International yearbook of futurism studies.: Volume 7, Special issue, futurism in Latin America /
Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism foc...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Berlin [Germany] ; Boston [Massachusetts] :
De Gruyter,
2017.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre - periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, id est indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them. |
| Beschreibung: | 1 online resource (xlii, 528 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 3110527839 9783110527834 9783110527032 3110527030 9783110527841 3110527847 |
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| 245 | 0 | 0 | |a International yearbook of futurism studies. |n Volume 7, |g 2017, |p Special issue, futurism in Latin America / |c edited by Mariana Aguirre, [and three others] ; with the assistance of Günter Berghaus and Sze Wah Lee. |
| 246 | 3 | 0 | |a Special issue, futurism in Latin America |
| 246 | 3 | 0 | |a Futurism in Latin America |
| 264 | 1 | |a Berlin [Germany] ; |a Boston [Massachusetts] : |b De Gruyter, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xlii, 528 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from digital title page (De Gruyter, viewed on June 21, 2017). | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Editorial / |r Berghaus, Günter -- |t Editors' Preface / |r Aguirre, Mariana / Sarabia, Rosa / Silverman, Renée M. / Vasconcelos, Ricardo -- |t Section 1: Futurism in Latin America -- |t Estridentismo and Sonido Trece: The Avant-garde in Post-Revolutionary Mexico / |r Zaramella, Enea -- |t Indigenismo and Futurism in Latin America: José Carlos Mariátegui and the Peruvian Avant-garde / |r Montenegro, Giovanna -- |t Futurist Confrontations and Other Modes of Registering Modernity: Buenos Aires, 1924-1926 / |r Montgomery, Harper -- |t Vida-Americana: An Intercontinental Avantgarde Magazine / |r Segoviano, Carlos -- |t Wet Gunpowder: Anarchism and Futurism Meet in Montevideo / |r Vidal, Daniel -- |t Martial Arts in Argentina: Futurism, Fascism and Leopoldo Lugones / |r Read, Justin -- |t The Perverse Looks and Sounds of Caribbean Vanguards: Futurism in Cuba, Puerto Rico and the Dominican Republic / |r Austria, Ramiro Armas -- |t Vicente Huidobro and William Carlos Williams: Hemispheric Connections, or How to Create Things with Words / |r Sánchez-Pardo, Esther -- |t Futurism and Cubism in the Early Poetics of Mexican Estridentismo and Brazilian Modernismo / |r Cisneros, Odile -- |t Futurist Manifestos and Programmatic Texts of Brazilian Modernism / |r Bortulucce, Vanessa Beatriz -- |t A Cultural Icon of Ill-Repute: Marinetti and Brazilian Antifascism / |r Berghaus, Günter -- |t Futurism, Heroic Love and Fascism: Marinetti Interviewed by Flávio de Carvalho in São Paulo in 1936 / |r Moreschi, Marcelo -- |t Between Letters and Memoirs: Behind the Scenes of Futurism in Brazil / |r Abreu, Mirhiane Mendes de -- |t Heavenly Heights, or Reign of the Dangerous Classes? F. T. Marinetti's Visit to the Morro da Favela (1926) / |r Mattos, Romulo Costa -- |t Section 2: Country Reports -- |t The Estridentista Movement in Mexico: A Poetics of the Ephemeral / |r Rashkin, Elissa J. / Zurián, Carla -- |t Section 3: Archive Reports -- |t The Ibero-American Institute in Berlin / |r Mühlschlegel, Ulrike -- |t The Papers of Joaquín Torres-García and Rafael Barradas in the Museo Nacional Centro de Arte Reina Sofía and the Residencia de Estudiantes / |r Sánchez, María Porras -- |t Section 4: Caricatures and Satires of Futurism -- |t Sketching Futurism: Güiraldes, Marinetti and Buenos Aires (1926) / |r Salas, Claudio Palomares -- |t Marinetti in the Satirical Magazine Caras y caretas (Buenos Aires) / |r Ehrlicher, Hanno -- |t Emilio Pettoruti in Buenos Aires, 1924-1926 / |r Meazzi, Barbara -- |t Caricature as Strategy: An Estridentista Group Portrait / |r Klich, Lynda -- |t Ramón Alva de la Canal's Caricature of Diego Rivera's Address to the Nation / |r Aguirre, Mariana -- |t A Requiem on Futurism by Lauro Montanari in 1926 / |r D'Ambrosio, Matteo -- |t A Brazilian Cartoon about Marinetti's Visit to a Favela in 1926 / |r Mattos, Romulo Costa -- |t A Futurist Train Derailed in Brazil / |r Fabris, Annateresa -- |t Section 5: Reviews -- |t The (R)Evolution of Modern Italian Painting: Divisionism and its Influence on the Futurist Avant-garde / |r Hanstein, Lisa / Chytraeus-Auerbach, Irene -- |t "Man Wanted": An Exhibition on Zenitism in Gallery O3ONE, Belgrade / |r Subotić, Irina -- |t Stridentism Revisited? / |r Salas, Claudio Palomares -- |t Ukrainian Futurism: A New Anthology of Writings by Mykhail' Semenko / |r Ilnytzkyj, Oleh S. -- |t New Publications on Futurist Architecture / |r Gardini, Ashley -- |t Futurism and the 'New' Woman in Italy / |r Griffiths, Jennifer -- |t Section 6: Bibliography -- |t A. Bibliography of Publications on Futurism, 2014-2016 / |r Berghaus, Günter -- |t Section 7: Back Matter -- |t List of Illustrations and Provenance Description -- |t Notes on Contributors -- |t Name Index -- |t Subject Index -- |t Geographical index |
| 520 | |a Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre - periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, id est indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them. | ||
| 546 | |a In English. | ||
| 650 | 0 | |a Futurism (Art) |x History. | |
| 650 | 0 | |a Futurism (Literary movement) |x History. | |
| 650 | 0 | |a Futurism (Art) |z Latin America. | |
| 650 | 0 | |a Futurism (Literary movement) |z Latin America. | |
| 650 | 0 | |a Yearbooks. |0 http://id.loc.gov/authorities/subjects/sh85149058 | |
| 650 | 6 | |a Futurisme (Art) |x Histoire. | |
| 650 | 6 | |a Futurisme (Mouvement littéraire) |x Histoire. | |
| 650 | 6 | |a Futurisme (Art) |z Amérique latine. | |
| 650 | 6 | |a Futurisme (Mouvement littéraire) |z Amérique latine. | |
| 650 | 6 | |a Annuaires. | |
| 650 | 7 | |a annuals (publications) |2 aat | |
| 650 | 7 | |a yearbooks. |2 aat | |
| 650 | 7 | |a REFERENCE |x Encyclopedias. |2 bisacsh | |
| 650 | 7 | |a Futurism (Art) |2 fast | |
| 650 | 7 | |a Futurism (Literary movement) |2 fast | |
| 651 | 7 | |a Latin America |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Aguirre, Mariana, |d 1977-2022, |e editor. | |
| 700 | 1 | |a Lee, Sze Wah, |e contributor. | |
| 700 | 1 | |a Berghaus, Günter, |e contributor. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn988767629 |
|---|---|
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| adam_text | |
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| author2 | Aguirre, Mariana, 1977-2022 Lee, Sze Wah Berghaus, Günter |
| author2_role | edt ctb ctb |
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| author_additional | Berghaus, Günter -- Aguirre, Mariana / Sarabia, Rosa / Silverman, Renée M. / Vasconcelos, Ricardo -- Zaramella, Enea -- Montenegro, Giovanna -- Montgomery, Harper -- Segoviano, Carlos -- Vidal, Daniel -- Read, Justin -- Austria, Ramiro Armas -- Sánchez-Pardo, Esther -- Cisneros, Odile -- Bortulucce, Vanessa Beatriz -- Moreschi, Marcelo -- Abreu, Mirhiane Mendes de -- Mattos, Romulo Costa -- Rashkin, Elissa J. / Zurián, Carla -- Mühlschlegel, Ulrike -- Sánchez, María Porras -- Salas, Claudio Palomares -- Ehrlicher, Hanno -- Meazzi, Barbara -- Klich, Lynda -- Aguirre, Mariana -- D'Ambrosio, Matteo -- Fabris, Annateresa -- Hanstein, Lisa / Chytraeus-Auerbach, Irene -- Subotić, Irina -- Ilnytzkyj, Oleh S. -- Gardini, Ashley -- Griffiths, Jennifer -- |
| author_facet | Aguirre, Mariana, 1977-2022 Lee, Sze Wah Berghaus, Günter |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | A - General Works |
| callnumber-label | AY19 |
| callnumber-raw | AY19.C53 I58 2017 |
| callnumber-search | AY19.C53 I58 2017 |
| callnumber-sort | AY 219 C53 I58 42017 |
