle. ART Performance. bisacsh ART Reference. bisacsh ART / Caribbean & Latin American bisacsh Art criticism fast Arts and society fast Arts, Latin American fast Modernism (Art) fast Kunst gnd Kunstkritik gnd http://d-nb.info/gnd/4033659-1 Moderne gnd http://d-nb.info/gnd/4039827-4 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85008421 http://d-nb.info/gnd/4033659-1 http://d-nb.info/gnd/4039827-4 |
| title | The mobility of modernism : art and criticism in 1920s Latin America / |
| title_auth | The mobility of modernism : art and criticism in 1920s Latin America / |
| title_exact_search | The mobility of modernism : art and criticism in 1920s Latin America / |
| title_full | The mobility of modernism : art and criticism in 1920s Latin America / Harper Montgomery. |
| title_fullStr | The mobility of modernism : art and criticism in 1920s Latin America / Harper Montgomery. |
| title_full_unstemmed | The mobility of modernism : art and criticism in 1920s Latin America / Harper Montgomery. |
| title_short | The mobility of modernism : |
| title_sort | mobility of modernism art and criticism in 1920s latin america |
| title_sub | art and criticism in 1920s Latin America / |
| topic | Arts, Latin American 20th century. http://id.loc.gov/authorities/subjects/sh85008421 Modernism (Art) Latin America 20th century. Arts and society Latin America History 20th century. Art criticism Latin America History 20th century. Arts latino-américains 20e siècle. Arts et société Amérique latine Histoire 20e siècle. Modernisme (Art) Amérique latine 20e siècle. Critique d'art Amérique latine Histoire 20e siècle. ART Performance. bisacsh ART Reference. bisacsh ART / Caribbean & Latin American bisacsh Art criticism fast Arts and society fast Arts, Latin American fast Modernism (Art) fast Kunst gnd Kunstkritik gnd http://d-nb.info/gnd/4033659-1 Moderne gnd http://d-nb.info/gnd/4039827-4 |
| topic_facet | Arts, Latin American 20th century. Modernism (Art) Latin America 20th century. Arts and society Latin America History 20th century. Art criticism Latin America History 20th century. Arts latino-américains 20e siècle. Arts et société Amérique latine Histoire 20e siècle. Modernisme (Art) Amérique latine 20e siècle. Critique d'art Amérique latine Histoire 20e siècle. ART Performance. ART Reference. ART / Caribbean & Latin American Art criticism Arts and society Arts, Latin American Modernism (Art) Latin America Kunst Kunstkritik Moderne Lateinamerika History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1531132 |
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