The irony of the ideal :: paradoxes of Russian literature /
This book explores the major paradoxes of Russian literature as a manifestation of both tragic and ironic contradictions of human nature and national character. Russian literature, from Pushkin and Gogol to Chekhov, Nabokov and to postmodernist writers, is studied as a holistic text that plays on th...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English Russian |
| Veröffentlicht: |
Boston :
Academic Studies Press,
2018.
|
| Schriftenreihe: | Ars Rossika.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | This book explores the major paradoxes of Russian literature as a manifestation of both tragic and ironic contradictions of human nature and national character. Russian literature, from Pushkin and Gogol to Chekhov, Nabokov and to postmodernist writers, is studied as a holistic text that plays on the reversal of such opposites as being and nothingness, reality and simulation, and rationality and absurdity. The glorification of Mother Russia exposes her character as a witch; a little man is transformed into a Christ figure; consistent rationality betrays its inherent madness, and extreme verbosity produces the effect of silence. The greatest Russian writers were masters of spiritual self-denial and artistic self-destruction, which explains many paradoxes and unpredictable twists of Russian history up to our time. |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781618116338 1618116339 |
Internformat
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| 240 | 1 | 0 | |a Ironii︠a︡ ideala. |l English |
| 245 | 1 | 4 | |a The irony of the ideal : |b paradoxes of Russian literature / |c Mikhail Epstein ; translated by A.S. Brown. |
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Front matter -- |t Contents -- |t Acknowledgments -- |t Translator's Note -- |t Introduction -- |t Part I: The Titanic and the Demonic: Faust's Heirs -- |t 1. Faust and Peter on the Seashore: From Goethe to Pushkin -- |t 2. The Bronze Horseman and the Golden Fish: Pushkin's Fairy Tale-Poem -- |t 3. The Motherland-Witch: The Irony of Style in Nikolai Gogol -- |t Part II: The Great in the Little: Bashmachkin's Offspring -- |t 1. The Saintly Scribe: Akaky Bashmachkin and Prince Myshkin -- |t 2. The Figure of Repetition: The Philosopher Nikolai Fedorov and His Literary Prototypes -- |t 3. The Little Man in a Case: The Bashmachkin-Belikov Syndrome -- |t Part III: The Irony of Harmony -- |t 1. Childhood and the Myth of Harmony -- |t 2. The Defamiliarization of Lev Tolstoy -- |t 3. Soviet Heroics and the Oedipus Complex -- |t Part IV: Being as Nothingness -- |t 1. A Farewell to Objects, or, the Nabokovian in Nabokov -- |t 2. The Secret of Being and Nonbeing in Vladimir Nabokov -- |t 3. Andrei Platonov between Nonbeing and Resurrection -- |t 4. Dream and Battle: Oblomov, Korchagin, Kopenkin -- |t Part V: The Silence of the Word -- |t 1. Language and Silence as Forms of Being -- |t 2. The Ideology and Magic of the Word: Anton Chekhov, Daniil Kharms, and Vladimir Sorokin -- |t 3. The Russian Code of Silence: Politics and Mysticism -- |t Part VI: Madness and Reason -- |t 1. Methods of Madness and Madness as a Method: Poets and Philosophers -- |t 2. Poetry as Ecstasy and as Interpretation: Boris Pasternak and Osip Mandel'shtam -- |t 3. The Lyric of Idiotic Reason: Folkloric Philosophy in Dmitrii Prigov -- |t The Cyclical Development of Russian Literature -- |t Conclusion -- |t Works Cited -- |t Index of Subjects -- |t Index of Names |
| 520 | |a This book explores the major paradoxes of Russian literature as a manifestation of both tragic and ironic contradictions of human nature and national character. Russian literature, from Pushkin and Gogol to Chekhov, Nabokov and to postmodernist writers, is studied as a holistic text that plays on the reversal of such opposites as being and nothingness, reality and simulation, and rationality and absurdity. The glorification of Mother Russia exposes her character as a witch; a little man is transformed into a Christ figure; consistent rationality betrays its inherent madness, and extreme verbosity produces the effect of silence. The greatest Russian writers were masters of spiritual self-denial and artistic self-destruction, which explains many paradoxes and unpredictable twists of Russian history up to our time. | ||