| callnumber-subject | AY - Yearbooks, Almanacs, Directories |
| collection | ZDB-4-EBA |
| contents | Frontmatter -- Contents -- Editorial / Editors' Preface / Section 1: Futurism in Latin America -- Estridentismo and Sonido Trece: The Avant-garde in Post-Revolutionary Mexico / Indigenismo and Futurism in Latin America: José Carlos Mariátegui and the Peruvian Avant-garde / Futurist Confrontations and Other Modes of Registering Modernity: Buenos Aires, 1924-1926 / Vida-Americana: An Intercontinental Avantgarde Magazine / Wet Gunpowder: Anarchism and Futurism Meet in Montevideo / Martial Arts in Argentina: Futurism, Fascism and Leopoldo Lugones / The Perverse Looks and Sounds of Caribbean Vanguards: Futurism in Cuba, Puerto Rico and the Dominican Republic / Vicente Huidobro and William Carlos Williams: Hemispheric Connections, or How to Create Things with Words / Futurism and Cubism in the Early Poetics of Mexican Estridentismo and Brazilian Modernismo / Futurist Manifestos and Programmatic Texts of Brazilian Modernism / A Cultural Icon of Ill-Repute: Marinetti and Brazilian Antifascism / Futurism, Heroic Love and Fascism: Marinetti Interviewed by Flávio de Carvalho in São Paulo in 1936 / Between Letters and Memoirs: Behind the Scenes of Futurism in Brazil / Heavenly Heights, or Reign of the Dangerous Classes? F. T. Marinetti's Visit to the Morro da Favela (1926) / Section 2: Country Reports -- The Estridentista Movement in Mexico: A Poetics of the Ephemeral / Section 3: Archive Reports -- The Ibero-American Institute in Berlin / The Papers of Joaquín Torres-García and Rafael Barradas in the Museo Nacional Centro de Arte Reina Sofía and the Residencia de Estudiantes / Section 4: Caricatures and Satires of Futurism -- Sketching Futurism: Güiraldes, Marinetti and Buenos Aires (1926) / Marinetti in the Satirical Magazine Caras y caretas (Buenos Aires) / Emilio Pettoruti in Buenos Aires, 1924-1926 / Caricature as Strategy: An Estridentista Group Portrait / Ramón Alva de la Canal's Caricature of Diego Rivera's Address to the Nation / A Requiem on Futurism by Lauro Montanari in 1926 / A Brazilian Cartoon about Marinetti's Visit to a Favela in 1926 / A Futurist Train Derailed in Brazil / Section 5: Reviews -- The (R)Evolution of Modern Italian Painting: Divisionism and its Influence on the Futurist Avant-garde / "Man Wanted": An Exhibition on Zenitism in Gallery O3ONE, Belgrade / Stridentism Revisited? / Ukrainian Futurism: A New Anthology of Writings by Mykhail' Semenko / New Publications on Futurist Architecture / Futurism and the 'New' Woman in Italy / Section 6: Bibliography -- A. Bibliography of Publications on Futurism, 2014-2016 / Section 7: Back Matter -- List of Illustrations and Provenance Description -- Notes on Contributors -- Name Index -- Subject Index -- Geographical index |
| ctrlnum | (OCoLC)988767629 |
| dewey-full | 032.02 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 032 - General encyclopedic works in English |
| dewey-raw | 032.02 |
| dewey-search | 032.02 |
| dewey-sort | 232.02 |
| dewey-tens | 030 - General encyclopedic works |
| discipline | Allgemeines |
| format | Electronic eBook |
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title from digital title page (De Gruyter, viewed on June 21, 2017).</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter --</subfield><subfield code="t">Contents --</subfield><subfield code="t">Editorial /</subfield><subfield code="r">Berghaus, Günter --</subfield><subfield code="t">Editors' Preface /</subfield><subfield code="r">Aguirre, Mariana / Sarabia, Rosa / Silverman, Renée M. / Vasconcelos, Ricardo --</subfield><subfield code="t">Section 1: Futurism in Latin America --</subfield><subfield code="t">Estridentismo and Sonido Trece: The Avant-garde in Post-Revolutionary Mexico /</subfield><subfield code="r">Zaramella, Enea --</subfield><subfield code="t">Indigenismo