Liquid space :: science fiction film and television in the digital age /
In this remarkable and original book, Sean Redmond examines the issues and themes that are repeatedly found across a range of contemporary science fiction films and television programmes. He argues that they reveal the profound effects the digital age has had on our social lives. Through narratives...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
I.B. Tauris & Co. Ltd,
2017.
|
| Schriftenreihe: | International library of the moving image ;
15. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In this remarkable and original book, Sean Redmond examines the issues and themes that are repeatedly found across a range of contemporary science fiction films and television programmes. He argues that they reveal the profound effects the digital age has had on our social lives. Through narratives that feature the 'post-human', genetic engineering and cloning, surveillance and data mining, space and time travel, artificial intelligence, online dating cultures and visions of catastrophe, they portray a world in which the material, and the stable, are being lost to the ever-more volatile and ephemeral idea of 'liquid space'. Redmond examines a wide selection of popular films and TV series such as Gravity, Under the Skin, The Lobster, Children of Men and Doctor Who, to locate how traditional values are being erased in favour of a new liquid modernity. Drawing on an eclectic range of approaches from phenomenology to critical race theory, and from close textual analysis to the revelations of eye-tracking technology, this book is an illuminating account of the digital age through the lens of science fiction. |
| Beschreibung: | 1 online resource (200 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781786721044 178672104X 9781786731043 1786731045 |
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| 245 | 1 | 0 | |a Liquid space : |b science fiction film and television in the digital age / |c Sean Redmond. |
| 264 | 1 | |a London : |b I.B. Tauris & Co. Ltd, |c 2017. | |
| 300 | |a 1 online resource (200 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a International library of the moving image ; |v 15 | |
| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Introduction: liquid space -- Then and now: television time travel and the once wonderful end to the working day -- Eye-tracking the sublime in spectacular moments of science fiction film -- Emptying spaces: digital deterritorialisation -- Liquid bodies -- Millennial whiteness and cinematic outer space -- Liquid terror -- Sounding liquid science fiction -- Conclusion: we never let the fire go out. | |
| 520 | 8 | |a In this remarkable and original book, Sean Redmond examines the issues and themes that are repeatedly found across a range of contemporary science fiction films and television programmes. He argues that they reveal the profound effects the digital age has had on our social lives. Through narratives that feature the 'post-human', genetic engineering and cloning, surveillance and data mining, space and time travel, artificial intelligence, online dating cultures and visions of catastrophe, they portray a world in which the material, and the stable, are being lost to the ever-more volatile and ephemeral idea of 'liquid space'. Redmond examines a wide selection of popular films and TV series such as Gravity, Under the Skin, The Lobster, Children of Men and Doctor Who, to locate how traditional values are being erased in favour of a new liquid modernity. Drawing on an eclectic range of approaches from phenomenology to critical race theory, and from close textual analysis to the revelations of eye-tracking technology, this book is an illuminating account of the digital age through the lens of science fiction. | |
| 650 | 0 | |a Science fiction films |x History and criticism. | |
| 650 | 0 | |a Digital cinematography. |0 http://id.loc.gov/authorities/subjects/sh2001001797 | |
| 650 | 6 | |a Films de science-fiction |x Histoire et critique. | |
| 650 | 6 | |a Cinéma numérique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Digital cinematography |2 fast | |
| 650 | 7 | |a Science fiction films |2 fast | |
| 650 | 7 | |a Performing Arts. |2 ukslc | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Liquid space (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGWhVJGvb4kv8yPKMRFRDm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Redmond, Sean, 1967- |t Liquid space |z 1780761864 |w (OCoLC)982099481 |
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Datensatz im Suchindex
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| _version_ | 1816882389438169088 |
| adam_text | |
| any_adam_object | |
| author | Redmond, Sean, 1967- |
| author_GND | http://id.loc.gov/authorities/names/n2005085494 |
| author_facet | Redmond, Sean, 1967- |
| author_role | aut |
| author_sort | Redmond, Sean, 1967- |
| author_variant | s r sr |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
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| callnumber-search | PN1995.9.S26 R44 2017eb |
| callnumber-sort | PN 41995.9 S26 R44 42017EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: liquid space -- Then and now: television time travel and the once wonderful end to the working day -- Eye-tracking the sublime in spectacular moments of science fiction film -- Emptying spaces: digital deterritorialisation -- Liquid bodies -- Millennial whiteness and cinematic outer space -- Liquid terror -- Sounding liquid science fiction -- Conclusion: we never let the fire go out. |
| ctrlnum | (OCoLC)987474055 |
| dewey-full | 791.43615 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43615 |
| dewey-search | 791.43615 |