| 650 | 0 | |a Russian literature |x History and criticism. | |
| 650 | 0 | |a Paradox in literature. |0 http://id.loc.gov/authorities/subjects/sh94007527 | |
| 650 | 6 | |a Littérature russe |x Histoire et critique. | |
| 650 | 6 | |a Paradoxe dans la littérature. | |
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| adam_text | |
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| author | Epstein, Mikhail |
| author2 | Brown, A. S. (Avram S.) |
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| contents | Front matter -- Contents -- Acknowledgments -- Translator's Note -- Introduction -- Part I: The Titanic and the Demonic: Faust's Heirs -- 1. Faust and Peter on the Seashore: From Goethe to Pushkin -- 2. The Bronze Horseman and the Golden Fish: Pushkin's Fairy Tale-Poem -- 3. The Motherland-Witch: The Irony of Style in Nikolai Gogol -- Part II: The Great in the Little: Bashmachkin's Offspring -- 1. The Saintly Scribe: Akaky Bashmachkin and Prince Myshkin -- 2. The Figure of Repetition: The Philosopher Nikolai Fedorov and His Literary Prototypes -- 3. The Little Man in a Case: The Bashmachkin-Belikov Syndrome -- Part III: The Irony of Harmony -- 1. Childhood and the Myth of Harmony -- 2. The Defamiliarization of Lev Tolstoy -- 3. Soviet Heroics and the Oedipus Complex -- Part IV: Being as Nothingness -- 1. A Farewell to Objects, or, the Nabokovian in Nabokov -- 2. The Secret of Being and Nonbeing in Vladimir Nabokov -- 3. Andrei Platonov between Nonbeing and Resurrection -- 4. Dream and Battle: Oblomov, Korchagin, Kopenkin -- Part V: The Silence of the Word -- 1. Language and Silence as Forms of Being -- 2. The Ideology and Magic of the Word: Anton Chekhov, Daniil Kharms, and Vladimir Sorokin -- 3. The Russian Code of Silence: Politics and Mysticism -- Part VI: Madness and Reason -- 1. Methods of Madness and Madness as a Method: Poets and Philosophers -- 2. Poetry as Ecstasy and as Interpretation: Boris Pasternak and Osip Mandel'shtam -- 3. The Lyric of Idiotic Reason: Folkloric Philosophy in Dmitrii Prigov -- The Cyclical Development of Russian Literature -- Conclusion -- Works Cited -- Index of Subjects -- Index of Names |
| ctrlnum | (OCoLC)985447852 |
| dewey-full | 891.709 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 891 - East Indo-European and Celtic literatures |
| dewey-raw | 891.709 |
| dewey-search | 891.709 |
| dewey-sort | 3891.709 |
| dewey-tens | 890 - Literatures of other languages |
| discipline | Slavistik |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn985447852 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:43:44Z |
| institution | BVB |
| isbn | 9781618116338 1618116339 |
| language | English Russian |
| lccn | 2017021255 |
| oclc_num | 985447852 |
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| series | Ars Rossika. |
| series2 | Ars Rossica |
| spelling | Epstein, Mikhail, author. Ironii︠a︡ ideala. English The irony of the ideal : paradoxes of Russian literature / Mikhail Epstein ; translated by A.S. Brown. Boston : Academic Studies Press, 2018. 