Cubism and Futurism :: spiritual machines and the cinematic effect /
At its inception, the cinema was understood by many to be an electric art, akin to X-rays, coloured light, and sostnic energy. This book examines the two movements' engagement with the Faraday and Maxwell's new science of energy, and shows energy came to be understood as a spiritual phenom...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Waterloo, Ontario :
Wilfrid Laurier University Press,
2018.
|
| Schriftenreihe: | Film + media studies.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | At its inception, the cinema was understood by many to be an electric art, akin to X-rays, coloured light, and sostnic energy. This book examines the two movements' engagement with the Faraday and Maxwell's new science of energy, and shows energy came to be understood as a spiritual phenomenon and the cinema as a pneumatic machine. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781771122719 1771122714 |
Internformat
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| 245 | 1 | 0 | |a Cubism and Futurism : |b spiritual machines and the cinematic effect / |c R. Bruce Elder. |
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| 505 | 0 | |a Cover; Half Title; Title; Copyright; Dedication; CONTENTS; Acknowledgements; Introduction; 1 MODERNISM AND THE VISUAL ARTS; Modernism and Abstraction; The Attributes of Aesthetic Experience; Optical Experience and the Higher Noesis; Producing Facts; Primordial Experience: A Non-reflexive, Pre-objective Awareness; The Influence of Emmanuel Kant; Basic Themes in Cubism and Futurism; The Senses' Disconnection from Reality; Time, Reality, and Meaning; Absolute Space, Relative Space; Nerves; Notes. | |
| 505 | 8 | |a 2 DUDLEY MURPHY, FERNAND LÉGER, AND BALLET MÉCANIQUE: VORTICISM, CUBISM, COLLAGE, AND LÉGER'S NEW REALISMThe New Vision; Prosthetics for the Senses: Reconciling Two Descriptions of the World; Cubism and the Crisis of Vision; Cubism and Passage; Understanding Simultaneity, Understanding Instantaneity; Cubist Painting Between Structure and Representation; The Transitional Phase: Towards Synthetic Cubism; Cubist Collage and Papier collé; Synthetic Cubism; Bergson's Importance for Cubism; Léger and Synthetic Cubism; Proceeding from Synthetic Cubism: Fernand Léger and the New Realism. | |
| 505 | 8 | |a Léger: Cubism, Quasi-Cubism, and Non-CubismLéger, the Object, and the Human Body; Léger and the "All-Over" Form; Léger's New Realism; Léger and the Theory of Contrasts; The Idea of the New Human and Its Contribution to Léger's Evolution; Equivalent to Life: Plastically Organized Intensity; Léger and Purism; Towards the Cinema: A Montage of Pre-existing Elements; Ballet mécanique and the Mechanical Ballet: Rhythm in Ballet n mécanique; Diversity in Ballet mécanique; Another Appeal of the Cinema; Cubism, African American Art, and Infinite Plasticity; Cendrars and Léger on Language and Cinema. | |
| 505 | 8 | |a Léger's CollaboratorsAnother Key Collaborator: George Antheil; Pound's Antheil: Parallels Between the Film Ballet mécanique and Antheil's Theory of Composition; Pound, Antheil, Vorticism, and Harmony; A Mechanical Ballet: Music, Film, and Film Music; Shot Analysis of Ballet mécanique; Conclusion; Notes; 3 FUTURISM; Futurism and New Italian Culture; Futurism: The Violence of the New Replacing the Old; Painting Becomes a Futurist Synthetic Art; Speed + Electricity + Collective Consciousness = Futurism; Futurism, Symbolism, Unanimism, and Bergson; Universal Dynamism and Perception. | |
| 505 | 8 | |a The Influence of BergsonThe Cinematic Condition of Futurism; Futurism's Occult New Man; Futurism, Electromagnetism, and the Issue of Homologies; The Futurist Theory of Perception; The Futurists, Universal Relations, and Space; Bergson, Symbolism, Unanimism, and Primordial Experience; The Serata futurista and the Variety Theatre; The Futurists' Dynamic View of Reality and Futurist Dynamism; The Serata futurista and the Cinema; Futurist Painting and Sonic Art; Futurism and the Cinema; Arnaldo Ginna, Bruno Corra, and Synaesthetic Cinema; Futurism and the Anti-anthropocentric Aspiration. | |