| dewey-sort | 3791.43615 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:50Z |
| institution | BVB |
| isbn | 9781786721044 178672104X 9781786731043 1786731045 |
| language | English |
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| physical | 1 online resource (200 pages) : illustrations |
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| publishDate | 2017 |
| publishDateSearch | 2017 |
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| publisher | I.B. Tauris & Co. Ltd, |
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| series | International library of the moving image ; |
| series2 | International library of the moving image ; |
| spelling | Redmond, Sean, 1967- author. https://id.oclc.org/worldcat/entity/E39PCjFxrpHq3k6dBdD3tHJwwd http://id.loc.gov/authorities/names/n2005085494 Liquid space : science fiction film and television in the digital age / Sean Redmond. London : I.B. Tauris & Co. Ltd, 2017. 1 online resource (200 pages) : illustrations text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier International library of the moving image ; 15 Includes bibliographical references and index. Print version record. Introduction: liquid space -- Then and now: television time travel and the once wonderful end to the working day -- Eye-tracking the sublime in spectacular moments of science fiction film -- Emptying spaces: digital deterritorialisation -- Liquid bodies -- Millennial whiteness and cinematic outer space -- Liquid terror -- Sounding liquid science fiction -- Conclusion: we never let the fire go out. In this remarkable and original book, Sean Redmond examines the issues and themes that are repeatedly found across a range of contemporary science fiction films and television programmes. He argues that they reveal the profound effects the digital age has had on our social lives. Through narratives that feature the 'post-human', genetic engineering and cloning, surveillance and data mining, space and time travel, artificial intelligence, online dating cultures and visions of catastrophe, they portray a world in which the material, and the stable, are being lost to the ever-more volatile and ephemeral idea of 'liquid space'. Redmond examines a wide selection of popular films and TV series such as Gravity, Under the Skin, The Lobster, Children of Men and Doctor Who, to locate how traditional values are being erased in favour of a new liquid modernity. Drawing on an eclectic range of approaches from phenomenology to critical race theory, and from close textual analysis to the revelations of eye-tracking technology, this book is an illuminating account of the digital age through the lens of science fiction. Science fiction films History and criticism. Digital cinematography. http://id.loc.gov/authorities/subjects/sh2001001797 Films de science-fiction Histoire et critique. Cinéma numérique. PERFORMING ARTS Reference. bisacsh Digital cinematography fast Science fiction films fast Performing Arts. ukslc Criticism, interpretation, etc. fast has work: Liquid space (Text) https://id.oclc.org/worldcat/entity/E39PCGWhVJGvb4kv8yPKMRFRDm https://id.oclc.org/worldcat/ontology/hasWork Print version: Redmond, Sean, 1967- Liquid space 1780761864 (OCoLC)982099481 International library of the moving image ; 15. http://id.loc.gov/authorities/names/no2012142204 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1520204 Volltext |
| spellingShingle | Redmond, Sean, 1967- Liquid space : science fiction film and television in the digital age / International library of the moving image ; Introduction: liquid space -- Then and now: television time travel and the once wonderful end to the working day -- Eye-tracking the sublime in spectacular moments of science fiction film -- Emptying spaces: digital deterritorialisation -- Liquid bodies -- Millennial whiteness and cinematic outer space -- Liquid terror -- Sounding liquid science fiction -- Conclusion: we never let the fire go out. Science fiction films History and criticism. Digital cinematography. http://id.loc.gov/authorities/subjects/sh2001001797 Films de science-fiction Histoire et critique. Cinéma numérique. PERFORMING ARTS Reference. bisacsh Digital cinematography fast Science fiction films fast Performing Arts. ukslc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001001797 |
| title | Liquid space : science fiction film and television in the digital age / |
| title_auth | Liquid space : science fiction film and television in the digital age / |
| title_exact_search | Liquid space : science fiction film and television in the digital age / |
| title_full | Liquid space : science fiction film and television in the digital age / Sean Redmond. |
| title_fullStr | Liquid space : science fiction film and television in the digital age / Sean Redmond. |
| title_full_unstemmed | Liquid space : science fiction film and television in the digital age / Sean Redmond. |
| title_short | Liquid space : |
| title_sort | liquid space science fiction film and television in the digital age |
| title_sub | science fiction film and television in the digital age / |
| topic | Science fiction films History and criticism. Digital cinematography. http://id.loc.gov/authorities/subjects/sh2001001797 Films de science-fiction Histoire et critique. Cinéma numérique. PERFORMING ARTS Reference. bisacsh Digital cinematography fast Science fiction films fast Performing Arts. ukslc |
| topic_facet | Science fiction films History and criticism. Digital cinematography. Films de science-fiction Histoire et critique. Cinéma numérique. PERFORMING ARTS Reference. Digital cinematography Science fiction films Performing Arts. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1520204 |
| work_keys_str_mv | AT redmondsean liquidspacesciencefictionfilmandtelevisioninthedigitalage |