Depicting Dante in Anglo-Italian literary and visual arts :: allegory, authority and authenticity /
In the course of 750 years, Dante Alighieri has been made into a universally important icon deeply engrained in the world's cultural memory. This book examines key stages of Dante's appropriation in Western cultural history by exploring the intermedial relationship between Dante's Div...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2016.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In the course of 750 years, Dante Alighieri has been made into a universally important icon deeply engrained in the world's cultural memory. This book examines key stages of Dante's appropriation in Western cultural history by exploring the intermedial relationship between Dante's Divina Commedia, the tradition of his iconography, and selected historical, literary and artistic responses from British artists in the 19th and 20th centuries. The images and iconographies created out of Dantean appropriations almost always centre around the triad of allegory, authority and authenticity. These three important aspects of revisiting Dante are found in the Dantean image fostered in Florence in the 14th and 15th centuries and feature prominently in the works of Dante Gabriel Rossetti, T.S. Eliot and Tom Phillips. Their appropriation of Dante represents landmarks in the productive reception of the Florentine, and is invariably linked to a tradition of Dante studies established in Britain during the middle of the 19th century. For Dante Gabriel Rossetti the Florentine provides a model for Victorian Dantean self-fashioning and becomes an allegory of authenticity and morality. For T.S. Eliot, Dante represents the voice of literary authority in Modernist poetry and serves as the allegory of a visionary European author. For Tom Phillips, the engagement with Dante and his text represents an intertextual and intermedial endeavour, which provides him with a rich cultural tapestry of art, thought and ideas on the Western world. |
| Beschreibung: | 1 online resource (xv, 216 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781443891813 1443891819 |
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| 520 | 8 | |a In the course of 750 years, Dante Alighieri has been made into a universally important icon deeply engrained in the world's cultural memory. This book examines key stages of Dante's appropriation in Western cultural history by exploring the intermedial relationship between Dante's Divina Commedia, the tradition of his iconography, and selected historical, literary and artistic responses from British artists in the 19th and 20th centuries. The images and iconographies created out of Dantean appropriations almost always centre around the triad of allegory, authority and authenticity. These three important aspects of revisiting Dante are found in the Dantean image fostered in Florence in the 14th and 15th centuries and feature prominently in the works of Dante Gabriel Rossetti, T.S. Eliot and Tom Phillips. Their appropriation of Dante represents landmarks in the productive reception of the Florentine, and is invariably linked to a tradition of Dante studies established in Britain during the middle of the 19th century. For Dante Gabriel Rossetti the Florentine provides a model for Victorian Dantean self-fashioning and becomes an allegory of authenticity and morality. For T.S. Eliot, Dante represents the voice of literary authority in Modernist poetry and serves as the allegory of a visionary European author. For Tom Phillips, the engagement with Dante and his text represents an intertextual and intermedial endeavour, which provides him with a rich cultural tapestry of art, thought and ideas on the Western world. | |
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| spelling | Lehner, Christoph, author. Depicting Dante in Anglo-Italian literary and visual arts : allegory, authority and authenticity / by Christoph Lehner. Newcastle upon Tyne : Cambridge Scholars Publishing, 2016. 