| 520 | |a At its inception, the cinema was understood by many to be an electric art, akin to X-rays, coloured light, and sostnic energy. This book examines the two movements' engagement with the Faraday and Maxwell's new science of energy, and shows energy came to be understood as a spiritual phenomenon and the cinema as a pneumatic machine. | ||
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| author | Elder, Bruce (R. Bruce) |
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| contents | Cover; Half Title; Title; Copyright; Dedication; CONTENTS; Acknowledgements; Introduction; 1 MODERNISM AND THE VISUAL ARTS; Modernism and Abstraction; The Attributes of Aesthetic Experience; Optical Experience and the Higher Noesis; Producing Facts; Primordial Experience: A Non-reflexive, Pre-objective Awareness; The Influence of Emmanuel Kant; Basic Themes in Cubism and Futurism; The Senses' Disconnection from Reality; Time, Reality, and Meaning; Absolute Space, Relative Space; Nerves; Notes. 2 DUDLEY MURPHY, FERNAND LÉGER, AND BALLET MÉCANIQUE: VORTICISM, CUBISM, COLLAGE, AND LÉGER'S NEW REALISMThe New Vision; Prosthetics for the Senses: Reconciling Two Descriptions of the World; Cubism and the Crisis of Vision; Cubism and Passage; Understanding Simultaneity, Understanding Instantaneity; Cubist Painting Between Structure and Representation; The Transitional Phase: Towards Synthetic Cubism; Cubist Collage and Papier collé; Synthetic Cubism; Bergson's Importance for Cubism; Léger and Synthetic Cubism; Proceeding from Synthetic Cubism: Fernand Léger and the New Realism. Léger: Cubism, Quasi-Cubism, and Non-CubismLéger, the Object, and the Human Body; Léger and the "All-Over" Form; Léger's New Realism; Léger and the Theory of Contrasts; The Idea of the New Human and Its Contribution to Léger's Evolution; Equivalent to Life: Plastically Organized Intensity; Léger and Purism; Towards the Cinema: A Montage of Pre-existing Elements; Ballet mécanique and the Mechanical Ballet: Rhythm in Ballet n mécanique; Diversity in Ballet mécanique; Another Appeal of the Cinema; Cubism, African American Art, and Infinite Plasticity; Cendrars and Léger on Language and Cinema. Léger's CollaboratorsAnother Key Collaborator: George Antheil; Pound's Antheil: Parallels Between the Film Ballet mécanique and Antheil's Theory of Composition; Pound, Antheil, Vorticism, and Harmony; A Mechanical Ballet: Music, Film, and Film Music; Shot Analysis of Ballet mécanique; Conclusion; Notes; 3 FUTURISM; Futurism and New Italian Culture; Futurism: The Violence of the New Replacing the Old; Painting Becomes a Futurist Synthetic Art; Speed + Electricity + Collective Consciousness = Futurism; Futurism, Symbolism, Unanimism, and Bergson; Universal Dynamism and Perception. The Influence of BergsonThe Cinematic Condition of Futurism; Futurism's Occult New Man; Futurism, Electromagnetism, and the Issue of Homologies; The Futurist Theory of Perception; The Futurists, Universal Relations, and Space; Bergson, Symbolism, Unanimism, and Primordial Experience; The Serata futurista and the Variety Theatre; The Futurists' Dynamic View of Reality and Futurist Dynamism; The Serata futurista and the Cinema; Futurist Painting and Sonic Art; Futurism and the Cinema; Arnaldo Ginna, Bruno Corra, and Synaesthetic Cinema; Futurism and the Anti-anthropocentric Aspiration. |
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| publisher | Wilfrid Laurier University Press, |
| record_format | marc |
| series | Film + media studies. |
| series2 | Film and media studies series |
| spelling | Elder, Bruce (R. Bruce), author. https://id.oclc.org/worldcat/entity/E39PBJckQR9b6kVwyp7qRXDXh3 http://id.loc.gov/authorities/names/n82063487 Cubism and Futurism : spiritual machines and the cinematic effect / R. Bruce Elder. 1801 Waterloo, Ontario : Wilfrid Laurier University Press, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Film and media studies series Includes bibliographical references and index. Cover; Half Title; Title; Copyright; Dedication; CONTENTS; Acknowledgements; Introduction; 1 MODERNISM AND THE VISUAL ARTS; Modernism and Abstraction; The Attributes of Aesthetic Experience; Optical Experience and the Higher Noesis; Producing Facts; Primordial Experience: A Non-reflexive, Pre-objective Awareness; The Influence of Emmanuel Kant; Basic Themes in Cubism and Futurism; The Senses' Disconnection from Reality; Time, Reality, and Meaning; Absolute Space, Relative Space; Nerves; Notes. 