and Futurism in Latin America: José Carlos Mariátegui and the Peruvian Avant-garde /</subfield><subfield code="r">Montenegro, Giovanna --</subfield><subfield code="t">Futurist Confrontations and Other Modes of Registering Modernity: Buenos Aires, 1924-1926 /</subfield><subfield code="r">Montgomery, Harper --</subfield><subfield code="t">Vida-Americana: An Intercontinental Avantgarde Magazine /</subfield><subfield code="r">Segoviano, Carlos --</subfield><subfield code="t">Wet Gunpowder: Anarchism and Futurism Meet in Montevideo /</subfield><subfield code="r">Vidal, Daniel --</subfield><subfield code="t">Martial Arts in Argentina: Futurism, Fascism and Leopoldo Lugones /</subfield><subfield code="r">Read, Justin --</subfield><subfield code="t">The Perverse Looks and Sounds of Caribbean Vanguards: Futurism in Cuba, Puerto Rico and the Dominican Republic /</subfield><subfield code="r">Austria, Ramiro Armas --</subfield><subfield code="t">Vicente Huidobro and William Carlos Williams: Hemispheric Connections, or How to Create Things with Words /</subfield><subfield code="r">Sánchez-Pardo, Esther --</subfield><subfield code="t">Futurism and Cubism in the Early Poetics of Mexican Estridentismo and Brazilian Modernismo /</subfield><subfield code="r">Cisneros, Odile --</subfield><subfield code="t">Futurist Manifestos and Programmatic Texts of Brazilian Modernism /</subfield><subfield code="r">Bortulucce, Vanessa Beatriz --</subfield><subfield code="t">A Cultural Icon of Ill-Repute: Marinetti and Brazilian Antifascism /</subfield><subfield code="r">Berghaus, Günter --</subfield><subfield code="t">Futurism, Heroic Love and Fascism: Marinetti Interviewed by Flávio de Carvalho in São Paulo in 1936 /</subfield><subfield code="r">Moreschi, Marcelo --</subfield><subfield code="t">Between Letters and Memoirs: Behind the Scenes of Futurism in Brazil /</subfield><subfield code="r">Abreu, Mirhiane Mendes de --</subfield><subfield code="t">Heavenly Heights, or Reign of the Dangerous Classes? F. T. Marinetti's Visit to the Morro da Favela (1926) /</subfield><subfield code="r">Mattos, Romulo Costa --</subfield><subfield code="t">Section 2: Country Reports --</subfield><subfield code="t">The Estridentista Movement in Mexico: A Poetics of the Ephemeral /</subfield><subfield code="r">Rashkin, Elissa J. / Zurián, Carla --</subfield><subfield code="t">Section 3: Archive Reports --</subfield><subfield code="t">The Ibero-American Institute in Berlin /</subfield><subfield code="r">Mühlschlegel, Ulrike --</subfield><subfield code="t">The Papers of Joaquín Torres-García and Rafael Barradas in the Museo Nacional Centro de Arte Reina Sofía and the Residencia de Estudiantes /</subfield><subfield code="r">Sánchez, María Porras --</subfield><subfield code="t">Section 4: Caricatures and Satires of Futurism --</subfield><subfield code="t">Sketching Futurism: Güiraldes, Marinetti and Buenos Aires (1926) /</subfield><subfield code="r">Salas, Claudio Palomares --</subfield><subfield code="t">Marinetti in the Satirical Magazine Caras y caretas (Buenos Aires) /</subfield><subfield code="r">Ehrlicher, Hanno --</subfield><subfield code="t">Emilio Pettoruti in Buenos Aires, 1924-1926 /</subfield><subfield code="r">Meazzi, Barbara --</subfield><subfield code="t">Caricature as Strategy: An Estridentista Group Portrait /</subfield><subfield code="r">Klich, Lynda --</subfield><subfield code="t">Ramón Alva de la Canal's Caricature of Diego Rivera's Address to the Nation /</subfield><subfield code="r">Aguirre, Mariana --</subfield><subfield code="t">A Requiem on Futurism by Lauro Montanari in 1926 /</subfield><subfield code="r">D'Ambrosio, Matteo --</subfield><subfield code="t">A Brazilian Cartoon about Marinetti's Visit to a Favela in 1926 /</subfield><subfield code="r">Mattos, Romulo Costa --</subfield><subfield code="t">A Futurist Train Derailed in Brazil /</subfield><subfield