1 online resource (xv, 216 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier In the course of 750 years, Dante Alighieri has been made into a universally important icon deeply engrained in the world's cultural memory. This book examines key stages of Dante's appropriation in Western cultural history by exploring the intermedial relationship between Dante's Divina Commedia, the tradition of his iconography, and selected historical, literary and artistic responses from British artists in the 19th and 20th centuries. The images and iconographies created out of Dantean appropriations almost always centre around the triad of allegory, authority and authenticity. These three important aspects of revisiting Dante are found in the Dantean image fostered in Florence in the 14th and 15th centuries and feature prominently in the works of Dante Gabriel Rossetti, T.S. Eliot and Tom Phillips. Their appropriation of Dante represents landmarks in the productive reception of the Florentine, and is invariably linked to a tradition of Dante studies established in Britain during the middle of the 19th century. For Dante Gabriel Rossetti the Florentine provides a model for Victorian Dantean self-fashioning and becomes an allegory of authenticity and morality. For T.S. Eliot, Dante represents the voice of literary authority in Modernist poetry and serves as the allegory of a visionary European author. For Tom Phillips, the engagement with Dante and his text represents an intertextual and intermedial endeavour, which provides him with a rich cultural tapestry of art, thought and ideas on the Western world. Includes bibliographical references and index. Print version record. Dante Alighieri, 1265-1321 Art. Dante Alighieri, 1265-1321 In literature. Dante Alighieri, 1265-1321 Influence. Dante Alighieri, 1265-1321 fast Allegory. http://id.loc.gov/authorities/subjects/sh85003642 Allégorie. Literary studies: general. bicssc Literature & literary studies. bicssc Cultural studies. bicssc POETRY Continental European. bisacsh Allegory fast Influence (Literary, artistic, etc.) fast Literature fast Art fast has work: Depicting Dante in Anglo-Italian literary and visual arts (Text) https://id.oclc.org/worldcat/entity/E39PCGYtybxKfhkJ8X84mfwDMP https://id.oclc.org/worldcat/ontology/hasWork Print version: Lehner, Christoph. Depicting Dante in Anglo-Italian literary and visual arts. Newcastle upon Tyne : Cambridge Scholars Publishing, 2016 9781443899352 (OCoLC)986973192 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1517739 Volltext |
| spellingShingle | Lehner, Christoph Depicting Dante in Anglo-Italian literary and visual arts : allegory, authority and authenticity / Dante Alighieri, 1265-1321 Art. Dante Alighieri, 1265-1321 In literature. Dante Alighieri, 1265-1321 Influence. Dante Alighieri, 1265-1321 fast Allegory. http://id.loc.gov/authorities/subjects/sh85003642 Allégorie. Literary studies: general. bicssc Literature & literary studies. bicssc Cultural studies. bicssc POETRY Continental European. bisacsh Allegory fast Influence (Literary, artistic, etc.) fast Literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85003642 |
| title | Depicting Dante in Anglo-Italian literary and visual arts : allegory, authority and authenticity / |
| title_auth | Depicting Dante in Anglo-Italian literary and visual arts : allegory, authority and authenticity / |
| title_exact_search | Depicting Dante in Anglo-Italian literary and visual arts : allegory, authority and authenticity / |
| title_full | Depicting Dante in Anglo-Italian literary and visual arts : allegory, authority and authenticity / by Christoph Lehner. |
| title_fullStr | Depicting Dante in Anglo-Italian literary and visual arts : allegory, authority and authenticity / by Christoph Lehner. |
| title_full_unstemmed | Depicting Dante in Anglo-Italian literary and visual arts : allegory, authority and authenticity / by Christoph Lehner. |
| title_short | Depicting Dante in Anglo-Italian literary and visual arts : |
| title_sort | depicting dante in anglo italian literary and visual arts allegory authority and authenticity |
| title_sub | allegory, authority and authenticity / |
| topic | Dante Alighieri, 1265-1321 Art. Dante Alighieri, 1265-1321 In literature. Dante Alighieri, 1265-1321 Influence. Dante Alighieri, 1265-1321 fast Allegory. http://id.loc.gov/authorities/subjects/sh85003642 Allégorie. Literary studies: general. bicssc Literature & literary studies. bicssc Cultural studies. bicssc POETRY Continental European. bisacsh Allegory fast Influence (Literary, artistic, etc.) fast Literature fast |
| topic_facet | Dante Alighieri, 1265-1321 Art. Dante Alighieri, 1265-1321 In literature. Dante Alighieri, 1265-1321 Influence. Dante Alighieri, 1265-1321 Allegory. Allégorie. Literary studies: general. Literature & literary studies. Cultural studies. POETRY Continental European. Allegory Influence (Literary, artistic, etc.) Literature Art |
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