2 DUDLEY MURPHY, FERNAND LÉGER, AND BALLET MÉCANIQUE: VORTICISM, CUBISM, COLLAGE, AND LÉGER'S NEW REALISMThe New Vision; Prosthetics for the Senses: Reconciling Two Descriptions of the World; Cubism and the Crisis of Vision; Cubism and Passage; Understanding Simultaneity, Understanding Instantaneity; Cubist Painting Between Structure and Representation; The Transitional Phase: Towards Synthetic Cubism; Cubist Collage and Papier collé; Synthetic Cubism; Bergson's Importance for Cubism; Léger and Synthetic Cubism; Proceeding from Synthetic Cubism: Fernand Léger and the New Realism. Léger: Cubism, Quasi-Cubism, and Non-CubismLéger, the Object, and the Human Body; Léger and the "All-Over" Form; Léger's New Realism; Léger and the Theory of Contrasts; The Idea of the New Human and Its Contribution to Léger's Evolution; Equivalent to Life: Plastically Organized Intensity; Léger and Purism; Towards the Cinema: A Montage of Pre-existing Elements; Ballet mécanique and the Mechanical Ballet: Rhythm in Ballet n mécanique; Diversity in Ballet mécanique; Another Appeal of the Cinema; Cubism, African American Art, and Infinite Plasticity; Cendrars and Léger on Language and Cinema. Léger's CollaboratorsAnother Key Collaborator: George Antheil; Pound's Antheil: Parallels Between the Film Ballet mécanique and Antheil's Theory of Composition; Pound, Antheil, Vorticism, and Harmony; A Mechanical Ballet: Music, Film, and Film Music; Shot Analysis of Ballet mécanique; Conclusion; Notes; 3 FUTURISM; Futurism and New Italian Culture; Futurism: The Violence of the New Replacing the Old; Painting Becomes a Futurist Synthetic Art; Speed + Electricity + Collective Consciousness = Futurism; Futurism, Symbolism, Unanimism, and Bergson; Universal Dynamism and Perception. The Influence of BergsonThe Cinematic Condition of Futurism; Futurism's Occult New Man; Futurism, Electromagnetism, and the Issue of Homologies; The Futurist Theory of Perception; The Futurists, Universal Relations, and Space; Bergson, Symbolism, Unanimism, and Primordial Experience; The Serata futurista and the Variety Theatre; The Futurists' Dynamic View of Reality and Futurist Dynamism; The Serata futurista and the Cinema; Futurist Painting and Sonic Art; Futurism and the Cinema; Arnaldo Ginna, Bruno Corra, and Synaesthetic Cinema; Futurism and the Anti-anthropocentric Aspiration. At its inception, the cinema was understood by many to be an electric art, akin to X-rays, coloured light, and sostnic energy. This book examines the two movements' engagement with the Faraday and Maxwell's new science of energy, and shows energy came to be understood as a spiritual phenomenon and the cinema as a pneumatic machine. Cubism. http://id.loc.gov/authorities/subjects/sh85034652 Futurism (Art) http://id.loc.gov/authorities/subjects/sh85052619 Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cubisme. Futurisme (Art) Cinéma Histoire. Cubist. aat Futurist. aat ART History General. bisacsh Cubism fast Futurism (Art) fast Motion pictures fast History fast Print version:Elder, Bruce (R. Bruce). Cubism and Futurism.: Waterloo, Ontario : Wilfrid Laurier University Press, 2018. Film and media studies series Film and media studies series (CaOONL)20179029185 Film + media studies. http://id.loc.gov/authorities/names/no2008152789 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1854372 Volltext |
| spellingShingle | Elder, Bruce (R. Bruce) Cubism and Futurism : spiritual machines and the cinematic effect / Film + media studies. Cover; Half Title; Title; Copyright; Dedication; CONTENTS; Acknowledgements; Introduction; 1 MODERNISM AND THE VISUAL ARTS; Modernism and Abstraction; The Attributes of Aesthetic Experience; Optical Experience and the Higher Noesis; Producing Facts; Primordial Experience: A Non-reflexive, Pre-objective Awareness; The Influence of Emmanuel Kant; Basic Themes in Cubism and Futurism; The Senses' Disconnection from Reality; Time, Reality, and Meaning; Absolute Space, Relative Space; Nerves; Notes. 