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Ars Rossica Online resource; title from PDF title page (EBSCO, viewed February 19, 2018) Includes bibliographical references and index. Front matter -- Contents -- Acknowledgments -- Translator's Note -- Introduction -- Part I: The Titanic and the Demonic: Faust's Heirs -- 1. Faust and Peter on the Seashore: From Goethe to Pushkin -- 2. The Bronze Horseman and the Golden Fish: Pushkin's Fairy Tale-Poem -- 3. The Motherland-Witch: The Irony of Style in Nikolai Gogol -- Part II: The Great in the Little: Bashmachkin's Offspring -- 1. The Saintly Scribe: Akaky Bashmachkin and Prince Myshkin -- 2. The Figure of Repetition: The Philosopher Nikolai Fedorov and His Literary Prototypes -- 3. The Little Man in a Case: The Bashmachkin-Belikov Syndrome -- Part III: The Irony of Harmony -- 1. Childhood and the Myth of Harmony -- 2. The Defamiliarization of Lev Tolstoy -- 3. Soviet Heroics and the Oedipus Complex -- Part IV: Being as Nothingness -- 1. A Farewell to Objects, or, the Nabokovian in Nabokov -- 2. The Secret of Being and Nonbeing in Vladimir Nabokov -- 3. Andrei Platonov between Nonbeing and Resurrection -- 4. Dream and Battle: Oblomov, Korchagin, Kopenkin -- Part V: The Silence of the Word -- 1. Language and Silence as Forms of Being -- 2. The Ideology and Magic of the Word: Anton Chekhov, Daniil Kharms, and Vladimir Sorokin -- 3. The Russian Code of Silence: Politics and Mysticism -- Part VI: Madness and Reason -- 1. Methods of Madness and Madness as a Method: Poets and Philosophers -- 2. Poetry as Ecstasy and as Interpretation: Boris Pasternak and Osip Mandel'shtam -- 3. The Lyric of Idiotic Reason: Folkloric Philosophy in Dmitrii Prigov -- The Cyclical Development of Russian Literature -- Conclusion -- Works Cited -- Index of Subjects -- Index of Names This book explores the major paradoxes of Russian literature as a manifestation of both tragic and ironic contradictions of human nature and national character. Russian literature, from Pushkin and Gogol to Chekhov, Nabokov and to postmodernist writers, is studied as a holistic text that plays on the reversal of such opposites as being and nothingness, reality and simulation, and rationality and absurdity. The glorification of Mother Russia exposes her character as a witch; a little man is transformed into a Christ figure; consistent rationality betrays its inherent madness, and extreme verbosity produces the effect of silence. The greatest Russian writers were masters of spiritual self-denial and artistic self-destruction, which explains many paradoxes and unpredictable twists of Russian history up to our time. Russian literature History and criticism. Paradox in literature. http://id.loc.gov/authorities/subjects/sh94007527 Littérature russe Histoire et critique. Paradoxe dans la littérature. LITERARY CRITICISM / Russian & Former Soviet Union. bisacsh Paradox in literature fast Russian literature fast Criticism, interpretation, etc. fast Brown, A. S. (Avram S.), translator. http://id.loc.gov/authorities/names/no2017038218 has work: The irony of the ideal (Text) https://id.oclc.org/worldcat/entity/E39PCGj9qRrRb6MVjJyhwfM6w3 https://id.oclc.org/worldcat/ontology/hasWork Translation of: Epstein, Mikhail. Ironii︠a︡ ideala. Ars Rossika. http://id.loc.gov/authorities/names/no2011062722 |
| spellingShingle | Epstein, Mikhail The irony of the ideal : paradoxes of Russian literature / Ars Rossika. Front matter -- Contents -- Acknowledgments -- Translator's Note -- Introduction -- Part I: The Titanic and the Demonic: Faust's Heirs -- 1. Faust and Peter on the Seashore: From Goethe to Pushkin -- 2. The Bronze Horseman and the Golden Fish: Pushkin's Fairy Tale-Poem -- 3. The Motherland-Witch: The Irony of Style in Nikolai Gogol -- Part II: The Great in the Little: Bashmachkin's Offspring -- 1. The Saintly Scribe: Akaky Bashmachkin and Prince Myshkin -- 2. The Figure of Repetition: The Philosopher Nikolai Fedorov and His Literary Prototypes -- 3. The Little Man in a Case: The Bashmachkin-Belikov Syndrome -- Part III: The Irony of Harmony -- 1. Childhood and the Myth of Harmony -- 2. The Defamiliarization of Lev Tolstoy -- 3. Soviet Heroics and the Oedipus Complex -- Part IV: Being as Nothingness -- 1. A Farewell to Objects, or, the Nabokovian in Nabokov -- 2. The Secret of Being and Nonbeing in Vladimir Nabokov -- 3. Andrei Platonov between Nonbeing and Resurrection -- 4. Dream and Battle: Oblomov, Korchagin, Kopenkin -- Part V: The Silence of the Word -- 1. Language and