code="r">Fabris, Annateresa --</subfield><subfield code="t">Section 5: Reviews --</subfield><subfield code="t">The (R)Evolution of Modern Italian Painting: Divisionism and its Influence on the Futurist Avant-garde /</subfield><subfield code="r">Hanstein, Lisa / Chytraeus-Auerbach, Irene --</subfield><subfield code="t">"Man Wanted": An Exhibition on Zenitism in Gallery O3ONE, Belgrade /</subfield><subfield code="r">Subotić, Irina --</subfield><subfield code="t">Stridentism Revisited? /</subfield><subfield code="r">Salas, Claudio Palomares --</subfield><subfield code="t">Ukrainian Futurism: A New Anthology of Writings by Mykhail' Semenko /</subfield><subfield code="r">Ilnytzkyj, Oleh S. --</subfield><subfield code="t">New Publications on Futurist Architecture /</subfield><subfield code="r">Gardini, Ashley --</subfield><subfield code="t">Futurism and the 'New' Woman in Italy /</subfield><subfield code="r">Griffiths, Jennifer --</subfield><subfield code="t">Section 6: Bibliography --</subfield><subfield code="t">A. Bibliography of Publications on Futurism, 2014-2016 /</subfield><subfield code="r">Berghaus, Günter --</subfield><subfield code="t">Section 7: Back Matter --</subfield><subfield code="t">List of Illustrations and Provenance Description --</subfield><subfield code="t">Notes on Contributors --</subfield><subfield code="t">Name Index --</subfield><subfield code="t">Subject Index --</subfield><subfield code="t">Geographical index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre - periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, id est indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Futurism (Art)</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Futurism (Literary movement)</subfield><subfield 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| genre | History fast |
| genre_facet | History |
| geographic | Latin America fast |
| geographic_facet | Latin America |
| id | ZDB-4-EBA-ocn988767629 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:52Z |
| institution | BVB |
| isbn | 3110527839 9783110527834 9783110527032 3110527030 9783110527841 3110527847 |
| language | English |
| oclc_num | 988767629 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xlii, 528 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | De Gruyter, |
| record_format | marc |
| spelling | International yearbook of futurism studies. Volume 7, 2017, Special issue, futurism in Latin America / edited by Mariana Aguirre, [and three others] ; with the assistance of Günter Berghaus and Sze Wah Lee. Special issue, futurism in Latin America Futurism in Latin America Berlin [Germany] ; Boston [Massachusetts] : De Gruyter, 2017. ©2017 1 online resource (xlii, 528 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Includes bibliographical references and index. Online resource; title from digital title page (De Gruyter, viewed on June 21, 2017). Frontmatter -- Contents -- Editorial / Berghaus, Günter -- Editors' Preface / Aguirre, Mariana / Sarabia, Rosa / Silverman, Renée M. / Vasconcelos, Ricardo -- Section 1: Futurism in Latin America -- Estridentismo and Sonido Trece: The Avant-garde in Post-Revolutionary Mexico / Zaramella, Enea -- Indigenismo and Futurism in Latin America: José Carlos Mariátegui and the Peruvian Avant-garde / Montenegro, Giovanna -- Futurist Confrontations and Other Modes of Registering Modernity: Buenos Aires, 1924-1926 / Montgomery, Harper -- Vida-Americana: An Intercontinental Avantgarde Magazine / Segoviano, Carlos -- Wet Gunpowder: Anarchism and Futurism Meet in Montevideo / Vidal, Daniel -- Martial Arts in Argentina: Futurism, Fascism and Leopoldo Lugones / Read, Justin -- The Perverse Looks and Sounds of Caribbean Vanguards: Futurism in Cuba, Puerto Rico and the Dominican Republic / Austria, Ramiro Armas -- Vicente Huidobro and William Carlos Williams: Hemispheric Connections, or How to Create Things with Words / Sánchez-Pardo, Esther -- Futurism and Cubism in the Early Poetics of Mexican Estridentismo and Brazilian Modernismo / Cisneros, Odile -- Futurist Manifestos and Programmatic Texts of Brazilian Modernism / Bortulucce, Vanessa Beatriz -- A Cultural Icon of Ill-Repute: Marinetti and Brazilian Antifascism / Berghaus, Günter -- Futurism, Heroic Love and Fascism: Marinetti Interviewed by Flávio de Carvalho in São Paulo in 1936 / Moreschi, Marcelo -- Between Letters and Memoirs: Behind the Scenes of Futurism in Brazil / Abreu, Mirhiane Mendes de -- Heavenly Heights, or Reign of the Dangerous Classes? F. T. Marinetti's Visit to the Morro da Favela (1926) / Mattos, Romulo Costa -- Section 2: Country Reports -- The Estridentista Movement in Mexico: A Poetics of the Ephemeral / Rashkin, Elissa J. / Zurián, Carla -- Section 3: Archive Reports -- The Ibero-American Institute in Berlin / Mühlschlegel, Ulrike -- The Papers of Joaquín Torres-García and Rafael Barradas in the Museo Nacional Centro de Arte Reina Sofía and the Residencia de Estudiantes / Sánchez, María Porras -- Section 4: Caricatures and Satires of Futurism -- Sketching Futurism: Güiraldes, Marinetti and Buenos Aires (1926) / Salas, Claudio Palomares -- Marinetti in the Satirical Magazine Caras y caretas (Buenos Aires) / Ehrlicher, Hanno -- Emilio Pettoruti in Buenos Aires, 1924-1926 / Meazzi, Barbara -- Caricature as Strategy: An Estridentista Group Portrait / Klich, Lynda -- Ramón Alva de la Canal's Caricature of Diego Rivera's Address to the Nation / Aguirre, Mariana -- A Requiem on Futurism by Lauro Montanari in 1926 / D'Ambrosio, Matteo -- A Brazilian Cartoon about Marinetti's Visit to a Favela in 1926 / Mattos, Romulo Costa -- A Futurist Train Derailed in Brazil / Fabris, Annateresa -- Section 5: Reviews -- The (R)Evolution of Modern Italian Painting: Divisionism and its Influence on the Futurist Avant-garde / Hanstein, Lisa / Chytraeus-Auerbach, Irene -- "Man Wanted": An Exhibition on Zenitism in Gallery O3ONE, Belgrade / Subotić, Irina -- Stridentism Revisited? / Salas, Claudio Palomares -- Ukrainian Futurism: A New Anthology of Writings by Mykhail' Semenko / Ilnytzkyj, Oleh S. -- New Publications on Futurist Architecture / Gardini, Ashley -- Futurism and the 'New' Woman in Italy / Griffiths, Jennifer -- Section 6: Bibliography -- A. Bibliography of Publications on Futurism, 2014-2016 / Berghaus, Günter -- Section 7: Back Matter -- List of Illustrations and Provenance Description -- Notes on Contributors -- Name Index -- Subject Index -- Geographical index Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre - periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, id est indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them. In English. Futurism (Art) History. Futurism (Literary movement) History. Futurism (Art) Latin America. Futurism (Literary movement) Latin America. Yearbooks. http://id.loc.gov/authorities/subjects/sh85149058 Futurisme (Art) Histoire. Futurisme (Mouvement littéraire) Histoire. Futurisme (Art) Amérique latine. Futurisme (Mouvement littéraire) Amérique latine. Annuaires. annuals (publications) aat yearbooks. aat REFERENCE Encyclopedias. bisacsh Futurism (Art) fast Futurism (Literary movement) fast Latin America fast History fast Aguirre, Mariana, 1977-2022, editor. Lee, Sze Wah, contributor. Berghaus, Günter, contributor. bundle 9783110527841 EPUB 9783110527032 print 9783110526882 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1513115 Volltext |