2 DUDLEY MURPHY, FERNAND LÉGER, AND BALLET MÉCANIQUE: VORTICISM, CUBISM, COLLAGE, AND LÉGER'S NEW REALISMThe New Vision; Prosthetics for the Senses: Reconciling Two Descriptions of the World; Cubism and the Crisis of Vision; Cubism and Passage; Understanding Simultaneity, Understanding Instantaneity; Cubist Painting Between Structure and Representation; The Transitional Phase: Towards Synthetic Cubism; Cubist Collage and Papier collé; Synthetic Cubism; Bergson's Importance for Cubism; Léger and Synthetic Cubism; Proceeding from Synthetic Cubism: Fernand Léger and the New Realism. Léger: Cubism, Quasi-Cubism, and Non-CubismLéger, the Object, and the Human Body; Léger and the "All-Over" Form; Léger's New Realism; Léger and the Theory of Contrasts; The Idea of the New Human and Its Contribution to Léger's Evolution; Equivalent to Life: Plastically Organized Intensity; Léger and Purism; Towards the Cinema: A Montage of Pre-existing Elements; Ballet mécanique and the Mechanical Ballet: Rhythm in Ballet n mécanique; Diversity in Ballet mécanique; Another Appeal of the Cinema; Cubism, African American Art, and Infinite Plasticity; Cendrars and Léger on Language and Cinema. Léger's CollaboratorsAnother Key Collaborator: George Antheil; Pound's Antheil: Parallels Between the Film Ballet mécanique and Antheil's Theory of Composition; Pound, Antheil, Vorticism, and Harmony; A Mechanical Ballet: Music, Film, and Film Music; Shot Analysis of Ballet mécanique; Conclusion; Notes; 3 FUTURISM; Futurism and New Italian Culture; Futurism: The Violence of the New Replacing the Old; Painting Becomes a Futurist Synthetic Art; Speed + Electricity + Collective Consciousness = Futurism; Futurism, Symbolism, Unanimism, and Bergson; Universal Dynamism and Perception. The Influence of BergsonThe Cinematic Condition of Futurism; Futurism's Occult New Man; Futurism, Electromagnetism, and the Issue of Homologies; The Futurist Theory of Perception; The Futurists, Universal Relations, and Space; Bergson, Symbolism, Unanimism, and Primordial Experience; The Serata futurista and the Variety Theatre; The Futurists' Dynamic View of Reality and Futurist Dynamism; The Serata futurista and the Cinema; Futurist Painting and Sonic Art; Futurism and the Cinema; Arnaldo Ginna, Bruno Corra, and Synaesthetic Cinema; Futurism and the Anti-anthropocentric Aspiration. Cubism. http://id.loc.gov/authorities/subjects/sh85034652 Futurism (Art) http://id.loc.gov/authorities/subjects/sh85052619 Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cubisme. Futurisme (Art) Cinéma Histoire. Cubist. aat Futurist. aat ART History General. bisacsh Cubism fast Futurism (Art) fast Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85034652 http://id.loc.gov/authorities/subjects/sh85052619 http://id.loc.gov/authorities/subjects/sh87002438 |
| title | Cubism and Futurism : spiritual machines and the cinematic effect / |
| title_auth | Cubism and Futurism : spiritual machines and the cinematic effect / |
| title_exact_search | Cubism and Futurism : spiritual machines and the cinematic effect / |
| title_full | Cubism and Futurism : spiritual machines and the cinematic effect / R. Bruce Elder. |
| title_fullStr | Cubism and Futurism : spiritual machines and the cinematic effect / R. Bruce Elder. |
| title_full_unstemmed | Cubism and Futurism : spiritual machines and the cinematic effect / R. Bruce Elder. |
| title_short | Cubism and Futurism : |
| title_sort | cubism and futurism spiritual machines and the cinematic effect |
| title_sub | spiritual machines and the cinematic effect / |
| topic | Cubism. http://id.loc.gov/authorities/subjects/sh85034652 Futurism (Art) http://id.loc.gov/authorities/subjects/sh85052619 Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cubisme. Futurisme (Art) Cinéma Histoire. Cubist. aat Futurist. aat ART History General. bisacsh Cubism fast Futurism (Art) fast Motion pictures fast |
| topic_facet | Cubism. Futurism (Art) Motion pictures History. Cubisme. Futurisme (Art) Cinéma Histoire. Cubist. Futurist. ART History General. Cubism Motion pictures History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1854372 |
| work_keys_str_mv | AT elderbruce cubismandfuturismspiritualmachinesandthecinematiceffect |