Silence as Forms of Being -- 2. The Ideology and Magic of the Word: Anton Chekhov, Daniil Kharms, and Vladimir Sorokin -- 3. The Russian Code of Silence: Politics and Mysticism -- Part VI: Madness and Reason -- 1. Methods of Madness and Madness as a Method: Poets and Philosophers -- 2. Poetry as Ecstasy and as Interpretation: Boris Pasternak and Osip Mandel'shtam -- 3. The Lyric of Idiotic Reason: Folkloric Philosophy in Dmitrii Prigov -- The Cyclical Development of Russian Literature -- Conclusion -- Works Cited -- Index of Subjects -- Index of Names Russian literature History and criticism. Paradox in literature. http://id.loc.gov/authorities/subjects/sh94007527 Littérature russe Histoire et critique. Paradoxe dans la littérature. LITERARY CRITICISM / Russian & Former Soviet Union. bisacsh Paradox in literature fast Russian literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh94007527 |
| title | The irony of the ideal : paradoxes of Russian literature / |
| title_alt | Ironii︠a︡ ideala. Front matter -- Contents -- Acknowledgments -- Translator's Note -- Introduction -- Part I: The Titanic and the Demonic: Faust's Heirs -- 1. Faust and Peter on the Seashore: From Goethe to Pushkin -- 2. The Bronze Horseman and the Golden Fish: Pushkin's Fairy Tale-Poem -- 3. The Motherland-Witch: The Irony of Style in Nikolai Gogol -- Part II: The Great in the Little: Bashmachkin's Offspring -- 1. The Saintly Scribe: Akaky Bashmachkin and Prince Myshkin -- 2. The Figure of Repetition: The Philosopher Nikolai Fedorov and His Literary Prototypes -- 3. The Little Man in a Case: The Bashmachkin-Belikov Syndrome -- Part III: The Irony of Harmony -- 1. Childhood and the Myth of Harmony -- 2. The Defamiliarization of Lev Tolstoy -- 3. Soviet Heroics and the Oedipus Complex -- Part IV: Being as Nothingness -- 1. A Farewell to Objects, or, the Nabokovian in Nabokov -- 2. The Secret of Being and Nonbeing in Vladimir Nabokov -- 3. Andrei Platonov between Nonbeing and Resurrection -- 4. Dream and Battle: Oblomov, Korchagin, Kopenkin -- Part V: The Silence of the Word -- 1. Language and Silence as Forms of Being -- 2. The Ideology and Magic of the Word: Anton Chekhov, Daniil Kharms, and Vladimir Sorokin -- 3. The Russian Code of Silence: Politics and Mysticism -- Part VI: Madness and Reason -- 1. Methods of Madness and Madness as a Method: Poets and Philosophers -- 2. Poetry as Ecstasy and as Interpretation: Boris Pasternak and Osip Mandel'shtam -- 3. The Lyric of Idiotic Reason: Folkloric Philosophy in Dmitrii Prigov -- The Cyclical Development of Russian Literature -- Conclusion -- Works Cited -- Index of Subjects -- Index of Names |
| title_auth | The irony of the ideal : paradoxes of Russian literature / |
| title_exact_search | The irony of the ideal : paradoxes of Russian literature / |
| title_full | The irony of the ideal : paradoxes of Russian literature / Mikhail Epstein ; translated by A.S. Brown. |
| title_fullStr | The irony of the ideal : paradoxes of Russian literature / Mikhail Epstein ; translated by A.S. Brown. |
| title_full_unstemmed | The irony of the ideal : paradoxes of Russian literature / Mikhail Epstein ; translated by A.S. Brown. |
| title_short | The irony of the ideal : |
| title_sort | irony of the ideal paradoxes of russian literature |
| title_sub | paradoxes of Russian literature / |
| topic | Russian literature History and criticism. Paradox in literature. http://id.loc.gov/authorities/subjects/sh94007527 Littérature russe Histoire et critique. Paradoxe dans la littérature. LITERARY CRITICISM / Russian & Former Soviet Union. bisacsh Paradox in literature fast Russian literature fast |
| topic_facet | Russian literature History and criticism. Paradox in literature. Littérature russe Histoire et critique. Paradoxe dans la littérature. LITERARY CRITICISM / Russian & Former Soviet Union. Paradox in literature Russian literature Criticism, interpretation, etc. |
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