| spellingShingle | International yearbook of futurism studies. Frontmatter -- Contents -- Editorial / Editors' Preface / Section 1: Futurism in Latin America -- Estridentismo and Sonido Trece: The Avant-garde in Post-Revolutionary Mexico / Indigenismo and Futurism in Latin America: José Carlos Mariátegui and the Peruvian Avant-garde / Futurist Confrontations and Other Modes of Registering Modernity: Buenos Aires, 1924-1926 / Vida-Americana: An Intercontinental Avantgarde Magazine / Wet Gunpowder: Anarchism and Futurism Meet in Montevideo / Martial Arts in Argentina: Futurism, Fascism and Leopoldo Lugones / The Perverse Looks and Sounds of Caribbean Vanguards: Futurism in Cuba, Puerto Rico and the Dominican Republic / Vicente Huidobro and William Carlos Williams: Hemispheric Connections, or How to Create Things with Words / Futurism and Cubism in the Early Poetics of Mexican Estridentismo and Brazilian Modernismo / Futurist Manifestos and Programmatic Texts of Brazilian Modernism / A Cultural Icon of Ill-Repute: Marinetti and Brazilian Antifascism / Futurism, Heroic Love and Fascism: Marinetti Interviewed by Flávio de Carvalho in São Paulo in 1936 / Between Letters and Memoirs: Behind the Scenes of Futurism in Brazil / Heavenly Heights, or Reign of the Dangerous Classes? F. T. Marinetti's Visit to the Morro da Favela (1926) / Section 2: Country Reports -- The Estridentista Movement in Mexico: A Poetics of the Ephemeral / Section 3: Archive Reports -- The Ibero-American Institute in Berlin / The Papers of Joaquín Torres-García and Rafael Barradas in the Museo Nacional Centro de Arte Reina Sofía and the Residencia de Estudiantes / Section 4: Caricatures and Satires of Futurism -- Sketching Futurism: Güiraldes, Marinetti and Buenos Aires (1926) / Marinetti in the Satirical Magazine Caras y caretas (Buenos Aires) / Emilio Pettoruti in Buenos Aires, 1924-1926 / Caricature as Strategy: An Estridentista Group Portrait / Ramón Alva de la Canal's Caricature of Diego Rivera's Address to the Nation / A Requiem on Futurism by Lauro Montanari in 1926 / A Brazilian Cartoon about Marinetti's Visit to a Favela in 1926 / A Futurist Train Derailed in Brazil / Section 5: Reviews -- The (R)Evolution of Modern Italian Painting: Divisionism and its Influence on the Futurist Avant-garde / "Man Wanted": An Exhibition on Zenitism in Gallery O3ONE, Belgrade / Stridentism Revisited? / Ukrainian Futurism: A New Anthology of Writings by Mykhail' Semenko / New Publications on Futurist Architecture / Futurism and the 'New' Woman in Italy / Section 6: Bibliography -- A. Bibliography of Publications on Futurism, 2014-2016 / Section 7: Back Matter -- List of Illustrations and Provenance Description -- Notes on Contributors -- Name Index -- Subject Index -- Geographical index Futurism (Art) History. Futurism (Literary movement) History. Futurism (Art) Latin America. Futurism (Literary movement) Latin America. Yearbooks. http://id.loc.gov/authorities/subjects/sh85149058 Futurisme (Art) Histoire. Futurisme (Mouvement littéraire) Histoire. Futurisme (Art) Amérique latine. Futurisme (Mouvement littéraire) Amérique latine. Annuaires. annuals (publications) aat yearbooks. aat REFERENCE Encyclopedias. bisacsh Futurism (Art) fast Futurism (Literary movement) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85149058 |
| title | International yearbook of futurism studies. |
| title_alt | Special issue, futurism in Latin America Futurism in Latin America Frontmatter -- Contents -- Editorial / Editors' Preface / Section 1: Futurism in Latin America -- Estridentismo and Sonido Trece: The Avant-garde in Post-Revolutionary Mexico / Indigenismo and Futurism in Latin America: José Carlos Mariátegui and the Peruvian Avant-garde / Futurist Confrontations and Other Modes of Registering Modernity: Buenos Aires, 1924-1926 / Vida-Americana: An Intercontinental Avantgarde Magazine / Wet Gunpowder: Anarchism and Futurism Meet in Montevideo / Martial Arts in Argentina: Futurism, Fascism and Leopoldo Lugones / The Perverse Looks and Sounds of Caribbean Vanguards: Futurism in Cuba, Puerto Rico and the Dominican Republic / Vicente Huidobro and William Carlos Williams: Hemispheric Connections, or How to Create Things with Words / Futurism and Cubism in the Early Poetics of Mexican Estridentismo and Brazilian Modernismo / Futurist Manifestos and Programmatic Texts of Brazilian Modernism / A Cultural Icon of Ill-Repute: Marinetti and Brazilian Antifascism / Futurism, Heroic Love and Fascism: Marinetti Interviewed by Flávio de Carvalho in São Paulo in 1936 / Between Letters and Memoirs: Behind the Scenes of Futurism in Brazil / Heavenly Heights, or Reign of the Dangerous Classes? F. T. Marinetti's Visit to the Morro da Favela (1926) / Section 2: Country Reports -- The Estridentista Movement in Mexico: A Poetics of the Ephemeral / Section 3: Archive Reports -- The Ibero-American Institute in Berlin / The Papers of Joaquín Torres-García and Rafael Barradas in the Museo Nacional Centro de Arte Reina Sofía and the Residencia de Estudiantes / Section 4: Caricatures and Satires of Futurism -- Sketching Futurism: Güiraldes, Marinetti and Buenos Aires (1926) / Marinetti in the Satirical Magazine Caras y caretas (Buenos Aires) / Emilio Pettoruti in Buenos Aires, 1924-1926 / Caricature as Strategy: An Estridentista Group Portrait / Ramón Alva de la Canal's Caricature of Diego Rivera's Address to the Nation / A Requiem on Futurism by Lauro Montanari in 1926 / A Brazilian Cartoon about Marinetti's Visit to a Favela in 1926 / A Futurist Train Derailed in Brazil / Section 5: Reviews -- The (R)Evolution of Modern Italian Painting: Divisionism and its Influence on the Futurist Avant-garde / "Man Wanted": An Exhibition on Zenitism in Gallery O3ONE, Belgrade / Stridentism Revisited? / Ukrainian Futurism: A New Anthology of Writings by Mykhail' Semenko / New Publications on Futurist Architecture / Futurism and the 'New' Woman in Italy / Section 6: Bibliography -- A. Bibliography of Publications on Futurism, 2014-2016 / Section 7: Back Matter -- List of Illustrations and Provenance Description -- Notes on Contributors -- Name Index -- Subject Index -- Geographical index |
| title_auth | International yearbook of futurism studies. |
| title_exact_search | International yearbook of futurism studies. |
| title_full | International yearbook of futurism studies. Volume 7, 2017, Special issue, futurism in Latin America / edited by Mariana Aguirre, [and three others] ; with the assistance of Günter Berghaus and Sze Wah Lee. |
| title_fullStr | International yearbook of futurism studies. Volume 7, 2017, Special issue, futurism in Latin America / edited by Mariana Aguirre, [and three others] ; with the assistance of Günter Berghaus and Sze Wah Lee. |
| title_full_unstemmed | International yearbook of futurism studies. Volume 7, 2017, Special issue, futurism in Latin America / edited by Mariana Aguirre, [and three others] ; with the assistance of Günter Berghaus and Sze Wah Lee. |
| title_short | International yearbook of futurism studies. |
| title_sort | international yearbook of futurism studies special issue futurism in latin america |
| topic | Futurism (Art) History. Futurism (Literary movement) History. Futurism (Art) Latin America. Futurism (Literary movement) Latin America. Yearbooks. http://id.loc.gov/authorities/subjects/sh85149058 Futurisme (Art) Histoire. Futurisme (Mouvement littéraire) Histoire. Futurisme (Art) Amérique latine. Futurisme (Mouvement littéraire) Amérique latine. Annuaires. annuals (publications) aat yearbooks. aat REFERENCE Encyclopedias. bisacsh Futurism (Art) fast Futurism (Literary movement) fast |
| topic_facet | Futurism (Art) History. Futurism (Literary movement) History. Futurism (Art) Latin America. Futurism (Literary movement) Latin America. Yearbooks. Futurisme (Art) Histoire. Futurisme (Mouvement littéraire) Histoire. Futurisme (Art) Amérique latine. Futurisme (Mouvement littéraire) Amérique latine. Annuaires. annuals (publications) yearbooks. REFERENCE Encyclopedias. Futurism (Art) Futurism (Literary movement) Latin America History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1513115 |
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